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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0EC5A it is the complementary color #2F13A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0EC5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0EC5A shade: #D5EC55, #E6FE68, #F7FF7B, #FFFF8E and #FFFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0EC5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0EC5A shade: #D0EC5A, #BFDA47, #AEC834, #9DB621 and #8CA40E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0EC5A shade: #CFEB5A, #EBE05A, #EBB95A, #EB925A and #EB6B5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0EC5A shade: #CFEB5A, #A8EB5A, #81EB5A, #5AEB5A and #5AEB81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0EC5A shade matches the following richer shades: #CFEB5A and #D9FA4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0EC5A shade: #CFEB5A, #C6DC69, #BDCE78, #B4BF87 and #ABB096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0EC5A shade: #EBB85A, #EBDF5A, #D1EB5A, #AAEB5A and #83EB5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0EC5A shade: #B5DA19, #C5E735, #CFEB5A, #DAF07F and #E5F4A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0EC5A shade: #D0EC5A, #5AEB92 and #CC5AEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0EC5A shade: #D0EC5A, #5AD1EB and #EB5AD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0EC5A shade: #D0EC5A, #5AEB92, #755AEB and #EB5AB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0EC5A shade: #D0EC5A, #5AEBBD, #755AEB and #EB5A88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 62 / 7

HEX #D0EC5A

RGB 208 236 90

HSL 71.51, 0.79%, 0.64%

LAB 88.99, -28.79, 65.58

 

Complementary color

CMYK 72 / 88 / 0 / 35

HEX #2F13A5

RGB 47 19 165

HSL 251.51, 0.79%, 0.36%

LAB 22.95, 53, -71

 

CMYK 10 / 0 / 64 / 7

HEX #D5EC55

RGB 213 236 85

HSL 69.14, 0.8%, 0.63%

LAB 89.3, -27.16, 68.01

 

CMYK 9 / 0 / 59 / 0

HEX #E6FE68

RGB 230 254 104

HSL 69.6, 0.99%, 0.7%

LAB 95.46, -27.66, 67.3

 

CMYK 3 / 0 / 52 / 0

HEX #F7FF7B

RGB 247 255 123

HSL 63.64, 1%, 0.74%

LAB 97.12, -20.06, 61.31

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 12 / 0 / 62 / 7

HEX #D0EC5A

RGB 208 236 90

HSL 71.51, 0.79%, 0.64%

LAB 88.99, -28.79, 65.58

 

CMYK 12 / 0 / 67 / 15

HEX #BFDA47

RGB 191 218 71

HSL 71.02, 0.67%, 0.57%

LAB 82.74, -28.28, 66.15

 

CMYK 13 / 0 / 74 / 22

HEX #AEC834

RGB 174 200 52

HSL 70.54, 0.59%, 0.49%

LAB 76.41, -27.63, 66.27

 

CMYK 14 / 0 / 82 / 29

HEX #9DB621

RGB 157 182 33

HSL 70.07, 0.69%, 0.42%

LAB 69.99, -26.81, 65.65

 

CMYK 15 / 0 / 91 / 36

HEX #8CA40E

RGB 140 164 14

HSL 69.6, 0.84%, 0.35%

LAB 63.47, -25.78, 63.78

 

CMYK 12 / 0 / 62 / 8

HEX #CFEB5A

RGB 207 235 90

HSL 71.59, 0.78%, 0.64%

LAB 88.65, -28.72, 65.2

 

CMYK 0 / 5 / 62 / 8

HEX #EBE05A

RGB 235 224 90

HSL 55.45, 0.78%, 0.64%

LAB 87.83, -12.14, 64.94

 

CMYK 0 / 21 / 62 / 8

HEX #EBB95A

RGB 235 185 90

HSL 39.31, 0.78%, 0.64%

LAB 77.93, 7.84, 54.04

 

CMYK 0 / 38 / 62 / 8

HEX #EB925A

RGB 235 146 90

HSL 23.17, 0.78%, 0.64%

LAB 68.72, 28.48, 43.36

 

CMYK 0 / 54 / 62 / 8

HEX #EB6B5A

RGB 235 107 90

HSL 7.03, 0.78%, 0.64%

LAB 60.71, 48.27, 33.59

 

CMYK 12 / 0 / 62 / 8

HEX #CFEB5A

RGB 207 235 90

HSL 71.59, 0.78%, 0.64%

LAB 88.65, -28.72, 65.2

 

CMYK 29 / 0 / 62 / 8

HEX #A8EB5A

RGB 168 235 90

HSL 87.72, 0.78%, 0.64%

LAB 86.25, -43.37, 61.89

 

CMYK 45 / 0 / 62 / 8

HEX #81EB5A

RGB 129 235 90

HSL 103.86, 0.78%, 0.64%

LAB 84.39, -56.14, 59.32

 

CMYK 62 / 0 / 62 / 8

HEX #5AEB5A

RGB 90 235 90

HSL 120, 0.78%, 0.64%

LAB 83.09, -66.11, 57.5

 

CMYK 62 / 0 / 45 / 8

HEX #5AEB81

RGB 90 235 129

HSL 136.14, 0.78%, 0.64%

LAB 83.53, -61.05, 40.09

 

CMYK 12 / 0 / 62 / 8

HEX #CFEB5A

RGB 207 235 90

HSL 71.59, 0.78%, 0.64%

LAB 88.65, -28.72, 65.2

 

CMYK 13 / 0 / 70 / 2

HEX #D9FA4B

RGB 217 250 75

HSL 71.31, 0.95%, 0.64%

LAB 93.29, -32.67, 75.85

 

CMYK 12 / 0 / 62 / 8

HEX #CFEB5A

RGB 207 235 90

HSL 71.59, 0.78%, 0.64%

LAB 88.65, -28.72, 65.2

 

CMYK 10 / 0 / 52 / 14

HEX #C6DC69

RGB 198 220 105

HSL 71.48, 0.62%, 0.64%

LAB 84.08, -23.92, 53.35

 

CMYK 8 / 0 / 42 / 19

HEX #BDCE78

RGB 189 206 120

HSL 71.86, 0.47%, 0.64%

LAB 79.79, -19.07, 40.78

 

CMYK 6 / 0 / 29 / 25

HEX #B4BF87

RGB 180 191 135

HSL 71.79, 0.3%, 0.64%

LAB 75.27, -13.11, 27.05

 

CMYK 3 / 0 / 15 / 31

HEX #ABB096

RGB 171 176 150

HSL 71.54, 0.14%, 0.64%

LAB 70.81, -6.4, 12.73

 

CMYK 0 / 22 / 62 / 8

HEX #EBB85A

RGB 235 184 90

HSL 38.9, 0.78%, 0.64%

LAB 77.69, 8.36, 53.76

 

CMYK 0 / 5 / 62 / 8

HEX #EBDF5A

RGB 235 223 90

HSL 55.03, 0.78%, 0.64%

LAB 87.57, -11.64, 64.66

 

CMYK 11 / 0 / 62 / 8

HEX #D1EB5A

RGB 209 235 90

HSL 70.76, 0.78%, 0.64%

LAB 88.79, -27.93, 65.38

 

CMYK 28 / 0 / 62 / 8

HEX #AAEB5A

RGB 170 235 90

HSL 86.9, 0.78%, 0.64%

LAB 86.36, -42.65, 62.04

 

CMYK 44 / 0 / 62 / 8

HEX #83EB5A

RGB 131 235 90

HSL 103.03, 0.78%, 0.64%

LAB 84.47, -55.55, 59.43

 

CMYK 17 / 0 / 89 / 15

HEX #B5DA19

RGB 181 218 25

HSL 71.5, 0.79%, 0.48%

LAB 81.86, -34.13, 77.97

 

CMYK 15 / 0 / 77 / 9

HEX #C5E735

RGB 197 231 53

HSL 71.46, 0.79%, 0.56%

LAB 86.64, -32.84, 76.06

 

CMYK 12 / 0 / 62 / 8

HEX #CFEB5A

RGB 207 235 90

HSL 71.59, 0.78%, 0.64%

LAB 88.65, -28.72, 65.2

 

CMYK 9 / 0 / 47 / 6

HEX #DAF07F

RGB 218 240 127

HSL 71.68, 0.79%, 0.72%

LAB 91.12, -23.72, 51.85

 

CMYK 6 / 0 / 33 / 4

HEX #E5F4A4

RGB 229 244 164

HSL 71.25, 0.78%, 0.8%

LAB 93.47, -17.4, 36.97

 

CMYK 12 / 0 / 62 / 7

HEX #D0EC5A

RGB 208 236 90

HSL 71.51, 0.79%, 0.64%

LAB 88.99, -28.79, 65.58

 

CMYK 62 / 0 / 38 / 8

HEX #5AEB92

RGB 90 235 146

HSL 143.17, 0.78%, 0.64%

LAB 83.79, -58.23, 31.96

 

CMYK 13 / 62 / 0 / 8

HEX #CC5AEB

RGB 204 90 235

HSL 287.17, 0.78%, 0.64%

LAB 58.18, 65.75, -53.59

 

CMYK 12 / 0 / 62 / 7

HEX #D0EC5A

RGB 208 236 90

HSL 71.51, 0.79%, 0.64%

LAB 88.99, -28.79, 65.58

 

CMYK 62 / 11 / 0 / 8

HEX #5AD1EB

RGB 90 209 235

HSL 190.76, 0.78%, 0.64%

LAB 78.33, -25.72, -22.78

 

CMYK 0 / 62 / 11 / 8

HEX #EB5AD1

RGB 235 90 209

HSL 310.76, 0.78%, 0.64%

LAB 61.29, 68.94, -33.78

 

CMYK 12 / 0 / 62 / 7

HEX #D0EC5A

RGB 208 236 90

HSL 71.51, 0.79%, 0.64%

LAB 88.99, -28.79, 65.58

 

CMYK 62 / 0 / 38 / 8

HEX #5AEB92

RGB 90 235 146

HSL 143.17, 0.78%, 0.64%

LAB 83.79, -58.23, 31.96

 

CMYK 50 / 62 / 0 / 8

HEX #755AEB

RGB 117 90 235

HSL 251.17, 0.78%, 0.64%

LAB 48.38, 47.04, -69.87

 

CMYK 0 / 62 / 23 / 8

HEX #EB5AB4

RGB 235 90 180

HSL 322.76, 0.78%, 0.64%

LAB 60.13, 64.85, -19.03

 

CMYK 12 / 0 / 62 / 7

HEX #D0EC5A

RGB 208 236 90

HSL 71.51, 0.79%, 0.64%

LAB 88.99, -28.79, 65.58

 

CMYK 62 / 0 / 20 / 8

HEX #5AEBBD

RGB 90 235 189

HSL 160.97, 0.78%, 0.64%

LAB 84.62, -49.54, 10.92

 

CMYK 50 / 62 / 0 / 8

HEX #755AEB

RGB 117 90 235

HSL 251.17, 0.78%, 0.64%

LAB 48.38, 47.04, -69.87

 

CMYK 0 / 62 / 42 / 8

HEX #EB5A88

RGB 235 90 136

HSL 340.97, 0.78%, 0.64%

LAB 58.74, 59.75, 4.43

 

Description

Color code: HEX #D0EC5A | qconv.com Color code: HEX #D0EC5A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 236 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 236 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 62 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 62% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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