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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D14913 it is the complementary color #2EB6EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D14913. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D14913 shade: #D6490E, #E75B21, #F86D34, #FF7F47 and #FF915A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D14913. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D14913 shade: #D14913, #C03700, #AF2500, #9E1300 and #8D0100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D14913 shade: #D14913, #D11613 and #D11313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D14913 shade: #D14913, #D17D13, #D1B013, #C0D113 and #8CD113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D14913 shade matches the following richer shades: #D14913 and #E44100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D14913 shade: #D14913, #BF5126, #AC5938, #9A614B and #87695D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D14913 shade: #D11343, #D11613, #D14913, #D17C13 and #D1AF13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D14913 shade: #862F0C, #AC3C10, #D14913, #EA5C24 and #EE7849

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D14913 shade: #D14913, #75D113 and #1329D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D14913 shade: #D14913, #13D149 and #4913D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D14913 shade: #D14913, #75D113, #139CD1 and #6F13D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D14913 shade: #D14913, #3CD113, #139CD1 and #A813D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 91 / 18

HEX #D14913

RGB 209 73 19

HSL 17.05, 0.83%, 0.45%

LAB 49.94, 51.59, 55.77

 

Complementary color

CMYK 81 / 23 / 0 / 7

HEX #2EB6EC

RGB 46 182 236

HSL 197.05, 0.83%, 0.55%

LAB 69.54, -17.28, -36.94

 

CMYK 0 / 66 / 93 / 16

HEX #D6490E

RGB 214 73 14

HSL 17.7, 0.88%, 0.45%

LAB 50.8, 53.25, 58.25

 

CMYK 0 / 61 / 86 / 9

HEX #E75B21

RGB 231 91 33

HSL 17.58, 0.8%, 0.52%

LAB 56.66, 51.78, 57.52

 

CMYK 0 / 56 / 79 / 3

HEX #F86D34

RGB 248 109 52

HSL 17.45, 0.93%, 0.59%

LAB 62.63, 50.21, 55.83

 

CMYK 0 / 50 / 72 / 0

HEX #FF7F47

RGB 255 127 71

HSL 18.26, 1%, 0.64%

LAB 67.2, 44.93, 51.88

 

CMYK 0 / 43 / 65 / 0

HEX #FF915A

RGB 255 145 90

HSL 20, 1%, 0.68%

LAB 71.04, 36.91, 46.73

 

CMYK 0 / 65 / 91 / 18

HEX #D14913

RGB 209 73 19

HSL 17.05, 0.83%, 0.45%

LAB 49.94, 51.59, 55.77

 

CMYK 0 / 71 / 100 / 25

HEX #C03700

RGB 192 55 0

HSL 17.19, 1%, 0.38%

LAB 44.15, 52.8, 56.05

 

CMYK 0 / 79 / 100 / 31

HEX #AF2500

RGB 175 37 0

HSL 12.69, 1%, 0.34%

LAB 38.62, 53.52, 51.62

 

CMYK 0 / 88 / 100 / 38

HEX #9E1300

RGB 158 19 0

HSL 7.22, 1%, 0.31%

LAB 33.42, 53.1, 47.08

 

CMYK 0 / 99 / 100 / 45

HEX #8D0100

RGB 141 1 0

HSL 0.43, 1%, 0.28%

LAB 28.6, 51.38, 41.91

 

CMYK 0 / 65 / 91 / 18

HEX #D14913

RGB 209 73 19

HSL 17.05, 0.83%, 0.45%

LAB 49.94, 51.59, 55.77

 

CMYK 0 / 89 / 91 / 18

HEX #D11613

RGB 209 22 19

HSL 0.95, 0.83%, 0.45%

LAB 44.48, 66.75, 52

 

CMYK 0 / 91 / 91 / 18

HEX #D11313

RGB 209 19 19

HSL 0, 0.83%, 0.45%

LAB 44.33, 67.19, 51.9

 

CMYK 0 / 65 / 91 / 18

HEX #D14913

RGB 209 73 19

HSL 17.05, 0.83%, 0.45%

LAB 49.94, 51.59, 55.77

 

CMYK 0 / 40 / 91 / 18

HEX #D17D13

RGB 209 125 19

HSL 33.47, 0.83%, 0.45%

LAB 60.13, 25.9, 63.18

 

CMYK 0 / 16 / 91 / 18

HEX #D1B013

RGB 209 176 19

HSL 49.58, 0.83%, 0.45%

LAB 72.66, -1.52, 72.65

 

CMYK 8 / 0 / 91 / 18

HEX #C0D113

RGB 192 209 19

HSL 65.37, 0.83%, 0.45%

LAB 80.1, -25.51, 77.81

 

CMYK 33 / 0 / 91 / 18

HEX #8CD113

RGB 140 209 19

HSL 81.79, 0.83%, 0.45%

LAB 76.81, -46.06, 73.8

 

CMYK 0 / 65 / 91 / 18

HEX #D14913

RGB 209 73 19

HSL 17.05, 0.83%, 0.45%

LAB 49.94, 51.59, 55.77

 

CMYK 0 / 71 / 100 / 11

HEX #E44100

RGB 228 65 0

HSL 17.11, 1%, 0.45%

LAB 52.15, 60.8, 63.63

 

CMYK 0 / 65 / 91 / 18

HEX #D14913

RGB 209 73 19

HSL 17.05, 0.83%, 0.45%

LAB 49.94, 51.59, 55.77

 

CMYK 0 / 58 / 80 / 25

HEX #BF5126

RGB 191 81 38

HSL 16.86, 0.67%, 0.45%

LAB 48.39, 41.88, 45.49

 

CMYK 0 / 48 / 67 / 33

HEX #AC5938

RGB 172 89 56

HSL 17.07, 0.51%, 0.45%

LAB 47.24, 31.13, 34.01

 

CMYK 0 / 37 / 51 / 40

HEX #9A614B

RGB 154 97 75

HSL 16.71, 0.34%, 0.45%

LAB 46.88, 20.66, 22.15

 

CMYK 0 / 22 / 31 / 47

HEX #87695D

RGB 135 105 93

HSL 17.14, 0.18%, 0.45%

LAB 47.03, 10.13, 11.33

 

CMYK 0 / 91 / 68 / 18

HEX #D11343

RGB 209 19 67

HSL 344.84, 0.83%, 0.45%

LAB 44.84, 68.63, 26.16

 

CMYK 0 / 89 / 91 / 18

HEX #D11613

RGB 209 22 19

HSL 0.95, 0.83%, 0.45%

LAB 44.48, 66.75, 52

 

CMYK 0 / 65 / 91 / 18

HEX #D14913

RGB 209 73 19

HSL 17.05, 0.83%, 0.45%

LAB 49.94, 51.59, 55.77

 

CMYK 0 / 41 / 91 / 18

HEX #D17C13

RGB 209 124 19

HSL 33.16, 0.83%, 0.45%

LAB 59.9, 26.43, 63.02

 

CMYK 0 / 16 / 91 / 18

HEX #D1AF13

RGB 209 175 19

HSL 49.26, 0.83%, 0.45%

LAB 72.4, -0.99, 72.45

 

CMYK 0 / 65 / 91 / 47

HEX #862F0C

RGB 134 47 12

HSL 17.21, 0.84%, 0.29%

LAB 32.1, 35.72, 39.06

 

CMYK 0 / 65 / 91 / 33

HEX #AC3C10

RGB 172 60 16

HSL 16.92, 0.83%, 0.37%

LAB 41.28, 44.03, 47.55

 

CMYK 0 / 65 / 91 / 18

HEX #D14913

RGB 209 73 19

HSL 17.05, 0.83%, 0.45%

LAB 49.94, 51.59, 55.77

 

CMYK 0 / 61 / 85 / 8

HEX #EA5C24

RGB 234 92 36

HSL 16.97, 0.83%, 0.53%

LAB 57.34, 52.46, 57.1

 

CMYK 0 / 50 / 69 / 7

HEX #EE7849

RGB 238 120 73

HSL 17.09, 0.83%, 0.61%

LAB 63.42, 42.05, 46.03

 

CMYK 0 / 65 / 91 / 18

HEX #D14913

RGB 209 73 19

HSL 17.05, 0.83%, 0.45%

LAB 49.94, 51.59, 55.77

 

CMYK 44 / 0 / 91 / 18

HEX #75D113

RGB 117 209 19

HSL 89.05, 0.83%, 0.45%

LAB 75.72, -53.95, 72.45

 

CMYK 91 / 80 / 0 / 18

HEX #1329D1

RGB 19 41 209

HSL 233.05, 0.83%, 0.45%

LAB 30.22, 55.5, -85.07

 

CMYK 0 / 65 / 91 / 18

HEX #D14913

RGB 209 73 19

HSL 17.05, 0.83%, 0.45%

LAB 49.94, 51.59, 55.77

 

CMYK 91 / 0 / 65 / 18

HEX #13D149

RGB 19 209 73

HSL 137.05, 0.83%, 0.45%

LAB 73.69, -69.37, 53.82

 

CMYK 65 / 91 / 0 / 18

HEX #4913D1

RGB 73 19 209

HSL 257.05, 0.83%, 0.45%

LAB 30.61, 66.21, -84.35

 

CMYK 0 / 65 / 91 / 18

HEX #D14913

RGB 209 73 19

HSL 17.05, 0.83%, 0.45%

LAB 49.94, 51.59, 55.77

 

CMYK 44 / 0 / 91 / 18

HEX #75D113

RGB 117 209 19

HSL 89.05, 0.83%, 0.45%

LAB 75.72, -53.95, 72.45

 

CMYK 91 / 25 / 0 / 18

HEX #139CD1

RGB 19 156 209

HSL 196.74, 0.83%, 0.45%

LAB 60.35, -14.56, -36.39

 

CMYK 47 / 91 / 0 / 18

HEX #6F13D1

RGB 111 19 209

HSL 269.05, 0.83%, 0.45%

LAB 34.9, 69.3, -77.1

 

CMYK 0 / 65 / 91 / 18

HEX #D14913

RGB 209 73 19

HSL 17.05, 0.83%, 0.45%

LAB 49.94, 51.59, 55.77

 

CMYK 71 / 0 / 91 / 18

HEX #3CD113

RGB 60 209 19

HSL 107.05, 0.83%, 0.45%

LAB 73.94, -68.24, 70.24

 

CMYK 91 / 25 / 0 / 18

HEX #139CD1

RGB 19 156 209

HSL 196.74, 0.83%, 0.45%

LAB 60.35, -14.56, -36.39

 

CMYK 20 / 91 / 0 / 18

HEX #A813D1

RGB 168 19 209

HSL 287.05, 0.83%, 0.45%

LAB 43.35, 76.43, -62.94

 

Description

Color code: HEX #D14913 | qconv.com Color code: HEX #D14913 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 73 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 73 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 91 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 91% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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