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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0E0D7 it is the complementary color #2F1F28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0E0D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0E0D7 shade: #D5E0D2, #E6F2E5 and #F7FFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0E0D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0E0D7 shade: #D0E0D7, #BFCEC4, #AEBCB1, #9DAA9E and #8C988B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0E0D7 shade: #D0E0D7, #D0E0D3, #D2E0D0, #D6E0D0 and #DBE0D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0E0D7 shade: #D0E0D7, #D0E0DC, #D0E0E0, #D0DCE0 and #D0D8E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0E0D7 shade matches the following richer shades: #D0E0D7, #CAE6D6, #C4EDD6, #BEF3D5 and #B7F9D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0E0D7 shade: #D0E0D7, #D6DAD8, #DDD4D9, #E3CEDA and #E9C8DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0E0D7 shade: #D2E0D0, #D0E0D3, #D0E0D7, #D0E0DB and #D0E0E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0E0D7 shade: #9EC0AD, #B7D0C2, #D0E0D7 and #E9F1EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0E0D7 shade: #D0E0D7, #D0D6E0 and #E0D1D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0E0D7 shade: #D0E0D7, #D7D0E0 and #E0D7D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0E0D7 shade: #D0E0D7, #D0D6E0, #E0D0D9 and #E0DAD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0E0D7 shade: #D0E0D7, #D0D1E0, #E0D0D9 and #E0DFD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 4 / 12

HEX #D0E0D7

RGB 208 224 215

HSL 146.25, 0.21%, 0.85%

LAB 87.79, -7, 2.56

 

Complementary color

CMYK 0 / 34 / 15 / 82

HEX #2F1F28

RGB 47 31 40

HSL 326.25, 0.21%, 0.15%

LAB 14.04, 9.57, -2.96

 

CMYK 5 / 0 / 6 / 12

HEX #D5E0D2

RGB 213 224 210

HSL 107.14, 0.18%, 0.85%

LAB 88.02, -6.21, 5.57

 

CMYK 5 / 0 / 5 / 5

HEX #E6F2E5

RGB 230 242 229

HSL 115.38, 0.33%, 0.92%

LAB 94.31, -6.28, 4.89

 

CMYK 3 / 0 / 3 / 0

HEX #F7FFF8

RGB 247 255 248

HSL 127.5, 1%, 0.98%

LAB 99.25, -3.85, 2.41

 

CMYK 7 / 0 / 4 / 12

HEX #D0E0D7

RGB 208 224 215

HSL 146.25, 0.21%, 0.85%

LAB 87.79, -7, 2.56

 

CMYK 7 / 0 / 5 / 19

HEX #BFCEC4

RGB 191 206 196

HSL 140, 0.13%, 0.78%

LAB 81.4, -6.96, 3.22

 

CMYK 7 / 0 / 6 / 26

HEX #AEBCB1

RGB 174 188 177

HSL 132.86, 0.09%, 0.71%

LAB 74.91, -6.92, 3.9

 

CMYK 8 / 0 / 7 / 33

HEX #9DAA9E

RGB 157 170 158

HSL 124.62, 0.07%, 0.64%

LAB 68.3, -6.88, 4.61

 

CMYK 8 / 0 / 9 / 40

HEX #8C988B

RGB 140 152 139

HSL 115.38, 0.06%, 0.57%

LAB 61.56, -6.85, 5.36

 

CMYK 7 / 0 / 4 / 12

HEX #D0E0D7

RGB 208 224 215

HSL 146.25, 0.21%, 0.85%

LAB 87.79, -7, 2.56

 

CMYK 7 / 0 / 6 / 12

HEX #D0E0D3

RGB 208 224 211

HSL 131.25, 0.21%, 0.85%

LAB 87.69, -7.73, 4.52

 

CMYK 6 / 0 / 7 / 12

HEX #D2E0D0

RGB 210 224 208

HSL 112.5, 0.21%, 0.85%

LAB 87.76, -7.59, 6.21

 

CMYK 4 / 0 / 7 / 12

HEX #D6E0D0

RGB 214 224 208

HSL 97.5, 0.21%, 0.85%

LAB 88.05, -6.22, 6.66

 

CMYK 2 / 0 / 7 / 12

HEX #DBE0D0

RGB 219 224 208

HSL 78.75, 0.21%, 0.85%

LAB 88.41, -4.5, 7.24

 

CMYK 7 / 0 / 4 / 12

HEX #D0E0D7

RGB 208 224 215

HSL 146.25, 0.21%, 0.85%

LAB 87.79, -7, 2.56

 

CMYK 7 / 0 / 2 / 12

HEX #D0E0DC

RGB 208 224 220

HSL 165, 0.21%, 0.85%

LAB 87.91, -6.07, 0.11

 

CMYK 7 / 0 / 0 / 12

HEX #D0E0E0

RGB 208 224 224

HSL 180, 0.21%, 0.85%

LAB 88.02, -5.32, -1.84

 

CMYK 7 / 2 / 0 / 12

HEX #D0DCE0

RGB 208 220 224

HSL 195, 0.21%, 0.85%

LAB 86.99, -3.25, -3.36

 

CMYK 7 / 4 / 0 / 12

HEX #D0D8E0

RGB 208 216 224

HSL 210, 0.21%, 0.85%

LAB 85.96, -1.18, -4.87

 

CMYK 7 / 0 / 4 / 12

HEX #D0E0D7

RGB 208 224 215

HSL 146.25, 0.21%, 0.85%

LAB 87.79, -7, 2.56

 

CMYK 12 / 0 / 7 / 10

HEX #CAE6D6

RGB 202 230 214

HSL 145.71, 0.36%, 0.85%

LAB 88.92, -12.22, 4.68

 

CMYK 17 / 0 / 10 / 7

HEX #C4EDD6

RGB 196 237 214

HSL 146.34, 0.53%, 0.85%

LAB 90.39, -17.66, 6.75

 

CMYK 22 / 0 / 12 / 5

HEX #BEF3D5

RGB 190 243 213

HSL 146.04, 0.69%, 0.85%

LAB 91.62, -22.69, 8.98

 

CMYK 27 / 0 / 15 / 2

HEX #B7F9D4

RGB 183 249 212

HSL 146.36, 0.85%, 0.85%

LAB 92.83, -27.92, 11.17

 

CMYK 7 / 0 / 4 / 12

HEX #D0E0D7

RGB 208 224 215

HSL 146.25, 0.21%, 0.85%

LAB 87.79, -7, 2.56

 

CMYK 2 / 0 / 1 / 15

HEX #D6DAD8

RGB 214 218 216

HSL 150, 0.05%, 0.85%

LAB 86.7, -1.71, 0.5

 

CMYK 0 / 4 / 2 / 13

HEX #DDD4D9

RGB 221 212 217

HSL 326.67, 0.12%, 0.85%

LAB 85.74, 3.97, -1.37

 

CMYK 0 / 9 / 4 / 11

HEX #E3CEDA

RGB 227 206 218

HSL 325.71, 0.27%, 0.85%

LAB 84.76, 9.36, -3.28

 

CMYK 0 / 14 / 6 / 9

HEX #E9C8DA

RGB 233 200 218

HSL 327.27, 0.43%, 0.85%

LAB 83.81, 14.6, -4.63

 

CMYK 6 / 0 / 7 / 12

HEX #D2E0D0

RGB 210 224 208

HSL 112.5, 0.21%, 0.85%

LAB 87.76, -7.59, 6.21

 

CMYK 7 / 0 / 6 / 12

HEX #D0E0D3

RGB 208 224 211

HSL 131.25, 0.21%, 0.85%

LAB 87.69, -7.73, 4.52

 

CMYK 7 / 0 / 4 / 12

HEX #D0E0D7

RGB 208 224 215

HSL 146.25, 0.21%, 0.85%

LAB 87.79, -7, 2.56

 

CMYK 7 / 0 / 2 / 12

HEX #D0E0DB

RGB 208 224 219

HSL 161.25, 0.21%, 0.85%

LAB 87.89, -6.26, 0.6

 

CMYK 7 / 0 / 0 / 12

HEX #D0E0E0

RGB 208 224 224

HSL 180, 0.21%, 0.85%

LAB 88.02, -5.32, -1.84

 

CMYK 18 / 0 / 10 / 25

HEX #9EC0AD

RGB 158 192 173

HSL 146.47, 0.21%, 0.69%

LAB 74.82, -15.22, 5.79

 

CMYK 12 / 0 / 7 / 18

HEX #B7D0C2

RGB 183 208 194

HSL 146.4, 0.21%, 0.77%

LAB 81.33, -11.06, 4.11

 

CMYK 7 / 0 / 4 / 12

HEX #D0E0D7

RGB 208 224 215

HSL 146.25, 0.21%, 0.85%

LAB 87.79, -7, 2.56

 

CMYK 3 / 0 / 2 / 5

HEX #E9F1EC

RGB 233 241 236

HSL 142.5, 0.22%, 0.93%

LAB 94.44, -3.54, 1.48

 

CMYK 7 / 0 / 4 / 12

HEX #D0E0D7

RGB 208 224 215

HSL 146.25, 0.21%, 0.85%

LAB 87.79, -7, 2.56

 

CMYK 7 / 4 / 0 / 12

HEX #D0D6E0

RGB 208 214 224

HSL 217.5, 0.21%, 0.85%

LAB 85.45, -0.13, -5.63

 

CMYK 0 / 7 / 7 / 12

HEX #E0D1D0

RGB 224 209 208

HSL 3.75, 0.21%, 0.85%

LAB 85, 5.01, 2.35

 

CMYK 7 / 0 / 4 / 12

HEX #D0E0D7

RGB 208 224 215

HSL 146.25, 0.21%, 0.85%

LAB 87.79, -7, 2.56

 

CMYK 4 / 7 / 0 / 12

HEX #D7D0E0

RGB 215 208 224

HSL 266.25, 0.21%, 0.85%

LAB 84.45, 5.34, -7.04

 

CMYK 0 / 4 / 7 / 12

HEX #E0D7D0

RGB 224 215 208

HSL 26.25, 0.21%, 0.85%

LAB 86.51, 1.88, 4.54

 

CMYK 7 / 0 / 4 / 12

HEX #D0E0D7

RGB 208 224 215

HSL 146.25, 0.21%, 0.85%

LAB 87.79, -7, 2.56

 

CMYK 7 / 4 / 0 / 12

HEX #D0D6E0

RGB 208 214 224

HSL 217.5, 0.21%, 0.85%

LAB 85.45, -0.13, -5.63

 

CMYK 0 / 7 / 3 / 12

HEX #E0D0D9

RGB 224 208 217

HSL 326.25, 0.21%, 0.85%

LAB 84.98, 7.1, -2.45

 

CMYK 0 / 3 / 7 / 12

HEX #E0DAD0

RGB 224 218 208

HSL 37.5, 0.21%, 0.85%

LAB 87.26, 0.32, 5.63

 

CMYK 7 / 0 / 4 / 12

HEX #D0E0D7

RGB 208 224 215

HSL 146.25, 0.21%, 0.85%

LAB 87.79, -7, 2.56

 

CMYK 7 / 7 / 0 / 12

HEX #D0D1E0

RGB 208 209 224

HSL 236.25, 0.21%, 0.85%

LAB 84.17, 2.49, -7.51

 

CMYK 0 / 7 / 3 / 12

HEX #E0D0D9

RGB 224 208 217

HSL 326.25, 0.21%, 0.85%

LAB 84.98, 7.1, -2.45

 

CMYK 0 / 0 / 7 / 12

HEX #E0DFD0

RGB 224 223 208

HSL 56.25, 0.21%, 0.85%

LAB 88.53, -2.25, 7.46

 

Description

Color code: HEX #D0E0D7 | qconv.com Color code: HEX #D0E0D7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 224 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 224 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 4 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 4% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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