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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D18790 it is the complementary color #2E786F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D18790. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D18790 shade: #D6878B, #E7999E, #F8ABB1, #FFBDC4 and #FFCFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D18790. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D18790 shade: #D18790, #C0757D, #AF636A, #9E5157 and #8D3F44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D18790 shade: #D0848E and #D08484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D18790 shade: #D0848E, #D084A2, #D084B7, #D084CB and #C184D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D18790 shade matches the following richer shades: #D0848E, #DE7783, #EB6979 and #F95C6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D18790 shade: #D0848E, #C39298, #B5A0A2, #A7ADAD and #9ABBB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D18790 shade: #D084B7, #D084A3, #D0848F, #D08F84 and #D0A384

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D18790 shade: #BA4956, #C56772, #D0848E, #DCA2A9 and #E7C0C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D18790 shade: #D18790, #CBD084 and #84ADD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D18790 shade: #D18790, #8FD084 and #848FD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D18790 shade: #D18790, #CBD084, #84D0C6 and #8A84D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D18790 shade: #D18790, #B4D084, #84D0C6 and #A084D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 31 / 18

HEX #D18790

RGB 209 135 144

HSL 352.7, 0.45%, 0.67%

LAB 64.08, 29.51, 7.02

 

Complementary color

CMYK 62 / 0 / 8 / 53

HEX #2E786F

RGB 46 120 111

HSL 172.7, 0.45%, 0.33%

LAB 45.85, -25.09, -1.89

 

CMYK 0 / 37 / 35 / 16

HEX #D6878B

RGB 214 135 139

HSL 356.96, 0.49%, 0.68%

LAB 64.55, 30.75, 10.61

 

CMYK 0 / 34 / 32 / 9

HEX #E7999E

RGB 231 153 158

HSL 356.15, 0.62%, 0.75%

LAB 71.04, 29.86, 9.45

 

CMYK 0 / 31 / 29 / 3

HEX #F8ABB1

RGB 248 171 177

HSL 355.32, 0.85%, 0.82%

LAB 77.43, 29.05, 8.4

 

CMYK 0 / 26 / 23 / 0

HEX #FFBDC4

RGB 255 189 196

HSL 353.64, 1%, 0.87%

LAB 82.72, 24.72, 5.82

 

CMYK 0 / 19 / 16 / 0

HEX #FFCFD7

RGB 255 207 215

HSL 350, 1%, 0.91%

LAB 87.38, 18.09, 2.44

 

CMYK 0 / 35 / 31 / 18

HEX #D18790

RGB 209 135 144

HSL 352.7, 0.45%, 0.67%

LAB 64.08, 29.51, 7.02

 

CMYK 0 / 39 / 35 / 25

HEX #C0757D

RGB 192 117 125

HSL 353.6, 0.37%, 0.61%

LAB 57.47, 30.42, 8.21

 

CMYK 0 / 43 / 39 / 31

HEX #AF636A

RGB 175 99 106

HSL 354.47, 0.32%, 0.54%

LAB 50.78, 31.42, 9.56

 

CMYK 0 / 49 / 45 / 38

HEX #9E5157

RGB 158 81 87

HSL 355.32, 0.32%, 0.47%

LAB 44.01, 32.49, 11.17

 

CMYK 0 / 55 / 52 / 45

HEX #8D3F44

RGB 141 63 68

HSL 356.15, 0.38%, 0.4%

LAB 37.18, 33.61, 13.12

 

CMYK 0 / 37 / 32 / 18

HEX #D0848E

RGB 208 132 142

HSL 352.11, 0.45%, 0.67%

LAB 63.23, 30.49, 6.93

 

CMYK 0 / 37 / 37 / 18

HEX #D08484

RGB 208 132 132

HSL 0, 0.45%, 0.67%

LAB 62.99, 29.24, 12.27

 

CMYK 0 / 37 / 32 / 18

HEX #D0848E

RGB 208 132 142

HSL 352.11, 0.45%, 0.67%

LAB 63.23, 30.49, 6.93

 

CMYK 0 / 37 / 22 / 18

HEX #D084A2

RGB 208 132 162

HSL 336.32, 0.45%, 0.67%

LAB 63.77, 33.29, -3.66

 

CMYK 0 / 37 / 12 / 18

HEX #D084B7

RGB 208 132 183

HSL 319.74, 0.45%, 0.67%

LAB 64.43, 36.6, -14.57

 

CMYK 0 / 37 / 2 / 18

HEX #D084CB

RGB 208 132 203

HSL 303.95, 0.45%, 0.67%

LAB 65.14, 40.08, -24.74

 

CMYK 7 / 37 / 0 / 18

HEX #C184D0

RGB 193 132 208

HSL 288.16, 0.45%, 0.67%

LAB 63.67, 36.32, -29.94

 

CMYK 0 / 37 / 32 / 18

HEX #D0848E

RGB 208 132 142

HSL 352.11, 0.45%, 0.67%

LAB 63.23, 30.49, 6.93

 

CMYK 0 / 46 / 41 / 13

HEX #DE7783

RGB 222 119 131

HSL 353.01, 0.61%, 0.67%

LAB 61.97, 41.17, 11.66

 

CMYK 0 / 55 / 49 / 8

HEX #EB6979

RGB 235 105 121

HSL 352.62, 0.76%, 0.67%

LAB 60.91, 51.62, 16.21

 

CMYK 0 / 63 / 55 / 2

HEX #F95C6F

RGB 249 92 111

HSL 352.74, 0.93%, 0.67%

LAB 60.73, 61.16, 22.1

 

CMYK 0 / 37 / 32 / 18

HEX #D0848E

RGB 208 132 142

HSL 352.11, 0.45%, 0.67%

LAB 63.23, 30.49, 6.93

 

CMYK 0 / 25 / 22 / 24

HEX #C39298

RGB 195 146 152

HSL 352.65, 0.29%, 0.67%

LAB 65.3, 19.37, 4.06

 

CMYK 0 / 12 / 10 / 29

HEX #B5A0A2

RGB 181 160 162

HSL 354.29, 0.12%, 0.67%

LAB 67.71, 8.02, 1.77

 

CMYK 3 / 0 / 0 / 32

HEX #A7ADAD

RGB 167 173 173

HSL 180, 0.04%, 0.67%

LAB 70.26, -2.11, -0.74

 

CMYK 18 / 0 / 2 / 27

HEX #9ABBB7

RGB 154 187 183

HSL 172.73, 0.2%, 0.67%

LAB 73.43, -11.92, -1.69

 

CMYK 0 / 37 / 12 / 18

HEX #D084B7

RGB 208 132 183

HSL 319.74, 0.45%, 0.67%

LAB 64.43, 36.6, -14.57

 

CMYK 0 / 37 / 22 / 18

HEX #D084A3

RGB 208 132 163

HSL 335.53, 0.45%, 0.67%

LAB 63.8, 33.44, -4.18

 

CMYK 0 / 37 / 31 / 18

HEX #D0848F

RGB 208 132 143

HSL 351.32, 0.45%, 0.67%

LAB 63.26, 30.63, 6.4

 

CMYK 0 / 31 / 37 / 18

HEX #D08F84

RGB 208 143 132

HSL 8.68, 0.45%, 0.67%

LAB 65.53, 23.27, 15.82

 

CMYK 0 / 22 / 37 / 18

HEX #D0A384

RGB 208 163 132

HSL 24.47, 0.45%, 0.67%

LAB 70.36, 12.39, 22.46

 

CMYK 0 / 61 / 54 / 27

HEX #BA4956

RGB 186 73 86

HSL 353.1, 0.45%, 0.51%

LAB 46.81, 46.65, 16.33

 

CMYK 0 / 48 / 42 / 23

HEX #C56772

RGB 197 103 114

HSL 352.98, 0.45%, 0.59%

LAB 54.85, 38.46, 11.01

 

CMYK 0 / 37 / 32 / 18

HEX #D0848E

RGB 208 132 142

HSL 352.11, 0.45%, 0.67%

LAB 63.23, 30.49, 6.93

 

CMYK 0 / 26 / 23 / 14

HEX #DCA2A9

RGB 220 162 169

HSL 352.76, 0.45%, 0.75%

LAB 72.18, 22.47, 4.84

 

CMYK 0 / 17 / 15 / 9

HEX #E7C0C5

RGB 231 192 197

HSL 352.31, 0.45%, 0.83%

LAB 81.14, 14.66, 2.7

 

CMYK 0 / 35 / 31 / 18

HEX #D18790

RGB 209 135 144

HSL 352.7, 0.45%, 0.67%

LAB 64.08, 29.51, 7.02

 

CMYK 2 / 0 / 37 / 18

HEX #CBD084

RGB 203 208 132

HSL 63.95, 0.45%, 0.67%

LAB 81.55, -13.25, 37.18

 

CMYK 37 / 17 / 0 / 18

HEX #84ADD0

RGB 132 173 208

HSL 207.63, 0.45%, 0.67%

LAB 69, -5.14, -22.18

 

CMYK 0 / 35 / 31 / 18

HEX #D18790

RGB 209 135 144

HSL 352.7, 0.45%, 0.67%

LAB 64.08, 29.51, 7.02

 

CMYK 31 / 0 / 37 / 18

HEX #8FD084

RGB 143 208 132

HSL 111.32, 0.45%, 0.67%

LAB 77.65, -35.16, 31.35

 

CMYK 37 / 31 / 0 / 18

HEX #848FD0

RGB 132 143 208

HSL 231.32, 0.45%, 0.67%

LAB 60.87, 11.79, -34.71

 

CMYK 0 / 35 / 31 / 18

HEX #D18790

RGB 209 135 144

HSL 352.7, 0.45%, 0.67%

LAB 64.08, 29.51, 7.02

 

CMYK 2 / 0 / 37 / 18

HEX #CBD084

RGB 203 208 132

HSL 63.95, 0.45%, 0.67%

LAB 81.55, -13.25, 37.18

 

CMYK 37 / 0 / 5 / 18

HEX #84D0C6

RGB 132 208 198

HSL 172.11, 0.45%, 0.67%

LAB 78.52, -25.76, -2.49

 

CMYK 34 / 37 / 0 / 18

HEX #8A84D0

RGB 138 132 208

HSL 244.74, 0.45%, 0.67%

LAB 58.47, 19.88, -38.43

 

CMYK 0 / 35 / 31 / 18

HEX #D18790

RGB 209 135 144

HSL 352.7, 0.45%, 0.67%

LAB 64.08, 29.51, 7.02

 

CMYK 13 / 0 / 37 / 18

HEX #B4D084

RGB 180 208 132

HSL 82.11, 0.45%, 0.67%

LAB 79.89, -22.05, 34.7

 

CMYK 37 / 0 / 5 / 18

HEX #84D0C6

RGB 132 208 198

HSL 172.11, 0.45%, 0.67%

LAB 78.52, -25.76, -2.49

 

CMYK 23 / 37 / 0 / 18

HEX #A084D0

RGB 160 132 208

HSL 262.11, 0.45%, 0.67%

LAB 60.36, 26.24, -35.33

 

Description

Color code: HEX #D18790 | qconv.com Color code: HEX #D18790 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 135 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 135 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 31 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 31% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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