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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D17D3D it is the complementary color #2E82C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D17D3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D17D3D shade: #D67D38, #E78F4B, #F8A15E, #FFB371 and #FFC584

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D17D3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D17D3D shade: #D17D3D, #C06B2A, #AF5917, #9E4704 and #8D3500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D17D3D shade: #D17D3C, #D1553C and #D13C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D17D3D shade: #D17D3C, #D1A53C, #D1CD3C, #ADD13C and #85D13C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D17D3D shade matches the following richer shades: #D17D3C, #E47A29 and #F87716

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D17D3D shade: #D17D3C, #BE7F50, #AA8263, #978477 and #83878A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D17D3D shade: #D13C4E, #D1533C, #D17A3C, #D1A23C and #D1CA3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D17D3D shade: #985623, #B9682B, #D17D3C, #D9935E and #E1A97F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D17D3D shade: #D17D3D, #75D13C and #3F3CD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D17D3D shade: #D17D3D, #3CD17A and #7A3CD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D17D3D shade: #D17D3D, #75D13C, #3C93D1 and #983CD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D17D3D shade: #D17D3D, #49D13C, #3C93D1 and #C53CD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 71 / 18

HEX #D17D3D

RGB 209 125 61

HSL 25.95, 0.62%, 0.53%

LAB 60.39, 27.29, 47.56

 

Complementary color

CMYK 76 / 33 / 0 / 24

HEX #2E82C2

RGB 46 130 194

HSL 205.95, 0.62%, 0.47%

LAB 52.33, -2.97, -40.49

 

CMYK 0 / 42 / 74 / 16

HEX #D67D38

RGB 214 125 56

HSL 26.2, 0.66%, 0.53%

LAB 61, 29.12, 50.77

 

CMYK 0 / 38 / 68 / 9

HEX #E78F4B

RGB 231 143 75

HSL 26.15, 0.76%, 0.6%

LAB 67.38, 27.52, 49.21

 

CMYK 0 / 35 / 62 / 3

HEX #F8A15E

RGB 248 161 94

HSL 26.1, 0.92%, 0.67%

LAB 73.71, 26.09, 47.62

 

CMYK 0 / 30 / 56 / 0

HEX #FFB371

RGB 255 179 113

HSL 27.89, 1%, 0.72%

LAB 78.86, 20.83, 44.45

 

CMYK 0 / 23 / 48 / 0

HEX #FFC584

RGB 255 197 132

HSL 31.71, 1%, 0.76%

LAB 83.37, 13.04, 40.44

 

CMYK 0 / 40 / 71 / 18

HEX #D17D3D

RGB 209 125 61

HSL 25.95, 0.62%, 0.53%

LAB 60.39, 27.29, 47.56

 

CMYK 0 / 44 / 78 / 25

HEX #C06B2A

RGB 192 107 42

HSL 26, 0.64%, 0.46%

LAB 53.91, 29.02, 49.05

 

CMYK 0 / 49 / 87 / 31

HEX #AF5917

RGB 175 89 23

HSL 26.05, 0.77%, 0.39%

LAB 47.39, 30.97, 50.04

 

CMYK 0 / 55 / 97 / 38

HEX #9E4704

RGB 158 71 4

HSL 26.1, 0.95%, 0.32%

LAB 40.87, 33.09, 49.83

 

CMYK 0 / 62 / 100 / 45

HEX #8D3500

RGB 141 53 0

HSL 22.55, 1%, 0.28%

LAB 34.41, 35.31, 45.91

 

CMYK 0 / 40 / 71 / 18

HEX #D17D3C

RGB 209 125 60

HSL 26.17, 0.62%, 0.53%

LAB 60.38, 27.24, 48.03

 

CMYK 0 / 59 / 71 / 18

HEX #D1553C

RGB 209 85 60

HSL 10.07, 0.62%, 0.53%

LAB 52.26, 47.55, 39.1

 

CMYK 0 / 71 / 71 / 18

HEX #D13C3C

RGB 209 60 60

HSL 0, 0.62%, 0.53%

LAB 48.4, 57.95, 34.66

 

CMYK 0 / 40 / 71 / 18

HEX #D17D3C

RGB 209 125 60

HSL 26.17, 0.62%, 0.53%

LAB 60.38, 27.24, 48.03

 

CMYK 0 / 21 / 71 / 18

HEX #D1A53C

RGB 209 165 60

HSL 42.28, 0.62%, 0.53%

LAB 70.03, 5.63, 58.06

 

CMYK 0 / 2 / 71 / 18

HEX #D1CD3C

RGB 209 205 60

HSL 58.39, 0.62%, 0.53%

LAB 80.48, -15.12, 68.37

 

CMYK 17 / 0 / 71 / 18

HEX #ADD13C

RGB 173 209 60

HSL 74.5, 0.62%, 0.53%

LAB 78.93, -31.86, 65.95

 

CMYK 36 / 0 / 71 / 18

HEX #85D13C

RGB 133 209 60

HSL 90.6, 0.62%, 0.53%

LAB 76.63, -46.81, 62.89

 

CMYK 0 / 40 / 71 / 18

HEX #D17D3C

RGB 209 125 60

HSL 26.17, 0.62%, 0.53%

LAB 60.38, 27.24, 48.03

 

CMYK 0 / 46 / 82 / 11

HEX #E47A29

RGB 228 122 41

HSL 25.99, 0.78%, 0.53%

LAB 62.15, 35.83, 58.95

 

CMYK 0 / 52 / 91 / 3

HEX #F87716

RGB 248 119 22

HSL 25.75, 0.94%, 0.53%

LAB 64.33, 44.76, 67.98

 

CMYK 0 / 40 / 71 / 18

HEX #D17D3C

RGB 209 125 60

HSL 26.17, 0.62%, 0.53%

LAB 60.38, 27.24, 48.03

 

CMYK 0 / 33 / 58 / 25

HEX #BE7F50

RGB 190 127 80

HSL 25.64, 0.46%, 0.53%

LAB 58.7, 19.48, 35.23

 

CMYK 0 / 24 / 42 / 33

HEX #AA8263

RGB 170 130 99

HSL 26.2, 0.29%, 0.53%

LAB 57.47, 11.22, 22.71

 

CMYK 0 / 13 / 21 / 41

HEX #978477

RGB 151 132 119

HSL 24.38, 0.13%, 0.53%

LAB 56.5, 5.03, 9.66

 

CMYK 5 / 2 / 0 / 46

HEX #83878A

RGB 131 135 138

HSL 205.71, 0.03%, 0.53%

LAB 56.08, -0.86, -2.13

 

CMYK 0 / 71 / 63 / 18

HEX #D13C4E

RGB 209 60 78

HSL 352.75, 0.62%, 0.53%

LAB 48.68, 58.91, 24.37

 

CMYK 0 / 60 / 71 / 18

HEX #D1533C

RGB 209 83 60

HSL 9.26, 0.62%, 0.53%

LAB 51.91, 48.47, 38.7

 

CMYK 0 / 42 / 71 / 18

HEX #D17A3C

RGB 209 122 60

HSL 24.97, 0.62%, 0.53%

LAB 59.71, 28.85, 47.31

 

CMYK 0 / 22 / 71 / 18

HEX #D1A23C

RGB 209 162 60

HSL 41.07, 0.62%, 0.53%

LAB 69.27, 7.24, 57.29

 

CMYK 0 / 3 / 71 / 18

HEX #D1CA3C

RGB 209 202 60

HSL 57.18, 0.62%, 0.53%

LAB 79.68, -13.62, 67.6

 

CMYK 0 / 43 / 77 / 40

HEX #985623

RGB 152 86 35

HSL 26.15, 0.63%, 0.37%

LAB 43.44, 23.18, 40.04

 

CMYK 0 / 44 / 77 / 27

HEX #B9682B

RGB 185 104 43

HSL 25.77, 0.62%, 0.45%

LAB 52.27, 27.75, 46.66

 

CMYK 0 / 40 / 71 / 18

HEX #D17D3C

RGB 209 125 60

HSL 26.17, 0.62%, 0.53%

LAB 60.38, 27.24, 48.03

 

CMYK 0 / 32 / 57 / 15

HEX #D9935E

RGB 217 147 94

HSL 25.85, 0.62%, 0.61%

LAB 66.85, 20.91, 38.51

 

CMYK 0 / 25 / 44 / 12

HEX #E1A97F

RGB 225 169 127

HSL 25.71, 0.62%, 0.69%

LAB 73.49, 15.37, 29.65

 

CMYK 0 / 40 / 71 / 18

HEX #D17D3D

RGB 209 125 61

HSL 25.95, 0.62%, 0.53%

LAB 60.39, 27.29, 47.56

 

CMYK 44 / 0 / 71 / 18

HEX #75D13C

RGB 117 209 60

HSL 97.05, 0.62%, 0.53%

LAB 75.89, -52.08, 61.91

 

CMYK 70 / 71 / 0 / 18

HEX #3F3CD1

RGB 63 60 209

HSL 241.21, 0.62%, 0.53%

LAB 35.78, 48.07, -75.82

 

CMYK 0 / 40 / 71 / 18

HEX #D17D3D

RGB 209 125 61

HSL 25.95, 0.62%, 0.53%

LAB 60.39, 27.29, 47.56

 

CMYK 71 / 0 / 42 / 18

HEX #3CD17A

RGB 60 209 122

HSL 144.97, 0.62%, 0.53%

LAB 74.8, -58, 32.18

 

CMYK 42 / 71 / 0 / 18

HEX #7A3CD1

RGB 122 60 209

HSL 264.97, 0.62%, 0.53%

LAB 41.17, 56.56, -66.77

 

CMYK 0 / 40 / 71 / 18

HEX #D17D3D

RGB 209 125 61

HSL 25.95, 0.62%, 0.53%

LAB 60.39, 27.29, 47.56

 

CMYK 44 / 0 / 71 / 18

HEX #75D13C

RGB 117 209 60

HSL 97.05, 0.62%, 0.53%

LAB 75.89, -52.08, 61.91

 

CMYK 71 / 30 / 0 / 18

HEX #3C93D1

RGB 60 147 209

HSL 204.97, 0.62%, 0.53%

LAB 58.44, -5.71, -39.33

 

CMYK 27 / 71 / 0 / 18

HEX #983CD1

RGB 152 60 209

HSL 277.05, 0.62%, 0.53%

LAB 44.96, 62.14, -60.45

 

CMYK 0 / 40 / 71 / 18

HEX #D17D3D

RGB 209 125 61

HSL 25.95, 0.62%, 0.53%

LAB 60.39, 27.29, 47.56

 

CMYK 65 / 0 / 71 / 18

HEX #49D13C

RGB 73 209 60

HSL 114.77, 0.62%, 0.53%

LAB 74.41, -63.61, 59.93

 

CMYK 71 / 30 / 0 / 18

HEX #3C93D1

RGB 60 147 209

HSL 204.97, 0.62%, 0.53%

LAB 58.44, -5.71, -39.33

 

CMYK 6 / 71 / 0 / 18

HEX #C53CD1

RGB 197 60 209

HSL 295.17, 0.62%, 0.53%

LAB 51.5, 71.31, -49.58

 

Description

Color code: HEX #D17D3D | qconv.com Color code: HEX #D17D3D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 125 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 125 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 71 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 71% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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