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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D24599 it is the complementary color #2DBA66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D24599. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D24599 shade: #D74594, #E857A7, #F969BA, #FF7BCD and #FF8DE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D24599. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D24599 shade: #D24599, #C13386, #B02173, #9F0F60 and #8E004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D24599 shade: #D24699, #D24673, #D2464E and #D24646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D24599 shade: #D24699, #D246BF, #BF46D2, #9946D2 and #7346D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D24599 shade matches the following richer shades: #D24699, #E4339D and #F721A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D24599 shade: #D24699, #BF5896, #AD6B92, #9A7D8E and #87908B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D24599 shade: #BF46D2, #D246BF, #D2469A, #D24674 and #D2464F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D24599 shade: #9F266E, #C02E85, #D24699, #DA67AB and #E288BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D24599 shade: #D24599, #D29A46 and #46D2D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D24599 shade: #D24599, #9AD246 and #469AD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D24599 shade: #D24599, #D29A46, #46D27E and #467ED2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D24599 shade: #D24599, #D2C446, #46D27E and #4654D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 27 / 18

HEX #D24599

RGB 210 69 153

HSL 324.26, 0.61%, 0.55%

LAB 52.13, 62.86, -15.83

 

Complementary color

CMYK 76 / 0 / 45 / 27

HEX #2DBA66

RGB 45 186 102

HSL 144.26, 0.61%, 0.45%

LAB 67, -55.31, 32.27

 

CMYK 0 / 68 / 31 / 16

HEX #D74594

RGB 215 69 148

HSL 327.53, 0.65%, 0.56%

LAB 52.78, 63.63, -11.81

 

CMYK 0 / 63 / 28 / 9

HEX #E857A7

RGB 232 87 167

HSL 326.9, 0.76%, 0.63%

LAB 58.75, 63.58, -13.66

 

CMYK 0 / 58 / 25 / 2

HEX #F969BA

RGB 249 105 186

HSL 326.25, 0.92%, 0.69%

LAB 64.79, 63.25, -15.19

 

CMYK 0 / 52 / 20 / 0

HEX #FF7BCD

RGB 255 123 205

HSL 322.73, 1%, 0.74%

LAB 69.35, 59.45, -18.9

 

CMYK 0 / 45 / 12 / 0

HEX #FF8DE0

RGB 255 141 224

HSL 316.32, 1%, 0.78%

LAB 73.34, 53.64, -23.33

 

CMYK 0 / 67 / 27 / 18

HEX #D24599

RGB 210 69 153

HSL 324.26, 0.61%, 0.55%

LAB 52.13, 62.86, -15.83

 

CMYK 0 / 74 / 31 / 24

HEX #C13386

RGB 193 51 134

HSL 324.93, 0.58%, 0.48%

LAB 46.21, 62.46, -13.69

 

CMYK 0 / 81 / 35 / 31

HEX #B02173

RGB 176 33 115

HSL 325.59, 0.68%, 0.41%

LAB 40.5, 61.32, -10.94

 

CMYK 0 / 91 / 40 / 38

HEX #9F0F60

RGB 159 15 96

HSL 326.25, 0.83%, 0.34%

LAB 35.12, 59.04, -7.34

 

CMYK 0 / 100 / 46 / 44

HEX #8E004D

RGB 142 0 77

HSL 327.46, 1%, 0.28%

LAB 30.12, 55.42, -2.74

 

CMYK 0 / 67 / 27 / 18

HEX #D24699

RGB 210 70 153

HSL 324.43, 0.61%, 0.55%

LAB 52.27, 62.48, -15.62

 

CMYK 0 / 67 / 45 / 18

HEX #D24673

RGB 210 70 115

HSL 340.71, 0.61%, 0.55%

LAB 51.06, 58.29, 5.31

 

CMYK 0 / 67 / 63 / 18

HEX #D2464E

RGB 210 70 78

HSL 356.57, 0.61%, 0.55%

LAB 50.25, 55.4, 26.42

 

CMYK 0 / 67 / 67 / 18

HEX #D24646

RGB 210 70 70

HSL 0, 0.61%, 0.55%

LAB 50.13, 54.93, 30.96

 

CMYK 0 / 67 / 27 / 18

HEX #D24699

RGB 210 70 153

HSL 324.43, 0.61%, 0.55%

LAB 52.27, 62.48, -15.62

 

CMYK 0 / 67 / 9 / 18

HEX #D246BF

RGB 210 70 191

HSL 308.14, 0.61%, 0.55%

LAB 53.86, 67.78, -35.37

 

CMYK 9 / 67 / 0 / 18

HEX #BF46D2

RGB 191 70 210

HSL 291.86, 0.61%, 0.55%

LAB 51.96, 66.5, -49.48

 

CMYK 27 / 67 / 0 / 18

HEX #9946D2

RGB 153 70 210

HSL 275.57, 0.61%, 0.55%

LAB 46.72, 58.18, -58.17

 

CMYK 45 / 67 / 0 / 18

HEX #7346D2

RGB 115 70 210

HSL 259.29, 0.61%, 0.55%

LAB 42.27, 50.58, -65.58

 

CMYK 0 / 67 / 27 / 18

HEX #D24699

RGB 210 70 153

HSL 324.43, 0.61%, 0.55%

LAB 52.27, 62.48, -15.62

 

CMYK 0 / 78 / 31 / 11

HEX #E4339D

RGB 228 51 157

HSL 324.07, 0.77%, 0.55%

LAB 53.27, 73.8, -16.17

 

CMYK 0 / 87 / 35 / 3

HEX #F721A0

RGB 247 33 160

HSL 324.39, 0.93%, 0.55%

LAB 55.48, 82.3, -14.27

 

CMYK 0 / 67 / 27 / 18

HEX #D24699

RGB 210 70 153

HSL 324.43, 0.61%, 0.55%

LAB 52.27, 62.48, -15.62

 

CMYK 0 / 54 / 21 / 25

HEX #BF5896

RGB 191 88 150

HSL 323.88, 0.45%, 0.55%

LAB 52.13, 48.59, -14.33

 

CMYK 0 / 38 / 16 / 32

HEX #AD6B92

RGB 173 107 146

HSL 324.55, 0.29%, 0.55%

LAB 53.47, 32, -10.2

 

CMYK 0 / 19 / 8 / 40

HEX #9A7D8E

RGB 154 125 142

HSL 324.83, 0.13%, 0.55%

LAB 55.57, 14.15, -4.95

 

CMYK 6 / 0 / 3 / 44

HEX #87908B

RGB 135 144 139

HSL 146.67, 0.04%, 0.55%

LAB 58.94, -4.26, 1.52

 

CMYK 9 / 67 / 0 / 18

HEX #BF46D2

RGB 191 70 210

HSL 291.86, 0.61%, 0.55%

LAB 51.96, 66.5, -49.48

 

CMYK 0 / 67 / 9 / 18

HEX #D246BF

RGB 210 70 191

HSL 308.14, 0.61%, 0.55%

LAB 53.86, 67.78, -35.37

 

CMYK 0 / 67 / 27 / 18

HEX #D2469A

RGB 210 70 154

HSL 324, 0.61%, 0.55%

LAB 52.3, 62.61, -16.15

 

CMYK 0 / 67 / 45 / 18

HEX #D24674

RGB 210 70 116

HSL 340.29, 0.61%, 0.55%

LAB 51.09, 58.38, 4.74

 

CMYK 0 / 67 / 62 / 18

HEX #D2464F

RGB 210 70 79

HSL 356.14, 0.61%, 0.55%

LAB 50.27, 55.46, 25.85

 

CMYK 0 / 76 / 31 / 38

HEX #9F266E

RGB 159 38 110

HSL 324.3, 0.61%, 0.39%

LAB 37.63, 54.92, -12.45

 

CMYK 0 / 76 / 31 / 25

HEX #C02E85

RGB 192 46 133

HSL 324.25, 0.61%, 0.47%

LAB 45.43, 63.68, -14.28

 

CMYK 0 / 67 / 27 / 18

HEX #D24699

RGB 210 70 153

HSL 324.43, 0.61%, 0.55%

LAB 52.27, 62.48, -15.62

 

CMYK 0 / 53 / 22 / 15

HEX #DA67AB

RGB 218 103 171

HSL 324.52, 0.61%, 0.63%

LAB 59.48, 52.81, -15.08

 

CMYK 0 / 40 / 16 / 11

HEX #E288BE

RGB 226 136 190

HSL 324, 0.61%, 0.71%

LAB 67.65, 41.63, -13.45

 

CMYK 0 / 67 / 27 / 18

HEX #D24599

RGB 210 69 153

HSL 324.26, 0.61%, 0.55%

LAB 52.13, 62.86, -15.83

 

CMYK 0 / 27 / 67 / 18

HEX #D29A46

RGB 210 154 70

HSL 36, 0.61%, 0.55%

LAB 67.47, 12.53, 51

 

CMYK 67 / 0 / 0 / 18

HEX #46D2D2

RGB 70 210 210

HSL 180, 0.61%, 0.55%

LAB 77.31, -36.44, -10.96

 

CMYK 0 / 67 / 27 / 18

HEX #D24599

RGB 210 69 153

HSL 324.26, 0.61%, 0.55%

LAB 52.13, 62.86, -15.83

 

CMYK 27 / 0 / 67 / 18

HEX #9AD246

RGB 154 210 70

HSL 84, 0.61%, 0.55%

LAB 78.11, -39.01, 61.01

 

CMYK 67 / 27 / 0 / 18

HEX #469AD2

RGB 70 154 210

HSL 204, 0.61%, 0.55%

LAB 60.84, -7.83, -36.12

 

CMYK 0 / 67 / 27 / 18

HEX #D24599

RGB 210 69 153

HSL 324.26, 0.61%, 0.55%

LAB 52.13, 62.86, -15.83

 

CMYK 0 / 27 / 67 / 18

HEX #D29A46

RGB 210 154 70

HSL 36, 0.61%, 0.55%

LAB 67.47, 12.53, 51

 

CMYK 67 / 0 / 40 / 18

HEX #46D27E

RGB 70 210 126

HSL 144, 0.61%, 0.55%

LAB 75.39, -56.01, 30.95

 

CMYK 67 / 40 / 0 / 18

HEX #467ED2

RGB 70 126 210

HSL 216, 0.61%, 0.55%

LAB 52.81, 8.6, -48.77

 

CMYK 0 / 67 / 27 / 18

HEX #D24599

RGB 210 69 153

HSL 324.26, 0.61%, 0.55%

LAB 52.13, 62.86, -15.83

 

CMYK 0 / 7 / 67 / 18

HEX #D2C446

RGB 210 196 70

HSL 54, 0.61%, 0.55%

LAB 78.24, -9.64, 62.4

 

CMYK 67 / 0 / 40 / 18

HEX #46D27E

RGB 70 210 126

HSL 144, 0.61%, 0.55%

LAB 75.39, -56.01, 30.95

 

CMYK 67 / 60 / 0 / 18

HEX #4654D2

RGB 70 84 210

HSL 234, 0.61%, 0.55%

LAB 41.68, 34.89, -66.7

 

Description

Color code: HEX #D24599 | qconv.com Color code: HEX #D24599 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 69 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 69 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 27 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 27% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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