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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2711C it is the complementary color #2D8EE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2711C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2711C shade: #D77117, #E8832A, #F9953D, #FFA750 and #FFB963

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2711C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2711C shade: #D2711C, #C15F09, #B04D00, #9F3B00 and #8E2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2711C shade: #D2711C, #D2401C and #D21C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2711C shade: #D2711C, #D2A21C, #D1D21C, #A0D21C and #6FD21C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2711C shade matches the following richer shades: #D2711C and #E67009

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2711C shade: #D2711C, #BF7330, #AC7443, #987556 and #85766A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2711C shade: #D21C28, #D2411C, #D2711C, #D2A21C and #D2D21C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2711C shade: #8A4A12, #AE5E17, #D2711C, #E38635 and #E89C59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2711C shade: #D2711C, #59D21C and #281CD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2711C shade: #D2711C, #1CD271 and #711CD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2711C shade: #D2711C, #59D21C, #1C7DD2 and #961CD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2711C shade: #D2711C, #22D21C, #1C7DD2 and #CC1CD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 87 / 18

HEX #D2711C

RGB 210 113 28

HSL 28.02, 0.76%, 0.47%

LAB 57.65, 32.87, 58.79

 

Complementary color

CMYK 80 / 37 / 0 / 11

HEX #2D8EE3

RGB 45 142 227

HSL 208.02, 0.76%, 0.53%

LAB 57.51, 1.87, -50.89

 

CMYK 0 / 47 / 89 / 16

HEX #D77117

RGB 215 113 23

HSL 28.13, 0.81%, 0.47%

LAB 58.34, 34.8, 61.17

 

CMYK 0 / 44 / 82 / 9

HEX #E8832A

RGB 232 131 42

HSL 28.11, 0.81%, 0.54%

LAB 64.61, 32.82, 60.96

 

CMYK 0 / 40 / 76 / 2

HEX #F9953D

RGB 249 149 61

HSL 28.09, 0.94%, 0.61%

LAB 70.85, 31.03, 59.97

 

CMYK 0 / 35 / 69 / 0

HEX #FFA750

RGB 255 167 80

HSL 29.83, 1%, 0.66%

LAB 75.75, 24.97, 56.85

 

CMYK 0 / 27 / 61 / 0

HEX #FFB963

RGB 255 185 99

HSL 33.08, 1%, 0.69%

LAB 80.1, 16.69, 52.82

 

CMYK 0 / 46 / 87 / 18

HEX #D2711C

RGB 210 113 28

HSL 28.02, 0.76%, 0.47%

LAB 57.65, 32.87, 58.79

 

CMYK 0 / 51 / 95 / 24

HEX #C15F09

RGB 193 95 9

HSL 28.04, 0.91%, 0.4%

LAB 51.31, 34.98, 58.08

 

CMYK 0 / 56 / 100 / 31

HEX #B04D00

RGB 176 77 0

HSL 26.25, 1%, 0.35%

LAB 44.99, 37.23, 54.96

 

CMYK 0 / 63 / 100 / 38

HEX #9F3B00

RGB 159 59 0

HSL 22.26, 1%, 0.31%

LAB 38.72, 39.41, 49.96

 

CMYK 0 / 71 / 100 / 44

HEX #8E2900

RGB 142 41 0

HSL 17.32, 1%, 0.28%

LAB 32.56, 41.16, 44.89

 

CMYK 0 / 46 / 87 / 18

HEX #D2711C

RGB 210 113 28

HSL 28.02, 0.76%, 0.47%

LAB 57.65, 32.87, 58.79

 

CMYK 0 / 70 / 87 / 18

HEX #D2401C

RGB 210 64 28

HSL 11.87, 0.76%, 0.47%

LAB 48.82, 55.72, 51.64

 

CMYK 0 / 87 / 87 / 18

HEX #D21C1C

RGB 210 28 28

HSL 0, 0.76%, 0.47%

LAB 45.1, 66.13, 48.61

 

CMYK 0 / 46 / 87 / 18

HEX #D2711C

RGB 210 113 28

HSL 28.02, 0.76%, 0.47%

LAB 57.65, 32.87, 58.79

 

CMYK 0 / 23 / 87 / 18

HEX #D2A21C

RGB 210 162 28

HSL 44.18, 0.76%, 0.47%

LAB 69.2, 6.53, 68.12

 

CMYK 0 / 0 / 87 / 18

HEX #D1D21C

RGB 209 210 28

HSL 60.33, 0.76%, 0.47%

LAB 81.69, -18.67, 78.15

 

CMYK 24 / 0 / 87 / 18

HEX #A0D21C

RGB 160 210 28

HSL 76.48, 0.76%, 0.47%

LAB 78.26, -38.74, 73.92

 

CMYK 47 / 0 / 87 / 18

HEX #6FD21C

RGB 111 210 28

HSL 92.64, 0.76%, 0.47%

LAB 75.8, -55.95, 70.85

 

CMYK 0 / 46 / 87 / 18

HEX #D2711C

RGB 210 113 28

HSL 28.02, 0.76%, 0.47%

LAB 57.65, 32.87, 58.79

 

CMYK 0 / 51 / 96 / 10

HEX #E67009

RGB 230 112 9

HSL 27.96, 0.92%, 0.47%

LAB 60.28, 41.1, 66.62

 

CMYK 0 / 46 / 87 / 18

HEX #D2711C

RGB 210 113 28

HSL 28.02, 0.76%, 0.47%

LAB 57.65, 32.87, 58.79

 

CMYK 0 / 40 / 75 / 25

HEX #BF7330

RGB 191 115 48

HSL 28.11, 0.6%, 0.47%

LAB 55.64, 24.51, 48.01

 

CMYK 0 / 33 / 61 / 33

HEX #AC7443

RGB 172 116 67

HSL 28, 0.44%, 0.47%

LAB 53.67, 16.91, 35.62

 

CMYK 0 / 23 / 43 / 40

HEX #987556

RGB 152 117 86

HSL 28.18, 0.28%, 0.47%

LAB 51.92, 9.48, 22.36

 

CMYK 0 / 11 / 20 / 48

HEX #85766A

RGB 133 118 106

HSL 26.67, 0.11%, 0.47%

LAB 50.67, 3.72, 8.73

 

CMYK 0 / 87 / 81 / 18

HEX #D21C28

RGB 210 28 40

HSL 356.04, 0.76%, 0.47%

LAB 45.2, 66.41, 42.54

 

CMYK 0 / 69 / 87 / 18

HEX #D2411C

RGB 210 65 28

HSL 12.2, 0.76%, 0.47%

LAB 48.97, 55.33, 51.75

 

CMYK 0 / 46 / 87 / 18

HEX #D2711C

RGB 210 113 28

HSL 28.02, 0.76%, 0.47%

LAB 57.65, 32.87, 58.79

 

CMYK 0 / 23 / 87 / 18

HEX #D2A21C

RGB 210 162 28

HSL 44.18, 0.76%, 0.47%

LAB 69.2, 6.53, 68.12

 

CMYK 0 / 0 / 87 / 18

HEX #D2D21C

RGB 210 210 28

HSL 60, 0.76%, 0.47%

LAB 81.77, -18.25, 78.25

 

CMYK 0 / 46 / 87 / 46

HEX #8A4A12

RGB 138 74 18

HSL 28, 0.77%, 0.31%

LAB 38.45, 23.16, 42.18

 

CMYK 0 / 46 / 87 / 32

HEX #AE5E17

RGB 174 94 23

HSL 28.21, 0.77%, 0.39%

LAB 48.34, 27.84, 50.76

 

CMYK 0 / 46 / 87 / 18

HEX #D2711C

RGB 210 113 28

HSL 28.02, 0.76%, 0.47%

LAB 57.65, 32.87, 58.79

 

CMYK 0 / 41 / 77 / 11

HEX #E38635

RGB 227 134 53

HSL 27.93, 0.76%, 0.55%

LAB 64.67, 29.58, 56.36

 

CMYK 0 / 33 / 62 / 9

HEX #E89C59

RGB 232 156 89

HSL 28.11, 0.76%, 0.63%

LAB 70.63, 21.89, 46.04

 

CMYK 0 / 46 / 87 / 18

HEX #D2711C

RGB 210 113 28

HSL 28.02, 0.76%, 0.47%

LAB 57.65, 32.87, 58.79

 

CMYK 58 / 0 / 87 / 18

HEX #59D21C

RGB 89 210 28

HSL 99.89, 0.76%, 0.47%

LAB 75.01, -62.1, 69.87

 

CMYK 81 / 87 / 0 / 18

HEX #281CD2

RGB 40 28 210

HSL 243.96, 0.76%, 0.47%

LAB 29.25, 62.08, -87.25

 

CMYK 0 / 46 / 87 / 18

HEX #D2711C

RGB 210 113 28

HSL 28.02, 0.76%, 0.47%

LAB 57.65, 32.87, 58.79

 

CMYK 87 / 0 / 46 / 18

HEX #1CD271

RGB 28 210 113

HSL 148.02, 0.76%, 0.47%

LAB 74.53, -63.54, 36.29

 

CMYK 46 / 87 / 0 / 18

HEX #711CD2

RGB 113 28 210

HSL 268.02, 0.76%, 0.47%

LAB 35.97, 67.6, -75.91

 

CMYK 0 / 46 / 87 / 18

HEX #D2711C

RGB 210 113 28

HSL 28.02, 0.76%, 0.47%

LAB 57.65, 32.87, 58.79

 

CMYK 58 / 0 / 87 / 18

HEX #59D21C

RGB 89 210 28

HSL 99.89, 0.76%, 0.47%

LAB 75.01, -62.1, 69.87

 

CMYK 87 / 40 / 0 / 18

HEX #1C7DD2

RGB 28 125 210

HSL 208.02, 0.76%, 0.47%

LAB 51.34, 4.34, -51.18

 

CMYK 29 / 87 / 0 / 18

HEX #961CD2

RGB 150 28 210

HSL 280.22, 0.76%, 0.47%

LAB 41.16, 72.35, -67.2

 

CMYK 0 / 46 / 87 / 18

HEX #D2711C

RGB 210 113 28

HSL 28.02, 0.76%, 0.47%

LAB 57.65, 32.87, 58.79

 

CMYK 84 / 0 / 87 / 18

HEX #22D21C

RGB 34 210 28

HSL 118.02, 0.76%, 0.47%

LAB 73.88, -71.75, 68.44

 

CMYK 87 / 40 / 0 / 18

HEX #1C7DD2

RGB 28 125 210

HSL 208.02, 0.76%, 0.47%

LAB 51.34, 4.34, -51.18

 

CMYK 3 / 87 / 0 / 18

HEX #CC1CD2

RGB 204 28 210

HSL 298.02, 0.76%, 0.47%

LAB 49.88, 80.94, -52.68

 

Description

Color code: HEX #D2711C | qconv.com Color code: HEX #D2711C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 113 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 113 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 87 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 87% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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