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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D21C6C it is the complementary color #2DE393. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D21C6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D21C6C shade: #D71C67, #E82E7A, #F9408D, #FF52A0 and #FF64B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D21C6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D21C6C shade: #D21C6C, #C10A59, #B00046, #9F0033 and #8E0020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D21C6C shade: #D21C6C, #D21C3B and #D21C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D21C6C shade: #D21C6C, #D21C9D, #D21CCF, #A51CD2 and #741CD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D21C6C shade matches the following richer shades: #D21C6C and #E6096A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D21C6C shade: #D21C6C, #BF306F, #AC4371, #985673 and #856A76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D21C6C shade: #D21CCF, #D21C9F, #D21C6E, #D21C3E and #D22B1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D21C6C shade: #8A1247, #AE175A, #D21C6C, #E33581 and #E85998

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D21C6C shade: #D21C6C, #D2A51C and #1CB7D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D21C6C shade: #D21C6C, #6ED21C and #1C6ED2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D21C6C shade: #D21C6C, #D2A51C, #1CD280 and #1C4AD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D21C6C shade: #D21C6C, #C9D21C, #1CD280 and #251CD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 49 / 18

HEX #D21C6C

RGB 210 28 108

HSL 333.63, 0.76%, 0.47%

LAB 46.47, 70.05, 2.97

 

Complementary color

CMYK 80 / 0 / 35 / 11

HEX #2DE393

RGB 45 227 147

HSL 153.63, 0.76%, 0.53%

LAB 80.52, -61.72, 26.92

 

CMYK 0 / 87 / 52 / 16

HEX #D71C67

RGB 215 28 103

HSL 335.94, 0.77%, 0.48%

LAB 47.31, 70.87, 7.39

 

CMYK 0 / 80 / 47 / 9

HEX #E82E7A

RGB 232 46 122

HSL 335.48, 0.8%, 0.55%

LAB 52.41, 72.7, 3.55

 

CMYK 0 / 74 / 43 / 2

HEX #F9408D

RGB 249 64 141

HSL 335.03, 0.94%, 0.61%

LAB 57.78, 73.72, 0.39

 

CMYK 0 / 68 / 37 / 0

HEX #FF52A0

RGB 255 82 160

HSL 332.95, 1%, 0.66%

LAB 61.51, 71.15, -5.1

 

CMYK 0 / 61 / 30 / 0

HEX #FF64B3

RGB 255 100 179

HSL 329.42, 1%, 0.7%

LAB 64.67, 66.24, -11.31

 

CMYK 0 / 87 / 49 / 18

HEX #D21C6C

RGB 210 28 108

HSL 333.63, 0.76%, 0.47%

LAB 46.47, 70.05, 2.97

 

CMYK 0 / 95 / 54 / 24

HEX #C10A59

RGB 193 10 89

HSL 334.1, 0.9%, 0.4%

LAB 41.65, 67.11, 7.51

 

CMYK 0 / 100 / 60 / 31

HEX #B00046

RGB 176 0 70

HSL 336.14, 1%, 0.35%

LAB 37.25, 62.89, 13.01

 

CMYK 0 / 100 / 68 / 38

HEX #9F0033

RGB 159 0 51

HSL 340.75, 1%, 0.31%

LAB 33.16, 57.69, 19.3

 

CMYK 0 / 100 / 77 / 44

HEX #8E0020

RGB 142 0 32

HSL 346.48, 1%, 0.28%

LAB 29.04, 52.54, 25.83

 

CMYK 0 / 87 / 49 / 18

HEX #D21C6C

RGB 210 28 108

HSL 333.63, 0.76%, 0.47%

LAB 46.47, 70.05, 2.97

 

CMYK 0 / 87 / 72 / 18

HEX #D21C3B

RGB 210 28 59

HSL 349.78, 0.76%, 0.47%

LAB 45.43, 67.07, 31.8

 

CMYK 0 / 87 / 87 / 18

HEX #D21C1C

RGB 210 28 28

HSL 0, 0.76%, 0.47%

LAB 45.1, 66.13, 48.61

 

CMYK 0 / 87 / 49 / 18

HEX #D21C6C

RGB 210 28 108

HSL 333.63, 0.76%, 0.47%

LAB 46.47, 70.05, 2.97

 

CMYK 0 / 87 / 25 / 18

HEX #D21C9D

RGB 210 28 157

HSL 317.47, 0.76%, 0.47%

LAB 48.22, 74.9, -24.2

 

CMYK 0 / 87 / 1 / 18

HEX #D21CCF

RGB 210 28 207

HSL 300.99, 0.76%, 0.47%

LAB 50.73, 81.54, -49.54

 

CMYK 21 / 87 / 0 / 18

HEX #A51CD2

RGB 165 28 210

HSL 285.16, 0.76%, 0.47%

LAB 43.48, 74.57, -63.32

 

CMYK 45 / 87 / 0 / 18

HEX #741CD2

RGB 116 28 210

HSL 269.01, 0.76%, 0.47%

LAB 36.36, 67.94, -75.26

 

CMYK 0 / 87 / 49 / 18

HEX #D21C6C

RGB 210 28 108

HSL 333.63, 0.76%, 0.47%

LAB 46.47, 70.05, 2.97

 

CMYK 0 / 96 / 54 / 10

HEX #E6096A

RGB 230 9 106

HSL 333.67, 0.92%, 0.47%

LAB 49.57, 76.89, 9.16

 

CMYK 0 / 87 / 49 / 18

HEX #D21C6C

RGB 210 28 108

HSL 333.63, 0.76%, 0.47%

LAB 46.47, 70.05, 2.97

 

CMYK 0 / 75 / 42 / 25

HEX #BF306F

RGB 191 48 111

HSL 333.57, 0.6%, 0.47%

LAB 44.71, 60.41, -1.88

 

CMYK 0 / 61 / 34 / 33

HEX #AC4371

RGB 172 67 113

HSL 333.71, 0.44%, 0.47%

LAB 44.2, 47.52, -4.24

 

CMYK 0 / 43 / 24 / 40

HEX #985673

RGB 152 86 115

HSL 333.64, 0.28%, 0.47%

LAB 45.04, 31.15, -4.55

 

CMYK 0 / 20 / 11 / 48

HEX #856A76

RGB 133 106 118

HSL 333.33, 0.11%, 0.47%

LAB 47.76, 12.84, -2.6

 

CMYK 0 / 87 / 1 / 18

HEX #D21CCF

RGB 210 28 207

HSL 300.99, 0.76%, 0.47%

LAB 50.73, 81.54, -49.54

 

CMYK 0 / 87 / 24 / 18

HEX #D21C9F

RGB 210 28 159

HSL 316.81, 0.76%, 0.47%

LAB 48.3, 75.14, -25.26

 

CMYK 0 / 87 / 48 / 18

HEX #D21C6E

RGB 210 28 110

HSL 332.97, 0.76%, 0.47%

LAB 46.52, 70.21, 1.81

 

CMYK 0 / 87 / 70 / 18

HEX #D21C3E

RGB 210 28 62

HSL 348.79, 0.76%, 0.47%

LAB 45.47, 67.2, 30.04

 

CMYK 0 / 80 / 87 / 18

HEX #D22B1C

RGB 210 43 28

HSL 4.95, 0.76%, 0.47%

LAB 46.33, 62.65, 49.61

 

CMYK 0 / 87 / 49 / 46

HEX #8A1247

RGB 138 18 71

HSL 333.5, 0.77%, 0.31%

LAB 30.13, 50.82, 1.17

 

CMYK 0 / 87 / 48 / 32

HEX #AE175A

RGB 174 23 90

HSL 333.38, 0.77%, 0.39%

LAB 38.46, 60.68, 1.79

 

CMYK 0 / 87 / 49 / 18

HEX #D21C6C

RGB 210 28 108

HSL 333.63, 0.76%, 0.47%

LAB 46.47, 70.05, 2.97

 

CMYK 0 / 77 / 43 / 11

HEX #E33581

RGB 227 53 129

HSL 333.79, 0.76%, 0.55%

LAB 52.36, 70.16, -0.86

 

CMYK 0 / 62 / 34 / 9

HEX #E85998

RGB 232 89 152

HSL 333.57, 0.76%, 0.63%

LAB 58.57, 60.97, -5.22

 

CMYK 0 / 87 / 49 / 18

HEX #D21C6C

RGB 210 28 108

HSL 333.63, 0.76%, 0.47%

LAB 46.47, 70.05, 2.97

 

CMYK 0 / 21 / 87 / 18

HEX #D2A51C

RGB 210 165 28

HSL 45.16, 0.76%, 0.47%

LAB 69.96, 4.93, 68.73

 

CMYK 87 / 13 / 0 / 18

HEX #1CB7D2

RGB 28 183 210

HSL 188.9, 0.76%, 0.47%

LAB 68.58, -27.8, -24.22

 

CMYK 0 / 87 / 49 / 18

HEX #D21C6C

RGB 210 28 108

HSL 333.63, 0.76%, 0.47%

LAB 46.47, 70.05, 2.97

 

CMYK 48 / 0 / 87 / 18

HEX #6ED21C

RGB 110 210 28

HSL 92.97, 0.76%, 0.47%

LAB 75.76, -56.26, 70.8

 

CMYK 87 / 48 / 0 / 18

HEX #1C6ED2

RGB 28 110 210

HSL 212.97, 0.76%, 0.47%

LAB 47.04, 13.73, -58.09

 

CMYK 0 / 87 / 49 / 18

HEX #D21C6C

RGB 210 28 108

HSL 333.63, 0.76%, 0.47%

LAB 46.47, 70.05, 2.97

 

CMYK 0 / 21 / 87 / 18

HEX #D2A51C

RGB 210 165 28

HSL 45.16, 0.76%, 0.47%

LAB 69.96, 4.93, 68.73

 

CMYK 87 / 0 / 39 / 18

HEX #1CD280

RGB 28 210 128

HSL 152.97, 0.76%, 0.47%

LAB 74.76, -60.82, 28.97

 

CMYK 87 / 65 / 0 / 18

HEX #1C4AD2

RGB 28 74 210

HSL 224.84, 0.76%, 0.47%

LAB 37.48, 37.03, -73.66

 

CMYK 0 / 87 / 49 / 18

HEX #D21C6C

RGB 210 28 108

HSL 333.63, 0.76%, 0.47%

LAB 46.47, 70.05, 2.97

 

CMYK 4 / 0 / 87 / 18

HEX #C9D21C

RGB 201 210 28

HSL 62.97, 0.76%, 0.47%

LAB 81.07, -22.05, 77.39

 

CMYK 87 / 0 / 39 / 18

HEX #1CD280

RGB 28 210 128

HSL 152.97, 0.76%, 0.47%

LAB 74.76, -60.82, 28.97

 

CMYK 82 / 87 / 0 / 18

HEX #251CD2

RGB 37 28 210

HSL 242.97, 0.76%, 0.47%

LAB 29.1, 61.96, -87.5

 

Description

Color code: HEX #D21C6C | qconv.com Color code: HEX #D21C6C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 28 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 28 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 49 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 49% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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