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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D25E86 it is the complementary color #2DA179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D25E86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D25E86 shade: #D75E81, #E87094, #F982A7, #FF94BA and #FFA6CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D25E86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D25E86 shade: #D25E86, #C14C73, #B03A60, #9F284D and #8E163A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D25E86 shade: #D25F87, #D25F68 and #D25F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D25E86 shade: #D25F87, #D25FA6, #D25FC4, #C05FD2 and #A15FD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D25E86 shade matches the following richer shades: #D25F87, #E24F82 and #F33E7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D25E86 shade: #D25F87, #C1708C, #B18091, #A09196 and #90A19B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D25E86 shade: #D25FC4, #D25FA6, #D25F87, #D25F69 and #D2745F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D25E86 shade: #AE315C, #C93F6F, #D25F87, #DB809F and #E4A0B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D25E86 shade: #D25E86, #D2C05F and #5FB5D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D25E86 shade: #D25E86, #87D25F and #5F87D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D25E86 shade: #D25E86, #D2C05F, #5FD2AA and #5F71D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D25E86 shade: #D25E86, #C0D25F, #5FD2AA and #715FD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 36 / 18

HEX #D25E86

RGB 210 94 134

HSL 339.31, 0.56%, 0.6%

LAB 55.51, 49.75, 0.44

 

Complementary color

CMYK 72 / 0 / 25 / 37

HEX #2DA179

RGB 45 161 121

HSL 159.31, 0.56%, 0.4%

LAB 59.37, -41.62, 11.75

 

CMYK 0 / 56 / 40 / 16

HEX #D75E81

RGB 215 94 129

HSL 342.64, 0.6%, 0.61%

LAB 56.13, 50.84, 4.37

 

CMYK 0 / 52 / 36 / 9

HEX #E87094

RGB 232 112 148

HSL 342, 0.72%, 0.67%

LAB 62.41, 50.05, 2.72

 

CMYK 0 / 48 / 33 / 2

HEX #F982A7

RGB 249 130 167

HSL 341.34, 0.91%, 0.74%

LAB 68.68, 49.2, 1.31

 

CMYK 0 / 42 / 27 / 0

HEX #FF94BA

RGB 255 148 186

HSL 338.69, 1%, 0.79%

LAB 73.54, 44.63, -2.09

 

CMYK 0 / 35 / 20 / 0

HEX #FFA6CD

RGB 255 166 205

HSL 333.71, 1%, 0.83%

LAB 77.84, 38.05, -6.18

 

CMYK 0 / 55 / 36 / 18

HEX #D25E86

RGB 210 94 134

HSL 339.31, 0.56%, 0.6%

LAB 55.51, 49.75, 0.44

 

CMYK 0 / 61 / 40 / 24

HEX #C14C73

RGB 193 76 115

HSL 340, 0.49%, 0.53%

LAB 49.18, 50.42, 2.24

 

CMYK 0 / 67 / 45 / 31

HEX #B03A60

RGB 176 58 96

HSL 340.68, 0.5%, 0.46%

LAB 42.91, 50.85, 4.48

 

CMYK 0 / 75 / 52 / 38

HEX #9F284D

RGB 159 40 77

HSL 341.34, 0.6%, 0.39%

LAB 36.79, 50.8, 7.33

 

CMYK 0 / 85 / 59 / 44

HEX #8E163A

RGB 142 22 58

HSL 342, 0.73%, 0.32%

LAB 30.95, 49.89, 11.09

 

CMYK 0 / 55 / 36 / 18

HEX #D25F87

RGB 210 95 135

HSL 339.13, 0.56%, 0.6%

LAB 55.72, 49.39, 0.16

 

CMYK 0 / 55 / 50 / 18

HEX #D25F68

RGB 210 95 104

HSL 355.3, 0.56%, 0.6%

LAB 54.95, 46.18, 17.31

 

CMYK 0 / 55 / 55 / 18

HEX #D25F5F

RGB 210 95 95

HSL 0, 0.56%, 0.6%

LAB 54.77, 45.42, 22.33

 

CMYK 0 / 55 / 36 / 18

HEX #D25F87

RGB 210 95 135

HSL 339.13, 0.56%, 0.6%

LAB 55.72, 49.39, 0.16

 

CMYK 0 / 55 / 21 / 18

HEX #D25FA6

RGB 210 95 166

HSL 322.96, 0.56%, 0.6%

LAB 56.72, 53.44, -16.47

 

CMYK 0 / 55 / 7 / 18

HEX #D25FC4

RGB 210 95 196

HSL 307.3, 0.56%, 0.6%

LAB 57.91, 58.07, -31.92

 

CMYK 9 / 55 / 0 / 18

HEX #C05FD2

RGB 192 95 210

HSL 290.61, 0.56%, 0.6%

LAB 56.13, 55.69, -42.85

 

CMYK 23 / 55 / 0 / 18

HEX #A15FD2

RGB 161 95 210

HSL 274.43, 0.56%, 0.6%

LAB 52.3, 47.62, -49.17

 

CMYK 0 / 55 / 36 / 18

HEX #D25F87

RGB 210 95 135

HSL 339.13, 0.56%, 0.6%

LAB 55.72, 49.39, 0.16

 

CMYK 0 / 65 / 42 / 11

HEX #E24F82

RGB 226 79 130

HSL 339.18, 0.72%, 0.6%

LAB 55.45, 60.96, 3.03

 

CMYK 0 / 74 / 49 / 5

HEX #F33E7D

RGB 243 62 125

HSL 339.12, 0.88%, 0.6%

LAB 56.07, 71.36, 7.26

 

CMYK 0 / 55 / 36 / 18

HEX #D25F87

RGB 210 95 135

HSL 339.13, 0.56%, 0.6%

LAB 55.72, 49.39, 0.16

 

CMYK 0 / 42 / 27 / 24

HEX #C1708C

RGB 193 112 140

HSL 339.26, 0.4%, 0.6%

LAB 56.9, 35.49, -1.32

 

CMYK 0 / 28 / 18 / 31

HEX #B18091

RGB 177 128 145

HSL 339.18, 0.24%, 0.6%

LAB 58.82, 21.55, -1.63

 

CMYK 0 / 9 / 6 / 37

HEX #A09196

RGB 160 145 150

HSL 340, 0.07%, 0.6%

LAB 61.59, 6.47, -0.62

 

CMYK 11 / 0 / 4 / 37

HEX #90A19B

RGB 144 161 155

HSL 158.82, 0.08%, 0.6%

LAB 64.79, -7.19, 1.07

 

CMYK 0 / 55 / 7 / 18

HEX #D25FC4

RGB 210 95 196

HSL 307.3, 0.56%, 0.6%

LAB 57.91, 58.07, -31.92

 

CMYK 0 / 55 / 21 / 18

HEX #D25FA6

RGB 210 95 166

HSL 322.96, 0.56%, 0.6%

LAB 56.72, 53.44, -16.47

 

CMYK 0 / 55 / 36 / 18

HEX #D25F87

RGB 210 95 135

HSL 339.13, 0.56%, 0.6%

LAB 55.72, 49.39, 0.16

 

CMYK 0 / 55 / 50 / 18

HEX #D25F69

RGB 210 95 105

HSL 354.78, 0.56%, 0.6%

LAB 54.98, 46.27, 16.75

 

CMYK 0 / 45 / 55 / 18

HEX #D2745F

RGB 210 116 95

HSL 10.96, 0.56%, 0.6%

LAB 58.99, 34.76, 27.87

 

CMYK 0 / 72 / 47 / 32

HEX #AE315C

RGB 174 49 92

HSL 339.36, 0.56%, 0.44%

LAB 41.17, 53.38, 4.42

 

CMYK 0 / 69 / 45 / 21

HEX #C93F6F

RGB 201 63 111

HSL 339.13, 0.56%, 0.52%

LAB 48.41, 57.94, 3.72

 

CMYK 0 / 55 / 36 / 18

HEX #D25F87

RGB 210 95 135

HSL 339.13, 0.56%, 0.6%

LAB 55.72, 49.39, 0.16

 

CMYK 0 / 42 / 27 / 14

HEX #DB809F

RGB 219 128 159

HSL 339.56, 0.56%, 0.68%

LAB 64.16, 38.88, -1.22

 

CMYK 0 / 30 / 20 / 11

HEX #E4A0B7

RGB 228 160 183

HSL 339.71, 0.56%, 0.76%

LAB 72.93, 28.53, -1.69

 

CMYK 0 / 55 / 36 / 18

HEX #D25E86

RGB 210 94 134

HSL 339.31, 0.56%, 0.6%

LAB 55.51, 49.75, 0.44

 

CMYK 0 / 9 / 55 / 18

HEX #D2C05F

RGB 210 192 95

HSL 50.61, 0.56%, 0.6%

LAB 77.42, -5.89, 50.48

 

CMYK 55 / 14 / 0 / 18

HEX #5FB5D2

RGB 95 181 210

HSL 195.13, 0.56%, 0.6%

LAB 69.56, -17.83, -22.58

 

CMYK 0 / 55 / 36 / 18

HEX #D25E86

RGB 210 94 134

HSL 339.31, 0.56%, 0.6%

LAB 55.51, 49.75, 0.44

 

CMYK 36 / 0 / 55 / 18

HEX #87D25F

RGB 135 210 95

HSL 99.13, 0.56%, 0.6%

LAB 77.32, -43.52, 49.09

 

CMYK 55 / 36 / 0 / 18

HEX #5F87D2

RGB 95 135 210

HSL 219.13, 0.56%, 0.6%

LAB 56.5, 7.93, -42.85

 

CMYK 0 / 55 / 36 / 18

HEX #D25E86

RGB 210 94 134

HSL 339.31, 0.56%, 0.6%

LAB 55.51, 49.75, 0.44

 

CMYK 0 / 9 / 55 / 18

HEX #D2C05F

RGB 210 192 95

HSL 50.61, 0.56%, 0.6%

LAB 77.42, -5.89, 50.48

 

CMYK 55 / 0 / 19 / 18

HEX #5FD2AA

RGB 95 210 170

HSL 159.13, 0.56%, 0.6%

LAB 76.94, -42.14, 10.05

 

CMYK 55 / 46 / 0 / 18

HEX #5F71D2

RGB 95 113 210

HSL 230.61, 0.56%, 0.6%

LAB 50.57, 21.27, -52.28

 

CMYK 0 / 55 / 36 / 18

HEX #D25E86

RGB 210 94 134

HSL 339.31, 0.56%, 0.6%

LAB 55.51, 49.75, 0.44

 

CMYK 9 / 0 / 55 / 18

HEX #C0D25F

RGB 192 210 95

HSL 69.39, 0.56%, 0.6%

LAB 80.81, -22.31, 54.03

 

CMYK 55 / 0 / 19 / 18

HEX #5FD2AA

RGB 95 210 170

HSL 159.13, 0.56%, 0.6%

LAB 76.94, -42.14, 10.05

 

CMYK 46 / 55 / 0 / 18

HEX #715FD2

RGB 113 95 210

HSL 249.39, 0.56%, 0.6%

LAB 47.43, 36.07, -57.25

 

Description

Color code: HEX #D25E86 | qconv.com Color code: HEX #D25E86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 94 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 94 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 36 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 36% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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