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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D210CE it is the complementary color #2DEF31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D210CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D210CE shade: #D710C9, #E822DC, #F934EF, #FF46FF and #FF58FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D210CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D210CE shade: #D210CE, #C100BB, #B000A8, #9F0095 and #8E0082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D210CE shade: #D00FCC, #D00F98, #D00F64, #D00F30 and #D00F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D210CE shade: #D00FCC, #A00FD0, #6C0FD0, #380FD0 and #0F0FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D210CE shade matches the following richer shades: #D00FCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D210CE shade: #D00FCC, #BE21BB, #AC34A9, #9A4698 and #885887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D210CE shade: #6C0FD0, #A00FD0, #D00FCD, #D00F9A and #D00F66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D210CE shade: #830981, #AA0CA7, #D00FCC, #ED1BE9 and #F042ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D210CE shade: #D210CE, #D0390F and #0FD086

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D210CE shade: #D210CE, #CDD00F and #0FCDD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D210CE shade: #D210CE, #D0390F, #0FD012 and #0FA6D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D210CE shade: #D210CE, #D0730F, #0FD012 and #0F6CD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 2 / 18

HEX #D210CE

RGB 210 16 206

HSL 301.24, 0.86%, 0.44%

LAB 50.13, 82.99, -49.92

 

Complementary color

CMYK 81 / 0 / 79 / 6

HEX #2DEF31

RGB 45 239 49

HSL 121.24, 0.86%, 0.56%

LAB 83.19, -77.87, 71.88

 

CMYK 0 / 93 / 7 / 16

HEX #D710C9

RGB 215 16 201

HSL 304.22, 0.86%, 0.45%

LAB 50.73, 83.14, -46.04

 

CMYK 0 / 85 / 5 / 9

HEX #E822DC

RGB 232 34 220

HSL 303.64, 0.81%, 0.52%

LAB 55.55, 86.33, -49.07

 

CMYK 0 / 79 / 4 / 2

HEX #F934EF

RGB 249 52 239

HSL 303.05, 0.94%, 0.59%

LAB 60.63, 88.56, -51.51

 

CMYK 0 / 73 / 0 / 0

HEX #FF46FF

RGB 255 70 255

HSL 300, 1%, 0.64%

LAB 64.05, 87.38, -54.9

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 0 / 92 / 2 / 18

HEX #D210CE

RGB 210 16 206

HSL 301.24, 0.86%, 0.44%

LAB 50.13, 82.99, -49.92

 

CMYK 0 / 100 / 3 / 24

HEX #C100BB

RGB 193 0 187

HSL 301.87, 1%, 0.38%

LAB 45.53, 78.81, -46.4

 

CMYK 0 / 100 / 5 / 31

HEX #B000A8

RGB 176 0 168

HSL 302.73, 1%, 0.35%

LAB 41.31, 73.23, -42.08

 

CMYK 0 / 100 / 6 / 38

HEX #9F0095

RGB 159 0 149

HSL 303.77, 1%, 0.31%

LAB 37.01, 67.54, -37.64

 

CMYK 0 / 100 / 8 / 44

HEX #8E0082

RGB 142 0 130

HSL 305.07, 1%, 0.28%

LAB 32.62, 61.74, -33.07

 

CMYK 0 / 93 / 2 / 18

HEX #D00FCC

RGB 208 15 204

HSL 301.24, 0.87%, 0.44%

LAB 49.63, 82.46, -49.59

 

CMYK 0 / 93 / 27 / 18

HEX #D00F98

RGB 208 15 152

HSL 317.41, 0.87%, 0.44%

LAB 47, 75.75, -23.12

 

CMYK 0 / 93 / 52 / 18

HEX #D00F64

RGB 208 15 100

HSL 333.58, 0.87%, 0.44%

LAB 45.18, 70.88, 6.03

 

CMYK 0 / 93 / 77 / 18

HEX #D00F30

RGB 208 15 48

HSL 349.74, 0.87%, 0.44%

LAB 44.18, 68.12, 36.82

 

CMYK 0 / 93 / 93 / 18

HEX #D00F0F

RGB 208 15 15

HSL 0, 0.87%, 0.44%

LAB 43.92, 67.4, 53.05

 

CMYK 0 / 93 / 2 / 18

HEX #D00FCC

RGB 208 15 204

HSL 301.24, 0.87%, 0.44%

LAB 49.63, 82.46, -49.59

 

CMYK 23 / 93 / 0 / 18

HEX #A00FD0

RGB 160 15 208

HSL 285.08, 0.87%, 0.44%

LAB 41.8, 75.67, -64.94

 

CMYK 48 / 93 / 0 / 18

HEX #6C0FD0

RGB 108 15 208

HSL 268.91, 0.87%, 0.44%

LAB 34.16, 69.55, -77.76

 

CMYK 73 / 93 / 0 / 18

HEX #380FD0

RGB 56 15 208

HSL 252.75, 0.87%, 0.44%

LAB 28.74, 66.01, -86.91

 

CMYK 93 / 93 / 0 / 18

HEX #0F0FD0

RGB 15 15 208

HSL 240, 0.87%, 0.44%

LAB 26.73, 64.93, -90.32

 

CMYK 0 / 93 / 2 / 18

HEX #D00FCC

RGB 208 15 204

HSL 301.24, 0.87%, 0.44%

LAB 49.63, 82.46, -49.59

 

CMYK 0 / 93 / 2 / 18

HEX #D00FCC

RGB 208 15 204

HSL 301.24, 0.87%, 0.44%

LAB 49.63, 82.46, -49.59

 

CMYK 0 / 83 / 2 / 25

HEX #BE21BB

RGB 190 33 187

HSL 301.15, 0.7%, 0.44%

LAB 46.48, 73.95, -44.93

 

CMYK 0 / 70 / 2 / 33

HEX #AC34A9

RGB 172 52 169

HSL 301.5, 0.54%, 0.44%

LAB 44.36, 61.88, -37.86

 

CMYK 0 / 55 / 1 / 40

HEX #9A4698

RGB 154 70 152

HSL 301.43, 0.38%, 0.44%

LAB 43.53, 46.55, -29.21

 

CMYK 0 / 35 / 1 / 47

HEX #885887

RGB 136 88 135

HSL 301.25, 0.21%, 0.44%

LAB 44.18, 27.82, -18.16

 

CMYK 48 / 93 / 0 / 18

HEX #6C0FD0

RGB 108 15 208

HSL 268.91, 0.87%, 0.44%

LAB 34.16, 69.55, -77.76

 

CMYK 23 / 93 / 0 / 18

HEX #A00FD0

RGB 160 15 208

HSL 285.08, 0.87%, 0.44%

LAB 41.8, 75.67, -64.94

 

CMYK 0 / 93 / 1 / 18

HEX #D00FCD

RGB 208 15 205

HSL 300.93, 0.87%, 0.44%

LAB 49.69, 82.61, -50.07

 

CMYK 0 / 93 / 26 / 18

HEX #D00F9A

RGB 208 15 154

HSL 316.79, 0.87%, 0.44%

LAB 47.09, 75.97, -24.19

 

CMYK 0 / 93 / 51 / 18

HEX #D00F66

RGB 208 15 102

HSL 332.95, 0.87%, 0.44%

LAB 45.24, 71.03, 4.87

 

CMYK 0 / 93 / 2 / 49

HEX #830981

RGB 131 9 129

HSL 300.98, 0.87%, 0.27%

LAB 30.89, 58.24, -35.32

 

CMYK 0 / 93 / 2 / 33

HEX #AA0CA7

RGB 170 12 167

HSL 301.14, 0.87%, 0.36%

LAB 40.57, 70.79, -42.72

 

CMYK 0 / 93 / 2 / 18

HEX #D00FCC

RGB 208 15 204

HSL 301.24, 0.87%, 0.44%

LAB 49.63, 82.46, -49.59

 

CMYK 0 / 89 / 2 / 7

HEX #ED1BE9

RGB 237 27 233

HSL 301.14, 0.85%, 0.52%

LAB 56.75, 90.1, -54.44

 

CMYK 0 / 73 / 1 / 6

HEX #F042ED

RGB 240 66 237

HSL 301.03, 0.85%, 0.6%

LAB 60.37, 82.8, -50.9

 

CMYK 0 / 92 / 2 / 18

HEX #D210CE

RGB 210 16 206

HSL 301.24, 0.86%, 0.44%

LAB 50.13, 82.99, -49.92

 

CMYK 0 / 73 / 93 / 18

HEX #D0390F

RGB 208 57 15

HSL 13.06, 0.87%, 0.44%

LAB 47.46, 57.43, 55.27

 

CMYK 93 / 0 / 36 / 18

HEX #0FD086

RGB 15 208 134

HSL 156.99, 0.87%, 0.44%

LAB 74.15, -59.66, 25.01

 

CMYK 0 / 92 / 2 / 18

HEX #D210CE

RGB 210 16 206

HSL 301.24, 0.86%, 0.44%

LAB 50.13, 82.99, -49.92

 

CMYK 1 / 0 / 93 / 18

HEX #CDD00F

RGB 205 208 15

HSL 60.93, 0.87%, 0.44%

LAB 80.81, -19.61, 79.31

 

CMYK 93 / 1 / 0 / 18

HEX #0FCDD0

RGB 15 205 208

HSL 180.93, 0.87%, 0.44%

LAB 75.03, -39.47, -13.37

 

CMYK 0 / 92 / 2 / 18

HEX #D210CE

RGB 210 16 206

HSL 301.24, 0.86%, 0.44%

LAB 50.13, 82.99, -49.92

 

CMYK 0 / 73 / 93 / 18

HEX #D0390F

RGB 208 57 15

HSL 13.06, 0.87%, 0.44%

LAB 47.46, 57.43, 55.27

 

CMYK 93 / 0 / 91 / 18

HEX #0FD012

RGB 15 208 18

HSL 120.93, 0.87%, 0.44%

LAB 73.06, -72.93, 69.43

 

CMYK 93 / 20 / 0 / 18

HEX #0FA6D0

RGB 15 166 208

HSL 193.06, 0.87%, 0.44%

LAB 63.28, -20.45, -31.28

 

CMYK 0 / 92 / 2 / 18

HEX #D210CE

RGB 210 16 206

HSL 301.24, 0.86%, 0.44%

LAB 50.13, 82.99, -49.92

 

CMYK 0 / 45 / 93 / 18

HEX #D0730F

RGB 208 115 15

HSL 31.09, 0.87%, 0.44%

LAB 57.76, 30.75, 62.3

 

CMYK 93 / 0 / 91 / 18

HEX #0FD012

RGB 15 208 18

HSL 120.93, 0.87%, 0.44%

LAB 73.06, -72.93, 69.43

 

CMYK 93 / 48 / 0 / 18

HEX #0F6CD0

RGB 15 108 208

HSL 211.09, 0.87%, 0.44%

LAB 46.15, 13.51, -58.39

 

Description

Color code: HEX #D210CE | qconv.com Color code: HEX #D210CE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 16 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 16 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 2 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 2% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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