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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1C19F it is the complementary color #2E3E60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1C19F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1C19F shade: #D6C19A, #E7D3AD, #F8E5C0, #FFF7D3 and #FFFFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1C19F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1C19F shade: #D1C19F, #C0AF8C, #AF9D79, #9E8B66 and #8D7953

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1C19F shade: #D0C09E, #D0B39E, #D0A59E and #D09E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1C19F shade: #D0C09E, #D0CE9E, #C5D09E, #B8D09E and #AAD09E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1C19F shade matches the following richer shades: #D0C09E, #DCC493, #E7C887, #F3CD7B and #FED170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1C19F shade: #D0C09E, #C5BCAA, #B9B8B5, #ADB4C1 and #A2AFCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1C19F shade: #D0A59E, #D0B29E, #D0BF9E, #D0CD9E and #C6D09E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1C19F shade: #B59C66, #C3AE82, #D0C09E, #DDD2BA and #EBE4D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1C19F shade: #D1C19F, #A5D09E and #AB9ED0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1C19F shade: #D1C19F, #9ED0BF and #BF9ED0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1C19F shade: #D1C19F, #A5D09E, #9EAFD0 and #C99ED0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1C19F shade: #D1C19F, #9ED0A6, #9EAFD0 and #D09EC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 24 / 18

HEX #D1C19F

RGB 209 193 159

HSL 40.8, 0.35%, 0.72%

LAB 78.58, 0.29, 19.18

 

Complementary color

CMYK 52 / 35 / 0 / 62

HEX #2E3E60

RGB 46 62 96

HSL 220.8, 0.35%, 0.28%

LAB 26.36, 4.26, -22.17

 

CMYK 0 / 10 / 28 / 16

HEX #D6C19A

RGB 214 193 154

HSL 39, 0.42%, 0.72%

LAB 78.91, 1.51, 22.37

 

CMYK 0 / 9 / 25 / 9

HEX #E7D3AD

RGB 231 211 173

HSL 39.31, 0.55%, 0.79%

LAB 85.3, 1.14, 21.36

 

CMYK 0 / 8 / 23 / 3

HEX #F8E5C0

RGB 248 229 192

HSL 39.64, 0.8%, 0.86%

LAB 91.6, 0.81, 20.41

 

CMYK 0 / 3 / 17 / 0

HEX #FFF7D3

RGB 255 247 211

HSL 49.09, 1%, 0.91%

LAB 97.02, -3.06, 18.28

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 0 / 8 / 24 / 18

HEX #D1C19F

RGB 209 193 159

HSL 40.8, 0.35%, 0.72%

LAB 78.58, 0.29, 19.18

 

CMYK 0 / 9 / 27 / 25

HEX #C0AF8C

RGB 192 175 140

HSL 40.38, 0.29%, 0.65%

LAB 72.07, 0.64, 20.19

 

CMYK 0 / 10 / 31 / 31

HEX #AF9D79

RGB 175 157 121

HSL 40, 0.25%, 0.58%

LAB 65.44, 1.04, 21.27

 

CMYK 0 / 12 / 35 / 38

HEX #9E8B66

RGB 158 139 102

HSL 39.64, 0.22%, 0.51%

LAB 58.69, 1.52, 22.44

 

CMYK 0 / 14 / 41 / 45

HEX #8D7953

RGB 141 121 83

HSL 39.31, 0.26%, 0.44%

LAB 51.79, 2.09, 23.7

 

CMYK 0 / 8 / 24 / 18

HEX #D0C09E

RGB 208 192 158

HSL 40.8, 0.35%, 0.72%

LAB 78.21, 0.29, 19.2

 

CMYK 0 / 14 / 24 / 18

HEX #D0B39E

RGB 208 179 158

HSL 25.2, 0.35%, 0.72%

LAB 74.9, 7.2, 14.58

 

CMYK 0 / 21 / 24 / 18

HEX #D0A59E

RGB 208 165 158

HSL 8.4, 0.35%, 0.72%

LAB 71.41, 14.76, 9.65

 

CMYK 0 / 24 / 24 / 18

HEX #D09E9E

RGB 208 158 158

HSL 0, 0.35%, 0.72%

LAB 69.71, 18.57, 7.21

 

CMYK 0 / 8 / 24 / 18

HEX #D0C09E

RGB 208 192 158

HSL 40.8, 0.35%, 0.72%

LAB 78.21, 0.29, 19.2

 

CMYK 0 / 1 / 24 / 18

HEX #D0CE9E

RGB 208 206 158

HSL 57.6, 0.35%, 0.72%

LAB 81.85, -7, 24.2

 

CMYK 5 / 0 / 24 / 18

HEX #C5D09E

RGB 197 208 158

HSL 73.2, 0.35%, 0.72%

LAB 81.54, -12.13, 23.63

 

CMYK 12 / 0 / 24 / 18

HEX #B8D09E

RGB 184 208 158

HSL 88.8, 0.35%, 0.72%

LAB 80.61, -16.89, 22.21

 

CMYK 18 / 0 / 24 / 18

HEX #AAD09E

RGB 170 208 158

HSL 105.6, 0.35%, 0.72%

LAB 79.69, -21.86, 20.79

 

CMYK 0 / 8 / 24 / 18

HEX #D0C09E

RGB 208 192 158

HSL 40.8, 0.35%, 0.72%

LAB 78.21, 0.29, 19.2

 

CMYK 0 / 11 / 33 / 14

HEX #DCC493

RGB 220 196 147

HSL 40.27, 0.51%, 0.72%

LAB 80.07, 1.36, 27.73

 

CMYK 0 / 13 / 42 / 9

HEX #E7C887

RGB 231 200 135

HSL 40.63, 0.67%, 0.72%

LAB 81.86, 2.23, 36.52

 

CMYK 0 / 16 / 49 / 5

HEX #F3CD7B

RGB 243 205 123

HSL 41, 0.83%, 0.72%

LAB 84.04, 3.27, 45.56

 

CMYK 0 / 18 / 56 / 0

HEX #FED170

RGB 254 209 112

HSL 40.99, 0.99%, 0.72%

LAB 85.93, 4.76, 53.41

 

CMYK 0 / 8 / 24 / 18

HEX #D0C09E

RGB 208 192 158

HSL 40.8, 0.35%, 0.72%

LAB 78.21, 0.29, 19.2

 

CMYK 0 / 5 / 14 / 23

HEX #C5BCAA

RGB 197 188 170

HSL 40, 0.19%, 0.72%

LAB 76.52, 0.11, 10.23

 

CMYK 0 / 1 / 2 / 27

HEX #B9B8B5

RGB 185 184 181

HSL 45, 0.03%, 0.72%

LAB 74.78, -0.2, 1.64

 

CMYK 10 / 7 / 0 / 24

HEX #ADB4C1

RGB 173 180 193

HSL 219, 0.14%, 0.72%

LAB 73.14, 0.15, -7.44

 

CMYK 21 / 14 / 0 / 20

HEX #A2AFCC

RGB 162 175 204

HSL 221.43, 0.29%, 0.72%

LAB 71.35, 1.67, -16.23

 

CMYK 0 / 21 / 24 / 18

HEX #D0A59E

RGB 208 165 158

HSL 8.4, 0.35%, 0.72%

LAB 71.41, 14.76, 9.65

 

CMYK 0 / 14 / 24 / 18

HEX #D0B29E

RGB 208 178 158

HSL 24, 0.35%, 0.72%

LAB 74.65, 7.74, 14.22

 

CMYK 0 / 8 / 24 / 18

HEX #D0BF9E

RGB 208 191 158

HSL 39.6, 0.35%, 0.72%

LAB 77.96, 0.82, 18.84

 

CMYK 0 / 1 / 24 / 18

HEX #D0CD9E

RGB 208 205 158

HSL 56.4, 0.35%, 0.72%

LAB 81.59, -6.48, 23.84

 

CMYK 5 / 0 / 24 / 18

HEX #C6D09E

RGB 198 208 158

HSL 72, 0.35%, 0.72%

LAB 81.61, -11.76, 23.75

 

CMYK 0 / 14 / 44 / 29

HEX #B59C66

RGB 181 156 102

HSL 41.01, 0.35%, 0.55%

LAB 65.4, 1.75, 31.65

 

CMYK 0 / 11 / 33 / 24

HEX #C3AE82

RGB 195 174 130

HSL 40.62, 0.35%, 0.64%

LAB 71.88, 1.03, 25.38

 

CMYK 0 / 8 / 24 / 18

HEX #D0C09E

RGB 208 192 158

HSL 40.8, 0.35%, 0.72%

LAB 78.21, 0.29, 19.2

 

CMYK 0 / 5 / 16 / 13

HEX #DDD2BA

RGB 221 210 186

HSL 41.14, 0.34%, 0.8%

LAB 84.49, -0.15, 13.26

 

CMYK 0 / 3 / 9 / 8

HEX #EBE4D6

RGB 235 228 214

HSL 40, 0.34%, 0.88%

LAB 90.78, 0, 7.66

 

CMYK 0 / 8 / 24 / 18

HEX #D1C19F

RGB 209 193 159

HSL 40.8, 0.35%, 0.72%

LAB 78.58, 0.29, 19.18

 

CMYK 21 / 0 / 24 / 18

HEX #A5D09E

RGB 165 208 158

HSL 111.6, 0.35%, 0.72%

LAB 79.37, -23.59, 20.32

 

CMYK 18 / 24 / 0 / 18

HEX #AB9ED0

RGB 171 158 208

HSL 255.6, 0.35%, 0.72%

LAB 67.77, 14.87, -23.81

 

CMYK 0 / 8 / 24 / 18

HEX #D1C19F

RGB 209 193 159

HSL 40.8, 0.35%, 0.72%

LAB 78.58, 0.29, 19.18

 

CMYK 24 / 0 / 8 / 18

HEX #9ED0BF

RGB 158 208 191

HSL 159.6, 0.35%, 0.72%

LAB 79.69, -19.74, 3.15

 

CMYK 8 / 24 / 0 / 18

HEX #BF9ED0

RGB 191 158 208

HSL 279.6, 0.35%, 0.72%

LAB 69.53, 21.32, -20.97

 

CMYK 0 / 8 / 24 / 18

HEX #D1C19F

RGB 209 193 159

HSL 40.8, 0.35%, 0.72%

LAB 78.58, 0.29, 19.18

 

CMYK 21 / 0 / 24 / 18

HEX #A5D09E

RGB 165 208 158

HSL 111.6, 0.35%, 0.72%

LAB 79.37, -23.59, 20.32

 

CMYK 24 / 16 / 0 / 18

HEX #9EAFD0

RGB 158 175 208

HSL 219.6, 0.35%, 0.72%

LAB 71.2, 1.35, -18.68

 

CMYK 3 / 24 / 0 / 18

HEX #C99ED0

RGB 201 158 208

HSL 291.6, 0.35%, 0.72%

LAB 70.47, 24.61, -19.45

 

CMYK 0 / 8 / 24 / 18

HEX #D1C19F

RGB 209 193 159

HSL 40.8, 0.35%, 0.72%

LAB 78.58, 0.29, 19.18

 

CMYK 24 / 0 / 20 / 18

HEX #9ED0A6

RGB 158 208 166

HSL 129.6, 0.35%, 0.72%

LAB 79.12, -24.56, 15.66

 

CMYK 24 / 16 / 0 / 18

HEX #9EAFD0

RGB 158 175 208

HSL 219.6, 0.35%, 0.72%

LAB 71.2, 1.35, -18.68

 

CMYK 0 / 24 / 4 / 18

HEX #D09EC8

RGB 208 158 200

HSL 309.6, 0.35%, 0.72%

LAB 70.89, 25.46, -14.33

 

Description

Color code: HEX #D1C19F | qconv.com Color code: HEX #D1C19F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 193 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 193 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 24 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 24% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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