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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1C695 it is the complementary color #2E396A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1C695. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1C695 shade: #D6C690, #E7D8A3, #F8EAB6, #FFFCC9 and #FFFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1C695. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1C695 shade: #D1C695, #C0B482, #AFA26F, #9E905C and #8D7E49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1C695 shade: #D0C594, #D0B594, #D0A594, #D09594 and #D09494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1C695 shade: #D0C594, #CBD094, #BBD094, #ABD094 and #9AD094

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1C695 shade matches the following richer shades: #D0C594, #DCCD88, #E9D57B and #F5DC6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1C695 shade: #D0C594, #C3BDA1, #B7B5AD, #ABADB9 and #9EA6C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1C695 shade: #D0A594, #D0B594, #D0C594, #CBD094 and #BBD094

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1C695 shade: #B7A65B, #C3B577, #D0C594, #DCD4B1 and #E9E4CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1C695 shade: #D1C695, #94D095 and #AD94D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1C695 shade: #D1C695, #94D0C5 and #C594D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1C695 shade: #D1C695, #94D095, #949FD0 and #D094CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1C695 shade: #D1C695, #94D0A7, #949FD0 and #D094BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 29 / 18

HEX #D1C695

RGB 209 198 149

HSL 49, 0.39%, 0.7%

LAB 79.68, -3.69, 25.99

 

Complementary color

CMYK 57 / 46 / 0 / 58

HEX #2E396A

RGB 46 57 106

HSL 229, 0.39%, 0.3%

LAB 25.41, 11.24, -30.13

 

CMYK 0 / 7 / 33 / 16

HEX #D6C690

RGB 214 198 144

HSL 46.29, 0.46%, 0.7%

LAB 80.01, -2.39, 29.14

 

CMYK 0 / 6 / 29 / 9

HEX #E7D8A3

RGB 231 216 163

HSL 46.76, 0.59%, 0.77%

LAB 86.38, -2.76, 28.05

 

CMYK 0 / 6 / 27 / 3

HEX #F8EAB6

RGB 248 234 182

HSL 47.27, 0.83%, 0.84%

LAB 92.65, -3.08, 27.02

 

CMYK 0 / 1 / 21 / 0

HEX #FFFCC9

RGB 255 252 201

HSL 56.67, 1%, 0.89%

LAB 98.07, -6.98, 24.85

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 5 / 29 / 18

HEX #D1C695

RGB 209 198 149

HSL 49, 0.39%, 0.7%

LAB 79.68, -3.69, 25.99

 

CMYK 0 / 6 / 32 / 25

HEX #C0B482

RGB 192 180 130

HSL 48.39, 0.33%, 0.63%

LAB 73.19, -3.35, 27.09

 

CMYK 0 / 7 / 37 / 31

HEX #AFA26F

RGB 175 162 111

HSL 47.81, 0.29%, 0.56%

LAB 66.6, -2.95, 28.26

 

CMYK 0 / 9 / 42 / 38

HEX #9E905C

RGB 158 144 92

HSL 47.27, 0.26%, 0.49%

LAB 59.88, -2.46, 29.5

 

CMYK 0 / 11 / 48 / 45

HEX #8D7E49

RGB 141 126 73

HSL 46.76, 0.32%, 0.42%

LAB 53.02, -1.86, 30.82

 

CMYK 0 / 5 / 29 / 18

HEX #D0C594

RGB 208 197 148

HSL 49, 0.39%, 0.7%

LAB 79.32, -3.69, 26.02

 

CMYK 0 / 13 / 29 / 18

HEX #D0B594

RGB 208 181 148

HSL 33, 0.39%, 0.7%

LAB 75.2, 4.74, 20.4

 

CMYK 0 / 21 / 29 / 18

HEX #D0A594

RGB 208 165 148

HSL 17, 0.39%, 0.7%

LAB 71.19, 13.36, 14.83

 

CMYK 0 / 28 / 29 / 18

HEX #D09594

RGB 208 149 148

HSL 1, 0.39%, 0.7%

LAB 67.31, 22.06, 9.36

 

CMYK 0 / 29 / 29 / 18

HEX #D09494

RGB 208 148 148

HSL 0, 0.39%, 0.7%

LAB 67.07, 22.61, 9.03

 

CMYK 0 / 5 / 29 / 18

HEX #D0C594

RGB 208 197 148

HSL 49, 0.39%, 0.7%

LAB 79.32, -3.69, 26.02

 

CMYK 2 / 0 / 29 / 18

HEX #CBD094

RGB 203 208 148

HSL 65, 0.39%, 0.7%

LAB 81.81, -11.27, 29.3

 

CMYK 10 / 0 / 29 / 18

HEX #BBD094

RGB 187 208 148

HSL 81, 0.39%, 0.7%

LAB 80.64, -17.27, 27.52

 

CMYK 18 / 0 / 29 / 18

HEX #ABD094

RGB 171 208 148

HSL 97, 0.39%, 0.7%

LAB 79.56, -23.08, 25.89

 

CMYK 26 / 0 / 29 / 18

HEX #9AD094

RGB 154 208 148

HSL 114, 0.39%, 0.7%

LAB 78.53, -28.97, 24.32

 

CMYK 0 / 5 / 29 / 18

HEX #D0C594

RGB 208 197 148

HSL 49, 0.39%, 0.7%

LAB 79.32, -3.69, 26.02

 

CMYK 0 / 7 / 38 / 14

HEX #DCCD88

RGB 220 205 136

HSL 49.29, 0.55%, 0.7%

LAB 82.19, -4.6, 36.24

 

CMYK 0 / 9 / 47 / 9

HEX #E9D57B

RGB 233 213 123

HSL 49.09, 0.71%, 0.7%

LAB 85.17, -4.85, 46.75

 

CMYK 0 / 10 / 55 / 4

HEX #F5DC6F

RGB 245 220 111

HSL 48.81, 0.87%, 0.7%

LAB 87.85, -4.59, 55.92

 

CMYK 0 / 5 / 29 / 18

HEX #D0C594

RGB 208 197 148

HSL 49, 0.39%, 0.7%

LAB 79.32, -3.69, 26.02

 

CMYK 0 / 3 / 17 / 24

HEX #C3BDA1

RGB 195 189 161

HSL 49.41, 0.22%, 0.7%

LAB 76.42, -2.58, 14.92

 

CMYK 0 / 1 / 5 / 28

HEX #B7B5AD

RGB 183 181 173

HSL 48, 0.06%, 0.7%

LAB 73.63, -0.74, 4.31

 

CMYK 8 / 6 / 0 / 27

HEX #ABADB9

RGB 171 173 185

HSL 231.43, 0.09%, 0.7%

LAB 70.9, 1.65, -6.38

 

CMYK 20 / 16 / 0 / 22

HEX #9EA6C6

RGB 158 166 198

HSL 228, 0.26%, 0.7%

LAB 68.47, 4, -17.3

 

CMYK 0 / 21 / 29 / 18

HEX #D0A594

RGB 208 165 148

HSL 17, 0.39%, 0.7%

LAB 71.19, 13.36, 14.83

 

CMYK 0 / 13 / 29 / 18

HEX #D0B594

RGB 208 181 148

HSL 33, 0.39%, 0.7%

LAB 75.2, 4.74, 20.4

 

CMYK 0 / 5 / 29 / 18

HEX #D0C594

RGB 208 197 148

HSL 49, 0.39%, 0.7%

LAB 79.32, -3.69, 26.02

 

CMYK 2 / 0 / 29 / 18

HEX #CBD094

RGB 203 208 148

HSL 65, 0.39%, 0.7%

LAB 81.81, -11.27, 29.3

 

CMYK 10 / 0 / 29 / 18

HEX #BBD094

RGB 187 208 148

HSL 81, 0.39%, 0.7%

LAB 80.64, -17.27, 27.52

 

CMYK 0 / 9 / 50 / 28

HEX #B7A65B

RGB 183 166 91

HSL 48.91, 0.39%, 0.54%

LAB 68.09, -3.9, 40.77

 

CMYK 0 / 7 / 39 / 24

HEX #C3B577

RGB 195 181 119

HSL 48.95, 0.39%, 0.62%

LAB 73.53, -4, 33.4

 

CMYK 0 / 5 / 29 / 18

HEX #D0C594

RGB 208 197 148

HSL 49, 0.39%, 0.7%

LAB 79.32, -3.69, 26.02

 

CMYK 0 / 4 / 20 / 14

HEX #DCD4B1

RGB 220 212 177

HSL 48.84, 0.38%, 0.78%

LAB 84.73, -2.9, 18.33

 

CMYK 0 / 2 / 12 / 9

HEX #E9E4CE

RGB 233 228 206

HSL 48.89, 0.38%, 0.86%

LAB 90.44, -1.99, 11.33

 

CMYK 0 / 5 / 29 / 18

HEX #D1C695

RGB 209 198 149

HSL 49, 0.39%, 0.7%

LAB 79.68, -3.69, 25.99

 

CMYK 29 / 0 / 28 / 18

HEX #94D095

RGB 148 208 149

HSL 121, 0.39%, 0.7%

LAB 78.21, -30.8, 23.31

 

CMYK 17 / 29 / 0 / 18

HEX #AD94D0

RGB 173 148 208

HSL 265, 0.39%, 0.7%

LAB 65.45, 21.13, -27.36

 

CMYK 0 / 5 / 29 / 18

HEX #D1C695

RGB 209 198 149

HSL 49, 0.39%, 0.7%

LAB 79.68, -3.69, 25.99

 

CMYK 29 / 0 / 5 / 18

HEX #94D0C5

RGB 148 208 197

HSL 169, 0.39%, 0.7%

LAB 79.29, -21.49, -0.72

 

CMYK 5 / 29 / 0 / 18

HEX #C594D0

RGB 197 148 208

HSL 289, 0.39%, 0.7%

LAB 67.73, 28.8, -23.66

 

CMYK 0 / 5 / 29 / 18

HEX #D1C695

RGB 209 198 149

HSL 49, 0.39%, 0.7%

LAB 79.68, -3.69, 25.99

 

CMYK 29 / 0 / 28 / 18

HEX #94D095

RGB 148 208 149

HSL 121, 0.39%, 0.7%

LAB 78.21, -30.8, 23.31

 

CMYK 29 / 24 / 0 / 18

HEX #949FD0

RGB 148 159 208

HSL 229, 0.39%, 0.7%

LAB 66.25, 7.23, -26.3

 

CMYK 0 / 29 / 0 / 18

HEX #D094CF

RGB 208 148 207

HSL 301, 0.39%, 0.7%

LAB 68.82, 32.2, -21.34

 

CMYK 0 / 5 / 29 / 18

HEX #D1C695

RGB 209 198 149

HSL 49, 0.39%, 0.7%

LAB 79.68, -3.69, 25.99

 

CMYK 29 / 0 / 20 / 18

HEX #94D0A7

RGB 148 208 167

HSL 139, 0.39%, 0.7%

LAB 78.58, -27.6, 14.29

 

CMYK 29 / 24 / 0 / 18

HEX #949FD0

RGB 148 159 208

HSL 229, 0.39%, 0.7%

LAB 66.25, 7.23, -26.3

 

CMYK 0 / 29 / 9 / 18

HEX #D094BD

RGB 208 148 189

HSL 319, 0.39%, 0.7%

LAB 68.21, 28.96, -12.24

 

Description

Color code: HEX #D1C695 | qconv.com Color code: HEX #D1C695 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 198 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 198 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 29 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 29% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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