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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1F590 it is the complementary color #2E0A6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1F590. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1F590 shade: #D6F58B, #E7FF9E, #F8FFB1, #FFFFC4 and #FFFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1F590. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1F590 shade: #D1F590, #C0E37D, #AFD16A, #9EBF57 and #8DAD44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1F590 shade: #D0F48F, #EBF48F, #F4E28F, #F4C68F and #F4AB8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1F590 shade: #D0F48F, #B4F48F, #99F48F, #8FF49F and #8FF4BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1F590 shade matches the following richer shades: #D0F48F and #D3FE85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1F590 shade: #D0F48F, #CDEA98, #CAE0A2, #C7D6AC and #C5CCB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1F590 shade: #F4E18F, #ECF48F, #D1F48F, #B5F48F and #9AF48F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1F590 shade: #B0ED43, #C0F169, #D0F48F, #E0F8B4 and #EFFBDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1F590 shade: #D1F590, #8FF4C6 and #EF8FF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1F590 shade: #D1F590, #8FD1F4 and #F48FD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1F590 shade: #D1F590, #8FF4C6, #B28FF4 and #F48FBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1F590 shade: #D1F590, #8FF4E5, #B28FF4 and #F48F9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 41 / 4

HEX #D1F590

RGB 209 245 144

HSL 81.39, 0.83%, 0.76%

LAB 92.08, -27.64, 44.76

 

Complementary color

CMYK 59 / 91 / 0 / 56

HEX #2E0A6F

RGB 46 10 111

HSL 261.39, 0.83%, 0.24%

LAB 15.2, 40.94, -49.95

 

CMYK 13 / 0 / 43 / 4

HEX #D6F58B

RGB 214 245 139

HSL 77.55, 0.84%, 0.75%

LAB 92.34, -26.36, 47.57

 

CMYK 9 / 0 / 38 / 0

HEX #E7FF9E

RGB 231 255 158

HSL 74.85, 1%, 0.81%

LAB 96.4, -22.68, 43.77

 

CMYK 3 / 0 / 31 / 0

HEX #F8FFB1

RGB 248 255 177

HSL 65.38, 1%, 0.85%

LAB 97.89, -14.15, 36.59

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 15 / 0 / 41 / 4

HEX #D1F590

RGB 209 245 144

HSL 81.39, 0.83%, 0.76%

LAB 92.08, -27.64, 44.76

 

CMYK 15 / 0 / 45 / 11

HEX #C0E37D

RGB 192 227 125

HSL 80.59, 0.65%, 0.69%

LAB 85.82, -27.57, 45.89

 

CMYK 16 / 0 / 49 / 18

HEX #AFD16A

RGB 175 209 106

HSL 79.81, 0.53%, 0.62%

LAB 79.47, -27.45, 47.03

 

CMYK 17 / 0 / 54 / 25

HEX #9EBF57

RGB 158 191 87

HSL 79.04, 0.45%, 0.55%

LAB 73.04, -27.27, 48.13

 

CMYK 18 / 0 / 61 / 32

HEX #8DAD44

RGB 141 173 68

HSL 78.29, 0.44%, 0.47%

LAB 66.49, -27.01, 49.11

 

CMYK 15 / 0 / 41 / 4

HEX #D0F48F

RGB 208 244 143

HSL 81.39, 0.82%, 0.76%

LAB 91.73, -27.65, 44.79

 

CMYK 4 / 0 / 41 / 4

HEX #EBF48F

RGB 235 244 143

HSL 65.35, 0.82%, 0.76%

LAB 93.6, -17.53, 47.55

 

CMYK 0 / 7 / 41 / 4

HEX #F4E28F

RGB 244 226 143

HSL 49.31, 0.82%, 0.76%

LAB 89.68, -5.13, 42.74

 

CMYK 0 / 19 / 41 / 4

HEX #F4C68F

RGB 244 198 143

HSL 32.67, 0.82%, 0.76%

LAB 82.7, 9.26, 33.72

 

CMYK 0 / 30 / 41 / 4

HEX #F4AB8F

RGB 244 171 143

HSL 16.63, 0.82%, 0.76%

LAB 76.28, 23.47, 25.16

 

CMYK 15 / 0 / 41 / 4

HEX #D0F48F

RGB 208 244 143

HSL 81.39, 0.82%, 0.76%

LAB 91.73, -27.65, 44.79

 

CMYK 26 / 0 / 41 / 4

HEX #B4F48F

RGB 180 244 143

HSL 98.02, 0.82%, 0.76%

LAB 90.04, -37.57, 42.3

 

CMYK 37 / 0 / 41 / 4

HEX #99F48F

RGB 153 244 143

HSL 114.06, 0.82%, 0.76%

LAB 88.67, -46.32, 40.26

 

CMYK 41 / 0 / 35 / 4

HEX #8FF49F

RGB 143 244 159

HSL 129.5, 0.82%, 0.76%

LAB 88.47, -46.84, 31.96

 

CMYK 41 / 0 / 23 / 4

HEX #8FF4BB

RGB 143 244 187

HSL 146.14, 0.82%, 0.76%

LAB 88.98, -41.88, 18.37

 

CMYK 15 / 0 / 41 / 4

HEX #D0F48F

RGB 208 244 143

HSL 81.39, 0.82%, 0.76%

LAB 91.73, -27.65, 44.79

 

CMYK 17 / 0 / 48 / 0

HEX #D3FE85

RGB 211 254 133

HSL 81.32, 0.98%, 0.76%

LAB 94.49, -32.3, 53.03

 

CMYK 15 / 0 / 41 / 4

HEX #D0F48F

RGB 208 244 143

HSL 81.39, 0.82%, 0.76%

LAB 91.73, -27.65, 44.79

 

CMYK 12 / 0 / 35 / 8

HEX #CDEA98

RGB 205 234 152

HSL 81.22, 0.66%, 0.76%

LAB 88.97, -22.89, 36.75

 

CMYK 10 / 0 / 28 / 12

HEX #CAE0A2

RGB 202 224 162

HSL 81.29, 0.5%, 0.76%

LAB 86.24, -17.75, 28.01

 

CMYK 7 / 0 / 20 / 16

HEX #C7D6AC

RGB 199 214 172

HSL 81.43, 0.34%, 0.76%

LAB 83.55, -12.34, 19.08

 

CMYK 3 / 0 / 11 / 20

HEX #C5CCB6

RGB 197 204 182

HSL 79.09, 0.18%, 0.76%

LAB 80.98, -6.31, 10.14

 

CMYK 0 / 8 / 41 / 4

HEX #F4E18F

RGB 244 225 143

HSL 48.71, 0.82%, 0.76%

LAB 89.42, -4.63, 42.42

 

CMYK 3 / 0 / 41 / 4

HEX #ECF48F

RGB 236 244 143

HSL 64.75, 0.82%, 0.76%

LAB 93.67, -17.15, 47.66

 

CMYK 14 / 0 / 41 / 4

HEX #D1F48F

RGB 209 244 143

HSL 80.79, 0.82%, 0.76%

LAB 91.79, -27.28, 44.89

 

CMYK 26 / 0 / 41 / 4

HEX #B5F48F

RGB 181 244 143

HSL 97.43, 0.82%, 0.76%

LAB 90.09, -37.23, 42.38

 

CMYK 37 / 0 / 41 / 4

HEX #9AF48F

RGB 154 244 143

HSL 113.47, 0.82%, 0.76%

LAB 88.71, -46.01, 40.33

 

CMYK 26 / 0 / 72 / 7

HEX #B0ED43

RGB 176 237 67

HSL 81.53, 0.83%, 0.6%

LAB 87.1, -42.91, 71.63

 

CMYK 20 / 0 / 56 / 5

HEX #C0F169

RGB 192 241 105

HSL 81.62, 0.83%, 0.68%

LAB 89.46, -36.03, 59.47

 

CMYK 15 / 0 / 41 / 4

HEX #D0F48F

RGB 208 244 143

HSL 81.39, 0.82%, 0.76%

LAB 91.73, -27.65, 44.79

 

CMYK 10 / 0 / 27 / 3

HEX #E0F8B4

RGB 224 248 180

HSL 81.18, 0.83%, 0.84%

LAB 94.43, -19.05, 30.15

 

CMYK 5 / 0 / 13 / 2

HEX #EFFBDA

RGB 239 251 218

HSL 81.82, 0.8%, 0.92%

LAB 96.99, -9.58, 14.48

 

CMYK 15 / 0 / 41 / 4

HEX #D1F590

RGB 209 245 144

HSL 81.39, 0.83%, 0.76%

LAB 92.08, -27.64, 44.76

 

CMYK 41 / 0 / 19 / 4

HEX #8FF4C6

RGB 143 244 198

HSL 152.67, 0.82%, 0.76%

LAB 89.21, -39.72, 13.01

 

CMYK 2 / 41 / 0 / 4

HEX #EF8FF4

RGB 239 143 244

HSL 297.03, 0.82%, 0.76%

LAB 72.58, 51.24, -35.62

 

CMYK 15 / 0 / 41 / 4

HEX #D1F590

RGB 209 245 144

HSL 81.39, 0.83%, 0.76%

LAB 92.08, -27.64, 44.76

 

CMYK 41 / 14 / 0 / 4

HEX #8FD1F4

RGB 143 209 244

HSL 200.79, 0.82%, 0.76%

LAB 80.72, -12.06, -23.75

 

CMYK 0 / 41 / 14 / 4

HEX #F48FD1

RGB 244 143 209

HSL 320.79, 0.82%, 0.76%

LAB 71.88, 46.86, -17.42

 

CMYK 15 / 0 / 41 / 4

HEX #D1F590

RGB 209 245 144

HSL 81.39, 0.83%, 0.76%

LAB 92.08, -27.64, 44.76

 

CMYK 41 / 0 / 19 / 4

HEX #8FF4C6

RGB 143 244 198

HSL 152.67, 0.82%, 0.76%

LAB 89.21, -39.72, 13.01

 

CMYK 27 / 41 / 0 / 4

HEX #B28FF4

RGB 178 143 244

HSL 260.79, 0.82%, 0.76%

LAB 66.25, 33.78, -45.98

 

CMYK 0 / 41 / 23 / 4

HEX #F48FBC

RGB 244 143 188

HSL 333.27, 0.82%, 0.76%

LAB 71.22, 43.73, -6.77

 

CMYK 15 / 0 / 41 / 4

HEX #D1F590

RGB 209 245 144

HSL 81.39, 0.83%, 0.76%

LAB 92.08, -27.64, 44.76

 

CMYK 41 / 0 / 6 / 4

HEX #8FF4E5

RGB 143 244 229

HSL 171.09, 0.82%, 0.76%

LAB 89.95, -33.02, -2.05

 

CMYK 27 / 41 / 0 / 4

HEX #B28FF4

RGB 178 143 244

HSL 260.79, 0.82%, 0.76%

LAB 66.25, 33.78, -45.98

 

CMYK 0 / 41 / 35 / 4

HEX #F48F9E

RGB 244 143 158

HSL 351.09, 0.82%, 0.76%

LAB 70.42, 39.83, 8.78

 

Description

Color code: HEX #D1F590 | qconv.com Color code: HEX #D1F590 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 245 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 245 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 41 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 41% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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