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Color name
HEX #D1BD98

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1BD98 it is the complementary color #2E4267. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1BD98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1BD98 shade: #D6BD93, #E7CFA6, #F8E1B9, #FFF3CC and #FFFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1BD98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1BD98 shade: #D1BD98, #C0AB85, #AF9972, #9E875F and #8D754C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1BD98 shade: #D1BD98, #D1AE98, #D19F98 and #D19898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1BD98 shade: #D1BD98, #D1CC98, #C6D198, #B7D198 and #A8D198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1BD98 shade matches the following richer shades: #D1BD98, #DDC18C, #E9C481 and #F5C875

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1BD98 shade: #D1BD98, #C5B9A4, #B9B6B0, #ADB2BC and #A1AFC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1BD98 shade: #D19E98, #D1AD98, #D1BC98, #D1CB98 and #C7D198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1BD98 shade: #B79860, #C4AB7C, #D1BD98, #DDCFB5 and #EAE2D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1BD98 shade: #D1BD98, #A2D198 and #A698D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1BD98 shade: #D1BD98, #98D1BC and #BC98D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1BD98 shade: #D1BD98, #A2D198, #98ADD1 and #C798D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1BD98 shade: #D1BD98, #98D1A0, #98ADD1 and #D198C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 27 / 18

HEX #D1BD98

RGB 209 189 152

HSL 38.95, 0.38%, 0.71%

LAB 77.41, 1.42, 21.31

 

Complementary color

CMYK 55 / 36 / 0 / 60

HEX #2E4267

RGB 46 66 103

HSL 218.95, 0.38%, 0.29%

LAB 28, 4.02, -24.1

 

CMYK 0 / 12 / 31 / 16

HEX #D6BD93

RGB 214 189 147

HSL 37.61, 0.45%, 0.71%

LAB 77.76, 2.7, 24.52

 

CMYK 0 / 10 / 28 / 9

HEX #E7CFA6

RGB 231 207 166

HSL 37.85, 0.58%, 0.78%

LAB 84.16, 2.27, 23.46

 

CMYK 0 / 9 / 25 / 3

HEX #F8E1B9

RGB 248 225 185

HSL 38.1, 0.82%, 0.85%

LAB 90.46, 1.89, 22.46

 

CMYK 0 / 5 / 20 / 0

HEX #FFF3CC

RGB 255 243 204

HSL 45.88, 1%, 0.9%

LAB 95.88, -2.06, 20.28

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 10 / 27 / 18

HEX #D1BD98

RGB 209 189 152

HSL 38.95, 0.38%, 0.71%

LAB 77.41, 1.42, 21.31

 

CMYK 0 / 11 / 31 / 25

HEX #C0AB85

RGB 192 171 133

HSL 38.64, 0.32%, 0.64%

LAB 70.89, 1.84, 22.37

 

CMYK 0 / 13 / 35 / 31

HEX #AF9972

RGB 175 153 114

HSL 38.36, 0.28%, 0.57%

LAB 64.25, 2.32, 23.51

 

CMYK 0 / 15 / 40 / 38

HEX #9E875F

RGB 158 135 95

HSL 38.1, 0.25%, 0.5%

LAB 57.49, 2.88, 24.74

 

CMYK 0 / 17 / 46 / 45

HEX #8D754C

RGB 141 117 76

HSL 37.85, 0.3%, 0.43%

LAB 50.58, 3.57, 26.07

 

CMYK 0 / 10 / 27 / 18

HEX #D1BD98

RGB 209 189 152

HSL 38.95, 0.38%, 0.71%

LAB 77.41, 1.42, 21.31

 

CMYK 0 / 17 / 27 / 18

HEX #D1AE98

RGB 209 174 152

HSL 23.16, 0.38%, 0.71%

LAB 73.61, 9.43, 16.04

 

CMYK 0 / 24 / 27 / 18

HEX #D19F98

RGB 209 159 152

HSL 7.37, 0.38%, 0.71%

LAB 69.91, 17.55, 10.84

 

CMYK 0 / 27 / 27 / 18

HEX #D19898

RGB 209 152 152

HSL 0, 0.38%, 0.71%

LAB 68.23, 21.36, 8.45

 

CMYK 0 / 10 / 27 / 18

HEX #D1BD98

RGB 209 189 152

HSL 38.95, 0.38%, 0.71%

LAB 77.41, 1.42, 21.31

 

CMYK 0 / 2 / 27 / 18

HEX #D1CC98

RGB 209 204 152

HSL 54.74, 0.38%, 0.71%

LAB 81.3, -6.4, 26.6

 

CMYK 5 / 0 / 27 / 18

HEX #C6D198

RGB 198 209 152

HSL 71.58, 0.38%, 0.71%

LAB 81.77, -13.12, 27.1

 

CMYK 12 / 0 / 27 / 18

HEX #B7D198

RGB 183 209 152

HSL 87.37, 0.38%, 0.71%

LAB 80.7, -18.66, 25.48

 

CMYK 20 / 0 / 27 / 18

HEX #A8D198

RGB 168 209 152

HSL 103.16, 0.38%, 0.71%

LAB 79.72, -24.01, 23.98

 

CMYK 0 / 10 / 27 / 18

HEX #D1BD98

RGB 209 189 152

HSL 38.95, 0.38%, 0.71%

LAB 77.41, 1.42, 21.31

 

CMYK 0 / 13 / 37 / 13

HEX #DDC18C

RGB 221 193 140

HSL 39.26, 0.54%, 0.71%

LAB 79.27, 2.48, 30.36

 

CMYK 0 / 16 / 45 / 9

HEX #E9C481

RGB 233 196 129

HSL 38.65, 0.7%, 0.71%

LAB 80.95, 4.5, 38.46

 

CMYK 0 / 18 / 52 / 4

HEX #F5C875

RGB 245 200 117

HSL 38.91, 0.86%, 0.71%

LAB 82.92, 6.15, 47.18

 

CMYK 0 / 10 / 27 / 18

HEX #D1BD98

RGB 209 189 152

HSL 38.95, 0.38%, 0.71%

LAB 77.41, 1.42, 21.31

 

CMYK 0 / 6 / 17 / 23

HEX #C5B9A4

RGB 197 185 164

HSL 38.18, 0.22%, 0.71%

LAB 75.61, 0.75, 12.18

 

CMYK 0 / 2 / 5 / 27

HEX #B9B6B0

RGB 185 182 176

HSL 40, 0.06%, 0.71%

LAB 74.13, -0.03, 3.41

 

CMYK 8 / 5 / 0 / 26

HEX #ADB2BC

RGB 173 178 188

HSL 220, 0.1%, 0.71%

LAB 72.47, 0.22, -5.7

 

CMYK 20 / 13 / 0 / 22

HEX #A1AFC8

RGB 161 175 200

HSL 218.46, 0.26%, 0.71%

LAB 71.15, 0.45, -14.34

 

CMYK 0 / 24 / 27 / 18

HEX #D19E98

RGB 209 158 152

HSL 6.32, 0.38%, 0.71%

LAB 69.67, 18.09, 10.5

 

CMYK 0 / 17 / 27 / 18

HEX #D1AD98

RGB 209 173 152

HSL 22.11, 0.38%, 0.71%

LAB 73.36, 9.96, 15.69

 

CMYK 0 / 10 / 27 / 18

HEX #D1BC98

RGB 209 188 152

HSL 37.89, 0.38%, 0.71%

LAB 77.15, 1.95, 20.96

 

CMYK 0 / 3 / 27 / 18

HEX #D1CB98

RGB 209 203 152

HSL 53.68, 0.38%, 0.71%

LAB 81.03, -5.89, 26.25

 

CMYK 5 / 0 / 27 / 18

HEX #C7D198

RGB 199 209 152

HSL 70.53, 0.38%, 0.71%

LAB 81.84, -12.75, 27.21

 

CMYK 0 / 17 / 48 / 28

HEX #B79860

RGB 183 152 96

HSL 38.62, 0.38%, 0.55%

LAB 64.46, 4.15, 33.68

 

CMYK 0 / 13 / 37 / 23

HEX #C4AB7C

RGB 196 171 124

HSL 39.17, 0.38%, 0.63%

LAB 71.09, 2.3, 27.56

 

CMYK 0 / 10 / 27 / 18

HEX #D1BD98

RGB 209 189 152

HSL 38.95, 0.38%, 0.71%

LAB 77.41, 1.42, 21.31

 

CMYK 0 / 6 / 18 / 13

HEX #DDCFB5

RGB 221 207 181

HSL 39, 0.37%, 0.79%

LAB 83.62, 0.65, 14.67

 

CMYK 0 / 3 / 11 / 8

HEX #EAE2D1

RGB 234 226 209

HSL 40.8, 0.37%, 0.87%

LAB 90.09, -0.13, 9.27

 

CMYK 0 / 10 / 27 / 18

HEX #D1BD98

RGB 209 189 152

HSL 38.95, 0.38%, 0.71%

LAB 77.41, 1.42, 21.31

 

CMYK 22 / 0 / 27 / 18

HEX #A2D198

RGB 162 209 152

HSL 109.47, 0.38%, 0.71%

LAB 79.36, -26.09, 23.42

 

CMYK 21 / 27 / 0 / 18

HEX #A698D1

RGB 166 152 209

HSL 254.74, 0.38%, 0.71%

LAB 65.88, 16.91, -27.3

 

CMYK 0 / 10 / 27 / 18

HEX #D1BD98

RGB 209 189 152

HSL 38.95, 0.38%, 0.71%

LAB 77.41, 1.42, 21.31

 

CMYK 27 / 0 / 10 / 18

HEX #98D1BC

RGB 152 209 188

HSL 157.89, 0.38%, 0.71%

LAB 79.56, -22.7, 4.51

 

CMYK 10 / 27 / 0 / 18

HEX #BC98D1

RGB 188 152 209

HSL 277.89, 0.38%, 0.71%

LAB 67.84, 23.88, -24.13

 

CMYK 0 / 10 / 27 / 18

HEX #D1BD98

RGB 209 189 152

HSL 38.95, 0.38%, 0.71%

LAB 77.41, 1.42, 21.31

 

CMYK 22 / 0 / 27 / 18

HEX #A2D198

RGB 162 209 152

HSL 109.47, 0.38%, 0.71%

LAB 79.36, -26.09, 23.42

 

CMYK 27 / 17 / 0 / 18

HEX #98ADD1

RGB 152 173 209

HSL 217.89, 0.38%, 0.71%

LAB 70.29, 0.87, -20.64

 

CMYK 5 / 27 / 0 / 18

HEX #C798D1

RGB 199 152 209

HSL 289.47, 0.38%, 0.71%

LAB 68.9, 27.45, -22.41

 

CMYK 0 / 10 / 27 / 18

HEX #D1BD98

RGB 209 189 152

HSL 38.95, 0.38%, 0.71%

LAB 77.41, 1.42, 21.31

 

CMYK 27 / 0 / 23 / 18

HEX #98D1A0

RGB 152 209 160

HSL 128.42, 0.38%, 0.71%

LAB 78.93, -28.08, 18.53

 

CMYK 27 / 17 / 0 / 18

HEX #98ADD1

RGB 152 173 209

HSL 217.89, 0.38%, 0.71%

LAB 70.29, 0.87, -20.64

 

CMYK 0 / 27 / 4 / 18

HEX #D198C9

RGB 209 152 201

HSL 308.42, 0.38%, 0.71%

LAB 69.63, 29.25, -16.77

 

Description

Color code: HEX #D1BD98 | qconv.com Color code: HEX #D1BD98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 189 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 189 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 27 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 27% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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