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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D194AE it is the complementary color #2E6B51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D194AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D194AE shade: #D694A9, #E7A6BC, #F8B8CF, #FFCAE2 and #FFDCF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D194AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D194AE shade: #D194AE, #C0829B, #AF7088, #9E5E75 and #8D4C62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D194AE shade: #D193AD, #D1939D and #D19393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D194AE shade: #D193AD, #D193BE, #D193CE, #C293D1 and #B293D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D194AE shade matches the following richer shades: #D193AD, #DD87AC, #E97BAA and #F66EA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D194AE shade: #D193AD, #C4A0AF, #B8ACB1, #ABB9B3 and #9FC5B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D194AE shade: #D193CF, #D193BE, #D193AE, #D1939E and #D19A93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D194AE shade: #B85A82, #C47798, #D193AD, #DDB0C3 and #E9CDD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D194AE shade: #D194AE, #D1C293 and #93C6D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D194AE shade: #D194AE, #AED193 and #93AED1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D194AE shade: #D194AE, #D1C293, #93D1B6 and #93A2D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D194AE shade: #D194AE, #CDD193, #93D1B6 and #9793D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 17 / 18

HEX #D194AE

RGB 209 148 174

HSL 334.43, 0.4%, 0.7%

LAB 67.87, 26.83, -4.37

 

Complementary color

CMYK 57 / 0 / 24 / 58

HEX #2E6B51

RGB 46 107 81

HSL 154.43, 0.4%, 0.3%

LAB 40.72, -26.56, 8.7

 

CMYK 0 / 31 / 21 / 16

HEX #D694A9

RGB 214 148 169

HSL 340.91, 0.45%, 0.71%

LAB 68.27, 27.85, -0.91

 

CMYK 0 / 28 / 19 / 9

HEX #E7A6BC

RGB 231 166 188

HSL 339.69, 0.58%, 0.78%

LAB 74.76, 27.14, -1.72

 

CMYK 0 / 26 / 17 / 3

HEX #F8B8CF

RGB 248 184 207

HSL 338.44, 0.82%, 0.85%

LAB 81.15, 26.49, -2.47

 

CMYK 0 / 21 / 11 / 0

HEX #FFCAE2

RGB 255 202 226

HSL 332.83, 1%, 0.9%

LAB 86.5, 22.45, -4.69

 

CMYK 0 / 14 / 4 / 0

HEX #FFDCF5

RGB 255 220 245

HSL 317.14, 1%, 0.93%

LAB 91.25, 16.22, -7.69

 

CMYK 0 / 29 / 17 / 18

HEX #D194AE

RGB 209 148 174

HSL 334.43, 0.4%, 0.7%

LAB 67.87, 26.83, -4.37

 

CMYK 0 / 32 / 19 / 25

HEX #C0829B

RGB 192 130 155

HSL 335.81, 0.33%, 0.63%

LAB 61.25, 27.55, -3.59

 

CMYK 0 / 36 / 22 / 31

HEX #AF7088

RGB 175 112 136

HSL 337.14, 0.28%, 0.56%

LAB 54.53, 28.35, -2.73

 

CMYK 0 / 41 / 26 / 38

HEX #9E5E75

RGB 158 94 117

HSL 338.44, 0.25%, 0.49%

LAB 47.7, 29.21, -1.74

 

CMYK 0 / 46 / 30 / 45

HEX #8D4C62

RGB 141 76 98

HSL 339.69, 0.3%, 0.43%

LAB 40.76, 30.13, -0.59

 

CMYK 0 / 30 / 17 / 18

HEX #D193AD

RGB 209 147 173

HSL 334.84, 0.4%, 0.7%

LAB 67.61, 27.21, -4.19

 

CMYK 0 / 30 / 25 / 18

HEX #D1939D

RGB 209 147 157

HSL 350.32, 0.4%, 0.7%

LAB 67.17, 24.79, 4.14

 

CMYK 0 / 30 / 30 / 18

HEX #D19393

RGB 209 147 147

HSL 0, 0.4%, 0.7%

LAB 66.92, 23.4, 9.39

 

CMYK 0 / 30 / 17 / 18

HEX #D193AD

RGB 209 147 173

HSL 334.84, 0.4%, 0.7%

LAB 67.61, 27.21, -4.19

 

CMYK 0 / 30 / 9 / 18

HEX #D193BE

RGB 209 147 190

HSL 318.39, 0.4%, 0.7%

LAB 68.12, 30.02, -12.93

 

CMYK 0 / 30 / 1 / 18

HEX #D193CE

RGB 209 147 206

HSL 302.9, 0.4%, 0.7%

LAB 68.66, 32.88, -21.01

 

CMYK 7 / 30 / 0 / 18

HEX #C293D1

RGB 194 147 209

HSL 285.48, 0.4%, 0.7%

LAB 67.23, 28.59, -25

 

CMYK 15 / 30 / 0 / 18

HEX #B293D1

RGB 178 147 209

HSL 270, 0.4%, 0.7%

LAB 65.7, 23.49, -27.49

 

CMYK 0 / 30 / 17 / 18

HEX #D193AD

RGB 209 147 173

HSL 334.84, 0.4%, 0.7%

LAB 67.61, 27.21, -4.19

 

CMYK 0 / 39 / 22 / 13

HEX #DD87AC

RGB 221 135 172

HSL 334.19, 0.56%, 0.7%

LAB 66.27, 37.73, -5.45

 

CMYK 0 / 47 / 27 / 9

HEX #E97BAA

RGB 233 123 170

HSL 334.36, 0.71%, 0.7%

LAB 65.27, 47.7, -5.63

 

CMYK 0 / 55 / 32 / 4

HEX #F66EA8

RGB 246 110 168

HSL 334.41, 0.88%, 0.7%

LAB 64.62, 57.86, -5.25

 

CMYK 0 / 30 / 17 / 18

HEX #D193AD

RGB 209 147 173

HSL 334.84, 0.4%, 0.7%

LAB 67.61, 27.21, -4.19

 

CMYK 0 / 18 / 11 / 23

HEX #C4A0AF

RGB 196 160 175

HSL 335, 0.23%, 0.7%

LAB 69.45, 15.74, -2.75

 

CMYK 0 / 7 / 4 / 28

HEX #B8ACB1

RGB 184 172 177

HSL 335, 0.08%, 0.7%

LAB 71.47, 5.2, -1.02

 

CMYK 8 / 0 / 3 / 27

HEX #ABB9B3

RGB 171 185 179

HSL 154.29, 0.09%, 0.7%

LAB 73.94, -5.99, 1.37

 

CMYK 19 / 0 / 8 / 23

HEX #9FC5B5

RGB 159 197 181

HSL 154.74, 0.25%, 0.7%

LAB 76.46, -15.88, 3.84

 

CMYK 0 / 30 / 1 / 18

HEX #D193CF

RGB 209 147 207

HSL 301.94, 0.4%, 0.7%

LAB 68.7, 33.07, -21.52

 

CMYK 0 / 30 / 9 / 18

HEX #D193BE

RGB 209 147 190

HSL 318.39, 0.4%, 0.7%

LAB 68.12, 30.02, -12.93

 

CMYK 0 / 30 / 17 / 18

HEX #D193AE

RGB 209 147 174

HSL 333.87, 0.4%, 0.7%

LAB 67.63, 27.37, -4.71

 

CMYK 0 / 30 / 24 / 18

HEX #D1939E

RGB 209 147 158

HSL 349.35, 0.4%, 0.7%

LAB 67.2, 24.94, 3.61

 

CMYK 0 / 26 / 30 / 18

HEX #D19A93

RGB 209 154 147

HSL 6.77, 0.4%, 0.7%

LAB 68.59, 19.59, 11.75

 

CMYK 0 / 51 / 29 / 28

HEX #B85A82

RGB 184 90 130

HSL 334.47, 0.4%, 0.54%

LAB 50.82, 42.49, -4.52

 

CMYK 0 / 39 / 22 / 23

HEX #C47798

RGB 196 119 152

HSL 334.29, 0.39%, 0.62%

LAB 59.16, 34.54, -4.91

 

CMYK 0 / 30 / 17 / 18

HEX #D193AD

RGB 209 147 173

HSL 334.84, 0.4%, 0.7%

LAB 67.61, 27.21, -4.19

 

CMYK 0 / 20 / 12 / 13

HEX #DDB0C3

RGB 221 176 195

HSL 334.67, 0.4%, 0.78%

LAB 76.29, 19.34, -3.41

 

CMYK 0 / 12 / 7 / 9

HEX #E9CDD9

RGB 233 205 217

HSL 334.29, 0.39%, 0.86%

LAB 84.99, 11.78, -2.35

 

CMYK 0 / 29 / 17 / 18

HEX #D194AE

RGB 209 148 174

HSL 334.43, 0.4%, 0.7%

LAB 67.87, 26.83, -4.37

 

CMYK 0 / 7 / 30 / 18

HEX #D1C293

RGB 209 194 147

HSL 45.48, 0.4%, 0.7%

LAB 78.6, -1.87, 25.6

 

CMYK 30 / 5 / 0 / 18

HEX #93C6D1

RGB 147 198 209

HSL 190.65, 0.4%, 0.7%

LAB 76.8, -13.97, -10.87

 

CMYK 0 / 29 / 17 / 18

HEX #D194AE

RGB 209 148 174

HSL 334.43, 0.4%, 0.7%

LAB 67.87, 26.83, -4.37

 

CMYK 17 / 0 / 30 / 18

HEX #AED193

RGB 174 209 147

HSL 93.87, 0.4%, 0.7%

LAB 80.01, -22.65, 27.05

 

CMYK 30 / 17 / 0 / 18

HEX #93AED1

RGB 147 174 209

HSL 213.87, 0.4%, 0.7%

LAB 70.23, -1.17, -20.77

 

CMYK 0 / 29 / 17 / 18

HEX #D194AE

RGB 209 148 174

HSL 334.43, 0.4%, 0.7%

LAB 67.87, 26.83, -4.37

 

CMYK 0 / 7 / 30 / 18

HEX #D1C293

RGB 209 194 147

HSL 45.48, 0.4%, 0.7%

LAB 78.6, -1.87, 25.6

 

CMYK 30 / 0 / 13 / 18

HEX #93D1B6

RGB 147 209 182

HSL 153.87, 0.4%, 0.7%

LAB 79.15, -25.45, 7.09

 

CMYK 30 / 22 / 0 / 18

HEX #93A2D1

RGB 147 162 209

HSL 225.48, 0.4%, 0.7%

LAB 67.01, 5.49, -25.69

 

CMYK 0 / 29 / 17 / 18

HEX #D194AE

RGB 209 148 174

HSL 334.43, 0.4%, 0.7%

LAB 67.87, 26.83, -4.37

 

CMYK 2 / 0 / 30 / 18

HEX #CDD193

RGB 205 209 147

HSL 63.87, 0.4%, 0.7%

LAB 82.21, -11.15, 30.38

 

CMYK 30 / 0 / 13 / 18

HEX #93D1B6

RGB 147 209 182

HSL 153.87, 0.4%, 0.7%

LAB 79.15, -25.45, 7.09

 

CMYK 28 / 30 / 0 / 18

HEX #9793D1

RGB 151 147 209

HSL 243.87, 0.4%, 0.7%

LAB 63.38, 15.2, -31.25

 

Description

Color code: HEX #D194AE | qconv.com Color code: HEX #D194AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 148 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 148 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 17 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 17% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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