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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1B652 it is the complementary color #2E49AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1B652. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1B652 shade: #D6B64D, #E7C860, #F8DA73, #FFEC86 and #FFFE99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1B652. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1B652 shade: #D1B652, #C0A43F, #AF922C, #9E8019 and #8D6E06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1B652 shade: #D0B551, #D09351, #D07151 and #D05151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1B652 shade: #D0B551, #C9D051, #A7D051, #85D051 and #62D051

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1B652 shade matches the following richer shades: #D0B551, #E2C040 and #F4CA2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1B652 shade: #D0B551, #BFAB63, #ADA175, #9B9786 and #898D98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1B652 shade: #D07151, #D09351, #D0B551, #CAD051 and #A8D051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1B652 shade: #A48A2B, #C5A634, #D0B551, #D9C372 and #E2D192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1B652 shade: #D1B652, #53D051 and #8251D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1B652 shade: #D1B652, #51D0B5 and #B551D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1B652 shade: #D1B652, #53D051, #516DD0 and #CE51D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1B652 shade: #D1B652, #51D075, #516DD0 and #D051AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 61 / 18

HEX #D1B652

RGB 209 182 82

HSL 47.24, 0.58%, 0.57%

LAB 74.58, -2.07, 53.29

 

Complementary color

CMYK 73 / 58 / 0 / 32

HEX #2E49AD

RGB 46 73 173

HSL 227.24, 0.58%, 0.43%

LAB 34.73, 25.39, -56.45

 

CMYK 0 / 15 / 64 / 16

HEX #D6B64D

RGB 214 182 77

HSL 45.99, 0.63%, 0.57%

LAB 75.01, -0.28, 56.14

 

CMYK 0 / 13 / 58 / 9

HEX #E7C860

RGB 231 200 96

HSL 46.22, 0.74%, 0.64%

LAB 81.37, -1.23, 55.06

 

CMYK 0 / 12 / 54 / 3

HEX #F8DA73

RGB 248 218 115

HSL 46.47, 0.9%, 0.71%

LAB 87.65, -2.04, 53.89

 

CMYK 0 / 7 / 47 / 0

HEX #FFEC86

RGB 255 236 134

HSL 50.58, 1%, 0.76%

LAB 93, -6.7, 51.47

 

CMYK 0 / 0 / 40 / 0

HEX #FFFE99

RGB 255 254 153

HSL 59.41, 1%, 0.8%

LAB 97.81, -13.74, 48.34

 

CMYK 0 / 13 / 61 / 18

HEX #D1B652

RGB 209 182 82

HSL 47.24, 0.58%, 0.57%

LAB 74.58, -2.07, 53.29

 

CMYK 0 / 15 / 67 / 25

HEX #C0A43F

RGB 192 164 63

HSL 46.98, 0.51%, 0.5%

LAB 68.11, -1.06, 54.28

 

CMYK 0 / 17 / 75 / 31

HEX #AF922C

RGB 175 146 44

HSL 46.72, 0.6%, 0.43%

LAB 61.53, 0.15, 54.92

 

CMYK 0 / 19 / 84 / 38

HEX #9E8019

RGB 158 128 25

HSL 46.47, 0.73%, 0.36%

LAB 54.84, 1.62, 54.8

 

CMYK 0 / 22 / 96 / 45

HEX #8D6E06

RGB 141 110 6

HSL 46.22, 0.92%, 0.29%

LAB 48.04, 3.4, 53.23

 

CMYK 0 / 13 / 61 / 18

HEX #D0B551

RGB 208 181 81

HSL 47.24, 0.57%, 0.57%

LAB 74.22, -2.04, 53.32

 

CMYK 0 / 29 / 61 / 18

HEX #D09351

RGB 208 147 81

HSL 31.18, 0.57%, 0.57%

LAB 65.65, 16.19, 43.53

 

CMYK 0 / 46 / 61 / 18

HEX #D07151

RGB 208 113 81

HSL 15.12, 0.57%, 0.57%

LAB 57.86, 34.48, 34.18

 

CMYK 0 / 61 / 61 / 18

HEX #D05151

RGB 208 81 81

HSL 0, 0.57%, 0.57%

LAB 51.71, 50.23, 26.45

 

CMYK 0 / 13 / 61 / 18

HEX #D0B551

RGB 208 181 81

HSL 47.24, 0.57%, 0.57%

LAB 74.22, -2.04, 53.32

 

CMYK 3 / 0 / 61 / 18

HEX #C9D051

RGB 201 208 81

HSL 63.31, 0.57%, 0.57%

LAB 80.81, -18.75, 60.35

 

CMYK 20 / 0 / 61 / 18

HEX #A7D051

RGB 167 208 81

HSL 79.37, 0.57%, 0.57%

LAB 78.42, -32.34, 57.06

 

CMYK 36 / 0 / 61 / 18

HEX #85D051

RGB 133 208 81

HSL 95.43, 0.57%, 0.57%

LAB 76.49, -44.74, 54.39

 

CMYK 53 / 0 / 61 / 18

HEX #62D051

RGB 98 208 81

HSL 111.97, 0.57%, 0.57%

LAB 75.02, -55.4, 52.33

 

CMYK 0 / 13 / 61 / 18

HEX #D0B551

RGB 208 181 81

HSL 47.24, 0.57%, 0.57%

LAB 74.22, -2.04, 53.32

 

CMYK 0 / 15 / 72 / 11

HEX #E2C040

RGB 226 192 64

HSL 47.41, 0.74%, 0.57%

LAB 78.6, -1.09, 65.58

 

CMYK 0 / 17 / 81 / 4

HEX #F4CA2E

RGB 244 202 46

HSL 47.27, 0.9%, 0.57%

LAB 82.74, 0.74, 76.02

 

CMYK 0 / 13 / 61 / 18

HEX #D0B551

RGB 208 181 81

HSL 47.24, 0.57%, 0.57%

LAB 74.22, -2.04, 53.32

 

CMYK 0 / 10 / 48 / 25

HEX #BFAB63

RGB 191 171 99

HSL 46.96, 0.42%, 0.57%

LAB 70.25, -2.45, 39.51

 

CMYK 0 / 7 / 32 / 32

HEX #ADA175

RGB 173 161 117

HSL 47.14, 0.25%, 0.57%

LAB 66.26, -2.47, 24.53

 

CMYK 0 / 3 / 14 / 39

HEX #9B9786

RGB 155 151 134

HSL 48.57, 0.1%, 0.57%

LAB 62.36, -1.58, 9.48

 

CMYK 10 / 7 / 0 / 40

HEX #898D98

RGB 137 141 152

HSL 224, 0.07%, 0.57%

LAB 58.64, 0.82, -6.34

 

CMYK 0 / 46 / 61 / 18

HEX #D07151

RGB 208 113 81

HSL 15.12, 0.57%, 0.57%

LAB 57.86, 34.48, 34.18

 

CMYK 0 / 29 / 61 / 18

HEX #D09351

RGB 208 147 81

HSL 31.18, 0.57%, 0.57%

LAB 65.65, 16.19, 43.53

 

CMYK 0 / 13 / 61 / 18

HEX #D0B551

RGB 208 181 81

HSL 47.24, 0.57%, 0.57%

LAB 74.22, -2.04, 53.32

 

CMYK 3 / 0 / 61 / 18

HEX #CAD051

RGB 202 208 81

HSL 62.83, 0.57%, 0.57%

LAB 80.88, -18.34, 60.46

 

CMYK 19 / 0 / 61 / 18

HEX #A8D051

RGB 168 208 81

HSL 78.9, 0.57%, 0.57%

LAB 78.48, -31.95, 57.15

 

CMYK 0 / 16 / 74 / 36

HEX #A48A2B

RGB 164 138 43

HSL 47.11, 0.58%, 0.41%

LAB 58.27, -0.47, 51.76

 

CMYK 0 / 16 / 74 / 23

HEX #C5A634

RGB 197 166 52

HSL 47.17, 0.58%, 0.49%

LAB 69.03, -0.52, 59.85

 

CMYK 0 / 13 / 61 / 18

HEX #D0B551

RGB 208 181 81

HSL 47.24, 0.57%, 0.57%

LAB 74.22, -2.04, 53.32

 

CMYK 0 / 10 / 47 / 15

HEX #D9C372

RGB 217 195 114

HSL 47.18, 0.58%, 0.65%

LAB 79.04, -2.91, 43.32

 

CMYK 0 / 8 / 35 / 11

HEX #E2D192

RGB 226 209 146

HSL 47.25, 0.58%, 0.73%

LAB 83.89, -3.17, 33.42

 

CMYK 0 / 13 / 61 / 18

HEX #D1B652

RGB 209 182 82

HSL 47.24, 0.58%, 0.57%

LAB 74.58, -2.07, 53.29

 

CMYK 60 / 0 / 61 / 18

HEX #53D051

RGB 83 208 81

HSL 119.06, 0.57%, 0.57%

LAB 74.54, -59.11, 51.65

 

CMYK 38 / 61 / 0 / 18

HEX #8251D0

RGB 130 81 208

HSL 263.15, 0.57%, 0.57%

LAB 45.89, 47.22, -58.5

 

CMYK 0 / 13 / 61 / 18

HEX #D1B652

RGB 209 182 82

HSL 47.24, 0.58%, 0.57%

LAB 74.58, -2.07, 53.29

 

CMYK 61 / 0 / 13 / 18

HEX #51D0B5

RGB 81 208 181

HSL 167.24, 0.57%, 0.57%

LAB 76.19, -41.43, 3.02

 

CMYK 13 / 61 / 0 / 18

HEX #B551D0

RGB 181 81 208

HSL 287.24, 0.57%, 0.57%

LAB 52.13, 59.1, -48.14

 

CMYK 0 / 13 / 61 / 18

HEX #D1B652

RGB 209 182 82

HSL 47.24, 0.58%, 0.57%

LAB 74.58, -2.07, 53.29

 

CMYK 60 / 0 / 61 / 18

HEX #53D051

RGB 83 208 81

HSL 119.06, 0.57%, 0.57%

LAB 74.54, -59.11, 51.65

 

CMYK 61 / 48 / 0 / 18

HEX #516DD0

RGB 81 109 208

HSL 226.77, 0.57%, 0.57%

LAB 48.56, 20.33, -54.4

 

CMYK 1 / 61 / 0 / 18

HEX #CE51D0

RGB 206 81 208

HSL 299.06, 0.57%, 0.57%

LAB 55.65, 65.19, -42.36

 

CMYK 0 / 13 / 61 / 18

HEX #D1B652

RGB 209 182 82

HSL 47.24, 0.58%, 0.57%

LAB 74.58, -2.07, 53.29

 

CMYK 61 / 0 / 44 / 18

HEX #51D075

RGB 81 208 117

HSL 137.01, 0.57%, 0.57%

LAB 74.92, -54.66, 34.96

 

CMYK 61 / 48 / 0 / 18

HEX #516DD0

RGB 81 109 208

HSL 226.77, 0.57%, 0.57%

LAB 48.56, 20.33, -54.4

 

CMYK 0 / 61 / 17 / 18

HEX #D051AC

RGB 208 81 172

HSL 317.01, 0.57%, 0.57%

LAB 54.32, 60.02, -23.67

 

Description

Color code: HEX #D1B652 | qconv.com Color code: HEX #D1B652 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 182 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 182 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 61 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 61% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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