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Color name
HEX #D18FA5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D18FA5 it is the complementary color #2E705A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D18FA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D18FA5 shade: #D68FA0, #E7A1B3, #F8B3C6, #FFC5D9 and #FFD7EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D18FA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D18FA5 shade: #D18FA5, #C07D92, #AF6B7F, #9E596C and #8D4759

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D18FA5 shade: #D18EA4, #D18E92 and #D18E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D18FA5 shade: #D18EA4, #D18EB6, #D18EC8, #C78ED1 and #B58ED1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D18FA5 shade matches the following richer shades: #D18EA4, #DD81A0, #EA759C and #F76898

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D18FA5 shade: #D18EA4, #C49BA9, #B7A8AD, #AAB5B1 and #9DC1B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D18FA5 shade: #D18EC8, #D18EB6, #D18EA4, #D18E93 and #D19C8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D18FA5 shade: #B95475, #C5718D, #D18EA4, #DDACBC and #E9C9D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D18FA5 shade: #D18FA5, #D1C88E and #8EBFD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D18FA5 shade: #D18FA5, #A4D18E and #8EA4D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D18FA5 shade: #D18FA5, #D1C88E, #8ED1BB and #8E97D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D18FA5 shade: #D18FA5, #C6D18E, #8ED1BB and #998ED1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 21 / 18

HEX #D18FA5

RGB 209 143 165

HSL 340, 0.42%, 0.69%

LAB 66.46, 28.15, -1.39

 

Complementary color

CMYK 59 / 0 / 20 / 56

HEX #2E705A

RGB 46 112 90

HSL 160, 0.42%, 0.31%

LAB 42.62, -26.78, 5.99

 

CMYK 0 / 33 / 25 / 16

HEX #D68FA0

RGB 214 143 160

HSL 345.63, 0.46%, 0.7%

LAB 66.88, 29.23, 2.11

 

CMYK 0 / 30 / 23 / 9

HEX #E7A1B3

RGB 231 161 179

HSL 344.57, 0.59%, 0.77%

LAB 73.37, 28.47, 1.2

 

CMYK 0 / 28 / 20 / 3

HEX #F8B3C6

RGB 248 179 198

HSL 343.48, 0.83%, 0.84%

LAB 79.77, 27.77, 0.37

 

CMYK 0 / 23 / 15 / 0

HEX #FFC5D9

RGB 255 197 217

HSL 339.31, 1%, 0.89%

LAB 85.1, 23.64, -1.96

 

CMYK 0 / 16 / 7 / 0

HEX #FFD7EC

RGB 255 215 236

HSL 328.5, 1%, 0.92%

LAB 89.82, 17.3, -5.08

 

CMYK 0 / 32 / 21 / 18

HEX #D18FA5

RGB 209 143 165

HSL 340, 0.42%, 0.69%

LAB 66.46, 28.15, -1.39

 

CMYK 0 / 35 / 24 / 25

HEX #C07D92

RGB 192 125 146

HSL 341.19, 0.35%, 0.62%

LAB 59.84, 28.93, -0.5

 

CMYK 0 / 39 / 27 / 31

HEX #AF6B7F

RGB 175 107 127

HSL 342.35, 0.3%, 0.55%

LAB 53.13, 29.78, 0.5

 

CMYK 0 / 44 / 32 / 38

HEX #9E596C

RGB 158 89 108

HSL 343.48, 0.28%, 0.48%

LAB 46.31, 30.7, 1.66

 

CMYK 0 / 50 / 37 / 45

HEX #8D4759

RGB 141 71 89

HSL 344.57, 0.33%, 0.42%

LAB 39.4, 31.67, 3.04

 

CMYK 0 / 32 / 22 / 18

HEX #D18EA4

RGB 209 142 164

HSL 340.3, 0.42%, 0.69%

LAB 66.2, 28.54, -1.21

 

CMYK 0 / 32 / 30 / 18

HEX #D18E92

RGB 209 142 146

HSL 356.42, 0.42%, 0.69%

LAB 65.73, 25.98, 8.25

 

CMYK 0 / 32 / 32 / 18

HEX #D18E8E

RGB 209 142 142

HSL 0, 0.42%, 0.69%

LAB 65.64, 25.45, 10.37

 

CMYK 0 / 32 / 22 / 18

HEX #D18EA4

RGB 209 142 164

HSL 340.3, 0.42%, 0.69%

LAB 66.2, 28.54, -1.21

 

CMYK 0 / 32 / 13 / 18

HEX #D18EB6

RGB 209 142 182

HSL 324.18, 0.42%, 0.69%

LAB 66.73, 31.39, -10.54

 

CMYK 0 / 32 / 4 / 18

HEX #D18EC8

RGB 209 142 200

HSL 308.06, 0.42%, 0.69%

LAB 67.33, 34.49, -19.7

 

CMYK 5 / 32 / 0 / 18

HEX #C78ED1

RGB 199 142 209

HSL 291.04, 0.42%, 0.69%

LAB 66.59, 32.94, -25.95

 

CMYK 13 / 32 / 0 / 18

HEX #B58ED1

RGB 181 142 209

HSL 274.93, 0.42%, 0.69%

LAB 64.78, 27.24, -28.88

 

CMYK 0 / 32 / 22 / 18

HEX #D18EA4

RGB 209 142 164

HSL 340.3, 0.42%, 0.69%

LAB 66.2, 28.54, -1.21

 

CMYK 0 / 42 / 28 / 13

HEX #DD81A0

RGB 221 129 160

HSL 339.78, 0.58%, 0.69%

LAB 64.65, 39.19, -1.04

 

CMYK 0 / 50 / 33 / 8

HEX #EA759C

RGB 234 117 156

HSL 340, 0.74%, 0.69%

LAB 63.85, 49.22, 0.26

 

CMYK 0 / 58 / 38 / 3

HEX #F76898

RGB 247 104 152

HSL 339.86, 0.9%, 0.69%

LAB 63.29, 59.06, 1.98

 

CMYK 0 / 32 / 22 / 18

HEX #D18EA4

RGB 209 142 164

HSL 340.3, 0.42%, 0.69%

LAB 66.2, 28.54, -1.21

 

CMYK 0 / 21 / 14 / 23

HEX #C49BA9

RGB 196 155 169

HSL 339.51, 0.26%, 0.69%

LAB 68.05, 17.48, -1.46

 

CMYK 0 / 8 / 5 / 28

HEX #B7A8AD

RGB 183 168 173

HSL 340, 0.09%, 0.69%

LAB 70.24, 6.3, -0.62

 

CMYK 6 / 0 / 2 / 29

HEX #AAB5B1

RGB 170 181 177

HSL 158.18, 0.07%, 0.69%

LAB 72.74, -4.59, 0.71

 

CMYK 19 / 0 / 6 / 24

HEX #9DC1B5

RGB 157 193 181

HSL 160, 0.23%, 0.69%

LAB 75.23, -14.47, 2.04

 

CMYK 0 / 32 / 4 / 18

HEX #D18EC8

RGB 209 142 200

HSL 308.06, 0.42%, 0.69%

LAB 67.33, 34.49, -19.7

 

CMYK 0 / 32 / 13 / 18

HEX #D18EB6

RGB 209 142 182

HSL 324.18, 0.42%, 0.69%

LAB 66.73, 31.39, -10.54

 

CMYK 0 / 32 / 22 / 18

HEX #D18EA4

RGB 209 142 164

HSL 340.3, 0.42%, 0.69%

LAB 66.2, 28.54, -1.21

 

CMYK 0 / 32 / 30 / 18

HEX #D18E93

RGB 209 142 147

HSL 355.52, 0.42%, 0.69%

LAB 65.75, 26.12, 7.73

 

CMYK 0 / 25 / 32 / 18

HEX #D19C8E

RGB 209 156 142

HSL 12.54, 0.42%, 0.69%

LAB 68.96, 17.84, 15.04

 

CMYK 0 / 55 / 37 / 27

HEX #B95475

RGB 185 84 117

HSL 340.4, 0.42%, 0.53%

LAB 49.42, 44.19, 1.23

 

CMYK 0 / 43 / 28 / 23

HEX #C5718D

RGB 197 113 141

HSL 340, 0.42%, 0.61%

LAB 57.66, 36.53, -0.73

 

CMYK 0 / 32 / 22 / 18

HEX #D18EA4

RGB 209 142 164

HSL 340.3, 0.42%, 0.69%

LAB 66.2, 28.54, -1.21

 

CMYK 0 / 22 / 15 / 13

HEX #DDACBC

RGB 221 172 188

HSL 340.41, 0.42%, 0.77%

LAB 75.14, 20.35, -1.27

 

CMYK 0 / 14 / 9 / 9

HEX #E9C9D3

RGB 233 201 211

HSL 341.25, 0.42%, 0.85%

LAB 83.86, 12.88, -0.81

 

CMYK 0 / 32 / 21 / 18

HEX #D18FA5

RGB 209 143 165

HSL 340, 0.42%, 0.69%

LAB 66.46, 28.15, -1.39

 

CMYK 0 / 4 / 32 / 18

HEX #D1C88E

RGB 209 200 142

HSL 51.94, 0.42%, 0.69%

LAB 80.08, -5.63, 30.19

 

CMYK 32 / 9 / 0 / 18

HEX #8EBFD1

RGB 142 191 209

HSL 196.12, 0.42%, 0.69%

LAB 74.58, -11.75, -14.22

 

CMYK 0 / 32 / 21 / 18

HEX #D18FA5

RGB 209 143 165

HSL 340, 0.42%, 0.69%

LAB 66.46, 28.15, -1.39

 

CMYK 22 / 0 / 32 / 18

HEX #A4D18E

RGB 164 209 142

HSL 100.3, 0.42%, 0.69%

LAB 79.3, -26.95, 28.58

 

CMYK 32 / 22 / 0 / 18

HEX #8EA4D1

RGB 142 164 209

HSL 220.3, 0.42%, 0.69%

LAB 67.21, 2.91, -25.42

 

CMYK 0 / 32 / 21 / 18

HEX #D18FA5

RGB 209 143 165

HSL 340, 0.42%, 0.69%

LAB 66.46, 28.15, -1.39

 

CMYK 0 / 4 / 32 / 18

HEX #D1C88E

RGB 209 200 142

HSL 51.94, 0.42%, 0.69%

LAB 80.08, -5.63, 30.19

 

CMYK 32 / 0 / 11 / 18

HEX #8ED1BB

RGB 142 209 187

HSL 160.3, 0.42%, 0.69%

LAB 79.01, -25.9, 4.18

 

CMYK 32 / 28 / 0 / 18

HEX #8E97D1

RGB 142 151 209

HSL 231.94, 0.42%, 0.69%

LAB 63.74, 10.27, -30.75

 

CMYK 0 / 32 / 21 / 18

HEX #D18FA5

RGB 209 143 165

HSL 340, 0.42%, 0.69%

LAB 66.46, 28.15, -1.39

 

CMYK 5 / 0 / 32 / 18

HEX #C6D18E

RGB 198 209 142

HSL 69.85, 0.42%, 0.69%

LAB 81.6, -14.46, 32.06

 

CMYK 32 / 0 / 11 / 18

HEX #8ED1BB

RGB 142 209 187

HSL 160.3, 0.42%, 0.69%

LAB 79.01, -25.9, 4.18

 

CMYK 27 / 32 / 0 / 18

HEX #998ED1

RGB 153 142 209

HSL 249.85, 0.42%, 0.69%

LAB 62.27, 18.66, -32.97

 

Description

Color code: HEX #D18FA5 | qconv.com Color code: HEX #D18FA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 143 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 143 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 21 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 21% 18% C M Y K

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Provide designers and agencies with accurate color values.

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