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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D15BCC it is the complementary color #2EA433. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D15BCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D15BCC shade: #D65BC7, #E76DDA, #F87FED, #FF91FF and #FFA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D15BCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D15BCC shade: #D15BCC, #C049B9, #AF37A6, #9E2593 and #8D1380

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D15BCC shade: #D05BCC, #D05BAC, #D05B8C, #D05B6D and #D05B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D15BCC shade: #D05BCC, #B65BD0, #965BD0, #775BD0 and #5B5BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D15BCC shade matches the following richer shades: #D05BCC, #E14ADB and #F23AEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D15BCC shade: #D05BCC, #C06CBC, #AF7DAD, #9E8E9D and #8D9F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D15BCC shade: #965BD0, #B55BD0, #D05BCD, #D05BAD and #D05B8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D15BCC shade: #AA30A5, #C73BC1, #D05BCC, #DA7CD6 and #E39CE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D15BCC shade: #D15BCC, #D0775B and #5BD0A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D15BCC shade: #D15BCC, #CDD05B and #5BCDD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D15BCC shade: #D15BCC, #D0775B, #5BD05F and #5BB5D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D15BCC shade: #D15BCC, #D09A5B, #5BD05F and #5B92D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 2 / 18

HEX #D15BCC

RGB 209 91 204

HSL 302.54, 0.56%, 0.59%

LAB 57.46, 60.95, -37.2

 

Complementary color

CMYK 72 / 0 / 69 / 36

HEX #2EA433

RGB 46 164 51

HSL 122.54, 0.56%, 0.41%

LAB 59.32, -54.44, 47.42

 

CMYK 0 / 57 / 7 / 16

HEX #D65BC7

RGB 214 91 199

HSL 307.32, 0.6%, 0.6%

LAB 57.94, 61.45, -33.54

 

CMYK 0 / 53 / 6 / 9

HEX #E76DDA

RGB 231 109 218

HSL 306.39, 0.72%, 0.67%

LAB 64.15, 61.03, -34.43

 

CMYK 0 / 49 / 4 / 3

HEX #F87FED

RGB 248 127 237

HSL 305.45, 0.9%, 0.74%

LAB 70.35, 60.47, -35.16

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 56 / 2 / 18

HEX #D15BCC

RGB 209 91 204

HSL 302.54, 0.56%, 0.59%

LAB 57.46, 60.95, -37.2

 

CMYK 0 / 62 / 4 / 25

HEX #C049B9

RGB 192 73 185

HSL 303.53, 0.49%, 0.52%

LAB 51.24, 61.17, -36.21

 

CMYK 0 / 69 / 5 / 31

HEX #AF37A6

RGB 175 55 166

HSL 304.5, 0.52%, 0.45%

LAB 45.08, 61, -34.91

 

CMYK 0 / 77 / 7 / 38

HEX #9E2593

RGB 158 37 147

HSL 305.45, 0.62%, 0.38%

LAB 39.07, 60.17, -33.16

 

CMYK 0 / 87 / 9 / 45

HEX #8D1380

RGB 141 19 128

HSL 306.39, 0.76%, 0.31%

LAB 33.32, 58.29, -30.72

 

CMYK 0 / 56 / 2 / 18

HEX #D05BCC

RGB 208 91 204

HSL 302.05, 0.55%, 0.59%

LAB 57.32, 60.69, -37.43

 

CMYK 0 / 56 / 17 / 18

HEX #D05BAC

RGB 208 91 172

HSL 318.46, 0.55%, 0.59%

LAB 55.96, 55.57, -21.15

 

CMYK 0 / 56 / 33 / 18

HEX #D05B8C

RGB 208 91 140

HSL 334.87, 0.55%, 0.59%

LAB 54.85, 51.23, -4.1

 

CMYK 0 / 56 / 48 / 18

HEX #D05B6D

RGB 208 91 109

HSL 350.77, 0.55%, 0.59%

LAB 54.02, 47.86, 13.03

 

CMYK 0 / 56 / 56 / 18

HEX #D05B5B

RGB 208 91 91

HSL 0, 0.55%, 0.59%

LAB 53.65, 46.31, 23.12

 

CMYK 0 / 56 / 2 / 18

HEX #D05BCC

RGB 208 91 204

HSL 302.05, 0.55%, 0.59%

LAB 57.32, 60.69, -37.43

 

CMYK 13 / 56 / 0 / 18

HEX #B65BD0

RGB 182 91 208

HSL 286.67, 0.55%, 0.59%

LAB 54.01, 54.63, -45.16

 

CMYK 28 / 56 / 0 / 18

HEX #965BD0

RGB 150 91 208

HSL 270.26, 0.55%, 0.59%

LAB 50.12, 46.51, -51.58

 

CMYK 43 / 56 / 0 / 18

HEX #775BD0

RGB 119 91 208

HSL 254.36, 0.55%, 0.59%

LAB 46.92, 39.17, -56.89

 

CMYK 56 / 56 / 0 / 18

HEX #5B5BD0

RGB 91 91 208

HSL 240, 0.55%, 0.59%

LAB 44.6, 33.37, -60.75

 

CMYK 0 / 56 / 2 / 18

HEX #D05BCC

RGB 208 91 204

HSL 302.05, 0.55%, 0.59%

LAB 57.32, 60.69, -37.43

 

CMYK 0 / 67 / 3 / 12

HEX #E14ADB

RGB 225 74 219

HSL 302.38, 0.72%, 0.59%

LAB 58.06, 74.17, -44.6

 

CMYK 0 / 76 / 3 / 5

HEX #F23AEB

RGB 242 58 235

HSL 302.28, 0.88%, 0.59%

LAB 59.8, 85.15, -50.67

 

CMYK 0 / 56 / 2 / 18

HEX #D05BCC

RGB 208 91 204

HSL 302.05, 0.55%, 0.59%

LAB 57.32, 60.69, -37.43

 

CMYK 0 / 44 / 2 / 25

HEX #C06CBC

RGB 192 108 188

HSL 302.86, 0.4%, 0.59%

LAB 57.62, 45.03, -27.99

 

CMYK 0 / 29 / 1 / 31

HEX #AF7DAD

RGB 175 125 173

HSL 302.4, 0.24%, 0.59%

LAB 58.79, 27.48, -17.78

 

CMYK 0 / 10 / 1 / 38

HEX #9E8E9D

RGB 158 142 157

HSL 303.75, 0.08%, 0.59%

LAB 60.83, 8.76, -5.75

 

CMYK 11 / 0 / 11 / 38

HEX #8D9F8E

RGB 141 159 142

HSL 123.33, 0.09%, 0.59%

LAB 63.68, -9.72, 6.73

 

CMYK 28 / 56 / 0 / 18

HEX #965BD0

RGB 150 91 208

HSL 270.26, 0.55%, 0.59%

LAB 50.12, 46.51, -51.58

 

CMYK 13 / 56 / 0 / 18

HEX #B55BD0

RGB 181 91 208

HSL 286.15, 0.55%, 0.59%

LAB 53.88, 54.37, -45.37

 

CMYK 0 / 56 / 1 / 18

HEX #D05BCD

RGB 208 91 205

HSL 301.54, 0.55%, 0.59%

LAB 57.37, 60.86, -37.92

 

CMYK 0 / 56 / 17 / 18

HEX #D05BAD

RGB 208 91 173

HSL 317.95, 0.55%, 0.59%

LAB 56, 55.72, -21.67

 

CMYK 0 / 56 / 32 / 18

HEX #D05B8E

RGB 208 91 142

HSL 333.85, 0.55%, 0.59%

LAB 54.91, 51.48, -5.19

 

CMYK 0 / 72 / 3 / 33

HEX #AA30A5

RGB 170 48 165

HSL 302.46, 0.56%, 0.43%

LAB 43.33, 62.18, -37.14

 

CMYK 0 / 70 / 3 / 22

HEX #C73BC1

RGB 199 59 193

HSL 302.57, 0.56%, 0.51%

LAB 50.83, 69.45, -41.42

 

CMYK 0 / 56 / 2 / 18

HEX #D05BCC

RGB 208 91 204

HSL 302.05, 0.55%, 0.59%

LAB 57.32, 60.69, -37.43

 

CMYK 0 / 43 / 2 / 15

HEX #DA7CD6

RGB 218 124 214

HSL 302.55, 0.56%, 0.67%

LAB 65.1, 49.31, -30.85

 

CMYK 0 / 31 / 1 / 11

HEX #E39CE0

RGB 227 156 224

HSL 302.54, 0.56%, 0.75%

LAB 73.21, 37.16, -23.83

 

CMYK 0 / 56 / 2 / 18

HEX #D15BCC

RGB 209 91 204

HSL 302.54, 0.56%, 0.59%

LAB 57.46, 60.95, -37.2

 

CMYK 0 / 43 / 56 / 18

HEX #D0775B

RGB 208 119 91

HSL 14.36, 0.55%, 0.59%

LAB 59.31, 32.07, 30.45

 

CMYK 56 / 0 / 20 / 18

HEX #5BD0A6

RGB 91 208 166

HSL 158.46, 0.55%, 0.59%

LAB 76.12, -43.01, 11.01

 

CMYK 0 / 56 / 2 / 18

HEX #D15BCC

RGB 209 91 204

HSL 302.54, 0.56%, 0.59%

LAB 57.46, 60.95, -37.2

 

CMYK 1 / 0 / 56 / 18

HEX #CDD05B

RGB 205 208 91

HSL 61.54, 0.55%, 0.59%

LAB 81.21, -16.39, 56.55

 

CMYK 56 / 1 / 0 / 18

HEX #5BCDD0

RGB 91 205 208

HSL 181.54, 0.55%, 0.59%

LAB 76.34, -31.19, -11.27

 

CMYK 0 / 56 / 2 / 18

HEX #D15BCC

RGB 209 91 204

HSL 302.54, 0.56%, 0.59%

LAB 57.46, 60.95, -37.2

 

CMYK 0 / 43 / 56 / 18

HEX #D0775B

RGB 208 119 91

HSL 14.36, 0.55%, 0.59%

LAB 59.31, 32.07, 30.45

 

CMYK 56 / 0 / 54 / 18

HEX #5BD05F

RGB 91 208 95

HSL 122.05, 0.55%, 0.59%

LAB 74.93, -55.57, 45.8

 

CMYK 56 / 13 / 0 / 18

HEX #5BB5D0

RGB 91 181 208

HSL 193.85, 0.55%, 0.59%

LAB 69.35, -19.22, -21.83

 

CMYK 0 / 56 / 2 / 18

HEX #D15BCC

RGB 209 91 204

HSL 302.54, 0.56%, 0.59%

LAB 57.46, 60.95, -37.2

 

CMYK 0 / 26 / 56 / 18

HEX #D09A5B

RGB 208 154 91

HSL 32.31, 0.55%, 0.59%

LAB 67.48, 13.14, 40.61

 

CMYK 56 / 0 / 54 / 18

HEX #5BD05F

RGB 91 208 95

HSL 122.05, 0.55%, 0.59%

LAB 74.93, -55.57, 45.8

 

CMYK 56 / 30 / 0 / 18

HEX #5B92D0

RGB 91 146 208

HSL 211.79, 0.55%, 0.59%

LAB 59.28, -0.01, -37.37

 

Description

Color code: HEX #D15BCC | qconv.com Color code: HEX #D15BCC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 91 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 91 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 2 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 2% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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