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Color name
HEX #D0FDB8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0FDB8 it is the complementary color #2F0247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0FDB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0FDB8 shade: #D5FDB3, #E6FFC6, #F7FFD9, #FFFFEC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0FDB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0FDB8 shade: #D0FDB8, #BFEBA5, #AED992, #9DC77F and #8CB56C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0FDB8 shade: #D0FDB9, #E3FDB9, #F5FDB9, #FDF2B9 and #FDE0B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0FDB8 shade: #D0FDB9, #BEFDB9, #B9FDC6, #B9FDD8 and #B9FDEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0FDB8 shade matches the following richer shades: #D0FDB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0FDB8 shade: #D0FDB9, #D2F7BF, #D4F1C4, #D6EBCA and #D8E6D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0FDB8 shade: #F5FDB9, #E3FDB9, #D1FDB9, #BFFDB9 and #B9FDC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0FDB8 shade: #9BFB68, #B6FC91, #D0FDB9 and #EBFEE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0FDB8 shade: #D0FDB8, #B9FDF3 and #FDB9EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0FDB8 shade: #D0FDB8, #B9D1FD and #FDB9D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0FDB8 shade: #D0FDB8, #B9FDF3, #E5B9FD and #FDB9C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0FDB8 shade: #D0FDB8, #B9F3FD, #E5B9FD and #FDC3B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 27 / 1

HEX #D0FDB8

RGB 208 253 184

HSL 99.13, 0.95%, 0.86%

LAB 94.79, -26.46, 28.44

 

Complementary color

CMYK 34 / 97 / 0 / 72

HEX #2F0247

RGB 47 2 71

HSL 279.13, 0.95%, 0.14%

LAB 9.82, 33.99, -31.81

 

CMYK 16 / 0 / 29 / 1

HEX #D5FDB3

RGB 213 253 179

HSL 92.43, 0.95%, 0.85%

LAB 95.01, -25.47, 31.32

 

CMYK 10 / 0 / 22 / 0

HEX #E6FFC6

RGB 230 255 198

HSL 86.32, 1%, 0.89%

LAB 96.99, -17.75, 24.6

 

CMYK 3 / 0 / 15 / 0

HEX #F7FFD9

RGB 247 255 217

HSL 72.63, 1%, 0.93%

LAB 98.55, -8.96, 17.28

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

HEX #FFFFFF

CMYK 18 / 0 / 27 / 1

HEX #D0FDB8

RGB 208 253 184

HSL 99.13, 0.95%, 0.86%

LAB 94.79, -26.46, 28.44

 

CMYK 19 / 0 / 30 / 8

HEX #BFEBA5

RGB 191 235 165

HSL 97.71, 0.64%, 0.78%

LAB 88.55, -26.57, 29.46

 

CMYK 20 / 0 / 33 / 15

HEX #AED992

RGB 174 217 146

HSL 96.34, 0.48%, 0.71%

LAB 82.22, -26.69, 30.52

 

CMYK 21 / 0 / 36 / 22

HEX #9DC77F

RGB 157 199 127

HSL 95, 0.39%, 0.64%

LAB 75.79, -26.79, 31.64

 

CMYK 23 / 0 / 40 / 29

HEX #8CB56C

RGB 140 181 108

HSL 93.7, 0.33%, 0.57%

LAB 69.26, -26.89, 32.8

 

CMYK 18 / 0 / 27 / 1

HEX #D0FDB9

RGB 208 253 185

HSL 99.71, 0.94%, 0.86%

LAB 94.81, -26.31, 27.96

 

CMYK 10 / 0 / 27 / 1

HEX #E3FDB9

RGB 227 253 185

HSL 82.94, 0.94%, 0.86%

LAB 96.03, -19.71, 29.83

 

CMYK 3 / 0 / 27 / 1

HEX #F5FDB9

RGB 245 253 185

HSL 67.06, 0.94%, 0.86%

LAB 97.29, -13.25, 31.75

 

CMYK 0 / 4 / 27 / 1

HEX #FDF2B9

RGB 253 242 185

HSL 50.29, 0.94%, 0.86%

LAB 95.11, -4.86, 28.9

 

CMYK 0 / 11 / 27 / 1

HEX #FDE0B9

RGB 253 224 185

HSL 34.41, 0.94%, 0.86%

LAB 90.64, 4.26, 22.78

 

CMYK 18 / 0 / 27 / 1

HEX #D0FDB9

RGB 208 253 185

HSL 99.71, 0.94%, 0.86%

LAB 94.81, -26.31, 27.96

 

CMYK 25 / 0 / 27 / 1

HEX #BEFDB9

RGB 190 253 185

HSL 115.59, 0.94%, 0.86%

LAB 93.75, -32.3, 26.35

 

CMYK 27 / 0 / 22 / 1

HEX #B9FDC6

RGB 185 253 198

HSL 131.47, 0.94%, 0.86%

LAB 93.73, -31.72, 19.65

 

CMYK 27 / 0 / 15 / 1

HEX #B9FDD8

RGB 185 253 216

HSL 147.35, 0.94%, 0.86%

LAB 94.11, -28.45, 10.95

 

CMYK 27 / 0 / 8 / 1

HEX #B9FDEA

RGB 185 253 234

HSL 163.24, 0.94%, 0.86%

LAB 94.53, -24.91, 2.28

 

CMYK 18 / 0 / 27 / 1

HEX #D0FDB9

RGB 208 253 185

HSL 99.71, 0.94%, 0.86%

LAB 94.81, -26.31, 27.96

 

CMYK 18 / 0 / 27 / 1

HEX #D0FDB9

RGB 208 253 185

HSL 99.71, 0.94%, 0.86%

LAB 94.81, -26.31, 27.96

 

CMYK 15 / 0 / 23 / 3

HEX #D2F7BF

RGB 210 247 191

HSL 99.64, 0.78%, 0.86%

LAB 93.44, -21.84, 23.06

 

CMYK 12 / 0 / 19 / 5

HEX #D4F1C4

RGB 212 241 196

HSL 98.67, 0.62%, 0.86%

LAB 92.08, -17.44, 18.62

 

CMYK 9 / 0 / 14 / 8

HEX #D6EBCA

RGB 214 235 202

HSL 98.18, 0.45%, 0.86%

LAB 90.77, -12.8, 13.69

 

CMYK 6 / 0 / 10 / 10

HEX #D8E6D0

RGB 216 230 208

HSL 98.18, 0.31%, 0.86%

LAB 89.74, -8.59, 9.12

 

CMYK 3 / 0 / 27 / 1

HEX #F5FDB9

RGB 245 253 185

HSL 67.06, 0.94%, 0.86%

LAB 97.29, -13.25, 31.75

 

CMYK 10 / 0 / 27 / 1

HEX #E3FDB9

RGB 227 253 185

HSL 82.94, 0.94%, 0.86%

LAB 96.03, -19.71, 29.83

 

CMYK 17 / 0 / 27 / 1

HEX #D1FDB9

RGB 209 253 185

HSL 98.82, 0.94%, 0.86%

LAB 94.87, -25.97, 28.05

 

CMYK 25 / 0 / 27 / 1

HEX #BFFDB9

RGB 191 253 185

HSL 114.71, 0.94%, 0.86%

LAB 93.81, -31.97, 26.43

 

CMYK 27 / 0 / 22 / 1

HEX #B9FDC5

RGB 185 253 197

HSL 130.59, 0.94%, 0.86%

LAB 93.71, -31.89, 20.14

 

CMYK 38 / 0 / 59 / 2

HEX #9BFB68

RGB 155 251 104

HSL 99.18, 0.95%, 0.7%

LAB 90.3, -53.2, 60.34

 

CMYK 28 / 0 / 42 / 1

HEX #B6FC91

RGB 182 252 145

HSL 99.25, 0.95%, 0.78%

LAB 92.4, -40.22, 44.36

 

CMYK 18 / 0 / 27 / 1

HEX #D0FDB9

RGB 208 253 185

HSL 99.71, 0.94%, 0.86%

LAB 94.81, -26.31, 27.96

 

CMYK 7 / 0 / 11 / 0

HEX #EBFEE1

RGB 235 254 225

HSL 99.31, 0.94%, 0.94%

LAB 97.62, -11.29, 11.76

 

CMYK 18 / 0 / 27 / 1

HEX #D0FDB8

RGB 208 253 184

HSL 99.13, 0.95%, 0.86%

LAB 94.79, -26.46, 28.44

 

CMYK 27 / 0 / 4 / 1

HEX #B9FDF3

RGB 185 253 243

HSL 171.18, 0.94%, 0.86%

LAB 94.75, -23.05, -2.04

 

CMYK 0 / 27 / 7 / 1

HEX #FDB9EC

RGB 253 185 236

HSL 315, 0.94%, 0.86%

LAB 82.72, 32.37, -15.67

 

CMYK 18 / 0 / 27 / 1

HEX #D0FDB8

RGB 208 253 184

HSL 99.13, 0.95%, 0.86%

LAB 94.79, -26.46, 28.44

 

CMYK 27 / 17 / 0 / 1

HEX #B9D1FD

RGB 185 209 253

HSL 218.82, 0.94%, 0.86%

LAB 83.45, 1.55, -24.17

 

CMYK 0 / 27 / 17 / 1

HEX #FDB9D1

RGB 253 185 209

HSL 338.82, 0.94%, 0.86%

LAB 81.94, 28.02, -2.33

 

CMYK 18 / 0 / 27 / 1

HEX #D0FDB8

RGB 208 253 184

HSL 99.13, 0.95%, 0.86%

LAB 94.79, -26.46, 28.44

 

CMYK 27 / 0 / 4 / 1

HEX #B9FDF3

RGB 185 253 243

HSL 171.18, 0.94%, 0.86%

LAB 94.75, -23.05, -2.04

 

CMYK 9 / 27 / 0 / 1

HEX #E5B9FD

RGB 229 185 253

HSL 278.82, 0.94%, 0.86%

LAB 80.99, 27.81, -27.61

 

CMYK 0 / 27 / 23 / 1

HEX #FDB9C3

RGB 253 185 195

HSL 351.18, 0.94%, 0.86%

LAB 81.58, 25.96, 4.68

 

CMYK 18 / 0 / 27 / 1

HEX #D0FDB8

RGB 208 253 184

HSL 99.13, 0.95%, 0.86%

LAB 94.79, -26.46, 28.44

 

CMYK 27 / 4 / 0 / 1

HEX #B9F3FD

RGB 185 243 253

HSL 188.82, 0.94%, 0.86%

LAB 92.36, -15.98, -10.76

 

CMYK 9 / 27 / 0 / 1

HEX #E5B9FD

RGB 229 185 253

HSL 278.82, 0.94%, 0.86%

LAB 80.99, 27.81, -27.61

 

CMYK 0 / 23 / 27 / 1

HEX #FDC3B9

RGB 253 195 185

HSL 8.82, 0.94%, 0.86%

LAB 83.66, 19.32, 13.02

 

Description

Color code: HEX #D0FDB8 | qconv.com Color code: HEX #D0FDB8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 253 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 253 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 27 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 27% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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