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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1742D it is the complementary color #2E8BD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1742D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1742D shade: #D67428, #E7863B, #F8984E, #FFAA61 and #FFBC74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1742D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1742D shade: #D1742D, #C0621A, #AF5007, #9E3E00 and #8D2C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1742D shade: #D2742C, #D2472C and #D22C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1742D shade: #D2742C, #D2A12C, #D2CD2C, #AAD22C and #7DD22C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1742D shade matches the following richer shades: #D2742C, #E77117 and #FB6E03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1742D shade: #D2742C, #BD7741, #A97955, #947C6A and #7F7F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1742D shade: #D22C3F, #D2452C, #D2712C, #D29D2C and #D2CA2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1742D shade: #8E4E1E, #B06125, #D2742C, #D98A4E and #E0A170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1742D shade: #D1742D, #6CD22C and #2F2CD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1742D shade: #D1742D, #2CD271 and #712CD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1742D shade: #D1742D, #6CD22C, #2C8DD2 and #922CD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1742D shade: #D1742D, #3AD22C, #2C8DD2 and #C42CD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 78 / 18

HEX #D1742D

RGB 209 116 45

HSL 25.98, 0.65%, 0.5%

LAB 58.26, 31.38, 52.75

 

Complementary color

CMYK 78 / 34 / 0 / 18

HEX #2E8BD2

RGB 46 139 210

HSL 205.98, 0.65%, 0.5%

LAB 55.79, -2.46, -44.1

 

CMYK 0 / 46 / 81 / 16

HEX #D67428

RGB 214 116 40

HSL 26.21, 0.69%, 0.5%

LAB 58.92, 33.26, 55.71

 

CMYK 0 / 42 / 74 / 9

HEX #E7863B

RGB 231 134 59

HSL 26.16, 0.78%, 0.57%

LAB 65.24, 31.46, 54.46

 

CMYK 0 / 39 / 69 / 3

HEX #F8984E

RGB 248 152 78

HSL 26.12, 0.92%, 0.64%

LAB 71.53, 29.85, 52.95

 

CMYK 0 / 33 / 62 / 0

HEX #FFAA61

RGB 255 170 97

HSL 27.72, 1%, 0.69%

LAB 76.6, 24.4, 49.72

 

CMYK 0 / 26 / 55 / 0

HEX #FFBC74

RGB 255 188 116

HSL 31.08, 1%, 0.73%

LAB 81.01, 16.36, 45.57

 

CMYK 0 / 44 / 78 / 18

HEX #D1742D

RGB 209 116 45

HSL 25.98, 0.65%, 0.5%

LAB 58.26, 31.38, 52.75

 

CMYK 0 / 49 / 86 / 25

HEX #C0621A

RGB 192 98 26

HSL 26.02, 0.76%, 0.43%

LAB 51.86, 33.31, 53.67

 

CMYK 0 / 54 / 96 / 31

HEX #AF5007

RGB 175 80 7

HSL 26.07, 0.92%, 0.36%

LAB 45.45, 35.4, 53.31

 

CMYK 0 / 61 / 100 / 38

HEX #9E3E00

RGB 158 62 0

HSL 23.54, 1%, 0.31%

LAB 39.1, 37.58, 50.07

 

CMYK 0 / 69 / 100 / 45

HEX #8D2C00

RGB 141 44 0

HSL 18.72, 1%, 0.28%

LAB 32.84, 39.51, 44.98

 

CMYK 0 / 45 / 79 / 18

HEX #D2742C

RGB 210 116 44

HSL 26.02, 0.65%, 0.5%

LAB 58.39, 31.76, 53.36

 

CMYK 0 / 66 / 79 / 18

HEX #D2472C

RGB 210 71 44

HSL 9.76, 0.65%, 0.5%

LAB 49.97, 53.38, 45.16

 

CMYK 0 / 79 / 79 / 18

HEX #D22C2C

RGB 210 44 44

HSL 0, 0.65%, 0.5%

LAB 46.56, 62.78, 41.72

 

CMYK 0 / 45 / 79 / 18

HEX #D2742C

RGB 210 116 44

HSL 26.02, 0.65%, 0.5%

LAB 58.39, 31.76, 53.36

 

CMYK 0 / 23 / 79 / 18

HEX #D2A12C

RGB 210 161 44

HSL 42.29, 0.65%, 0.5%

LAB 69.02, 7.53, 63.22

 

CMYK 0 / 2 / 79 / 18

HEX #D2CD2C

RGB 210 205 44

HSL 58.19, 0.65%, 0.5%

LAB 80.49, -15.34, 73.45

 

CMYK 19 / 0 / 79 / 18

HEX #AAD22C

RGB 170 210 44

HSL 74.46, 0.65%, 0.5%

LAB 78.94, -34.28, 70.96

 

CMYK 40 / 0 / 79 / 18

HEX #7DD22C

RGB 125 210 44

HSL 90.72, 0.65%, 0.5%

LAB 76.46, -50.84, 67.78

 

CMYK 0 / 45 / 79 / 18

HEX #D2742C

RGB 210 116 44

HSL 26.02, 0.65%, 0.5%

LAB 58.39, 31.76, 53.36

 

CMYK 0 / 51 / 90 / 9

HEX #E77117

RGB 231 113 23

HSL 25.96, 0.82%, 0.5%

LAB 60.66, 41.17, 63.93

 

CMYK 0 / 56 / 99 / 2

HEX #FB6E03

RGB 251 110 3

HSL 25.89, 0.98%, 0.5%

LAB 63.07, 49.97, 70.92

 

CMYK 0 / 45 / 79 / 18

HEX #D2742C

RGB 210 116 44

HSL 26.02, 0.65%, 0.5%

LAB 58.39, 31.76, 53.36

 

CMYK 0 / 37 / 66 / 26

HEX #BD7741

RGB 189 119 65

HSL 26.13, 0.49%, 0.5%

LAB 56.48, 22.39, 40.49

 

CMYK 0 / 28 / 50 / 34

HEX #A97955

RGB 169 121 85

HSL 25.71, 0.33%, 0.5%

LAB 54.83, 14.37, 27.09

 

CMYK 0 / 16 / 28 / 42

HEX #947C6A

RGB 148 124 106

HSL 25.71, 0.17%, 0.5%

LAB 53.76, 6.4, 13.28

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 0 / 79 / 70 / 18

HEX #D22C3F

RGB 210 44 63

HSL 353.13, 0.65%, 0.5%

LAB 46.79, 63.52, 31.04

 

CMYK 0 / 67 / 79 / 18

HEX #D2452C

RGB 210 69 44

HSL 9.04, 0.65%, 0.5%

LAB 49.67, 54.19, 44.86

 

CMYK 0 / 46 / 79 / 18

HEX #D2712C

RGB 210 113 44

HSL 24.94, 0.65%, 0.5%

LAB 57.75, 33.33, 52.74

 

CMYK 0 / 25 / 79 / 18

HEX #D29D2C

RGB 210 157 44

HSL 40.84, 0.65%, 0.5%

LAB 68.02, 9.68, 62.31

 

CMYK 0 / 4 / 79 / 18

HEX #D2CA2C

RGB 210 202 44

HSL 57.11, 0.65%, 0.5%

LAB 79.68, -13.84, 72.74

 

CMYK 0 / 45 / 79 / 44

HEX #8E4E1E

RGB 142 78 30

HSL 25.71, 0.65%, 0.34%

LAB 40.07, 23.09, 38.61

 

CMYK 0 / 45 / 79 / 31

HEX #B06125

RGB 176 97 37

HSL 25.9, 0.65%, 0.42%

LAB 49.39, 27.51, 46.14

 

CMYK 0 / 45 / 79 / 18

HEX #D2742C

RGB 210 116 44

HSL 26.02, 0.65%, 0.5%

LAB 58.39, 31.76, 53.36

 

CMYK 0 / 36 / 64 / 15

HEX #D98A4E

RGB 217 138 78

HSL 25.9, 0.65%, 0.58%

LAB 64.55, 24.61, 44.03

 

CMYK 0 / 28 / 50 / 12

HEX #E0A170

RGB 224 161 112

HSL 26.25, 0.64%, 0.66%

LAB 71.22, 17.78, 34.66

 

CMYK 0 / 44 / 78 / 18

HEX #D1742D

RGB 209 116 45

HSL 25.98, 0.65%, 0.5%

LAB 58.26, 31.38, 52.75

 

CMYK 49 / 0 / 79 / 18

HEX #6CD22C

RGB 108 210 44

HSL 96.87, 0.65%, 0.5%

LAB 75.74, -56.19, 66.85

 

CMYK 78 / 79 / 0 / 18

HEX #2F2CD2

RGB 47 44 210

HSL 241.08, 0.65%, 0.5%

LAB 31.94, 55.56, -82.77

 

CMYK 0 / 44 / 78 / 18

HEX #D1742D

RGB 209 116 45

HSL 25.98, 0.65%, 0.5%

LAB 58.26, 31.38, 52.75

 

CMYK 79 / 0 / 46 / 18

HEX #2CD271

RGB 44 210 113

HSL 144.94, 0.65%, 0.5%

LAB 74.71, -62.05, 36.56

 

CMYK 46 / 79 / 0 / 18

HEX #712CD2

RGB 113 44 210

HSL 264.94, 0.65%, 0.5%

LAB 37.78, 62.3, -72.94

 

CMYK 0 / 44 / 78 / 18

HEX #D1742D

RGB 209 116 45

HSL 25.98, 0.65%, 0.5%

LAB 58.26, 31.38, 52.75

 

CMYK 49 / 0 / 79 / 18

HEX #6CD22C

RGB 108 210 44

HSL 96.87, 0.65%, 0.5%

LAB 75.74, -56.19, 66.85

 

CMYK 79 / 33 / 0 / 18

HEX #2C8DD2

RGB 44 141 210

HSL 204.94, 0.65%, 0.5%

LAB 56.33, -3.84, -43.25

 

CMYK 30 / 79 / 0 / 18

HEX #922CD2

RGB 146 44 210

HSL 276.87, 0.65%, 0.5%

LAB 42.1, 67.29, -65.7

 

CMYK 0 / 44 / 78 / 18

HEX #D1742D

RGB 209 116 45

HSL 25.98, 0.65%, 0.5%

LAB 58.26, 31.38, 52.75

 

CMYK 72 / 0 / 79 / 18

HEX #3AD22C

RGB 58 210 44

HSL 114.94, 0.65%, 0.5%

LAB 74.3, -67.82, 64.98

 

CMYK 79 / 33 / 0 / 18

HEX #2C8DD2

RGB 44 141 210

HSL 204.94, 0.65%, 0.5%

LAB 56.33, -3.84, -43.25

 

CMYK 7 / 79 / 0 / 18

HEX #C42CD2

RGB 196 44 210

HSL 294.94, 0.65%, 0.5%

LAB 49.73, 76.1, -53

 

Description

Color code: HEX #D1742D | qconv.com Color code: HEX #D1742D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 116 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 116 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 78 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 78% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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