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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0DD95 it is the complementary color #2F226A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0DD95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0DD95 shade: #D5DD90, #E6EFA3, #F7FFB6, #FFFFC9 and #FFFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0DD95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0DD95 shade: #D0DD95, #BFCB82, #AEB96F, #9DA75C and #8C9549

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0DD95 shade: #D0DD97, #DDD797, #DDC497, #DDB197 and #DD9E97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0DD95 shade: #D0DD97, #BDDD97, #AADD97, #97DD97 and #97DDA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0DD95 shade matches the following richer shades: #D0DD97, #D7E88B, #DEF380 and #E5FE75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0DD95 shade: #D0DD97, #C9D2A2, #C2C6AD, #BBBBB8 and #B4B0C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0DD95 shade: #DDC397, #DDD697, #D1DD97, #BEDD97 and #ACDD97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0DD95 shade: #B4C958, #C2D377, #D0DD97, #DEE7B6 and #ECF1D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0DD95 shade: #D0DD95, #97DDB0 and #CC97DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0DD95 shade: #D0DD95, #97D1DD and #DD97D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0DD95 shade: #D0DD95, #97DDB0, #A297DD and #DD97C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0DD95 shade: #D0DD95, #97DDC5, #A297DD and #DD97AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 33 / 13

HEX #D0DD95

RGB 208 221 149

HSL 70.83, 0.51%, 0.73%

LAB 85.65, -15.78, 33.95

 

Complementary color

CMYK 56 / 68 / 0 / 58

HEX #2F226A

RGB 47 34 106

HSL 250.83, 0.51%, 0.27%

LAB 19.18, 27.16, -40.16

 

CMYK 4 / 0 / 35 / 13

HEX #D5DD90

RGB 213 221 144

HSL 66.23, 0.53%, 0.72%

LAB 85.94, -14.5, 36.94

 

CMYK 4 / 0 / 32 / 6

HEX #E6EFA3

RGB 230 239 163

HSL 67.11, 0.7%, 0.79%

LAB 92.22, -14.7, 35.84

 

CMYK 3 / 0 / 29 / 0

HEX #F7FFB6

RGB 247 255 182

HSL 66.58, 1%, 0.86%

LAB 97.9, -13.89, 34.09

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 6 / 0 / 33 / 13

HEX #D0DD95

RGB 208 221 149

HSL 70.83, 0.51%, 0.73%

LAB 85.65, -15.78, 33.95

 

CMYK 6 / 0 / 36 / 20

HEX #BFCB82

RGB 191 203 130

HSL 69.86, 0.41%, 0.65%

LAB 79.27, -15.63, 35.08

 

CMYK 6 / 0 / 40 / 27

HEX #AEB96F

RGB 174 185 111

HSL 68.92, 0.35%, 0.58%

LAB 72.79, -15.43, 36.25

 

CMYK 6 / 0 / 45 / 35

HEX #9DA75C

RGB 157 167 92

HSL 68, 0.3%, 0.51%

LAB 66.2, -15.17, 37.45

 

CMYK 6 / 0 / 51 / 42

HEX #8C9549

RGB 140 149 73

HSL 67.11, 0.34%, 0.44%

LAB 59.48, -14.84, 38.65

 

CMYK 6 / 0 / 32 / 13

HEX #D0DD97

RGB 208 221 151

HSL 71.14, 0.51%, 0.73%

LAB 85.68, -15.53, 32.98

 

CMYK 0 / 3 / 32 / 13

HEX #DDD797

RGB 221 215 151

HSL 54.86, 0.51%, 0.73%

LAB 85.1, -7.57, 32.39

 

CMYK 0 / 11 / 32 / 13

HEX #DDC497

RGB 221 196 151

HSL 38.57, 0.51%, 0.73%

LAB 80.23, 2.24, 25.86

 

CMYK 0 / 20 / 32 / 13

HEX #DDB197

RGB 221 177 151

HSL 22.29, 0.51%, 0.73%

LAB 75.48, 12.31, 19.37

 

CMYK 0 / 29 / 32 / 13

HEX #DD9E97

RGB 221 158 151

HSL 6, 0.51%, 0.73%

LAB 70.91, 22.53, 12.99

 

CMYK 6 / 0 / 32 / 13

HEX #D0DD97

RGB 208 221 151

HSL 71.14, 0.51%, 0.73%

LAB 85.68, -15.53, 32.98

 

CMYK 14 / 0 / 32 / 13

HEX #BDDD97

RGB 189 221 151

HSL 87.43, 0.51%, 0.73%

LAB 84.36, -22.54, 30.98

 

CMYK 23 / 0 / 32 / 13

HEX #AADD97

RGB 170 221 151

HSL 103.71, 0.51%, 0.73%

LAB 83.18, -29.25, 29.19

 

CMYK 32 / 0 / 32 / 13

HEX #97DD97

RGB 151 221 151

HSL 120, 0.51%, 0.73%

LAB 82.12, -35.56, 27.59

 

CMYK 32 / 0 / 24 / 13

HEX #97DDA9

RGB 151 221 169

HSL 135.43, 0.51%, 0.73%

LAB 82.46, -32.47, 18.69

 

CMYK 6 / 0 / 32 / 13

HEX #D0DD97

RGB 208 221 151

HSL 71.14, 0.51%, 0.73%

LAB 85.68, -15.53, 32.98

 

CMYK 7 / 0 / 40 / 9

HEX #D7E88B

RGB 215 232 139

HSL 70.97, 0.67%, 0.73%

LAB 88.93, -19.74, 43.31

 

CMYK 9 / 0 / 47 / 5

HEX #DEF380

RGB 222 243 128

HSL 70.96, 0.83%, 0.73%

LAB 92.22, -23.53, 52.77

 

CMYK 10 / 0 / 54 / 0

HEX #E5FE75

RGB 229 254 117

HSL 70.95, 0.99%, 0.73%

LAB 95.51, -27.04, 61.77

 

CMYK 6 / 0 / 32 / 13

HEX #D0DD97

RGB 208 221 151

HSL 71.14, 0.51%, 0.73%

LAB 85.68, -15.53, 32.98

 

CMYK 4 / 0 / 23 / 18

HEX #C9D2A2

RGB 201 210 162

HSL 71.25, 0.35%, 0.73%

LAB 82.44, -11.09, 22.82

 

CMYK 2 / 0 / 13 / 22

HEX #C2C6AD

RGB 194 198 173

HSL 69.6, 0.18%, 0.73%

LAB 78.97, -5.76, 12.06

 

CMYK 0 / 0 / 2 / 27

HEX #BBBBB8

RGB 187 187 184

HSL 60, 0.02%, 0.73%

LAB 75.8, -0.55, 1.51

 

CMYK 8 / 10 / 0 / 24

HEX #B4B0C3

RGB 180 176 195

HSL 252.63, 0.14%, 0.73%

LAB 72.69, 5.08, -9.14

 

CMYK 0 / 12 / 32 / 13

HEX #DDC397

RGB 221 195 151

HSL 37.71, 0.51%, 0.73%

LAB 79.97, 2.77, 25.51

 

CMYK 0 / 3 / 32 / 13

HEX #DDD697

RGB 221 214 151

HSL 54, 0.51%, 0.73%

LAB 84.84, -7.06, 32.04

 

CMYK 5 / 0 / 32 / 13

HEX #D1DD97

RGB 209 221 151

HSL 70.29, 0.51%, 0.73%

LAB 85.76, -15.15, 33.09

 

CMYK 14 / 0 / 32 / 13

HEX #BEDD97

RGB 190 221 151

HSL 86.57, 0.51%, 0.73%

LAB 84.43, -22.18, 31.08

 

CMYK 22 / 0 / 32 / 13

HEX #ACDD97

RGB 172 221 151

HSL 102, 0.51%, 0.73%

LAB 83.29, -28.56, 29.37

 

CMYK 10 / 0 / 56 / 21

HEX #B4C958

RGB 180 201 88

HSL 71.15, 0.51%, 0.57%

LAB 77.39, -23.31, 53.07

 

CMYK 8 / 0 / 44 / 17

HEX #C2D377

RGB 194 211 119

HSL 71.09, 0.51%, 0.65%

LAB 81.51, -19.71, 43.49

 

CMYK 6 / 0 / 32 / 13

HEX #D0DD97

RGB 208 221 151

HSL 71.14, 0.51%, 0.73%

LAB 85.68, -15.53, 32.98

 

CMYK 4 / 0 / 21 / 9

HEX #DEE7B6

RGB 222 231 182

HSL 71.02, 0.51%, 0.81%

LAB 89.89, -11.1, 22.9

 

CMYK 2 / 0 / 12 / 5

HEX #ECF1D5

RGB 236 241 213

HSL 70.71, 0.5%, 0.89%

LAB 94.12, -6.42, 12.96

 

CMYK 6 / 0 / 33 / 13

HEX #D0DD95

RGB 208 221 149

HSL 70.83, 0.51%, 0.73%

LAB 85.65, -15.78, 33.95

 

CMYK 32 / 0 / 20 / 13

HEX #97DDB0

RGB 151 221 176

HSL 141.43, 0.51%, 0.73%

LAB 82.61, -31.18, 15.22

 

CMYK 8 / 32 / 0 / 13

HEX #CC97DD

RGB 204 151 221

HSL 285.43, 0.51%, 0.73%

LAB 69.61, 31.98, -27.91

 

CMYK 6 / 0 / 33 / 13

HEX #D0DD95

RGB 208 221 149

HSL 70.83, 0.51%, 0.73%

LAB 85.65, -15.78, 33.95

 

CMYK 32 / 5 / 0 / 13

HEX #97D1DD

RGB 151 209 221

HSL 190.29, 0.51%, 0.73%

LAB 80.4, -15.67, -11.91

 

CMYK 0 / 32 / 5 / 13

HEX #DD97D1

RGB 221 151 209

HSL 310.29, 0.51%, 0.73%

LAB 70.95, 35.2, -19.09

 

CMYK 6 / 0 / 33 / 13

HEX #D0DD95

RGB 208 221 149

HSL 70.83, 0.51%, 0.73%

LAB 85.65, -15.78, 33.95

 

CMYK 32 / 0 / 20 / 13

HEX #97DDB0

RGB 151 221 176

HSL 141.43, 0.51%, 0.73%

LAB 82.61, -31.18, 15.22

 

CMYK 27 / 32 / 0 / 13

HEX #A297DD

RGB 162 151 221

HSL 249.43, 0.51%, 0.73%

LAB 65.78, 19.12, -34.14

 

CMYK 0 / 32 / 12 / 13

HEX #DD97C3

RGB 221 151 195

HSL 322.29, 0.51%, 0.73%

LAB 70.49, 32.81, -12.03

 

CMYK 6 / 0 / 33 / 13

HEX #D0DD95

RGB 208 221 149

HSL 70.83, 0.51%, 0.73%

LAB 85.65, -15.78, 33.95

 

CMYK 32 / 0 / 11 / 13

HEX #97DDC5

RGB 151 221 197

HSL 159.43, 0.51%, 0.73%

LAB 83.09, -27, 4.81

 

CMYK 27 / 32 / 0 / 13

HEX #A297DD

RGB 162 151 221

HSL 249.43, 0.51%, 0.73%

LAB 65.78, 19.12, -34.14

 

CMYK 0 / 32 / 21 / 13

HEX #DD97AE

RGB 221 151 174

HSL 340.29, 0.51%, 0.73%

LAB 69.87, 29.5, -1.28

 

Description

Color code: HEX #D0DD95 | qconv.com Color code: HEX #D0DD95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 221 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 221 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 33 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 33% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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