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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D19E7F it is the complementary color #2E6180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D19E7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D19E7F shade: #D69E7A, #E7B08D, #F8C2A0, #FFD4B3 and #FFE6C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D19E7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D19E7F shade: #D19E7F, #C08C6C, #AF7A59, #9E6846 and #8D5633

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D19E7F shade: #D19E7F, #D1887F and #D17F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D19E7F shade: #D19E7F, #D1B47F, #D1CA7F, #C1D17F and #ABD17F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D19E7F shade matches the following richer shades: #D19E7F, #DF9A71, #ED9763 and #FB9455

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D19E7F shade: #D19E7F, #C3A18D, #B4A59B, #A6A8A9 and #98ACB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D19E7F shade: #D17F8D, #D1877F, #D19D7F, #D1B37F and #D1C87F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D19E7F shade: #BA7043, #C68761, #D19E7F, #DBB59D and #E6CCBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D19E7F shade: #D19E7F, #A2D17F and #7F82D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D19E7F shade: #D19E7F, #7FD19D and #9D7FD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D19E7F shade: #D19E7F, #A2D17F, #7FB3D1 and #AD7FD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D19E7F shade: #D19E7F, #8AD17F, #7FB3D1 and #C67FD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 39 / 18

HEX #D19E7F

RGB 209 158 127

HSL 22.68, 0.47%, 0.66%

LAB 69.14, 14.91, 23.55

 

Complementary color

CMYK 64 / 24 / 0 / 50

HEX #2E6180

RGB 46 97 128

HSL 202.68, 0.47%, 0.34%

LAB 39.05, -6.91, -22.43

 

CMYK 0 / 26 / 43 / 16

HEX #D69E7A

RGB 214 158 122

HSL 23.48, 0.53%, 0.66%

LAB 69.58, 16.36, 26.95

 

CMYK 0 / 24 / 39 / 9

HEX #E7B08D

RGB 231 176 141

HSL 23.33, 0.65%, 0.73%

LAB 76.05, 15.54, 25.68

 

CMYK 0 / 22 / 35 / 3

HEX #F8C2A0

RGB 248 194 160

HSL 23.18, 0.86%, 0.8%

LAB 82.42, 14.81, 24.5

 

CMYK 0 / 17 / 30 / 0

HEX #FFD4B3

RGB 255 212 179

HSL 26.05, 1%, 0.85%

LAB 87.78, 10.41, 21.97

 

CMYK 0 / 10 / 22 / 0

HEX #FFE6C6

RGB 255 230 198

HSL 33.68, 1%, 0.89%

LAB 92.54, 3.69, 18.71

 

CMYK 0 / 24 / 39 / 18

HEX #D19E7F

RGB 209 158 127

HSL 22.68, 0.47%, 0.66%

LAB 69.14, 14.91, 23.55

 

CMYK 0 / 27 / 44 / 25

HEX #C08C6C

RGB 192 140 108

HSL 22.86, 0.4%, 0.59%

LAB 62.55, 15.76, 24.86

 

CMYK 0 / 30 / 49 / 31

HEX #AF7A59

RGB 175 122 89

HSL 23.02, 0.35%, 0.52%

LAB 55.84, 16.74, 26.29

 

CMYK 0 / 34 / 56 / 38

HEX #9E6846

RGB 158 104 70

HSL 23.18, 0.39%, 0.45%

LAB 49.02, 17.9, 27.88

 

CMYK 0 / 39 / 64 / 45

HEX #8D5633

RGB 141 86 51

HSL 23.33, 0.47%, 0.38%

LAB 42.09, 19.28, 29.65

 

CMYK 0 / 24 / 39 / 18

HEX #D19E7F

RGB 209 158 127

HSL 22.68, 0.47%, 0.66%

LAB 69.14, 14.91, 23.55

 

CMYK 0 / 35 / 39 / 18

HEX #D1887F

RGB 209 136 127

HSL 6.59, 0.47%, 0.66%

LAB 63.91, 26.86, 16.41

 

CMYK 0 / 39 / 39 / 18

HEX #D17F7F

RGB 209 127 127

HSL 0, 0.47%, 0.66%

LAB 61.88, 31.71, 13.58

 

CMYK 0 / 24 / 39 / 18

HEX #D19E7F

RGB 209 158 127

HSL 22.68, 0.47%, 0.66%

LAB 69.14, 14.91, 23.55

 

CMYK 0 / 14 / 39 / 18

HEX #D1B47F

RGB 209 180 127

HSL 38.78, 0.47%, 0.66%

LAB 74.65, 3.08, 30.89

 

CMYK 0 / 3 / 39 / 18

HEX #D1CA7F

RGB 209 202 127

HSL 54.88, 0.47%, 0.66%

LAB 80.36, -8.41, 38.29

 

CMYK 8 / 0 / 39 / 18

HEX #C1D17F

RGB 193 209 127

HSL 71.71, 0.47%, 0.66%

LAB 81, -18.21, 38.86

 

CMYK 18 / 0 / 39 / 18

HEX #ABD17F

RGB 171 209 127

HSL 87.8, 0.47%, 0.66%

LAB 79.49, -26.52, 36.62

 

CMYK 0 / 24 / 39 / 18

HEX #D19E7F

RGB 209 158 127

HSL 22.68, 0.47%, 0.66%

LAB 69.14, 14.91, 23.55

 

CMYK 0 / 31 / 49 / 13

HEX #DF9A71

RGB 223 154 113

HSL 22.36, 0.63%, 0.66%

LAB 69.46, 21.23, 31.85

 

CMYK 0 / 36 / 58 / 7

HEX #ED9763

RGB 237 151 99

HSL 22.61, 0.79%, 0.66%

LAB 70.2, 27.28, 40.55

 

CMYK 0 / 41 / 66 / 2

HEX #FB9455

RGB 251 148 85

HSL 22.77, 0.95%, 0.66%

LAB 71.11, 33.51, 49.18

 

CMYK 0 / 24 / 39 / 18

HEX #D19E7F

RGB 209 158 127

HSL 22.68, 0.47%, 0.66%

LAB 69.14, 14.91, 23.55

 

CMYK 0 / 17 / 28 / 24

HEX #C3A18D

RGB 195 161 141

HSL 22.22, 0.31%, 0.66%

LAB 68.76, 9.52, 15.11

 

CMYK 0 / 8 / 14 / 29

HEX #B4A59B

RGB 180 165 155

HSL 24, 0.14%, 0.66%

LAB 68.74, 3.72, 7.14

 

CMYK 2 / 1 / 0 / 34

HEX #A6A8A9

RGB 166 168 169

HSL 200, 0.02%, 0.66%

LAB 68.73, -0.51, -0.77

 

CMYK 17 / 6 / 0 / 28

HEX #98ACB7

RGB 152 172 183

HSL 201.29, 0.18%, 0.66%

LAB 69.18, -4.57, -7.98

 

CMYK 0 / 39 / 33 / 18

HEX #D17F8D

RGB 209 127 141

HSL 349.76, 0.47%, 0.66%

LAB 62.22, 33.42, 6.06

 

CMYK 0 / 35 / 39 / 18

HEX #D1877F

RGB 209 135 127

HSL 5.85, 0.47%, 0.66%

LAB 63.68, 27.41, 16.09

 

CMYK 0 / 25 / 39 / 18

HEX #D19D7F

RGB 209 157 127

HSL 21.95, 0.47%, 0.66%

LAB 68.9, 15.45, 23.22

 

CMYK 0 / 14 / 39 / 18

HEX #D1B37F

RGB 209 179 127

HSL 38.05, 0.47%, 0.66%

LAB 74.4, 3.61, 30.56

 

CMYK 0 / 4 / 39 / 18

HEX #D1C87F

RGB 209 200 127

HSL 53.41, 0.47%, 0.66%

LAB 79.84, -7.38, 37.62

 

CMYK 0 / 40 / 64 / 27

HEX #BA7043

RGB 186 112 67

HSL 22.69, 0.47%, 0.5%

LAB 54.48, 25.11, 37.01

 

CMYK 0 / 32 / 51 / 22

HEX #C68761

RGB 198 135 97

HSL 22.57, 0.47%, 0.58%

LAB 61.82, 19.87, 30.11

 

CMYK 0 / 24 / 39 / 18

HEX #D19E7F

RGB 209 158 127

HSL 22.68, 0.47%, 0.66%

LAB 69.14, 14.91, 23.55

 

CMYK 0 / 17 / 28 / 14

HEX #DBB59D

RGB 219 181 157

HSL 23.23, 0.46%, 0.74%

LAB 76.4, 10.2, 17.37

 

CMYK 0 / 11 / 18 / 10

HEX #E6CCBC

RGB 230 204 188

HSL 22.86, 0.46%, 0.82%

LAB 83.78, 6.57, 11.29

 

CMYK 0 / 24 / 39 / 18

HEX #D19E7F

RGB 209 158 127

HSL 22.68, 0.47%, 0.66%

LAB 69.14, 14.91, 23.55

 

CMYK 22 / 0 / 39 / 18

HEX #A2D17F

RGB 162 209 127

HSL 94.39, 0.47%, 0.66%

LAB 78.93, -29.78, 35.79

 

CMYK 39 / 38 / 0 / 18

HEX #7F82D1

RGB 127 130 209

HSL 237.8, 0.47%, 0.66%

LAB 57.15, 18.34, -41.12

 

CMYK 0 / 24 / 39 / 18

HEX #D19E7F

RGB 209 158 127

HSL 22.68, 0.47%, 0.66%

LAB 69.14, 14.91, 23.55

 

CMYK 39 / 0 / 25 / 18

HEX #7FD19D

RGB 127 209 157

HSL 141.95, 0.47%, 0.66%

LAB 77.61, -36.31, 18.08

 

CMYK 25 / 39 / 0 / 18

HEX #9D7FD1

RGB 157 127 209

HSL 261.95, 0.47%, 0.66%

LAB 58.93, 28.46, -38.16

 

CMYK 0 / 24 / 39 / 18

HEX #D19E7F

RGB 209 158 127

HSL 22.68, 0.47%, 0.66%

LAB 69.14, 14.91, 23.55

 

CMYK 22 / 0 / 39 / 18

HEX #A2D17F

RGB 162 209 127

HSL 94.39, 0.47%, 0.66%

LAB 78.93, -29.78, 35.79

 

CMYK 39 / 14 / 0 / 18

HEX #7FB3D1

RGB 127 179 209

HSL 201.95, 0.47%, 0.66%

LAB 70.42, -9.48, -20.58

 

CMYK 17 / 39 / 0 / 18

HEX #AD7FD1

RGB 173 127 209

HSL 273.66, 0.47%, 0.66%

LAB 60.49, 33.19, -35.61

 

CMYK 0 / 24 / 39 / 18

HEX #D19E7F

RGB 209 158 127

HSL 22.68, 0.47%, 0.66%

LAB 69.14, 14.91, 23.55

 

CMYK 34 / 0 / 39 / 18

HEX #8AD17F

RGB 138 209 127

HSL 111.95, 0.47%, 0.66%

LAB 77.6, -38, 33.8

 

CMYK 39 / 14 / 0 / 18

HEX #7FB3D1

RGB 127 179 209

HSL 201.95, 0.47%, 0.66%

LAB 70.42, -9.48, -20.58

 

CMYK 5 / 39 / 0 / 18

HEX #C67FD1

RGB 198 127 209

HSL 291.95, 0.47%, 0.66%

LAB 63.17, 40.77, -31.23

 

Description

Color code: HEX #D19E7F | qconv.com Color code: HEX #D19E7F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 158 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 158 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 39 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 39% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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