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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D18E55 it is the complementary color #2E71AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D18E55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D18E55 shade: #D68E50, #E7A063, #F8B276, #FFC489 and #FFD69C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D18E55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D18E55 shade: #D18E55, #C07C42, #AF6A2F, #9E581C and #8D4609

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D18E55 shade: #D08E56, #D06E56 and #D05656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D18E55 shade: #D08E56, #D0AF56, #D0D056, #B0D056 and #8FD056

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D18E55 shade matches the following richer shades: #D08E56, #E28D45 and #F38C34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D18E55 shade: #D08E56, #BF9068, #AE9179, #9C938A and #8B949C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D18E55 shade: #D05661, #D06D56, #D08D56, #D0AE56 and #D0CE56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D18E55 shade: #A7652D, #C77936, #D08E56, #D9A477 and #E2BA97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D18E55 shade: #D18E55, #81D056 and #5C56D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D18E55 shade: #D18E55, #56D08D and #8D56D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D18E55 shade: #D18E55, #81D056, #569AD0 and #A656D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D18E55 shade: #D18E55, #5CD056, #569AD0 and #CA56D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 59 / 18

HEX #D18E55

RGB 209 142 85

HSL 27.58, 0.57%, 0.58%

LAB 64.61, 19.61, 40.27

 

Complementary color

CMYK 73 / 34 / 0 / 33

HEX #2E71AA

RGB 46 113 170

HSL 207.58, 0.57%, 0.42%

LAB 46.03, -1.53, -36.56

 

CMYK 0 / 34 / 63 / 16

HEX #D68E50

RGB 214 142 80

HSL 27.76, 0.62%, 0.58%

LAB 65.14, 21.34, 43.61

 

CMYK 0 / 31 / 57 / 9

HEX #E7A063

RGB 231 160 99

HSL 27.73, 0.73%, 0.65%

LAB 71.58, 20.07, 42.06

 

CMYK 0 / 28 / 52 / 3

HEX #F8B276

RGB 248 178 118

HSL 27.69, 0.9%, 0.72%

LAB 77.94, 18.96, 40.58

 

CMYK 0 / 23 / 46 / 0

HEX #FFC489

RGB 255 196 137

HSL 30, 1%, 0.77%

LAB 83.2, 14.03, 37.67

 

CMYK 0 / 16 / 39 / 0

HEX #FFD69C

RGB 255 214 156

HSL 35.15, 1%, 0.81%

LAB 87.85, 6.66, 33.99

 

CMYK 0 / 32 / 59 / 18

HEX #D18E55

RGB 209 142 85

HSL 27.58, 0.57%, 0.58%

LAB 64.61, 19.61, 40.27

 

CMYK 0 / 35 / 66 / 25

HEX #C07C42

RGB 192 124 66

HSL 27.62, 0.5%, 0.51%

LAB 58.05, 20.98, 41.87

 

CMYK 0 / 39 / 73 / 31

HEX #AF6A2F

RGB 175 106 47

HSL 27.66, 0.58%, 0.44%

LAB 51.41, 22.56, 43.45

 

CMYK 0 / 44 / 82 / 38

HEX #9E581C

RGB 158 88 28

HSL 27.69, 0.7%, 0.36%

LAB 44.71, 24.4, 44.75

 

CMYK 0 / 50 / 94 / 45

HEX #8D4609

RGB 141 70 9

HSL 27.73, 0.88%, 0.29%

LAB 37.95, 26.52, 45.04

 

CMYK 0 / 32 / 59 / 18

HEX #D08E56

RGB 208 142 86

HSL 27.54, 0.56%, 0.58%

LAB 64.51, 19.27, 39.6

 

CMYK 0 / 47 / 59 / 18

HEX #D06E56

RGB 208 110 86

HSL 11.8, 0.56%, 0.58%

LAB 57.3, 36.41, 30.7

 

CMYK 0 / 59 / 59 / 18

HEX #D05656

RGB 208 86 86

HSL 0, 0.56%, 0.58%

LAB 52.66, 48.3, 24.75

 

CMYK 0 / 32 / 59 / 18

HEX #D08E56

RGB 208 142 86

HSL 27.54, 0.56%, 0.58%

LAB 64.51, 19.27, 39.6

 

CMYK 0 / 16 / 59 / 18

HEX #D0AF56

RGB 208 175 86

HSL 43.77, 0.56%, 0.58%

LAB 72.72, 1.48, 49.28

 

CMYK 0 / 0 / 59 / 18

HEX #D0D056

RGB 208 208 86

HSL 60, 0.56%, 0.58%

LAB 81.4, -15.52, 59.02

 

CMYK 15 / 0 / 59 / 18

HEX #B0D056

RGB 176 208 86

HSL 75.74, 0.56%, 0.58%

LAB 79.05, -28.43, 55.76

 

CMYK 31 / 0 / 59 / 18

HEX #8FD056

RGB 143 208 86

HSL 91.97, 0.56%, 0.58%

LAB 77.06, -40.8, 52.97

 

CMYK 0 / 32 / 59 / 18

HEX #D08E56

RGB 208 142 86

HSL 27.54, 0.56%, 0.58%

LAB 64.51, 19.27, 39.6

 

CMYK 0 / 38 / 69 / 11

HEX #E28D45

RGB 226 141 69

HSL 27.52, 0.73%, 0.58%

LAB 66.25, 26.2, 50.68

 

CMYK 0 / 42 / 79 / 5

HEX #F38C34

RGB 243 140 52

HSL 27.64, 0.89%, 0.58%

LAB 68.06, 32.93, 60.75

 

CMYK 0 / 32 / 59 / 18

HEX #D08E56

RGB 208 142 86

HSL 27.54, 0.56%, 0.58%

LAB 64.51, 19.27, 39.6

 

CMYK 0 / 25 / 46 / 25

HEX #BF9068

RGB 191 144 104

HSL 27.59, 0.4%, 0.58%

LAB 63.36, 12.71, 28.12

 

CMYK 0 / 17 / 30 / 32

HEX #AE9179

RGB 174 145 121

HSL 27.17, 0.25%, 0.58%

LAB 62.19, 7.25, 16.81

 

CMYK 0 / 6 / 12 / 39

HEX #9C938A

RGB 156 147 138

HSL 30, 0.08%, 0.58%

LAB 61.46, 1.7, 5.94

 

CMYK 11 / 5 / 0 / 39

HEX #8B949C

RGB 139 148 156

HSL 208.24, 0.08%, 0.58%

LAB 60.84, -1.57, -5.33

 

CMYK 0 / 59 / 53 / 18

HEX #D05661

RGB 208 86 97

HSL 354.59, 0.56%, 0.58%

LAB 52.87, 49.15, 18.55

 

CMYK 0 / 48 / 59 / 18

HEX #D06D56

RGB 208 109 86

HSL 11.31, 0.56%, 0.58%

LAB 57.09, 36.93, 30.44

 

CMYK 0 / 32 / 59 / 18

HEX #D08D56

RGB 208 141 86

HSL 27.05, 0.56%, 0.58%

LAB 64.27, 19.82, 39.31

 

CMYK 0 / 16 / 59 / 18

HEX #D0AE56

RGB 208 174 86

HSL 43.28, 0.56%, 0.58%

LAB 72.46, 2.01, 48.98

 

CMYK 0 / 1 / 59 / 18

HEX #D0CE56

RGB 208 206 86

HSL 59.02, 0.56%, 0.58%

LAB 80.86, -14.52, 58.43

 

CMYK 0 / 40 / 73 / 35

HEX #A7652D

RGB 167 101 45

HSL 27.54, 0.58%, 0.42%

LAB 49.15, 21.78, 41.71

 

CMYK 0 / 39 / 73 / 22

HEX #C77936

RGB 199 121 54

HSL 27.72, 0.57%, 0.5%

LAB 58.12, 24.92, 48.1

 

CMYK 0 / 32 / 59 / 18

HEX #D08E56

RGB 208 142 86

HSL 27.54, 0.56%, 0.58%

LAB 64.51, 19.27, 39.6

 

CMYK 0 / 24 / 45 / 15

HEX #D9A477

RGB 217 164 119

HSL 27.55, 0.56%, 0.66%

LAB 71.31, 14.01, 30.9

 

CMYK 0 / 18 / 33 / 11

HEX #E2BA97

RGB 226 186 151

HSL 28, 0.56%, 0.74%

LAB 78.18, 9.46, 23.15

 

CMYK 0 / 32 / 59 / 18

HEX #D18E55

RGB 209 142 85

HSL 27.58, 0.57%, 0.58%

LAB 64.61, 19.61, 40.27

 

CMYK 38 / 0 / 59 / 18

HEX #81D056

RGB 129 208 86

HSL 98.85, 0.56%, 0.58%

LAB 76.35, -45.6, 51.97

 

CMYK 56 / 59 / 0 / 18

HEX #5C56D0

RGB 92 86 208

HSL 242.95, 0.56%, 0.58%

LAB 43.49, 36.6, -62.56

 

CMYK 0 / 32 / 59 / 18

HEX #D18E55

RGB 209 142 85

HSL 27.58, 0.57%, 0.58%

LAB 64.61, 19.61, 40.27

 

CMYK 59 / 0 / 32 / 18

HEX #56D08D

RGB 86 208 141

HSL 147.05, 0.56%, 0.58%

LAB 75.46, -49.31, 23.33

 

CMYK 32 / 59 / 0 / 18

HEX #8D56D0

RGB 141 86 208

HSL 267.05, 0.56%, 0.58%

LAB 48.1, 47.02, -54.88

 

CMYK 0 / 32 / 59 / 18

HEX #D18E55

RGB 209 142 85

HSL 27.58, 0.57%, 0.58%

LAB 64.61, 19.61, 40.27

 

CMYK 38 / 0 / 59 / 18

HEX #81D056

RGB 129 208 86

HSL 98.85, 0.56%, 0.58%

LAB 76.35, -45.6, 51.97

 

CMYK 59 / 26 / 0 / 18

HEX #569AD0

RGB 86 154 208

HSL 206.56, 0.56%, 0.58%

LAB 61.35, -5.6, -34.17

 

CMYK 20 / 59 / 0 / 18

HEX #A656D0

RGB 166 86 208

HSL 279.34, 0.56%, 0.58%

LAB 51.06, 53.05, -49.98

 

CMYK 0 / 32 / 59 / 18

HEX #D18E55

RGB 209 142 85

HSL 27.58, 0.57%, 0.58%

LAB 64.61, 19.61, 40.27

 

CMYK 56 / 0 / 59 / 18

HEX #5CD056

RGB 92 208 86

HSL 117.05, 0.56%, 0.58%

LAB 74.86, -56.4, 49.88

 

CMYK 59 / 26 / 0 / 18

HEX #569AD0

RGB 86 154 208

HSL 206.56, 0.56%, 0.58%

LAB 61.35, -5.6, -34.17

 

CMYK 3 / 59 / 0 / 18

HEX #CA56D0

RGB 202 86 208

HSL 297.05, 0.56%, 0.58%

LAB 55.85, 62.06, -42.07

 

Description

Color code: HEX #D18E55 | qconv.com Color code: HEX #D18E55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 142 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 142 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 59 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 59% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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