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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D12DCF it is the complementary color #2ED230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D12DCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D12DCF shade: #D62DCA, #E73FDD, #F851F0, #FF63FF and #FF75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D12DCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D12DCF shade: #D12DCF, #C01BBC, #AF09A9, #9E0096 and #8D0083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D12DCF shade: #D22CD0, #D22CA3, #D22C76, #D22C4A and #D22C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D12DCF shade: #D22CD0, #A72CD2, #7A2CD2, #4E2CD2 and #2C2CD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D12DCF shade matches the following richer shades: #D22CD0, #E717E4 and #FB03F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D12DCF shade: #D22CD0, #BD41BC, #A955A8, #946A93 and #7F7F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D12DCF shade: #792CD2, #A62CD2, #D22CD2, #D22CA6 and #D22C79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D12DCF shade: #8E1E8C, #B025AE, #D22CD0, #D94ED7 and #E070DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D12DCF shade: #D12DCF, #D24D2C and #2CD290

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D12DCF shade: #D12DCF, #D2D22C and #2CD2D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D12DCF shade: #D12DCF, #D24D2C, #2CD22C and #2CB1D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D12DCF shade: #D12DCF, #D27F2C, #2CD22C and #2C7FD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 1 / 18

HEX #D12DCF

RGB 209 45 207

HSL 300.73, 0.65%, 0.5%

LAB 51.77, 77.84, -47.9

 

Complementary color

CMYK 78 / 0 / 77 / 18

HEX #2ED230

RGB 46 210 48

HSL 120.73, 0.65%, 0.5%

LAB 74.12, -69.34, 63.53

 

CMYK 0 / 79 / 6 / 16

HEX #D62DCA

RGB 214 45 202

HSL 304.26, 0.67%, 0.51%

LAB 52.33, 78.08, -44.08

 

CMYK 0 / 73 / 4 / 9

HEX #E73FDD

RGB 231 63 221

HSL 303.57, 0.78%, 0.58%

LAB 57.81, 79.41, -46.06

 

CMYK 0 / 67 / 3 / 3

HEX #F851F0

RGB 248 81 240

HSL 302.87, 0.92%, 0.65%

LAB 63.45, 80.12, -47.61

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 78 / 1 / 18

HEX #D12DCF

RGB 209 45 207

HSL 300.73, 0.65%, 0.5%

LAB 51.77, 77.84, -47.9

 

CMYK 0 / 86 / 2 / 25

HEX #C01BBC

RGB 192 27 188

HSL 301.45, 0.75%, 0.43%

LAB 46.47, 75.66, -45.5

 

CMYK 0 / 95 / 3 / 31

HEX #AF09A9

RGB 175 9 169

HSL 302.17, 0.9%, 0.36%

LAB 41.49, 72.29, -42.39

 

CMYK 0 / 100 / 5 / 38

HEX #9E0096

RGB 158 0 150

HSL 303.04, 1%, 0.31%

LAB 36.88, 67.51, -38.47

 

CMYK 0 / 100 / 7 / 45

HEX #8D0083

RGB 141 0 131

HSL 304.26, 1%, 0.28%

LAB 32.48, 61.71, -33.92

 

CMYK 0 / 79 / 1 / 18

HEX #D22CD0

RGB 210 44 208

HSL 300.72, 0.65%, 0.5%

LAB 51.9, 78.43, -48.25

 

CMYK 0 / 79 / 22 / 18

HEX #D22CA3

RGB 210 44 163

HSL 316.99, 0.65%, 0.5%

LAB 49.67, 72.17, -25.52

 

CMYK 0 / 79 / 44 / 18

HEX #D22C76

RGB 210 44 118

HSL 333.25, 0.65%, 0.5%

LAB 48.02, 67.29, -0.92

 

CMYK 0 / 79 / 65 / 18

HEX #D22C4A

RGB 210 44 74

HSL 349.16, 0.65%, 0.5%

LAB 46.97, 64.07, 24.62

 

CMYK 0 / 79 / 79 / 18

HEX #D22C2C

RGB 210 44 44

HSL 0, 0.65%, 0.5%

LAB 46.56, 62.78, 41.72

 

CMYK 0 / 79 / 1 / 18

HEX #D22CD0

RGB 210 44 208

HSL 300.72, 0.65%, 0.5%

LAB 51.9, 78.43, -48.25

 

CMYK 20 / 79 / 0 / 18

HEX #A72CD2

RGB 167 44 210

HSL 284.46, 0.65%, 0.5%

LAB 45.18, 70.84, -60.56

 

CMYK 42 / 79 / 0 / 18

HEX #7A2CD2

RGB 122 44 210

HSL 268.19, 0.65%, 0.5%

LAB 38.88, 63.57, -71.08

 

CMYK 63 / 79 / 0 / 18

HEX #4E2CD2

RGB 78 44 210

HSL 252.29, 0.65%, 0.5%

LAB 34.14, 58.09, -79.06

 

CMYK 79 / 79 / 0 / 18

HEX #2C2CD2

RGB 44 44 210

HSL 240, 0.65%, 0.5%

LAB 31.78, 55.38, -83.03

 

CMYK 0 / 79 / 1 / 18

HEX #D22CD0

RGB 210 44 208

HSL 300.72, 0.65%, 0.5%

LAB 51.9, 78.43, -48.25

 

CMYK 0 / 90 / 1 / 9

HEX #E717E4

RGB 231 23 228

HSL 300.87, 0.82%, 0.5%

LAB 55.28, 88.88, -54.03

 

CMYK 0 / 99 / 1 / 2

HEX #FB03F8

RGB 251 3 248

HSL 300.73, 0.98%, 0.5%

LAB 59.3, 96.49, -58.63

 

CMYK 0 / 79 / 1 / 18

HEX #D22CD0

RGB 210 44 208

HSL 300.72, 0.65%, 0.5%

LAB 51.9, 78.43, -48.25

 

CMYK 0 / 66 / 1 / 26

HEX #BD41BC

RGB 189 65 188

HSL 300.48, 0.49%, 0.5%

LAB 49.77, 64.16, -40.29

 

CMYK 0 / 50 / 1 / 34

HEX #A955A8

RGB 169 85 168

HSL 300.71, 0.33%, 0.5%

LAB 49.2, 46.33, -29.7

 

CMYK 0 / 28 / 1 / 42

HEX #946A93

RGB 148 106 147

HSL 301.43, 0.17%, 0.5%

LAB 50.35, 23.94, -15.78

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 42 / 79 / 0 / 18

HEX #792CD2

RGB 121 44 210

HSL 267.83, 0.65%, 0.5%

LAB 38.76, 63.43, -71.29

 

CMYK 21 / 79 / 0 / 18

HEX #A62CD2

RGB 166 44 210

HSL 284.1, 0.65%, 0.5%

LAB 45.03, 70.67, -60.81

 

CMYK 0 / 79 / 0 / 18

HEX #D22CD2

RGB 210 44 210

HSL 300, 0.65%, 0.5%

LAB 52.01, 78.74, -49.22

 

CMYK 0 / 79 / 21 / 18

HEX #D22CA6

RGB 210 44 166

HSL 315.9, 0.65%, 0.5%

LAB 49.81, 72.55, -27.09

 

CMYK 0 / 79 / 42 / 18

HEX #D22C79

RGB 210 44 121

HSL 332.17, 0.65%, 0.5%

LAB 48.11, 67.57, -2.61

 

CMYK 0 / 79 / 1 / 44

HEX #8E1E8C

RGB 142 30 140

HSL 301.07, 0.65%, 0.34%

LAB 35.15, 57.63, -35.26

 

CMYK 0 / 79 / 1 / 31

HEX #B025AE

RGB 176 37 174

HSL 300.86, 0.65%, 0.42%

LAB 43.67, 68.24, -41.89

 

CMYK 0 / 79 / 1 / 18

HEX #D22CD0

RGB 210 44 208

HSL 300.72, 0.65%, 0.5%

LAB 51.9, 78.43, -48.25

 

CMYK 0 / 64 / 1 / 15

HEX #D94ED7

RGB 217 78 215

HSL 300.86, 0.65%, 0.58%

LAB 57.18, 70.2, -43.8

 

CMYK 0 / 50 / 0 / 12

HEX #E070DF

RGB 224 112 223

HSL 300.54, 0.64%, 0.66%

LAB 63.97, 58.54, -37.57

 

CMYK 0 / 78 / 1 / 18

HEX #D12DCF

RGB 209 45 207

HSL 300.73, 0.65%, 0.5%

LAB 51.77, 77.84, -47.9

 

CMYK 0 / 63 / 79 / 18

HEX #D24D2C

RGB 210 77 44

HSL 11.93, 0.65%, 0.5%

LAB 50.91, 50.84, 46.1

 

CMYK 79 / 0 / 31 / 18

HEX #2CD290

RGB 44 210 144

HSL 156.14, 0.65%, 0.5%

LAB 75.23, -56.16, 21.29

 

CMYK 0 / 78 / 1 / 18

HEX #D12DCF

RGB 209 45 207

HSL 300.73, 0.65%, 0.5%

LAB 51.77, 77.84, -47.9

 

CMYK 0 / 0 / 79 / 18

HEX #D2D22C

RGB 210 210 44

HSL 60, 0.65%, 0.5%

LAB 81.83, -17.82, 74.62

 

CMYK 79 / 0 / 0 / 18

HEX #2CD2D2

RGB 44 210 210

HSL 180, 0.65%, 0.5%

LAB 76.85, -39.4, -11.69

 

CMYK 0 / 78 / 1 / 18

HEX #D12DCF

RGB 209 45 207

HSL 300.73, 0.65%, 0.5%

LAB 51.77, 77.84, -47.9

 

CMYK 0 / 63 / 79 / 18

HEX #D24D2C

RGB 210 77 44

HSL 11.93, 0.65%, 0.5%

LAB 50.91, 50.84, 46.1

 

CMYK 79 / 0 / 79 / 18

HEX #2CD22C

RGB 44 210 44

HSL 120, 0.65%, 0.5%

LAB 74.07, -69.84, 64.68

 

CMYK 79 / 16 / 0 / 18

HEX #2CB1D2

RGB 44 177 210

HSL 191.93, 0.65%, 0.5%

LAB 67, -23.52, -26.62

 

CMYK 0 / 78 / 1 / 18

HEX #D12DCF

RGB 209 45 207

HSL 300.73, 0.65%, 0.5%

LAB 51.77, 77.84, -47.9

 

CMYK 0 / 40 / 79 / 18

HEX #D27F2C

RGB 210 127 44

HSL 30, 0.65%, 0.5%

LAB 60.84, 25.9, 55.67

 

CMYK 79 / 0 / 79 / 18

HEX #2CD22C

RGB 44 210 44

HSL 120, 0.65%, 0.5%

LAB 74.07, -69.84, 64.68

 

CMYK 79 / 40 / 0 / 18

HEX #2C7FD2

RGB 44 127 210

HSL 210, 0.65%, 0.5%

LAB 52.25, 4.5, -49.72

 

Description

Color code: HEX #D12DCF | qconv.com Color code: HEX #D12DCF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 45 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 45 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 1 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 1% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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