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Color name
HEX #D0F52D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0F52D it is the complementary color #2F0AD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0F52D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0F52D shade: #D5F528, #E6FF3B, #F7FF4E, #FFFF61 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0F52D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0F52D shade: #D0F52D, #BFE31A, #AED107, #9DBF00 and #8CAD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0F52D shade: #D0F52D, #F5E42D, #F5AE2D, #F5782D and #F5422D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0F52D shade: #D0F52D, #9AF52D, #64F52D, #2EF52D and #2DF562

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0F52D shade matches the following richer shades: #D0F52D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0F52D shade: #D0F52D, #C5E33F, #B9D151, #AEBF62 and #A3AE74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0F52D shade: #F5AF2D, #F5E42D, #D0F52D, #9BF52D and #66F52D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0F52D shade: #A3C609, #C4EE0B, #D0F52D, #D9F654 and #E1F87C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0F52D shade: #D0F52D, #2DF57A and #C92DF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0F52D shade: #D0F52D, #2DD0F5 and #F52DD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0F52D shade: #D0F52D, #2DF57A, #522DF5 and #F52DA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0F52D shade: #D0F52D, #2DF5B5, #522DF5 and #F52D6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 82 / 4

HEX #D0F52D

RGB 208 245 45

HSL 71.1, 0.91%, 0.57%

LAB 91.19, -35.17, 82.45

 

Complementary color

CMYK 78 / 95 / 0 / 18

HEX #2F0AD2

RGB 47 10 210

HSL 251.1, 0.91%, 0.43%

LAB 28.05, 67.19, -89.25

 

CMYK 13 / 0 / 84 / 4

HEX #D5F528

RGB 213 245 40

HSL 69.37, 0.91%, 0.56%

LAB 91.51, -33.34, 83.97

 

CMYK 10 / 0 / 77 / 0

HEX #E6FF3B

RGB 230 255 59

HSL 67.65, 1%, 0.62%

LAB 95.44, -30.57, 83.18

 

CMYK 3 / 0 / 69 / 0

HEX #F7FF4E

RGB 247 255 78

HSL 62.71, 1%, 0.65%

LAB 96.76, -22.97, 78.93

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 15 / 0 / 82 / 4

HEX #D0F52D

RGB 208 245 45

HSL 71.1, 0.91%, 0.57%

LAB 91.19, -35.17, 82.45

 

CMYK 16 / 0 / 89 / 11

HEX #BFE31A

RGB 191 227 26

HSL 70.75, 0.79%, 0.5%

LAB 85.04, -34.22, 80.66

 

CMYK 17 / 0 / 97 / 18

HEX #AED107

RGB 174 209 7

HSL 70.4, 0.94%, 0.42%

LAB 78.82, -33.09, 77.61

 

CMYK 18 / 0 / 100 / 25

HEX #9DBF00

RGB 157 191 0

HSL 70.68, 1%, 0.37%

LAB 72.51, -31.76, 73.03

 

CMYK 19 / 0 / 100 / 32

HEX #8CAD00

RGB 140 173 0

HSL 71.45, 1%, 0.34%

LAB 66.11, -30.34, 67.69

 

CMYK 15 / 0 / 82 / 4

HEX #D0F52D

RGB 208 245 45

HSL 71.1, 0.91%, 0.57%

LAB 91.19, -35.17, 82.45

 

CMYK 0 / 7 / 82 / 4

HEX #F5E42D

RGB 245 228 45

HSL 54.9, 0.91%, 0.57%

LAB 89.43, -11.98, 82.04

 

CMYK 0 / 29 / 82 / 4

HEX #F5AE2D

RGB 245 174 45

HSL 38.7, 0.91%, 0.57%

LAB 75.99, 15.71, 70.52

 

CMYK 0 / 51 / 82 / 4

HEX #F5782D

RGB 245 120 45

HSL 22.5, 0.91%, 0.57%

LAB 64.19, 43.61, 60.11

 

CMYK 0 / 73 / 82 / 4

HEX #F5422D

RGB 245 66 45

HSL 6.3, 0.91%, 0.57%

LAB 55.58, 66.39, 52.25

 

CMYK 15 / 0 / 82 / 4

HEX #D0F52D

RGB 208 245 45

HSL 71.1, 0.91%, 0.57%

LAB 91.19, -35.17, 82.45

 

CMYK 37 / 0 / 82 / 4

HEX #9AF52D

RGB 154 245 45

HSL 87.3, 0.91%, 0.57%

LAB 88.14, -55.05, 78.61

 

CMYK 59 / 0 / 82 / 4

HEX #64F52D

RGB 100 245 45

HSL 103.5, 0.91%, 0.57%

LAB 86.11, -70.55, 76.01

 

CMYK 81 / 0 / 82 / 4

HEX #2EF52D

RGB 46 245 45

HSL 119.7, 0.91%, 0.57%

LAB 85.03, -79.68, 74.64

 

CMYK 82 / 0 / 60 / 4

HEX #2DF562

RGB 45 245 98

HSL 135.9, 0.91%, 0.57%

LAB 85.37, -75.4, 56.47

 

CMYK 15 / 0 / 82 / 4

HEX #D0F52D

RGB 208 245 45

HSL 71.1, 0.91%, 0.57%

LAB 91.19, -35.17, 82.45

 

CMYK 15 / 0 / 82 / 4

HEX #D0F52D

RGB 208 245 45

HSL 71.1, 0.91%, 0.57%

LAB 91.19, -35.17, 82.45

 

CMYK 13 / 0 / 72 / 11

HEX #C5E33F

RGB 197 227 63

HSL 70.98, 0.75%, 0.57%

LAB 85.59, -30.54, 71.95

 

CMYK 11 / 0 / 61 / 18

HEX #B9D151

RGB 185 209 81

HSL 71.25, 0.58%, 0.57%

LAB 79.9, -25.73, 59.03

 

CMYK 9 / 0 / 49 / 25

HEX #AEBF62

RGB 174 191 98

HSL 70.97, 0.42%, 0.57%

LAB 74.28, -19.86, 44.61

 

CMYK 6 / 0 / 33 / 32

HEX #A3AE74

RGB 163 174 116

HSL 71.38, 0.26%, 0.57%

LAB 68.98, -13.49, 28.54

 

CMYK 0 / 29 / 82 / 4

HEX #F5AF2D

RGB 245 175 45

HSL 39, 0.91%, 0.57%

LAB 76.23, 15.19, 70.73

 

CMYK 0 / 7 / 82 / 4

HEX #F5E42D

RGB 245 228 45

HSL 54.9, 0.91%, 0.57%

LAB 89.43, -11.98, 82.04

 

CMYK 15 / 0 / 82 / 4

HEX #D0F52D

RGB 208 245 45

HSL 71.1, 0.91%, 0.57%

LAB 91.19, -35.17, 82.45

 

CMYK 37 / 0 / 82 / 4

HEX #9BF52D

RGB 155 245 45

HSL 87, 0.91%, 0.57%

LAB 88.19, -54.71, 78.67

 

CMYK 58 / 0 / 82 / 4

HEX #66F52D

RGB 102 245 45

HSL 102.9, 0.91%, 0.57%

LAB 86.17, -70.08, 76.09

 

CMYK 18 / 0 / 95 / 22

HEX #A3C609

RGB 163 198 9

HSL 71.11, 0.91%, 0.41%

LAB 74.95, -32.45, 74.11

 

CMYK 18 / 0 / 95 / 7

HEX #C4EE0B

RGB 196 238 11

HSL 71.1, 0.91%, 0.49%

LAB 88.4, -37.44, 85.26

 

CMYK 15 / 0 / 82 / 4

HEX #D0F52D

RGB 208 245 45

HSL 71.1, 0.91%, 0.57%

LAB 91.19, -35.17, 82.45

 

CMYK 12 / 0 / 66 / 4

HEX #D9F654

RGB 217 246 84

HSL 70.74, 0.9%, 0.65%

LAB 92.27, -30.32, 71.57

 

CMYK 9 / 0 / 50 / 3

HEX #E1F87C

RGB 225 248 124

HSL 71.13, 0.9%, 0.73%

LAB 93.71, -25.13, 56.46

 

CMYK 15 / 0 / 82 / 4

HEX #D0F52D

RGB 208 245 45

HSL 71.1, 0.91%, 0.57%

LAB 91.19, -35.17, 82.45

 

CMYK 82 / 0 / 50 / 4

HEX #2DF57A

RGB 45 245 122

HSL 143.1, 0.91%, 0.57%

LAB 85.64, -72.2, 45.92

 

CMYK 18 / 82 / 0 / 4

HEX #C92DF5

RGB 201 45 245

HSL 286.8, 0.91%, 0.57%

LAB 52.83, 82.68, -67.79

 

CMYK 15 / 0 / 82 / 4

HEX #D0F52D

RGB 208 245 45

HSL 71.1, 0.91%, 0.57%

LAB 91.19, -35.17, 82.45

 

CMYK 82 / 15 / 0 / 4

HEX #2DD0F5

RGB 45 208 245

HSL 191.1, 0.91%, 0.57%

LAB 77.44, -27.68, -29.58

 

CMYK 0 / 82 / 15 / 4

HEX #F52DD0

RGB 245 45 208

HSL 311.1, 0.91%, 0.57%

LAB 57.89, 85.09, -38.4

 

CMYK 15 / 0 / 82 / 4

HEX #D0F52D

RGB 208 245 45

HSL 71.1, 0.91%, 0.57%

LAB 91.19, -35.17, 82.45

 

CMYK 82 / 0 / 50 / 4

HEX #2DF57A

RGB 45 245 122

HSL 143.1, 0.91%, 0.57%

LAB 85.64, -72.2, 45.92

 

CMYK 67 / 82 / 0 / 4

HEX #522DF5

RGB 82 45 245

HSL 251.1, 0.91%, 0.57%

LAB 38.31, 67.69, -92.14

 

CMYK 0 / 82 / 31 / 4

HEX #F52DA8

RGB 245 45 168

HSL 323.1, 0.91%, 0.57%

LAB 56.2, 80.38, -17.9

 

CMYK 15 / 0 / 82 / 4

HEX #D0F52D

RGB 208 245 45

HSL 71.1, 0.91%, 0.57%

LAB 91.19, -35.17, 82.45

 

CMYK 82 / 0 / 26 / 4

HEX #2DF5B5

RGB 45 245 181

HSL 160.8, 0.91%, 0.57%

LAB 86.6, -61.19, 17.76

 

CMYK 67 / 82 / 0 / 4

HEX #522DF5

RGB 82 45 245

HSL 251.1, 0.91%, 0.57%

LAB 38.31, 67.69, -92.14

 

CMYK 0 / 82 / 56 / 4

HEX #F52D6C

RGB 245 45 108

HSL 341.1, 0.91%, 0.57%

LAB 54.42, 75.18, 15.16

 

Description

Color code: HEX #D0F52D | qconv.com Color code: HEX #D0F52D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 245 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 245 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 82 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 82% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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