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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1F59D it is the complementary color #2E0A62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1F59D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1F59D shade: #D6F598, #E7FFAB, #F8FFBE, #FFFFD1 and #FFFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1F59D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1F59D shade: #D1F59D, #C0E38A, #AFD177, #9EBF64 and #8DAD51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1F59D shade: #D1F49E, #E8F49E, #F4E99E, #F4D29E and #F4BA9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1F59D shade: #D1F49E, #B9F49E, #A2F49E, #9EF4B1 and #9EF4C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1F59D shade matches the following richer shades: #D1F49E and #D2FD95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1F59D shade: #D1F49E, #CFECA6, #CEE3AF, #CCDAB8 and #CBD2C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1F59D shade: #F4E99E, #E9F49E, #D2F49E, #BAF49E and #A3F49E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1F59D shade: #AEEC53, #BFF078, #D1F49E, #E2F8C3 and #F4FCE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1F59D shade: #D1F59D, #9EF4D2 and #F49EF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1F59D shade: #D1F59D, #9ED2F4 and #F49ED2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1F59D shade: #D1F59D, #9EF4D2, #C09EF4 and #F49EC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1F59D shade: #D1F59D, #9EF4EC, #C09EF4 and #F49EA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 36 / 4

HEX #D1F59D

RGB 209 245 157

HSL 84.55, 0.81%, 0.79%

LAB 92.26, -26.06, 38.61

 

Complementary color

CMYK 53 / 90 / 0 / 62

HEX #2E0A62

RGB 46 10 98

HSL 264.55, 0.81%, 0.21%

LAB 13.71, 37.34, -43.86

 

CMYK 13 / 0 / 38 / 4

HEX #D6F598

RGB 214 245 152

HSL 80, 0.82%, 0.78%

LAB 92.52, -24.87, 41.48

 

CMYK 9 / 0 / 33 / 0

HEX #E7FFAB

RGB 231 255 171

HSL 77.14, 1%, 0.84%

LAB 96.59, -21.11, 37.63

 

CMYK 3 / 0 / 25 / 0

HEX #F8FFBE

RGB 248 255 190

HSL 66.46, 1%, 0.87%

LAB 98.11, -12.48, 30.37

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 15 / 0 / 36 / 4

HEX #D1F59D

RGB 209 245 157

HSL 84.55, 0.81%, 0.79%

LAB 92.26, -26.06, 38.61

 

CMYK 15 / 0 / 39 / 11

HEX #C0E38A

RGB 192 227 138

HSL 83.6, 0.61%, 0.72%

LAB 86, -26.05, 39.73

 

CMYK 16 / 0 / 43 / 18

HEX #AFD177

RGB 175 209 119

HSL 82.67, 0.49%, 0.64%

LAB 79.64, -26.01, 40.88

 

CMYK 17 / 0 / 48 / 25

HEX #9EBF64

RGB 158 191 100

HSL 81.76, 0.42%, 0.57%

LAB 73.19, -25.94, 42.04

 

CMYK 18 / 0 / 53 / 32

HEX #8DAD51

RGB 141 173 81

HSL 80.87, 0.36%, 0.5%

LAB 66.63, -25.81, 43.19

 

CMYK 14 / 0 / 35 / 4

HEX #D1F49E

RGB 209 244 158

HSL 84.42, 0.8%, 0.79%

LAB 92.01, -25.46, 37.79

 

CMYK 5 / 0 / 35 / 4

HEX #E8F49E

RGB 232 244 158

HSL 68.37, 0.8%, 0.79%

LAB 93.59, -17.01, 40.15

 

CMYK 0 / 5 / 35 / 4

HEX #F4E99E

RGB 244 233 158

HSL 52.33, 0.8%, 0.79%

LAB 91.68, -7.02, 37.83

 

CMYK 0 / 14 / 35 / 4

HEX #F4D29E

RGB 244 210 158

HSL 36.28, 0.8%, 0.79%

LAB 85.9, 4.7, 30.19

 

CMYK 0 / 24 / 35 / 4

HEX #F4BA9E

RGB 244 186 158

HSL 19.53, 0.8%, 0.79%

LAB 80.08, 17.25, 22.3

 

CMYK 14 / 0 / 35 / 4

HEX #D1F49E

RGB 209 244 158

HSL 84.42, 0.8%, 0.79%

LAB 92.01, -25.46, 37.79

 

CMYK 24 / 0 / 35 / 4

HEX #B9F49E

RGB 185 244 158

HSL 101.16, 0.8%, 0.79%

LAB 90.54, -33.86, 35.59

 

CMYK 34 / 0 / 35 / 4

HEX #A2F49E

RGB 162 244 158

HSL 117.21, 0.8%, 0.79%

LAB 89.32, -41.35, 33.75

 

CMYK 35 / 0 / 27 / 4

HEX #9EF4B1

RGB 158 244 177

HSL 133.26, 0.8%, 0.79%

LAB 89.46, -39.47, 24.27

 

CMYK 35 / 0 / 18 / 4

HEX #9EF4C8

RGB 158 244 200

HSL 149.3, 0.8%, 0.79%

LAB 89.92, -35.23, 13.07

 

CMYK 14 / 0 / 35 / 4

HEX #D1F49E

RGB 209 244 158

HSL 84.42, 0.8%, 0.79%

LAB 92.01, -25.46, 37.79

 

CMYK 17 / 0 / 41 / 1

HEX #D2FD95

RGB 210 253 149

HSL 84.81, 0.96%, 0.79%

LAB 94.36, -30.44, 45.25

 

CMYK 14 / 0 / 35 / 4

HEX #D1F49E

RGB 209 244 158

HSL 84.42, 0.8%, 0.79%

LAB 92.01, -25.46, 37.79

 

CMYK 12 / 0 / 30 / 7

HEX #CFECA6

RGB 207 236 166

HSL 84.86, 0.65%, 0.79%

LAB 89.86, -21.26, 30.89

 

CMYK 9 / 0 / 23 / 11

HEX #CEE3AF

RGB 206 227 175

HSL 84.23, 0.48%, 0.79%

LAB 87.56, -15.89, 23.13

 

CMYK 6 / 0 / 16 / 15

HEX #CCDAB8

RGB 204 218 184

HSL 84.71, 0.31%, 0.79%

LAB 85.22, -10.68, 15.16

 

CMYK 3 / 0 / 9 / 18

HEX #CBD2C0

RGB 203 210 192

HSL 83.33, 0.17%, 0.79%

LAB 83.23, -5.6, 8.09

 

CMYK 0 / 5 / 35 / 4

HEX #F4E99E

RGB 244 233 158

HSL 52.33, 0.8%, 0.79%

LAB 91.68, -7.02, 37.83

 

CMYK 5 / 0 / 35 / 4

HEX #E9F49E

RGB 233 244 158

HSL 67.67, 0.8%, 0.79%

LAB 93.66, -16.63, 40.26

 

CMYK 14 / 0 / 35 / 4

HEX #D2F49E

RGB 210 244 158

HSL 83.72, 0.8%, 0.79%

LAB 92.07, -25.1, 37.88

 

CMYK 24 / 0 / 35 / 4

HEX #BAF49E

RGB 186 244 158

HSL 100.47, 0.8%, 0.79%

LAB 90.6, -33.52, 35.67

 

CMYK 33 / 0 / 35 / 4

HEX #A3F49E

RGB 163 244 158

HSL 116.51, 0.8%, 0.79%

LAB 89.37, -41.03, 33.83

 

CMYK 26 / 0 / 65 / 7

HEX #AEEC53

RGB 174 236 83

HSL 84.31, 0.8%, 0.63%

LAB 86.81, -42.18, 65.42

 

CMYK 20 / 0 / 50 / 6

HEX #BFF078

RGB 191 240 120

HSL 84.5, 0.8%, 0.71%

LAB 89.28, -34.52, 52.47

 

CMYK 14 / 0 / 35 / 4

HEX #D1F49E

RGB 209 244 158

HSL 84.42, 0.8%, 0.79%

LAB 92.01, -25.46, 37.79

 

CMYK 9 / 0 / 21 / 3

HEX #E2F8C3

RGB 226 248 195

HSL 84.91, 0.79%, 0.87%

LAB 94.84, -16.18, 23.11

 

CMYK 3 / 0 / 8 / 1

HEX #F4FCE8

RGB 244 252 232

HSL 84, 0.77%, 0.95%

LAB 97.91, -6.09, 8.66

 

CMYK 15 / 0 / 36 / 4

HEX #D1F59D

RGB 209 245 157

HSL 84.55, 0.81%, 0.79%

LAB 92.26, -26.06, 38.61

 

CMYK 35 / 0 / 14 / 4

HEX #9EF4D2

RGB 158 244 210

HSL 156.28, 0.8%, 0.79%

LAB 90.15, -33.23, 8.21

 

CMYK 0 / 35 / 0 / 4

HEX #F49EF4

RGB 244 158 244

HSL 300, 0.8%, 0.79%

LAB 76.2, 45.03, -29.98

 

CMYK 15 / 0 / 36 / 4

HEX #D1F59D

RGB 209 245 157

HSL 84.55, 0.81%, 0.79%

LAB 92.26, -26.06, 38.61

 

CMYK 35 / 14 / 0 / 4

HEX #9ED2F4

RGB 158 210 244

HSL 203.72, 0.8%, 0.79%

LAB 81.78, -8.7, -22.07

 

CMYK 0 / 35 / 14 / 4

HEX #F49ED2

RGB 244 158 210

HSL 323.72, 0.8%, 0.79%

LAB 75.04, 39.27, -13.22

 

CMYK 15 / 0 / 36 / 4

HEX #D1F59D

RGB 209 245 157

HSL 84.55, 0.81%, 0.79%

LAB 92.26, -26.06, 38.61

 

CMYK 35 / 0 / 14 / 4

HEX #9EF4D2

RGB 158 244 210

HSL 156.28, 0.8%, 0.79%

LAB 90.15, -33.23, 8.21

 

CMYK 21 / 35 / 0 / 4

HEX #C09EF4

RGB 192 158 244

HSL 263.72, 0.8%, 0.79%

LAB 71, 29.4, -38.44

 

CMYK 0 / 35 / 21 / 4

HEX #F49EC0

RGB 244 158 192

HSL 336.28, 0.8%, 0.79%

LAB 74.5, 36.54, -4.13

 

CMYK 15 / 0 / 36 / 4

HEX #D1F59D

RGB 209 245 157

HSL 84.55, 0.81%, 0.79%

LAB 92.26, -26.06, 38.61

 

CMYK 35 / 0 / 3 / 4

HEX #9EF4EC

RGB 158 244 236

HSL 174.42, 0.8%, 0.79%

LAB 90.79, -27.63, -4.38

 

CMYK 21 / 35 / 0 / 4

HEX #C09EF4

RGB 192 158 244

HSL 263.72, 0.8%, 0.79%

LAB 71, 29.4, -38.44

 

CMYK 0 / 35 / 32 / 4

HEX #F49EA6

RGB 244 158 166

HSL 354.42, 0.8%, 0.79%

LAB 73.83, 33.01, 9.21

 

Description

Color code: HEX #D1F59D | qconv.com Color code: HEX #D1F59D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 245 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 245 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 36 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 36% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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