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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D19A79 it is the complementary color #2E6586. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D19A79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D19A79 shade: #D69A74, #E7AC87, #F8BE9A, #FFD0AD and #FFE2C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D19A79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D19A79 shade: #D19A79, #C08866, #AF7653, #9E6440 and #8D522D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D19A79 shade: #D19A7A, #D1837A and #D17A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D19A79 shade: #D19A7A, #D1B27A, #D1C97A, #C1D17A and #A9D17A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D19A79 shade matches the following richer shades: #D19A7A, #DF976B, #EE935D and #FC8F4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D19A79 shade: #D19A7A, #C39E88, #B4A296, #A6A5A5 and #97A9B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D19A79 shade: #D17A88, #D1827A, #D19A7A, #D1B17A and #D1C87A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D19A79 shade: #B96D3F, #C6835B, #D19A7A, #DCB198 and #E6C9B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D19A79 shade: #D19A79, #9FD17A and #7A7CD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D19A79 shade: #D19A79, #7AD19A and #9A7AD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D19A79 shade: #D19A79, #9FD17A, #7AB1D1 and #AB7AD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D19A79 shade: #D19A79, #85D17A, #7AB1D1 and #C57AD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 42 / 18

HEX #D19A79

RGB 209 154 121

HSL 22.5, 0.49%, 0.65%

LAB 68.06, 16.41, 25.37

 

Complementary color

CMYK 66 / 25 / 0 / 47

HEX #2E6586

RGB 46 101 134

HSL 202.5, 0.49%, 0.35%

LAB 40.59, -7.22, -23.69

 

CMYK 0 / 28 / 46 / 16

HEX #D69A74

RGB 214 154 116

HSL 23.27, 0.54%, 0.65%

LAB 68.51, 17.89, 28.79

 

CMYK 0 / 26 / 42 / 9

HEX #E7AC87

RGB 231 172 135

HSL 23.13, 0.67%, 0.72%

LAB 74.98, 17, 27.46

 

CMYK 0 / 23 / 38 / 3

HEX #F8BE9A

RGB 248 190 154

HSL 22.98, 0.87%, 0.79%

LAB 81.36, 16.22, 26.23

 

CMYK 0 / 18 / 32 / 0

HEX #FFD0AD

RGB 255 208 173

HSL 25.61, 1%, 0.84%

LAB 86.7, 11.74, 23.62

 

CMYK 0 / 11 / 25 / 0

HEX #FFE2C0

RGB 255 226 192

HSL 32.38, 1%, 0.88%

LAB 91.44, 4.91, 20.28

 

CMYK 0 / 26 / 42 / 18

HEX #D19A79

RGB 209 154 121

HSL 22.5, 0.49%, 0.65%

LAB 68.06, 16.41, 25.37

 

CMYK 0 / 29 / 47 / 25

HEX #C08866

RGB 192 136 102

HSL 22.67, 0.42%, 0.58%

LAB 61.46, 17.34, 26.75

 

CMYK 0 / 33 / 53 / 31

HEX #AF7653

RGB 175 118 83

HSL 22.83, 0.37%, 0.51%

LAB 54.76, 18.41, 28.26

 

CMYK 0 / 37 / 59 / 38

HEX #9E6440

RGB 158 100 64

HSL 22.98, 0.42%, 0.44%

LAB 47.95, 19.68, 29.94

 

CMYK 0 / 42 / 68 / 45

HEX #8D522D

RGB 141 82 45

HSL 23.13, 0.52%, 0.36%

LAB 41.04, 21.17, 31.77

 

CMYK 0 / 26 / 42 / 18

HEX #D19A7A

RGB 209 154 122

HSL 22.07, 0.49%, 0.65%

LAB 68.07, 16.52, 24.85

 

CMYK 0 / 37 / 42 / 18

HEX #D1837A

RGB 209 131 122

HSL 6.21, 0.49%, 0.65%

LAB 62.67, 29, 17.51

 

CMYK 0 / 42 / 42 / 18

HEX #D17A7A

RGB 209 122 122

HSL 0, 0.49%, 0.65%

LAB 60.68, 33.82, 14.75

 

CMYK 0 / 26 / 42 / 18

HEX #D19A7A

RGB 209 154 122

HSL 22.07, 0.49%, 0.65%

LAB 68.07, 16.52, 24.85

 

CMYK 0 / 15 / 42 / 18

HEX #D1B27A

RGB 209 178 122

HSL 38.62, 0.49%, 0.65%

LAB 74.06, 3.59, 32.75

 

CMYK 0 / 4 / 42 / 18

HEX #D1C97A

RGB 209 201 122

HSL 54.48, 0.49%, 0.65%

LAB 80.03, -8.43, 40.4

 

CMYK 8 / 0 / 42 / 18

HEX #C1D17A

RGB 193 209 122

HSL 71.03, 0.49%, 0.65%

LAB 80.93, -18.78, 41.27

 

CMYK 19 / 0 / 42 / 18

HEX #A9D17A

RGB 169 209 122

HSL 87.59, 0.49%, 0.65%

LAB 79.29, -27.88, 38.86

 

CMYK 0 / 26 / 42 / 18

HEX #D19A7A

RGB 209 154 122

HSL 22.07, 0.49%, 0.65%

LAB 68.07, 16.52, 24.85

 

CMYK 0 / 32 / 52 / 13

HEX #DF976B

RGB 223 151 107

HSL 22.76, 0.64%, 0.65%

LAB 68.67, 22.29, 34.04

 

CMYK 0 / 38 / 61 / 7

HEX #EE935D

RGB 238 147 93

HSL 22.34, 0.81%, 0.65%

LAB 69.35, 29.36, 42.66

 

CMYK 0 / 43 / 69 / 1

HEX #FC8F4E

RGB 252 143 78

HSL 22.41, 0.97%, 0.65%

LAB 70.1, 36.09, 51.52

 

CMYK 0 / 26 / 42 / 18

HEX #D19A7A

RGB 209 154 122

HSL 22.07, 0.49%, 0.65%

LAB 68.07, 16.52, 24.85

 

CMYK 0 / 19 / 30 / 24

HEX #C39E88

RGB 195 158 136

HSL 22.37, 0.33%, 0.65%

LAB 67.9, 10.48, 16.67

 

CMYK 0 / 10 / 17 / 29

HEX #B4A296

RGB 180 162 150

HSL 24, 0.17%, 0.65%

LAB 67.83, 4.55, 8.62

 

CMYK 0 / 1 / 1 / 35

HEX #A6A5A5

RGB 166 165 165

HSL 0, 0.01%, 0.65%

LAB 67.82, 0.36, 0.12

 

CMYK 16 / 6 / 0 / 30

HEX #97A9B3

RGB 151 169 179

HSL 201.43, 0.16%, 0.65%

LAB 68.18, -4.14, -7.27

 

CMYK 0 / 42 / 35 / 18

HEX #D17A88

RGB 209 122 136

HSL 350.34, 0.49%, 0.65%

LAB 61, 35.45, 7.19

 

CMYK 0 / 38 / 42 / 18

HEX #D1827A

RGB 209 130 122

HSL 5.52, 0.49%, 0.65%

LAB 62.44, 29.54, 17.2

 

CMYK 0 / 26 / 42 / 18

HEX #D19A7A

RGB 209 154 122

HSL 22.07, 0.49%, 0.65%

LAB 68.07, 16.52, 24.85

 

CMYK 0 / 15 / 42 / 18

HEX #D1B17A

RGB 209 177 122

HSL 37.93, 0.49%, 0.65%

LAB 73.81, 4.12, 32.42

 

CMYK 0 / 4 / 42 / 18

HEX #D1C87A

RGB 209 200 122

HSL 53.79, 0.49%, 0.65%

LAB 79.77, -7.92, 40.07

 

CMYK 0 / 41 / 66 / 27

HEX #B96D3F

RGB 185 109 63

HSL 22.62, 0.49%, 0.49%

LAB 53.61, 26.07, 38.09

 

CMYK 0 / 34 / 54 / 22

HEX #C6835B

RGB 198 131 91

HSL 22.43, 0.48%, 0.57%

LAB 60.78, 21.53, 32.06

 

CMYK 0 / 26 / 42 / 18

HEX #D19A7A

RGB 209 154 122

HSL 22.07, 0.49%, 0.65%

LAB 68.07, 16.52, 24.85

 

CMYK 0 / 20 / 31 / 14

HEX #DCB198

RGB 220 177 152

HSL 22.06, 0.49%, 0.73%

LAB 75.41, 12.06, 18.7

 

CMYK 0 / 13 / 20 / 10

HEX #E6C9B7

RGB 230 201 183

HSL 22.98, 0.48%, 0.81%

LAB 82.92, 7.4, 12.74

 

CMYK 0 / 26 / 42 / 18

HEX #D19A79

RGB 209 154 121

HSL 22.5, 0.49%, 0.65%

LAB 68.06, 16.41, 25.37

 

CMYK 24 / 0 / 42 / 18

HEX #9FD17A

RGB 159 209 122

HSL 94.48, 0.49%, 0.65%

LAB 78.68, -31.51, 37.95

 

CMYK 42 / 41 / 0 / 18

HEX #7A7CD1

RGB 122 124 209

HSL 238.62, 0.49%, 0.65%

LAB 55.23, 20.6, -44.18

 

CMYK 0 / 26 / 42 / 18

HEX #D19A79

RGB 209 154 121

HSL 22.5, 0.49%, 0.65%

LAB 68.06, 16.41, 25.37

 

CMYK 42 / 0 / 26 / 18

HEX #7AD19A

RGB 122 209 154

HSL 142.07, 0.49%, 0.65%

LAB 77.32, -38.3, 19.24

 

CMYK 26 / 42 / 0 / 18

HEX #9A7AD1

RGB 154 122 209

HSL 262.07, 0.49%, 0.65%

LAB 57.46, 30.47, -40.49

 

CMYK 0 / 26 / 42 / 18

HEX #D19A79

RGB 209 154 121

HSL 22.5, 0.49%, 0.65%

LAB 68.06, 16.41, 25.37

 

CMYK 24 / 0 / 42 / 18

HEX #9FD17A

RGB 159 209 122

HSL 94.48, 0.49%, 0.65%

LAB 78.68, -31.51, 37.95

 

CMYK 42 / 15 / 0 / 18

HEX #7AB1D1

RGB 122 177 209

HSL 202.07, 0.49%, 0.65%

LAB 69.6, -9.71, -21.86

 

CMYK 18 / 42 / 0 / 18

HEX #AB7AD1

RGB 171 122 209

HSL 273.79, 0.49%, 0.65%

LAB 59.14, 35.39, -37.73

 

CMYK 0 / 26 / 42 / 18

HEX #D19A79

RGB 209 154 121

HSL 22.5, 0.49%, 0.65%

LAB 68.06, 16.41, 25.37

 

CMYK 36 / 0 / 42 / 18

HEX #85D17A

RGB 133 209 122

HSL 112.41, 0.49%, 0.65%

LAB 77.28, -40.34, 35.87

 

CMYK 42 / 15 / 0 / 18

HEX #7AB1D1

RGB 122 177 209

HSL 202.07, 0.49%, 0.65%

LAB 69.6, -9.71, -21.86

 

CMYK 6 / 42 / 0 / 18

HEX #C57AD1

RGB 197 122 209

HSL 291.72, 0.49%, 0.65%

LAB 61.99, 43.13, -33.07

 

Description

Color code: HEX #D19A79 | qconv.com Color code: HEX #D19A79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 154 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 154 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 42 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 42% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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