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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1F05B it is the complementary color #2E0FA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1F05B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1F05B shade: #D6F056, #E7FF69, #F8FF7C, #FFFF8F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1F05B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1F05B shade: #D1F05B, #C0DE48, #AFCC35, #9EBA22 and #8DA80F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1F05B shade: #D1EF5B, #EFE65B, #EFBE5B, #EF965B and #EF6E5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1F05B shade: #D1EF5B, #A9EF5B, #81EF5B, #5BEF5E and #5BEF86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1F05B shade matches the following richer shades: #D1EF5B and #D9FE4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1F05B shade: #D1EF5B, #C8E16A, #C0D278, #B7C486 and #AFB695

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1F05B shade: #EFBE5B, #EFE55B, #D2EF5B, #AAEF5B and #83EF5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1F05B shade: #B8E315, #C6EC35, #D1EF5B, #DBF381 and #E6F6A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1F05B shade: #D1F05B, #5BEF96 and #D25BEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1F05B shade: #D1F05B, #5BD2EF and #EF5BD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1F05B shade: #D1F05B, #5BEF96, #795BEF and #EF5BB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1F05B shade: #D1F05B, #5BEFC3, #795BEF and #EF5B88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 62 / 6

HEX #D1F05B

RGB 209 240 91

HSL 72.48, 0.83%, 0.65%

LAB 90.15, -30.2, 66.45

 

Complementary color

CMYK 72 / 91 / 0 / 36

HEX #2E0FA4

RGB 46 15 164

HSL 252.48, 0.83%, 0.35%

LAB 22.31, 53.97, -71.46

 

CMYK 11 / 0 / 64 / 6

HEX #D6F056

RGB 214 240 86

HSL 70.13, 0.84%, 0.64%

LAB 90.45, -28.58, 68.86

 

CMYK 9 / 0 / 59 / 0

HEX #E7FF69

RGB 231 255 105

HSL 69.6, 1%, 0.71%

LAB 95.8, -27.66, 67.28

 

CMYK 3 / 0 / 51 / 0

HEX #F8FF7C

RGB 248 255 124

HSL 63.21, 1%, 0.74%

LAB 97.2, -19.59, 60.98

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 13 / 0 / 62 / 6

HEX #D1F05B

RGB 209 240 91

HSL 72.48, 0.83%, 0.65%

LAB 90.15, -30.2, 66.45

 

CMYK 14 / 0 / 68 / 13

HEX #C0DE48

RGB 192 222 72

HSL 72, 0.69%, 0.58%

LAB 83.92, -29.7, 67

 

CMYK 14 / 0 / 74 / 20

HEX #AFCC35

RGB 175 204 53

HSL 71.52, 0.6%, 0.5%

LAB 77.61, -29.07, 67.11

 

CMYK 15 / 0 / 82 / 27

HEX #9EBA22

RGB 158 186 34

HSL 71.05, 0.69%, 0.43%

LAB 71.22, -28.28, 66.49

 

CMYK 16 / 0 / 91 / 34

HEX #8DA80F

RGB 141 168 15

HSL 70.59, 0.84%, 0.36%

LAB 64.73, -27.28, 64.65

 

CMYK 13 / 0 / 62 / 6

HEX #D1EF5B

RGB 209 239 91

HSL 72.16, 0.82%, 0.65%

LAB 89.88, -29.74, 66.15

 

CMYK 0 / 4 / 62 / 6

HEX #EFE65B

RGB 239 230 91

HSL 56.35, 0.82%, 0.65%

LAB 89.72, -13.41, 66.64

 

CMYK 0 / 21 / 62 / 6

HEX #EFBE5B

RGB 239 190 91

HSL 40.14, 0.82%, 0.65%

LAB 79.58, 6.95, 55.54

 

CMYK 0 / 37 / 62 / 6

HEX #EF965B

RGB 239 150 91

HSL 23.92, 0.82%, 0.65%

LAB 70.12, 28.05, 44.63

 

CMYK 0 / 54 / 62 / 6

HEX #EF6E5B

RGB 239 110 91

HSL 7.7, 0.82%, 0.65%

LAB 61.88, 48.34, 34.62

 

CMYK 13 / 0 / 62 / 6

HEX #D1EF5B

RGB 209 239 91

HSL 72.16, 0.82%, 0.65%

LAB 89.88, -29.74, 66.15

 

CMYK 29 / 0 / 62 / 6

HEX #A9EF5B

RGB 169 239 91

HSL 88.38, 0.82%, 0.65%

LAB 87.45, -44.66, 62.81

 

CMYK 46 / 0 / 62 / 6

HEX #81EF5B

RGB 129 239 91

HSL 104.59, 0.82%, 0.65%

LAB 85.58, -57.6, 60.22

 

CMYK 62 / 0 / 61 / 6

HEX #5BEF5E

RGB 91 239 94

HSL 121.22, 0.82%, 0.65%

LAB 84.36, -66.85, 57.25

 

CMYK 62 / 0 / 44 / 6

HEX #5BEF86

RGB 91 239 134

HSL 137.43, 0.82%, 0.65%

LAB 84.83, -61.54, 39.3

 

CMYK 13 / 0 / 62 / 6

HEX #D1EF5B

RGB 209 239 91

HSL 72.16, 0.82%, 0.65%

LAB 89.88, -29.74, 66.15

 

CMYK 15 / 0 / 70 / 0

HEX #D9FE4D

RGB 217 254 77

HSL 72.54, 0.99%, 0.65%

LAB 94.39, -34.39, 76.24

 

CMYK 13 / 0 / 62 / 6

HEX #D1EF5B

RGB 209 239 91

HSL 72.16, 0.82%, 0.65%

LAB 89.88, -29.74, 66.15

 

CMYK 11 / 0 / 53 / 12

HEX #C8E16A

RGB 200 225 106

HSL 72.61, 0.66%, 0.65%

LAB 85.59, -25.45, 54.7

 

CMYK 9 / 0 / 43 / 18

HEX #C0D278

RGB 192 210 120

HSL 72, 0.5%, 0.65%

LAB 81.1, -19.89, 42.47

 

CMYK 7 / 0 / 32 / 23

HEX #B7C486

RGB 183 196 134

HSL 72.58, 0.34%, 0.65%

LAB 76.84, -14.65, 29.71

 

CMYK 4 / 0 / 18 / 29

HEX #AFB695

RGB 175 182 149

HSL 72.73, 0.18%, 0.65%

LAB 72.72, -8.25, 16

 

CMYK 0 / 21 / 62 / 6

HEX #EFBE5B

RGB 239 190 91

HSL 40.14, 0.82%, 0.65%

LAB 79.58, 6.95, 55.54

 

CMYK 0 / 4 / 62 / 6

HEX #EFE55B

RGB 239 229 91

HSL 55.95, 0.82%, 0.65%

LAB 89.46, -12.92, 66.37

 

CMYK 12 / 0 / 62 / 6

HEX #D2EF5B

RGB 210 239 91

HSL 71.76, 0.82%, 0.65%

LAB 89.95, -29.35, 66.25

 

CMYK 29 / 0 / 62 / 6

HEX #AAEF5B

RGB 170 239 91

HSL 87.97, 0.82%, 0.65%

LAB 87.5, -44.31, 62.88

 

CMYK 45 / 0 / 62 / 6

HEX #83EF5B

RGB 131 239 91

HSL 103.78, 0.82%, 0.65%

LAB 85.66, -57.01, 60.33

 

CMYK 19 / 0 / 91 / 11

HEX #B8E315

RGB 184 227 21

HSL 72.52, 0.83%, 0.49%

LAB 84.58, -37.1, 80.85

 

CMYK 16 / 0 / 78 / 7

HEX #C6EC35

RGB 198 236 53

HSL 72.46, 0.83%, 0.57%

LAB 88.09, -34.74, 77.4

 

CMYK 13 / 0 / 62 / 6

HEX #D1EF5B

RGB 209 239 91

HSL 72.16, 0.82%, 0.65%

LAB 89.88, -29.74, 66.15

 

CMYK 10 / 0 / 47 / 5

HEX #DBF381

RGB 219 243 129

HSL 72.63, 0.83%, 0.73%

LAB 92.02, -24.57, 52.01

 

CMYK 7 / 0 / 32 / 4

HEX #E6F6A7

RGB 230 246 167

HSL 72.15, 0.81%, 0.81%

LAB 94.11, -17.63, 36.33

 

CMYK 13 / 0 / 62 / 6

HEX #D1F05B

RGB 209 240 91

HSL 72.48, 0.83%, 0.65%

LAB 90.15, -30.2, 66.45

 

CMYK 62 / 0 / 37 / 6

HEX #5BEF96

RGB 91 239 150

HSL 143.92, 0.82%, 0.65%

LAB 85.08, -58.86, 31.66

 

CMYK 12 / 62 / 0 / 6

HEX #D25BEF

RGB 210 91 239

HSL 288.24, 0.82%, 0.65%

LAB 59.36, 67.46, -53.89

 

CMYK 13 / 0 / 62 / 6

HEX #D1F05B

RGB 209 240 91

HSL 72.48, 0.83%, 0.65%

LAB 90.15, -30.2, 66.45

 

CMYK 62 / 12 / 0 / 6

HEX #5BD2EF

RGB 91 210 239

HSL 191.76, 0.82%, 0.65%

LAB 78.78, -24.88, -24.23

 

CMYK 0 / 62 / 12 / 6

HEX #EF5BD2

RGB 239 91 210

HSL 311.76, 0.82%, 0.65%

LAB 62.07, 69.71, -33.08

 

CMYK 13 / 0 / 62 / 6

HEX #D1F05B

RGB 209 240 91

HSL 72.48, 0.83%, 0.65%

LAB 90.15, -30.2, 66.45

 

CMYK 62 / 0 / 37 / 6

HEX #5BEF96

RGB 91 239 150

HSL 143.92, 0.82%, 0.65%

LAB 85.08, -58.86, 31.66

 

CMYK 49 / 62 / 0 / 6

HEX #795BEF

RGB 121 91 239

HSL 252.16, 0.82%, 0.65%

LAB 49.23, 48.37, -70.72

 

CMYK 0 / 62 / 25 / 6

HEX #EF5BB4

RGB 239 91 180

HSL 323.92, 0.82%, 0.65%

LAB 60.89, 65.55, -17.81

 

CMYK 13 / 0 / 62 / 6

HEX #D1F05B

RGB 209 240 91

HSL 72.48, 0.83%, 0.65%

LAB 90.15, -30.2, 66.45

 

CMYK 62 / 0 / 18 / 6

HEX #5BEFC3

RGB 91 239 195

HSL 162.16, 0.82%, 0.65%

LAB 85.96, -49.67, 9.69

 

CMYK 49 / 62 / 0 / 6

HEX #795BEF

RGB 121 91 239

HSL 252.16, 0.82%, 0.65%

LAB 49.23, 48.37, -70.72

 

CMYK 0 / 62 / 43 / 6

HEX #EF5B88

RGB 239 91 136

HSL 341.76, 0.82%, 0.65%

LAB 59.54, 60.57, 5.66

 

Description

Color code: HEX #D1F05B | qconv.com Color code: HEX #D1F05B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 240 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 240 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 62 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 62% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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