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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D16DB4 it is the complementary color #2E924B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D16DB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D16DB4 shade: #D66DAF, #E77FC2, #F891D5, #FFA3E8 and #FFB5FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D16DB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D16DB4 shade: #D16DB4, #C05BA1, #AF498E, #9E377B and #8D2568

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D16DB4 shade: #D06BB3, #D06B98, #D06B7C and #D06B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D16DB4 shade: #D06BB3, #D06BCE, #B76BD0, #9C6BD0 and #816BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D16DB4 shade matches the following richer shades: #D06BB3, #E05CB9 and #EF4CC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D16DB4 shade: #D06BB3, #C07BAC, #B18BA6, #A19A9F and #91AA98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D16DB4 shade: #B76BD0, #D06BCE, #D06BB3, #D06B99 and #D06B7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D16DB4 shade: #B1388E, #C64CA3, #D06BB3, #DA8BC3 and #E4AAD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D16DB4 shade: #D16DB4, #D09C6B and #6BD0C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D16DB4 shade: #D16DB4, #B3D06B and #6BB3D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D16DB4 shade: #D16DB4, #D09C6B, #6BD088 and #6B9FD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D16DB4 shade: #D16DB4, #D0BA6B, #6BD088 and #6B81D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 14 / 18

HEX #D16DB4

RGB 209 109 180

HSL 317.4, 0.52%, 0.62%

LAB 59.7, 48.42, -20.03

 

Complementary color

CMYK 68 / 0 / 49 / 43

HEX #2E924B

RGB 46 146 75

HSL 137.4, 0.52%, 0.38%

LAB 53.65, -44.76, 29.35

 

CMYK 0 / 49 / 18 / 16

HEX #D66DAF

RGB 214 109 175

HSL 322.29, 0.56%, 0.63%

LAB 60.18, 49.22, -16.36

 

CMYK 0 / 45 / 16 / 9

HEX #E77FC2

RGB 231 127 194

HSL 321.35, 0.68%, 0.7%

LAB 66.57, 48.49, -17.26

 

CMYK 0 / 42 / 14 / 3

HEX #F891D5

RGB 248 145 213

HSL 320.39, 0.88%, 0.77%

LAB 72.9, 47.74, -18.04

 

CMYK 0 / 36 / 9 / 0

HEX #FFA3E8

RGB 255 163 232

HSL 315, 1%, 0.82%

LAB 78.04, 43.82, -20.56

 

CMYK 0 / 29 / 2 / 0

HEX #FFB5FB

RGB 255 181 251

HSL 303.24, 1%, 0.85%

LAB 82.53, 37.72, -23.97

 

CMYK 0 / 48 / 14 / 18

HEX #D16DB4

RGB 209 109 180

HSL 317.4, 0.52%, 0.62%

LAB 59.7, 48.42, -20.03

 

CMYK 0 / 53 / 16 / 25

HEX #C05BA1

RGB 192 91 161

HSL 318.42, 0.44%, 0.55%

LAB 53.23, 49.09, -19.11

 

CMYK 0 / 58 / 19 / 31

HEX #AF498E

RGB 175 73 142

HSL 319.41, 0.41%, 0.49%

LAB 46.75, 49.63, -17.97

 

CMYK 0 / 65 / 22 / 38

HEX #9E377B

RGB 158 55 123

HSL 320.39, 0.48%, 0.42%

LAB 40.3, 49.9, -16.51

 

CMYK 0 / 74 / 26 / 45

HEX #8D2568

RGB 141 37 104

HSL 321.35, 0.58%, 0.35%

LAB 33.95, 49.65, -14.56

 

CMYK 0 / 49 / 14 / 18

HEX #D06BB3

RGB 208 107 179

HSL 317.23, 0.52%, 0.62%

LAB 59.14, 48.95, -20.32

 

CMYK 0 / 49 / 27 / 18

HEX #D06B98

RGB 208 107 152

HSL 333.27, 0.52%, 0.62%

LAB 58.22, 44.97, -6.13

 

CMYK 0 / 49 / 40 / 18

HEX #D06B7C

RGB 208 107 124

HSL 349.9, 0.52%, 0.62%

LAB 57.44, 41.5, 9.04

 

CMYK 0 / 49 / 49 / 18

HEX #D06B6B

RGB 208 107 107

HSL 0, 0.52%, 0.62%

LAB 57.06, 39.75, 18.39

 

CMYK 0 / 49 / 14 / 18

HEX #D06BB3

RGB 208 107 179

HSL 317.23, 0.52%, 0.62%

LAB 59.14, 48.95, -20.32

 

CMYK 0 / 49 / 1 / 18

HEX #D06BCE

RGB 208 107 206

HSL 301.19, 0.52%, 0.62%

LAB 60.23, 53.49, -34.01

 

CMYK 12 / 49 / 0 / 18

HEX #B76BD0

RGB 183 107 208

HSL 285.15, 0.52%, 0.62%

LAB 57.21, 46.78, -40.1

 

CMYK 25 / 49 / 0 / 18

HEX #9C6BD0

RGB 156 107 208

HSL 269.11, 0.52%, 0.62%

LAB 54.17, 39.3, -45.09

 

CMYK 38 / 49 / 0 / 18

HEX #816BD0

RGB 129 107 208

HSL 253.07, 0.52%, 0.62%

LAB 51.54, 32.19, -49.44

 

CMYK 0 / 49 / 14 / 18

HEX #D06BB3

RGB 208 107 179

HSL 317.23, 0.52%, 0.62%

LAB 59.14, 48.95, -20.32

 

CMYK 0 / 59 / 17 / 12

HEX #E05CB9

RGB 224 92 185

HSL 317.73, 0.68%, 0.62%

LAB 58.98, 61.62, -23.81

 

CMYK 0 / 68 / 20 / 6

HEX #EF4CC0

RGB 239 76 192

HSL 317.3, 0.84%, 0.62%

LAB 59.27, 72.87, -27.18

 

CMYK 0 / 49 / 14 / 18

HEX #D06BB3

RGB 208 107 179

HSL 317.23, 0.52%, 0.62%

LAB 59.14, 48.95, -20.32

 

CMYK 0 / 36 / 10 / 25

HEX #C07BAC

RGB 192 123 172

HSL 317.39, 0.35%, 0.62%

LAB 60.2, 34.19, -14.88

 

CMYK 0 / 21 / 6 / 31

HEX #B18BA6

RGB 177 139 166

HSL 317.37, 0.2%, 0.62%

LAB 62.14, 18.99, -8.72

 

CMYK 0 / 4 / 1 / 37

HEX #A19A9F

RGB 161 154 159

HSL 317.14, 0.04%, 0.62%

LAB 64.32, 3.49, -1.71

 

CMYK 15 / 0 / 11 / 33

HEX #91AA98

RGB 145 170 152

HSL 136.8, 0.13%, 0.62%

LAB 67.3, -12.25, 6.39

 

CMYK 12 / 49 / 0 / 18

HEX #B76BD0

RGB 183 107 208

HSL 285.15, 0.52%, 0.62%

LAB 57.21, 46.78, -40.1

 

CMYK 0 / 49 / 1 / 18

HEX #D06BCE

RGB 208 107 206

HSL 301.19, 0.52%, 0.62%

LAB 60.23, 53.49, -34.01

 

CMYK 0 / 49 / 14 / 18

HEX #D06BB3

RGB 208 107 179

HSL 317.23, 0.52%, 0.62%

LAB 59.14, 48.95, -20.32

 

CMYK 0 / 49 / 26 / 18

HEX #D06B99

RGB 208 107 153

HSL 332.67, 0.52%, 0.62%

LAB 58.25, 45.1, -6.66

 

CMYK 0 / 49 / 39 / 18

HEX #D06B7E

RGB 208 107 126

HSL 348.71, 0.52%, 0.62%

LAB 57.49, 41.72, 7.95

 

CMYK 0 / 68 / 20 / 31

HEX #B1388E

RGB 177 56 142

HSL 317.36, 0.52%, 0.46%

LAB 44.42, 57.48, -21.53

 

CMYK 0 / 62 / 18 / 22

HEX #C64CA3

RGB 198 76 163

HSL 317.21, 0.52%, 0.54%

LAB 51.63, 58.06, -22.66

 

CMYK 0 / 49 / 14 / 18

HEX #D06BB3

RGB 208 107 179

HSL 317.23, 0.52%, 0.62%

LAB 59.14, 48.95, -20.32

 

CMYK 0 / 36 / 11 / 15

HEX #DA8BC3

RGB 218 139 195

HSL 317.47, 0.52%, 0.7%

LAB 67.51, 38.21, -16.55

 

CMYK 0 / 25 / 7 / 11

HEX #E4AAD3

RGB 228 170 211

HSL 317.59, 0.52%, 0.78%

LAB 76.04, 27.7, -12.44

 

CMYK 0 / 48 / 14 / 18

HEX #D16DB4

RGB 209 109 180

HSL 317.4, 0.52%, 0.62%

LAB 59.7, 48.42, -20.03

 

CMYK 0 / 25 / 49 / 18

HEX #D09C6B

RGB 208 156 107

HSL 29.11, 0.52%, 0.62%

LAB 68.2, 13.47, 33.11

 

CMYK 49 / 0 / 6 / 18

HEX #6BD0C4

RGB 107 208 196

HSL 172.87, 0.52%, 0.62%

LAB 77.41, -32.43, -3.16

 

CMYK 0 / 48 / 14 / 18

HEX #D16DB4

RGB 209 109 180

HSL 317.4, 0.52%, 0.62%

LAB 59.7, 48.42, -20.03

 

CMYK 14 / 0 / 49 / 18

HEX #B3D06B

RGB 179 208 107

HSL 77.23, 0.52%, 0.62%

LAB 79.48, -25.33, 46.61

 

CMYK 49 / 14 / 0 / 18

HEX #6BB3D0

RGB 107 179 208

HSL 197.23, 0.52%, 0.62%

LAB 69.41, -14.73, -21.66

 

CMYK 0 / 48 / 14 / 18

HEX #D16DB4

RGB 209 109 180

HSL 317.4, 0.52%, 0.62%

LAB 59.7, 48.42, -20.03

 

CMYK 0 / 25 / 49 / 18

HEX #D09C6B

RGB 208 156 107

HSL 29.11, 0.52%, 0.62%

LAB 68.2, 13.47, 33.11

 

CMYK 49 / 0 / 35 / 18

HEX #6BD088

RGB 107 208 136

HSL 137.23, 0.52%, 0.62%

LAB 76.08, -45.24, 26.9

 

CMYK 49 / 24 / 0 / 18

HEX #6B9FD0

RGB 107 159 208

HSL 209.11, 0.52%, 0.62%

LAB 63.73, -3.83, -30.38

 

CMYK 0 / 48 / 14 / 18

HEX #D16DB4

RGB 209 109 180

HSL 317.4, 0.52%, 0.62%

LAB 59.7, 48.42, -20.03

 

CMYK 0 / 11 / 49 / 18

HEX #D0BA6B

RGB 208 186 107

HSL 46.93, 0.52%, 0.62%

LAB 75.82, -2.56, 42.67

 

CMYK 49 / 0 / 35 / 18

HEX #6BD088

RGB 107 208 136

HSL 137.23, 0.52%, 0.62%

LAB 76.08, -45.24, 26.9

 

CMYK 49 / 38 / 0 / 18

HEX #6B81D0

RGB 107 129 208

HSL 226.93, 0.52%, 0.62%

LAB 55.46, 13.6, -43.32

 

Description

Color code: HEX #D16DB4 | qconv.com Color code: HEX #D16DB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 109 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 109 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 14 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 14% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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