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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D185E1 it is the complementary color #2E7A1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D185E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D185E1 shade: #D685DC, #E797EF, #F8A9FF, #FFBBFF and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D185E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D185E1 shade: #D185E1, #C073CE, #AF61BB, #9E4FA8 and #8D3D95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D185E1 shade: #D083E1, #E183D8, #E183BF, #E183A5 and #E1838C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D185E1 shade: #D083E1, #B783E1, #9E83E1, #8583E1 and #8383E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D185E1 shade matches the following richer shades: #D083E1, #D977ED and #E16BF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D185E1 shade: #D083E1, #C890D4, #C09CC8, #B8A8BC and #B0B5AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D185E1 shade: #9E83E1, #B783E1, #D083E1, #E183D9 and #E183C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D185E1 shade: #B841D1, #C462D9, #D083E1, #DDA5E9 and #E9C6F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D185E1 shade: #D185E1, #E18583 and #83E1AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D185E1 shade: #D185E1, #E1D083 and #83E1D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D185E1 shade: #D185E1, #E18583, #94E183 and #83DFE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D185E1 shade: #D185E1, #E1A183, #94E183 and #83C3E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 41 / 0 / 12

HEX #D185E1

RGB 209 133 225

HSL 289.57, 0.61%, 0.7%

LAB 66.34, 44.01, -35.13

 

Complementary color

CMYK 62 / 0 / 75 / 52

HEX #2E7A1E

RGB 46 122 30

HSL 109.57, 0.61%, 0.3%

LAB 45.07, -41.23, 41.07

 

CMYK 3 / 40 / 0 / 14

HEX #D685DC

RGB 214 133 220

HSL 295.86, 0.55%, 0.69%

LAB 66.7, 44.55, -31.75

 

CMYK 3 / 37 / 0 / 6

HEX #E797EF

RGB 231 151 239

HSL 294.55, 0.73%, 0.76%

LAB 73.12, 43.81, -32.12

 

CMYK 3 / 34 / 0 / 0

HEX #F8A9FF

RGB 248 169 255

HSL 295.12, 1%, 0.83%

LAB 79.36, 42.54, -31.02

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 7 / 41 / 0 / 12

HEX #D185E1

RGB 209 133 225

HSL 289.57, 0.61%, 0.7%

LAB 66.34, 44.01, -35.13

 

CMYK 7 / 44 / 0 / 19

HEX #C073CE

RGB 192 115 206

HSL 290.77, 0.48%, 0.63%

LAB 59.82, 44.76, -34.8

 

CMYK 6 / 48 / 0 / 27

HEX #AF61BB

RGB 175 97 187

HSL 292, 0.4%, 0.56%

LAB 53.22, 45.51, -34.42

 

CMYK 6 / 53 / 0 / 34

HEX #9E4FA8

RGB 158 79 168

HSL 293.26, 0.36%, 0.48%

LAB 46.56, 46.21, -33.94

 

CMYK 5 / 59 / 0 / 42

HEX #8D3D95

RGB 141 61 149

HSL 294.55, 0.42%, 0.41%

LAB 39.87, 46.75, -33.29

 

CMYK 8 / 42 / 0 / 12

HEX #D083E1

RGB 208 131 225

HSL 289.15, 0.61%, 0.7%

LAB 65.81, 44.77, -35.96

 

CMYK 0 / 42 / 4 / 12

HEX #E183D8

RGB 225 131 216

HSL 305.74, 0.61%, 0.7%

LAB 67.43, 48.2, -28.31

 

CMYK 0 / 42 / 15 / 12

HEX #E183BF

RGB 225 131 191

HSL 321.7, 0.61%, 0.7%

LAB 66.52, 44.05, -15.72

 

CMYK 0 / 42 / 27 / 12

HEX #E183A5

RGB 225 131 165

HSL 338.3, 0.61%, 0.7%

LAB 65.71, 40.23, -2.26

 

CMYK 0 / 42 / 38 / 12

HEX #E1838C

RGB 225 131 140

HSL 354.26, 0.61%, 0.7%

LAB 65.07, 37.07, 10.97

 

CMYK 8 / 42 / 0 / 12

HEX #D083E1

RGB 208 131 225

HSL 289.15, 0.61%, 0.7%

LAB 65.81, 44.77, -35.96

 

CMYK 19 / 42 / 0 / 12

HEX #B783E1

RGB 183 131 225

HSL 273.19, 0.61%, 0.7%

LAB 63.12, 37.46, -40.35

 

CMYK 30 / 42 / 0 / 12

HEX #9E83E1

RGB 158 131 225

HSL 257.23, 0.61%, 0.7%

LAB 60.73, 30.4, -44.29

 

CMYK 41 / 42 / 0 / 12

HEX #8583E1

RGB 133 131 225

HSL 241.28, 0.61%, 0.7%

LAB 58.65, 23.79, -47.7

 

CMYK 42 / 42 / 0 / 12

HEX #8383E1

RGB 131 131 225

HSL 240, 0.61%, 0.7%

LAB 58.5, 23.29, -47.95

 

CMYK 8 / 42 / 0 / 12

HEX #D083E1

RGB 208 131 225

HSL 289.15, 0.61%, 0.7%

LAB 65.81, 44.77, -35.96

 

CMYK 8 / 50 / 0 / 7

HEX #D977ED

RGB 217 119 237

HSL 289.83, 0.77%, 0.7%

LAB 65.01, 55.78, -43.78

 

CMYK 10 / 57 / 0 / 2

HEX #E16BF9

RGB 225 107 249

HSL 289.86, 0.92%, 0.7%

LAB 64.45, 65.81, -51.22

 

CMYK 8 / 42 / 0 / 12

HEX #D083E1

RGB 208 131 225

HSL 289.15, 0.61%, 0.7%

LAB 65.81, 44.77, -35.96

 

CMYK 6 / 32 / 0 / 17

HEX #C890D4

RGB 200 144 212

HSL 289.41, 0.44%, 0.7%

LAB 67.26, 32.75, -26.57

 

CMYK 4 / 22 / 0 / 22

HEX #C09CC8

RGB 192 156 200

HSL 289.09, 0.29%, 0.7%

LAB 68.86, 21.16, -17.54

 

CMYK 2 / 11 / 0 / 26

HEX #B8A8BC

RGB 184 168 188

HSL 288, 0.13%, 0.7%

LAB 70.75, 9.45, -8.14

 

CMYK 3 / 0 / 3 / 29

HEX #B0B5AF

RGB 176 181 175

HSL 110, 0.04%, 0.7%

LAB 73.14, -2.87, 2.43

 

CMYK 30 / 42 / 0 / 12

HEX #9E83E1

RGB 158 131 225

HSL 257.23, 0.61%, 0.7%

LAB 60.73, 30.4, -44.29

 

CMYK 19 / 42 / 0 / 12

HEX #B783E1

RGB 183 131 225

HSL 273.19, 0.61%, 0.7%

LAB 63.12, 37.46, -40.35

 

CMYK 8 / 42 / 0 / 12

HEX #D083E1

RGB 208 131 225

HSL 289.15, 0.61%, 0.7%

LAB 65.81, 44.77, -35.96

 

CMYK 0 / 42 / 4 / 12

HEX #E183D9

RGB 225 131 217

HSL 305.11, 0.61%, 0.7%

LAB 67.46, 48.37, -28.8

 

CMYK 0 / 42 / 15 / 12

HEX #E183C0

RGB 225 131 192

HSL 321.06, 0.61%, 0.7%

LAB 66.55, 44.21, -16.23

 

CMYK 12 / 69 / 0 / 18

HEX #B841D1

RGB 184 65 209

HSL 289.58, 0.61%, 0.54%

LAB 50.19, 66.73, -51.8

 

CMYK 10 / 55 / 0 / 15

HEX #C462D9

RGB 196 98 217

HSL 289.41, 0.61%, 0.62%

LAB 57.54, 56.63, -44.56

 

CMYK 8 / 42 / 0 / 12

HEX #D083E1

RGB 208 131 225

HSL 289.15, 0.61%, 0.7%

LAB 65.81, 44.77, -35.96

 

CMYK 5 / 29 / 0 / 9

HEX #DDA5E9

RGB 221 165 233

HSL 289.41, 0.61%, 0.78%

LAB 74.93, 32.12, -26.17

 

CMYK 3 / 18 / 0 / 5

HEX #E9C6F1

RGB 233 198 241

HSL 288.84, 0.61%, 0.86%

LAB 84, 19.81, -16.61

 

CMYK 7 / 41 / 0 / 12

HEX #D185E1

RGB 209 133 225

HSL 289.57, 0.61%, 0.7%

LAB 66.34, 44.01, -35.13

 

CMYK 0 / 41 / 42 / 12

HEX #E18583

RGB 225 133 131

HSL 1.28, 0.61%, 0.7%

LAB 65.3, 35.01, 16.37

 

CMYK 42 / 0 / 24 / 12

HEX #83E1AA

RGB 131 225 170

HSL 144.89, 0.61%, 0.7%

LAB 82.69, -39.94, 18.34

 

CMYK 7 / 41 / 0 / 12

HEX #D185E1

RGB 209 133 225

HSL 289.57, 0.61%, 0.7%

LAB 66.34, 44.01, -35.13

 

CMYK 0 / 8 / 42 / 12

HEX #E1D083

RGB 225 208 131

HSL 49.15, 0.61%, 0.7%

LAB 83.31, -4.71, 40.31

 

CMYK 42 / 0 / 8 / 12

HEX #83E1D0

RGB 131 225 208

HSL 169.15, 0.61%, 0.7%

LAB 83.56, -31.89, -0.43

 

CMYK 7 / 41 / 0 / 12

HEX #D185E1

RGB 209 133 225

HSL 289.57, 0.61%, 0.7%

LAB 66.34, 44.01, -35.13

 

CMYK 0 / 41 / 42 / 12

HEX #E18583

RGB 225 133 131

HSL 1.28, 0.61%, 0.7%

LAB 65.3, 35.01, 16.37

 

CMYK 34 / 0 / 42 / 12

HEX #94E183

RGB 148 225 131

HSL 109.15, 0.61%, 0.7%

LAB 82.8, -41.32, 38.6

 

CMYK 42 / 1 / 0 / 12

HEX #83DFE1

RGB 131 223 225

HSL 181.28, 0.61%, 0.7%

LAB 83.46, -26.88, -9.59

 

CMYK 7 / 41 / 0 / 12

HEX #D185E1

RGB 209 133 225

HSL 289.57, 0.61%, 0.7%

LAB 66.34, 44.01, -35.13

 

CMYK 0 / 28 / 42 / 12

HEX #E1A183

RGB 225 161 131

HSL 19.15, 0.61%, 0.7%

LAB 71.65, 20.09, 25.04

 

CMYK 34 / 0 / 42 / 12

HEX #94E183

RGB 148 225 131

HSL 109.15, 0.61%, 0.7%

LAB 82.8, -41.32, 38.6

 

CMYK 42 / 13 / 0 / 12

HEX #83C3E1

RGB 131 195 225

HSL 199.15, 0.61%, 0.7%

LAB 75.63, -12.73, -21.36

 

Description

Color code: HEX #D185E1 | qconv.com Color code: HEX #D185E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 133 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 133 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 41 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 41% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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