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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D15C7E it is the complementary color #2EA381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D15C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D15C7E shade: #D65C79, #E76E8C, #F8809F, #FF92B2 and #FFA4C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D15C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D15C7E shade: #D15C7E, #C04A6B, #AF3858, #9E2645 and #8D1432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D15C7E shade: #D05B7D, #D05B5E and #D05B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D15C7E shade: #D05B7D, #D05B9D, #D05BBD, #C55BD0 and #A55BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D15C7E shade matches the following richer shades: #D05B7D, #E14A76 and #F23A6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D15C7E shade: #D05B7D, #C06C85, #AF7D8C, #9E8E93 and #8D9F9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D15C7E shade: #D05BBD, #D05B9E, #D05B7F, #D05B5F and #D0775B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D15C7E shade: #AA3053, #C73B64, #D05B7D, #DA7C97 and #E39CB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D15C7E shade: #D15C7E, #D0C55B and #5BADD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D15C7E shade: #D15C7E, #7FD05B and #5B7FD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D15C7E shade: #D15C7E, #D0C55B, #5BD0AD and #5B67D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D15C7E shade: #D15C7E, #B9D05B, #5BD0AD and #735BD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 40 / 18

HEX #D15C7E

RGB 209 92 126

HSL 342.56, 0.56%, 0.59%

LAB 54.78, 49.46, 4.08

 

Complementary color

CMYK 72 / 0 / 21 / 36

HEX #2EA381

RGB 46 163 129

HSL 162.56, 0.56%, 0.41%

LAB 60.21, -40.38, 8.47

 

CMYK 0 / 57 / 43 / 16

HEX #D65C79

RGB 214 92 121

HSL 345.74, 0.6%, 0.6%

LAB 55.41, 50.61, 8.04

 

CMYK 0 / 52 / 39 / 9

HEX #E76E8C

RGB 231 110 140

HSL 345.12, 0.72%, 0.67%

LAB 61.68, 49.78, 6.26

 

CMYK 0 / 48 / 36 / 3

HEX #F8809F

RGB 248 128 159

HSL 344.5, 0.9%, 0.74%

LAB 67.95, 48.9, 4.74

 

CMYK 0 / 43 / 30 / 0

HEX #FF92B2

RGB 255 146 178

HSL 342.39, 1%, 0.79%

LAB 72.91, 44.61, 1.43

 

CMYK 0 / 36 / 23 / 0

HEX #FFA4C5

RGB 255 164 197

HSL 338.24, 1%, 0.82%

LAB 77.19, 37.93, -2.78

 

CMYK 0 / 56 / 40 / 18

HEX #D15C7E

RGB 209 92 126

HSL 342.56, 0.56%, 0.59%

LAB 54.78, 49.46, 4.08

 

CMYK 0 / 61 / 44 / 25

HEX #C04A6B

RGB 192 74 107

HSL 343.22, 0.48%, 0.52%

LAB 48.47, 50.16, 6.03

 

CMYK 0 / 68 / 50 / 31

HEX #AF3858

RGB 175 56 88

HSL 343.87, 0.52%, 0.45%

LAB 42.23, 50.6, 8.46

 

CMYK 0 / 76 / 56 / 38

HEX #9E2645

RGB 158 38 69

HSL 344.5, 0.61%, 0.38%

LAB 36.15, 50.54, 11.55

 

CMYK 0 / 86 / 65 / 45

HEX #8D1432

RGB 141 20 50

HSL 345.12, 0.75%, 0.32%

LAB 30.38, 49.57, 15.61

 

CMYK 0 / 56 / 40 / 18

HEX #D05B7D

RGB 208 91 125

HSL 342.56, 0.55%, 0.59%

LAB 54.42, 49.49, 4.13

 

CMYK 0 / 56 / 55 / 18

HEX #D05B5E

RGB 208 91 94

HSL 358.46, 0.55%, 0.59%

LAB 53.71, 46.55, 21.44

 

CMYK 0 / 56 / 56 / 18

HEX #D05B5B

RGB 208 91 91

HSL 0, 0.55%, 0.59%

LAB 53.65, 46.31, 23.12

 

CMYK 0 / 56 / 40 / 18

HEX #D05B7D

RGB 208 91 125

HSL 342.56, 0.55%, 0.59%

LAB 54.42, 49.49, 4.13

 

CMYK 0 / 56 / 25 / 18

HEX #D05B9D

RGB 208 91 157

HSL 326.15, 0.55%, 0.59%

LAB 55.41, 53.44, -13.25

 

CMYK 0 / 56 / 9 / 18

HEX #D05BBD

RGB 208 91 189

HSL 309.74, 0.55%, 0.59%

LAB 56.65, 58.2, -29.89

 

CMYK 5 / 56 / 0 / 18

HEX #C55BD0

RGB 197 91 208

HSL 294.36, 0.55%, 0.59%

LAB 55.99, 58.51, -41.89

 

CMYK 21 / 56 / 0 / 18

HEX #A55BD0

RGB 165 91 208

HSL 277.95, 0.55%, 0.59%

LAB 51.88, 50.27, -48.68

 

CMYK 0 / 56 / 40 / 18

HEX #D05B7D

RGB 208 91 125

HSL 342.56, 0.55%, 0.59%

LAB 54.42, 49.49, 4.13

 

CMYK 0 / 67 / 48 / 12

HEX #E14A76

RGB 225 74 118

HSL 342.52, 0.72%, 0.59%

LAB 54.25, 61.51, 8.41

 

CMYK 0 / 76 / 54 / 5

HEX #F23A6F

RGB 242 58 111

HSL 342.72, 0.88%, 0.59%

LAB 55.12, 71.22, 14.25

 

CMYK 0 / 56 / 40 / 18

HEX #D05B7D

RGB 208 91 125

HSL 342.56, 0.55%, 0.59%

LAB 54.42, 49.49, 4.13

 

CMYK 0 / 44 / 31 / 25

HEX #C06C85

RGB 192 108 133

HSL 342.14, 0.4%, 0.59%

LAB 55.71, 36.31, 1.01

 

CMYK 0 / 29 / 20 / 31

HEX #AF7D8C

RGB 175 125 140

HSL 342, 0.24%, 0.59%

LAB 57.73, 21.68, -0.37

 

CMYK 0 / 10 / 7 / 38

HEX #9E8E93

RGB 158 142 147

HSL 341.25, 0.08%, 0.59%

LAB 60.54, 6.87, -0.48

 

CMYK 11 / 0 / 3 / 38

HEX #8D9F9A

RGB 141 159 154

HSL 163.33, 0.09%, 0.59%

LAB 63.99, -7.36, 0.44

 

CMYK 0 / 56 / 9 / 18

HEX #D05BBD

RGB 208 91 189

HSL 309.74, 0.55%, 0.59%

LAB 56.65, 58.2, -29.89

 

CMYK 0 / 56 / 24 / 18

HEX #D05B9E

RGB 208 91 158

HSL 325.64, 0.55%, 0.59%

LAB 55.44, 53.57, -13.78

 

CMYK 0 / 56 / 39 / 18

HEX #D05B7F

RGB 208 91 127

HSL 341.54, 0.55%, 0.59%

LAB 54.47, 49.71, 3.03

 

CMYK 0 / 56 / 54 / 18

HEX #D05B5F

RGB 208 91 95

HSL 357.95, 0.55%, 0.59%

LAB 53.73, 46.63, 20.88

 

CMYK 0 / 43 / 56 / 18

HEX #D0775B

RGB 208 119 91

HSL 14.36, 0.55%, 0.59%

LAB 59.31, 32.07, 30.45

 

CMYK 0 / 72 / 51 / 33

HEX #AA3053

RGB 170 48 83

HSL 342.79, 0.56%, 0.43%

LAB 40.06, 51.74, 8.41

 

CMYK 0 / 70 / 50 / 22

HEX #C73B64

RGB 199 59 100

HSL 342.43, 0.56%, 0.51%

LAB 47.22, 57.86, 8.7

 

CMYK 0 / 56 / 40 / 18

HEX #D05B7D

RGB 208 91 125

HSL 342.56, 0.55%, 0.59%

LAB 54.42, 49.49, 4.13

 

CMYK 0 / 43 / 31 / 15

HEX #DA7C97

RGB 218 124 151

HSL 342.77, 0.56%, 0.67%

LAB 62.97, 39.55, 1.59

 

CMYK 0 / 31 / 22 / 11

HEX #E39CB0

RGB 227 156 176

HSL 343.1, 0.56%, 0.75%

LAB 71.72, 29.27, 0.4

 

CMYK 0 / 56 / 40 / 18

HEX #D15C7E

RGB 209 92 126

HSL 342.56, 0.56%, 0.59%

LAB 54.78, 49.46, 4.08

 

CMYK 0 / 5 / 56 / 18

HEX #D0C55B

RGB 208 197 91

HSL 54.36, 0.55%, 0.59%

LAB 78.52, -9.6, 53.57

 

CMYK 56 / 17 / 0 / 18

HEX #5BADD0

RGB 91 173 208

HSL 197.95, 0.55%, 0.59%

LAB 67.03, -15.02, -25.37

 

CMYK 0 / 56 / 40 / 18

HEX #D15C7E

RGB 209 92 126

HSL 342.56, 0.56%, 0.59%

LAB 54.78, 49.46, 4.08

 

CMYK 39 / 0 / 56 / 18

HEX #7FD05B

RGB 127 208 91

HSL 101.54, 0.55%, 0.59%

LAB 76.3, -45.73, 49.64

 

CMYK 56 / 39 / 0 / 18

HEX #5B7FD0

RGB 91 127 208

HSL 221.54, 0.55%, 0.59%

LAB 53.98, 11.23, -45.72

 

CMYK 0 / 56 / 40 / 18

HEX #D15C7E

RGB 209 92 126

HSL 342.56, 0.56%, 0.59%

LAB 54.78, 49.46, 4.08

 

CMYK 0 / 5 / 56 / 18

HEX #D0C55B

RGB 208 197 91

HSL 54.36, 0.55%, 0.59%

LAB 78.52, -9.6, 53.57

 

CMYK 56 / 0 / 17 / 18

HEX #5BD0AD

RGB 91 208 173

HSL 162.05, 0.55%, 0.59%

LAB 76.29, -41.41, 7.49

 

CMYK 56 / 50 / 0 / 18

HEX #5B67D0

RGB 91 103 208

HSL 233.85, 0.55%, 0.59%

LAB 47.6, 25.97, -55.92

 

CMYK 0 / 56 / 40 / 18

HEX #D15C7E

RGB 209 92 126

HSL 342.56, 0.56%, 0.59%

LAB 54.78, 49.46, 4.08

 

CMYK 11 / 0 / 56 / 18

HEX #B9D05B

RGB 185 208 91

HSL 71.79, 0.55%, 0.59%

LAB 79.72, -24.46, 54.46

 

CMYK 56 / 0 / 17 / 18

HEX #5BD0AD

RGB 91 208 173

HSL 162.05, 0.55%, 0.59%

LAB 76.29, -41.41, 7.49

 

CMYK 45 / 56 / 0 / 18

HEX #735BD0

RGB 115 91 208

HSL 252.31, 0.55%, 0.59%

LAB 46.55, 38.28, -57.5

 

Description

Color code: HEX #D15C7E | qconv.com Color code: HEX #D15C7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 92 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 92 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 40 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 40% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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