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Color name
HEX #D1C523

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1C523 it is the complementary color #2E3ADC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1C523. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1C523 shade: #D6C51E, #E7D731, #F8E944, #FFFB57 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1C523. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1C523 shade: #D1C523, #C0B310, #AFA100, #9E8F00 and #8D7D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1C523 shade: #D1C523, #D19623, #D16723, #D13823 and #D12323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1C523 shade: #D1C523, #AED123, #7FD123, #50D123 and #23D125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1C523 shade matches the following richer shades: #D1C523 and #E5D60F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1C523 shade: #D1C523, #BDB437, #A9A34B, #95925E and #828172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1C523 shade: #D16623, #D19423, #D1C223, #B1D123 and #83D123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1C523 shade: #8A8217, #AEA41D, #D1C523, #DED33F and #E4DB62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1C523 shade: #D1C523, #23D137 and #7D23D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1C523 shade: #D1C523, #23D1C2 and #C223D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1C523 shade: #D1C523, #23D137, #2331D1 and #D123BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1C523 shade: #D1C523, #23D16B, #2331D1 and #D12388

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 83 / 18

HEX #D1C523

RGB 209 197 35

HSL 55.86, 0.71%, 0.48%

LAB 78.23, -12.02, 73.82

 

Complementary color

CMYK 79 / 74 / 0 / 14

HEX #2E3ADC

RGB 46 58 220

HSL 235.86, 0.71%, 0.52%

LAB 35.55, 51.33, -82.57

 

CMYK 0 / 8 / 86 / 16

HEX #D6C51E

RGB 214 197 30

HSL 54.46, 0.75%, 0.48%

LAB 78.65, -9.99, 75.47

 

CMYK 0 / 7 / 79 / 9

HEX #E7D731

RGB 231 215 49

HSL 54.73, 0.79%, 0.55%

LAB 84.9, -11.28, 76.6

 

CMYK 0 / 6 / 73 / 3

HEX #F8E944

RGB 248 233 68

HSL 55, 0.93%, 0.62%

LAB 91.08, -12.39, 76.88

 

CMYK 0 / 2 / 66 / 0

HEX #FFFB57

RGB 255 251 87

HSL 58.57, 1%, 0.67%

LAB 96.39, -17.39, 75.55

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 6 / 83 / 18

HEX #D1C523

RGB 209 197 35

HSL 55.86, 0.71%, 0.48%

LAB 78.23, -12.02, 73.82

 

CMYK 0 / 7 / 92 / 25

HEX #C0B310

RGB 192 179 16

HSL 55.57, 0.85%, 0.41%

LAB 71.88, -10.62, 71.85

 

CMYK 0 / 8 / 100 / 31

HEX #AFA100

RGB 175 161 0

HSL 55.2, 1%, 0.34%

LAB 65.44, -9, 68.43

 

CMYK 0 / 9 / 100 / 38

HEX #9E8F00

RGB 158 143 0

HSL 54.3, 1%, 0.31%

LAB 58.89, -7.13, 63.01

 

CMYK 0 / 11 / 100 / 45

HEX #8D7D00

RGB 141 125 0

HSL 53.19, 1%, 0.28%

LAB 52.21, -5.19, 57.47

 

CMYK 0 / 6 / 83 / 18

HEX #D1C523

RGB 209 197 35

HSL 55.86, 0.71%, 0.48%

LAB 78.23, -12.02, 73.82

 

CMYK 0 / 28 / 83 / 18

HEX #D19623

RGB 209 150 35

HSL 39.66, 0.71%, 0.48%

LAB 66.13, 12.73, 63.58

 

CMYK 0 / 51 / 83 / 18

HEX #D16723

RGB 209 103 35

HSL 23.45, 0.71%, 0.48%

LAB 55.46, 37.81, 54.34

 

CMYK 0 / 73 / 83 / 18

HEX #D13823

RGB 209 56 35

HSL 7.24, 0.71%, 0.48%

LAB 47.63, 58.47, 47.35

 

CMYK 0 / 83 / 83 / 18

HEX #D12323

RGB 209 35 35

HSL 0, 0.71%, 0.48%

LAB 45.47, 64.54, 45.38

 

CMYK 0 / 6 / 83 / 18

HEX #D1C523

RGB 209 197 35

HSL 55.86, 0.71%, 0.48%

LAB 78.23, -12.02, 73.82

 

CMYK 17 / 0 / 83 / 18

HEX #AED123

RGB 174 209 35

HSL 72.07, 0.71%, 0.48%

LAB 78.88, -32.53, 73.31

 

CMYK 39 / 0 / 83 / 18

HEX #7FD123

RGB 127 209 35

HSL 88.28, 0.71%, 0.48%

LAB 76.21, -50.16, 69.95

 

CMYK 62 / 0 / 83 / 18

HEX #50D123

RGB 80 209 35

HSL 104.48, 0.71%, 0.48%

LAB 74.46, -63.64, 67.73

 

CMYK 83 / 0 / 82 / 18

HEX #23D125

RGB 35 209 37

HSL 120.69, 0.71%, 0.48%

LAB 73.61, -70.96, 66.13

 

CMYK 0 / 6 / 83 / 18

HEX #D1C523

RGB 209 197 35

HSL 55.86, 0.71%, 0.48%

LAB 78.23, -12.02, 73.82

 

CMYK 0 / 7 / 93 / 10

HEX #E5D60F

RGB 229 214 15

HSL 55.79, 0.88%, 0.48%

LAB 84.37, -12.37, 82.88

 

CMYK 0 / 6 / 83 / 18

HEX #D1C523

RGB 209 197 35

HSL 55.86, 0.71%, 0.48%

LAB 78.23, -12.02, 73.82

 

CMYK 0 / 5 / 71 / 26

HEX #BDB437

RGB 189 180 55

HSL 55.97, 0.55%, 0.48%

LAB 72.05, -11.2, 61.42

 

CMYK 0 / 4 / 56 / 34

HEX #A9A34B

RGB 169 163 75

HSL 56.17, 0.39%, 0.48%

LAB 65.86, -9.66, 45.72

 

CMYK 0 / 2 / 37 / 42

HEX #95925E

RGB 149 146 94

HSL 56.73, 0.23%, 0.48%

LAB 59.67, -7.11, 27.99

 

CMYK 0 / 1 / 12 / 49

HEX #828172

RGB 130 129 114

HSL 56.25, 0.07%, 0.48%

LAB 53.67, -2.43, 8.27

 

CMYK 0 / 51 / 83 / 18

HEX #D16623

RGB 209 102 35

HSL 23.1, 0.71%, 0.48%

LAB 55.26, 38.32, 54.16

 

CMYK 0 / 29 / 83 / 18

HEX #D19423

RGB 209 148 35

HSL 38.97, 0.71%, 0.48%

LAB 65.64, 13.82, 63.16

 

CMYK 0 / 7 / 83 / 18

HEX #D1C223

RGB 209 194 35

HSL 54.83, 0.71%, 0.48%

LAB 77.44, -10.49, 73.15

 

CMYK 15 / 0 / 83 / 18

HEX #B1D123

RGB 177 209 35

HSL 71.03, 0.71%, 0.48%

LAB 79.08, -31.32, 73.56

 

CMYK 37 / 0 / 83 / 18

HEX #83D123

RGB 131 209 35

HSL 86.9, 0.71%, 0.48%

LAB 76.4, -48.79, 70.19

 

CMYK 0 / 6 / 83 / 46

HEX #8A8217

RGB 138 130 23

HSL 55.83, 0.71%, 0.32%

LAB 53.42, -8.83, 53.39

 

CMYK 0 / 6 / 83 / 32

HEX #AEA41D

RGB 174 164 29

HSL 55.86, 0.71%, 0.4%

LAB 66.24, -10.5, 64

 

CMYK 0 / 6 / 83 / 18

HEX #D1C523

RGB 209 197 35

HSL 55.86, 0.71%, 0.48%

LAB 78.23, -12.02, 73.82

 

CMYK 0 / 5 / 72 / 13

HEX #DED33F

RGB 222 211 63

HSL 55.85, 0.71%, 0.56%

LAB 83.17, -12.52, 70.27

 

CMYK 0 / 4 / 57 / 11

HEX #E4DB62

RGB 228 219 98

HSL 55.85, 0.71%, 0.64%

LAB 86.03, -11.97, 59.35

 

CMYK 0 / 6 / 83 / 18

HEX #D1C523

RGB 209 197 35

HSL 55.86, 0.71%, 0.48%

LAB 78.23, -12.02, 73.82

 

CMYK 83 / 0 / 74 / 18

HEX #23D137

RGB 35 209 55

HSL 126.9, 0.71%, 0.48%

LAB 73.7, -69.79, 60.76

 

CMYK 40 / 83 / 0 / 18

HEX #7D23D1

RGB 125 35 209

HSL 271.03, 0.71%, 0.48%

LAB 38.14, 66.83, -71.71

 

CMYK 0 / 6 / 83 / 18

HEX #D1C523

RGB 209 197 35

HSL 55.86, 0.71%, 0.48%

LAB 78.23, -12.02, 73.82

 

CMYK 83 / 0 / 7 / 18

HEX #23D1C2

RGB 35 209 194

HSL 174.83, 0.71%, 0.48%

LAB 75.98, -44.22, -4.38

 

CMYK 7 / 83 / 0 / 18

HEX #C223D1

RGB 194 35 209

HSL 294.83, 0.71%, 0.48%

LAB 48.6, 77.71, -54.25

 

CMYK 0 / 6 / 83 / 18

HEX #D1C523

RGB 209 197 35

HSL 55.86, 0.71%, 0.48%

LAB 78.23, -12.02, 73.82

 

CMYK 83 / 0 / 74 / 18

HEX #23D137

RGB 35 209 55

HSL 126.9, 0.71%, 0.48%

LAB 73.7, -69.79, 60.76

 

CMYK 83 / 77 / 0 / 18

HEX #2331D1

RGB 35 49 209

HSL 235.17, 0.71%, 0.48%

LAB 32.16, 51.99, -81.84

 

CMYK 0 / 83 / 10 / 18

HEX #D123BD

RGB 209 35 189

HSL 306.9, 0.71%, 0.48%

LAB 50.02, 77.49, -40.27

 

CMYK 0 / 6 / 83 / 18

HEX #D1C523

RGB 209 197 35

HSL 55.86, 0.71%, 0.48%

LAB 78.23, -12.02, 73.82

 

CMYK 83 / 0 / 49 / 18

HEX #23D16B

RGB 35 209 107

HSL 144.83, 0.71%, 0.48%

LAB 74.2, -63.62, 38.86

 

CMYK 83 / 77 / 0 / 18

HEX #2331D1

RGB 35 49 209

HSL 235.17, 0.71%, 0.48%

LAB 32.16, 51.99, -81.84

 

CMYK 0 / 83 / 35 / 18

HEX #D12388

RGB 209 35 136

HSL 325.17, 0.71%, 0.48%

LAB 47.67, 70.99, -12.42

 

Description

Color code: HEX #D1C523 | qconv.com Color code: HEX #D1C523 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 197 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 197 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 83 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 83% 18% C M Y K

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