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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D18265 it is the complementary color #2E7D9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D18265. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D18265 shade: #D68260, #E79473, #F8A686, #FFB899 and #FFCAAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D18265. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D18265 shade: #D18265, #C07052, #AF5E3F, #9E4C2C and #8D3A19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D18265 shade: #D18265 and #D16565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D18265 shade: #D18265, #D19F65, #D1BC65, #C8D165 and #ABD165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D18265 shade matches the following richer shades: #D18265, #E17B55 and #F17345

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D18265 shade: #D18265, #C18A75, #B19186, #A09996 and #90A0A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D18265 shade: #D16582, #D16565, #D18265, #D19F65 and #D1BB65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D18265 shade: #B05534, #C76846, #D18265, #DA9C85 and #E4B6A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D18265 shade: #D18265, #9FD165 and #6574D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D18265 shade: #D18265, #65D182 and #8265D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D18265 shade: #D18265, #9FD165, #65B4D1 and #9765D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D18265 shade: #D18265, #7ED165, #65B4D1 and #B865D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 52 / 18

HEX #D18265

RGB 209 130 101

HSL 16.11, 0.54%, 0.61%

LAB 62.05, 27.43, 28.46

 

Complementary color

CMYK 70 / 19 / 0 / 40

HEX #2E7D9A

RGB 46 125 154

HSL 196.11, 0.54%, 0.39%

LAB 48.98, -14.22, -22.59

 

CMYK 0 / 39 / 55 / 16

HEX #D68260

RGB 214 130 96

HSL 17.29, 0.59%, 0.61%

LAB 62.6, 29, 32.04

 

CMYK 0 / 36 / 50 / 9

HEX #E79473

RGB 231 148 115

HSL 17.07, 0.71%, 0.68%

LAB 69.04, 27.8, 30.4

 

CMYK 0 / 33 / 46 / 3

HEX #F8A686

RGB 248 166 134

HSL 16.84, 0.89%, 0.75%

LAB 75.42, 26.73, 28.92

 

CMYK 0 / 28 / 40 / 0

HEX #FFB899

RGB 255 184 153

HSL 18.24, 1%, 0.8%

LAB 80.65, 21.95, 25.92

 

CMYK 0 / 21 / 33 / 0

HEX #FFCAAC

RGB 255 202 172

HSL 21.69, 1%, 0.84%

LAB 85.24, 14.74, 22.15

 

CMYK 0 / 38 / 52 / 18

HEX #D18265

RGB 209 130 101

HSL 16.11, 0.54%, 0.61%

LAB 62.05, 27.43, 28.46

 

CMYK 0 / 42 / 57 / 25

HEX #C07052

RGB 192 112 82

HSL 16.36, 0.47%, 0.54%

LAB 55.49, 28.69, 30.19

 

CMYK 0 / 46 / 64 / 31

HEX #AF5E3F

RGB 175 94 63

HSL 16.61, 0.47%, 0.47%

LAB 48.86, 30.11, 32.14

 

CMYK 0 / 52 / 72 / 38

HEX #9E4C2C

RGB 158 76 44

HSL 16.84, 0.56%, 0.4%

LAB 42.18, 31.69, 34.3

 

CMYK 0 / 59 / 82 / 45

HEX #8D3A19

RGB 141 58 25

HSL 17.07, 0.7%, 0.33%

LAB 35.52, 33.38, 36.56

 

CMYK 0 / 38 / 52 / 18

HEX #D18265

RGB 209 130 101

HSL 16.11, 0.54%, 0.61%

LAB 62.05, 27.43, 28.46

 

CMYK 0 / 52 / 52 / 18

HEX #D16565

RGB 209 101 101

HSL 0, 0.54%, 0.61%

LAB 55.89, 42.61, 20.31

 

CMYK 0 / 38 / 52 / 18

HEX #D18265

RGB 209 130 101

HSL 16.11, 0.54%, 0.61%

LAB 62.05, 27.43, 28.46

 

CMYK 0 / 24 / 52 / 18

HEX #D19F65

RGB 209 159 101

HSL 32.22, 0.54%, 0.61%

LAB 68.96, 11.7, 37.27

 

CMYK 0 / 10 / 52 / 18

HEX #D1BC65

RGB 209 188 101

HSL 48.33, 0.54%, 0.61%

LAB 76.35, -3.73, 46.31

 

CMYK 4 / 0 / 52 / 18

HEX #C8D165

RGB 200 209 101

HSL 65, 0.54%, 0.61%

LAB 81.19, -18.1, 51.87

 

CMYK 18 / 0 / 52 / 18

HEX #ABD165

RGB 171 209 101

HSL 81.11, 0.54%, 0.61%

LAB 79.16, -29.48, 48.96

 

CMYK 0 / 38 / 52 / 18

HEX #D18265

RGB 209 130 101

HSL 16.11, 0.54%, 0.61%

LAB 62.05, 27.43, 28.46

 

CMYK 0 / 45 / 62 / 12

HEX #E17B55

RGB 225 123 85

HSL 16.29, 0.7%, 0.61%

LAB 62.36, 36.21, 38.04

 

CMYK 0 / 52 / 71 / 5

HEX #F17345

RGB 241 115 69

HSL 16.05, 0.86%, 0.61%

LAB 62.84, 45.45, 47.54

 

CMYK 0 / 38 / 52 / 18

HEX #D18265

RGB 209 130 101

HSL 16.11, 0.54%, 0.61%

LAB 62.05, 27.43, 28.46

 

CMYK 0 / 28 / 39 / 24

HEX #C18A75

RGB 193 138 117

HSL 16.58, 0.38%, 0.61%

LAB 62.34, 18.29, 19.57

 

CMYK 0 / 18 / 24 / 31

HEX #B19186

RGB 177 145 134

HSL 15.35, 0.22%, 0.61%

LAB 62.78, 10.3, 10.35

 

CMYK 0 / 4 / 6 / 37

HEX #A09996

RGB 160 153 150

HSL 18, 0.05%, 0.61%

LAB 63.72, 2, 2.48

 

CMYK 13 / 4 / 0 / 35

HEX #90A0A6

RGB 144 160 166

HSL 196.36, 0.11%, 0.61%

LAB 64.82, -4.37, -5.04

HEX #90A0A6

CMYK 0 / 52 / 38 / 18

HEX #D16582

RGB 209 101 130

HSL 343.89, 0.54%, 0.61%

LAB 56.56, 45.55, 4.29

 

CMYK 0 / 52 / 52 / 18

HEX #D16565

RGB 209 101 101

HSL 0, 0.54%, 0.61%

LAB 55.89, 42.61, 20.31

 

CMYK 0 / 38 / 52 / 18

HEX #D18265

RGB 209 130 101

HSL 16.11, 0.54%, 0.61%

LAB 62.05, 27.43, 28.46

 

CMYK 0 / 24 / 52 / 18

HEX #D19F65

RGB 209 159 101

HSL 32.22, 0.54%, 0.61%

LAB 68.96, 11.7, 37.27

 

CMYK 0 / 11 / 52 / 18

HEX #D1BB65

RGB 209 187 101

HSL 47.78, 0.54%, 0.61%

LAB 76.09, -3.21, 46

 

CMYK 0 / 52 / 70 / 31

HEX #B05534

RGB 176 85 52

HSL 15.97, 0.54%, 0.45%

LAB 46.94, 34.63, 36.03

 

CMYK 0 / 48 / 65 / 22

HEX #C76846

RGB 199 104 70

HSL 15.81, 0.54%, 0.53%

LAB 54.54, 34.9, 35.89

 

CMYK 0 / 38 / 52 / 18

HEX #D18265

RGB 209 130 101

HSL 16.11, 0.54%, 0.61%

LAB 62.05, 27.43, 28.46

 

CMYK 0 / 28 / 39 / 15

HEX #DA9C85

RGB 218 156 133

HSL 16.24, 0.53%, 0.69%

LAB 69.74, 20.25, 21.23

 

CMYK 0 / 20 / 28 / 11

HEX #E4B6A5

RGB 228 182 165

HSL 16.19, 0.54%, 0.77%

LAB 77.68, 14.17, 14.96

 

CMYK 0 / 38 / 52 / 18

HEX #D18265

RGB 209 130 101

HSL 16.11, 0.54%, 0.61%

LAB 62.05, 27.43, 28.46

 

CMYK 24 / 0 / 52 / 18

HEX #9FD165

RGB 159 209 101

HSL 87.78, 0.54%, 0.61%

LAB 78.41, -33.98, 47.89

 

CMYK 52 / 44 / 0 / 18

HEX #6574D1

RGB 101 116 209

HSL 231.67, 0.54%, 0.61%

LAB 51.68, 20.4, -49.91

 

CMYK 0 / 38 / 52 / 18

HEX #D18265

RGB 209 130 101

HSL 16.11, 0.54%, 0.61%

LAB 62.05, 27.43, 28.46

 

CMYK 52 / 0 / 38 / 18

HEX #65D182

RGB 101 209 130

HSL 136.11, 0.54%, 0.61%

LAB 76.06, -48.25, 29.94

 

CMYK 38 / 52 / 0 / 18

HEX #8265D1

RGB 130 101 209

HSL 256.11, 0.54%, 0.61%

LAB 50.28, 36.22, -52.01

 

CMYK 0 / 38 / 52 / 18

HEX #D18265

RGB 209 130 101

HSL 16.11, 0.54%, 0.61%

LAB 62.05, 27.43, 28.46

 

CMYK 24 / 0 / 52 / 18

HEX #9FD165

RGB 159 209 101

HSL 87.78, 0.54%, 0.61%

LAB 78.41, -33.98, 47.89

 

CMYK 52 / 14 / 0 / 18

HEX #65B4D1

RGB 101 180 209

HSL 196.11, 0.54%, 0.61%

LAB 69.48, -16.32, -22.14

 

CMYK 28 / 52 / 0 / 18

HEX #9765D1

RGB 151 101 209

HSL 267.78, 0.54%, 0.61%

LAB 52.39, 41.54, -48.53

 

CMYK 0 / 38 / 52 / 18

HEX #D18265

RGB 209 130 101

HSL 16.11, 0.54%, 0.61%

LAB 62.05, 27.43, 28.46

 

CMYK 40 / 0 / 52 / 18

HEX #7ED165

RGB 126 209 101

HSL 106.11, 0.54%, 0.61%

LAB 76.66, -45.34, 45.38

 

CMYK 52 / 14 / 0 / 18

HEX #65B4D1

RGB 101 180 209

HSL 196.11, 0.54%, 0.61%

LAB 69.48, -16.32, -22.14

 

CMYK 12 / 52 / 0 / 18

HEX #B865D1

RGB 184 101 209

HSL 286.11, 0.54%, 0.61%

LAB 56.19, 50.37, -42.26

 

Description

Color code: HEX #D18265 | qconv.com Color code: HEX #D18265 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 130 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 130 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 52 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 52% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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