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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D20384 it is the complementary color #2DFC7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D20384. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D20384 shade: #D7037F, #E81592, #F927A5, #FF39B8 and #FF4BCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D20384. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D20384 shade: #D20384, #C10071, #B0005E, #9F004B and #8E0038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D20384 shade: #D20384, #D2034C, #D20314 and #D20303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D20384 shade: #D20384, #D203BC, #B103D2, #7903D2 and #4103D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D20384 shade matches the following richer shades: #D20384

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D20384 shade: #D20384, #C11480, #B0257C, #9F3777 and #8D4873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D20384 shade: #B003D2, #D203BE, #D20386, #D2034F and #D20317

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D20384 shade: #810151, #AA026B, #D20384, #FB049E and #FB2CAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D20384 shade: #D20384, #D27803 and #03D2CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D20384 shade: #D20384, #86D203 and #0386D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D20384 shade: #D20384, #D27803, #03D24F and #035DD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D20384 shade: #D20384, #D2B703, #03D24F and #031ED2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 37 / 18

HEX #D20384

RGB 210 3 132

HSL 322.61, 0.97%, 0.42%

LAB 46.22, 75.15, -12.15

 

Complementary color

CMYK 82 / 0 / 51 / 1

HEX #2DFC7B

RGB 45 252 123

HSL 142.61, 0.97%, 0.58%

LAB 87.78, -74.3, 48.1

 

CMYK 0 / 99 / 41 / 16

HEX #D7037F

RGB 215 3 127

HSL 324.91, 0.97%, 0.43%

LAB 47.03, 75.73, -7.78

 

CMYK 0 / 91 / 37 / 9

HEX #E81592

RGB 232 21 146

HSL 324.45, 0.83%, 0.5%

LAB 51.57, 79.44, -12.13

 

CMYK 0 / 84 / 34 / 2

HEX #F927A5

RGB 249 39 165

HSL 324, 0.95%, 0.56%

LAB 56.39, 82.17, -15.79

 

CMYK 0 / 78 / 28 / 0

HEX #FF39B8

RGB 255 57 184

HSL 321.52, 1%, 0.61%

LAB 59.57, 81.51, -21.9

 

CMYK 0 / 71 / 20 / 0

HEX #FF4BCB

RGB 255 75 203

HSL 317.33, 1%, 0.65%

LAB 62.17, 78.53, -28.76

 

CMYK 0 / 99 / 37 / 18

HEX #D20384

RGB 210 3 132

HSL 322.61, 0.97%, 0.42%

LAB 46.22, 75.15, -12.15

 

CMYK 0 / 100 / 41 / 24

HEX #C10071

RGB 193 0 113

HSL 324.87, 1%, 0.38%

LAB 42.05, 70.05, -7.03

 

CMYK 0 / 100 / 47 / 31

HEX #B0005E

RGB 176 0 94

HSL 327.95, 1%, 0.35%

LAB 37.91, 64.65, -1.53

 

CMYK 0 / 100 / 53 / 38

HEX #9F004B

RGB 159 0 75

HSL 331.7, 1%, 0.31%

LAB 33.73, 59.22, 4.28

 

CMYK 0 / 100 / 61 / 44

HEX #8E0038

RGB 142 0 56

HSL 336.34, 1%, 0.28%

LAB 29.5, 53.78, 10.45

 

CMYK 0 / 99 / 37 / 18

HEX #D20384

RGB 210 3 132

HSL 322.61, 0.97%, 0.42%

LAB 46.22, 75.15, -12.15

 

CMYK 0 / 99 / 64 / 18

HEX #D2034C

RGB 210 3 76

HSL 338.84, 0.97%, 0.42%

LAB 44.64, 70.96, 20.36

 

CMYK 0 / 99 / 90 / 18

HEX #D20314

RGB 210 3 20

HSL 355.07, 0.97%, 0.42%

LAB 43.97, 69.12, 51.34

 

CMYK 0 / 99 / 99 / 18

HEX #D20303

RGB 210 3 3

HSL 0, 0.97%, 0.42%

LAB 43.91, 68.95, 57.1

 

CMYK 0 / 99 / 37 / 18

HEX #D20384

RGB 210 3 132

HSL 322.61, 0.97%, 0.42%

LAB 46.22, 75.15, -12.15

 

CMYK 0 / 99 / 10 / 18

HEX #D203BC

RGB 210 3 188

HSL 306.38, 0.97%, 0.42%

LAB 48.76, 81.59, -41.67

 

CMYK 16 / 99 / 0 / 18

HEX #B103D2

RGB 177 3 210

HSL 290.43, 0.97%, 0.42%

LAB 44.33, 79.63, -61.86

 

CMYK 42 / 99 / 0 / 18

HEX #7903D2

RGB 121 3 210

HSL 274.2, 0.97%, 0.42%

LAB 35.56, 72.89, -76.54

 

CMYK 69 / 99 / 0 / 18

HEX #4103D2

RGB 65 3 210

HSL 257.97, 0.97%, 0.42%

LAB 29.01, 69.07, -87.6

 

CMYK 0 / 99 / 37 / 18

HEX #D20384

RGB 210 3 132

HSL 322.61, 0.97%, 0.42%

LAB 46.22, 75.15, -12.15

 

CMYK 0 / 99 / 37 / 18

HEX #D20384

RGB 210 3 132

HSL 322.61, 0.97%, 0.42%

LAB 46.22, 75.15, -12.15

 

CMYK 0 / 90 / 34 / 24

HEX #C11480

RGB 193 20 128

HSL 322.54, 0.81%, 0.42%

LAB 43.35, 69.31, -14.36

 

CMYK 0 / 79 / 30 / 31

HEX #B0257C

RGB 176 37 124

HSL 322.45, 0.65%, 0.42%

LAB 41.23, 61.26, -15.43

 

CMYK 0 / 65 / 25 / 38

HEX #9F3777

RGB 159 55 119

HSL 323.08, 0.49%, 0.42%

LAB 40.3, 49.63, -14.01

 

CMYK 0 / 49 / 18 / 45

HEX #8D4873

RGB 141 72 115

HSL 322.61, 0.32%, 0.42%

LAB 40.47, 34.94, -11.55

 

CMYK 16 / 99 / 0 / 18

HEX #B003D2

RGB 176 3 210

HSL 290.14, 0.97%, 0.42%

LAB 44.16, 79.49, -62.14

 

CMYK 0 / 99 / 10 / 18

HEX #D203BE

RGB 210 3 190

HSL 305.8, 0.97%, 0.42%

LAB 48.86, 81.86, -42.67

 

CMYK 0 / 99 / 36 / 18

HEX #D20386

RGB 210 3 134

HSL 322.03, 0.97%, 0.42%

LAB 46.3, 75.34, -13.26

 

CMYK 0 / 99 / 62 / 18

HEX #D2034F

RGB 210 3 79

HSL 337.97, 0.97%, 0.42%

LAB 44.7, 71.12, 18.57

 

CMYK 0 / 99 / 89 / 18

HEX #D20317

RGB 210 3 23

HSL 354.2, 0.97%, 0.42%

LAB 43.99, 69.17, 50.05

 

CMYK 0 / 99 / 37 / 49

HEX #810151

RGB 129 1 81

HSL 322.5, 0.98%, 0.25%

LAB 27.53, 52.68, -9.58

 

CMYK 0 / 99 / 37 / 33

HEX #AA026B

RGB 170 2 107

HSL 322.5, 0.98%, 0.34%

LAB 37.21, 64.3, -11

 

CMYK 0 / 99 / 37 / 18

HEX #D20384

RGB 210 3 132

HSL 322.61, 0.97%, 0.42%

LAB 46.22, 75.15, -12.15

 

CMYK 0 / 98 / 37 / 2

HEX #FB049E

RGB 251 4 158

HSL 322.59, 0.97%, 0.5%

LAB 55.14, 85.93, -13.53

 

CMYK 0 / 82 / 31 / 2

HEX #FB2CAD

RGB 251 44 173

HSL 322.61, 0.96%, 0.58%

LAB 57.39, 82.45, -18.91

 

CMYK 0 / 99 / 37 / 18

HEX #D20384

RGB 210 3 132

HSL 322.61, 0.97%, 0.42%

LAB 46.22, 75.15, -12.15

 

CMYK 0 / 43 / 99 / 18

HEX #D27803

RGB 210 120 3

HSL 33.91, 0.97%, 0.42%

LAB 59.1, 28.8, 65.48

 

CMYK 99 / 0 / 3 / 18

HEX #03D2CC

RGB 3 210 204

HSL 178.26, 0.97%, 0.42%

LAB 76.36, -43.22, -9.23

 

CMYK 0 / 99 / 37 / 18

HEX #D20384

RGB 210 3 132

HSL 322.61, 0.97%, 0.42%

LAB 46.22, 75.15, -12.15

 

CMYK 36 / 0 / 99 / 18

HEX #86D203

RGB 134 210 3

HSL 82.03, 0.97%, 0.42%

LAB 76.78, -48.87, 75.41

 

CMYK 99 / 36 / 0 / 18

HEX #0386D2

RGB 3 134 210

HSL 202.03, 0.97%, 0.42%

LAB 53.73, -2.21, -47.4

 

CMYK 0 / 99 / 37 / 18

HEX #D20384

RGB 210 3 132

HSL 322.61, 0.97%, 0.42%

LAB 46.22, 75.15, -12.15

 

CMYK 0 / 43 / 99 / 18

HEX #D27803

RGB 210 120 3

HSL 33.91, 0.97%, 0.42%

LAB 59.1, 28.8, 65.48

 

CMYK 99 / 0 / 62 / 18

HEX #03D24F

RGB 3 210 79

HSL 142.03, 0.97%, 0.42%

LAB 73.98, -69.67, 51.58

 

CMYK 99 / 56 / 0 / 18

HEX #035DD2

RGB 3 93 210

HSL 213.91, 0.97%, 0.42%

LAB 42, 23.66, -66.27

 

CMYK 0 / 99 / 37 / 18

HEX #D20384

RGB 210 3 132

HSL 322.61, 0.97%, 0.42%

LAB 46.22, 75.15, -12.15

 

CMYK 0 / 13 / 99 / 18

HEX #D2B703

RGB 210 183 3

HSL 52.17, 0.97%, 0.42%

LAB 74.56, -4.93, 76.11

 

CMYK 99 / 0 / 62 / 18

HEX #03D24F

RGB 3 210 79

HSL 142.03, 0.97%, 0.42%

LAB 73.98, -69.67, 51.58

 

CMYK 99 / 86 / 0 / 18

HEX #031ED2

RGB 3 30 210

HSL 232.17, 0.97%, 0.42%

LAB 28.38, 60.46, -88.72

 

Description

Color code: HEX #D20384 | qconv.com Color code: HEX #D20384 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 3 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 3 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 37 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 37% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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