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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0D893 it is the complementary color #2F276C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0D893. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0D893 shade: #D5D88E, #E6EAA1, #F7FCB4, #FFFFC7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0D893. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0D893 shade: #D0D893, #BFC680, #AEB46D, #9DA25A and #8C9047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0D893 shade: #CFD792, #D7CD92, #D7BA92, #D7A792 and #D79492

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0D893 shade: #CFD792, #BCD792, #AAD792, #97D792 and #92D79F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0D893 shade matches the following richer shades: #CFD792, #D8E386, #E2EF7A and #EBFB6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0D893 shade: #CFD792, #C6CB9E, #BDBFAA, #B4B3B6 and #AAA7C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0D893 shade: #D7B992, #D7CC92, #D0D792, #BED792 and #ABD792

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0D893 shade: #B5C155, #C2CC73, #CFD792, #DCE2B0 and #EAEDCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0D893 shade: #D0D893, #92D7A7 and #C292D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0D893 shade: #D0D893, #92D0D7 and #D792D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0D893 shade: #D0D893, #92D7A7, #9992D7 and #D792C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0D893 shade: #D0D893, #92D7BC, #9992D7 and #D792AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 32 / 15

HEX #D0D893

RGB 208 216 147

HSL 66.96, 0.47%, 0.71%

LAB 84.29, -13.54, 33.18

 

Complementary color

CMYK 56 / 64 / 0 / 58

HEX #2F276C

RGB 47 39 108

HSL 246.96, 0.47%, 0.29%

LAB 20.59, 24.56, -39.17

 

CMYK 1 / 0 / 34 / 15

HEX #D5D88E

RGB 213 216 142

HSL 62.43, 0.49%, 0.7%

LAB 84.59, -12.24, 36.2

 

CMYK 2 / 0 / 31 / 8

HEX #E6EAA1

RGB 230 234 161

HSL 63.29, 0.63%, 0.77%

LAB 90.89, -12.47, 35.09

 

CMYK 2 / 0 / 29 / 1

HEX #F7FCB4

RGB 247 252 180

HSL 64.17, 0.92%, 0.85%

LAB 97.1, -12.67, 34.02

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 4 / 0 / 32 / 15

HEX #D0D893

RGB 208 216 147

HSL 66.96, 0.47%, 0.71%

LAB 84.29, -13.54, 33.18

 

CMYK 4 / 0 / 35 / 22

HEX #BFC680

RGB 191 198 128

HSL 66, 0.38%, 0.64%

LAB 77.89, -13.34, 34.31

 

CMYK 3 / 0 / 39 / 29

HEX #AEB46D

RGB 174 180 109

HSL 65.07, 0.32%, 0.57%

LAB 71.38, -13.09, 35.49

 

CMYK 3 / 0 / 44 / 36

HEX #9DA25A

RGB 157 162 90

HSL 64.17, 0.29%, 0.49%

LAB 64.76, -12.78, 36.7

 

CMYK 3 / 0 / 51 / 44

HEX #8C9047

RGB 140 144 71

HSL 63.29, 0.34%, 0.42%

LAB 58.02, -12.38, 37.92

 

CMYK 4 / 0 / 32 / 16

HEX #CFD792

RGB 207 215 146

HSL 66.96, 0.46%, 0.71%

LAB 83.94, -13.54, 33.21

 

CMYK 0 / 5 / 32 / 16

HEX #D7CD92

RGB 215 205 146

HSL 51.3, 0.46%, 0.71%

LAB 81.94, -5.38, 30.68

 

CMYK 0 / 13 / 32 / 16

HEX #D7BA92

RGB 215 186 146

HSL 34.78, 0.46%, 0.71%

LAB 77.07, 4.55, 24.13

 

CMYK 0 / 22 / 32 / 16

HEX #D7A792

RGB 215 167 146

HSL 18.26, 0.46%, 0.71%

LAB 72.34, 14.72, 17.64

 

CMYK 0 / 31 / 32 / 16

HEX #D79492

RGB 215 148 146

HSL 1.74, 0.46%, 0.71%

LAB 67.8, 25, 11.29

 

CMYK 4 / 0 / 32 / 16

HEX #CFD792

RGB 207 215 146

HSL 66.96, 0.46%, 0.71%

LAB 83.94, -13.54, 33.21

 

CMYK 13 / 0 / 32 / 16

HEX #BCD792

RGB 188 215 146

HSL 83.48, 0.46%, 0.71%

LAB 82.58, -20.66, 31.16

 

CMYK 21 / 0 / 32 / 16

HEX #AAD792

RGB 170 215 146

HSL 99.13, 0.46%, 0.71%

LAB 81.41, -27.13, 29.41

 

CMYK 30 / 0 / 32 / 16

HEX #97D792

RGB 151 215 146

HSL 115.65, 0.46%, 0.71%

LAB 80.32, -33.59, 27.75

 

CMYK 32 / 0 / 26 / 16

HEX #92D79F

RGB 146 215 159

HSL 131.3, 0.46%, 0.71%

LAB 80.3, -33.01, 20.9

 

CMYK 4 / 0 / 32 / 16

HEX #CFD792

RGB 207 215 146

HSL 66.96, 0.46%, 0.71%

LAB 83.94, -13.54, 33.21

 

CMYK 5 / 0 / 41 / 11

HEX #D8E386

RGB 216 227 134

HSL 67.1, 0.62%, 0.71%

LAB 87.61, -17.46, 44.1

 

CMYK 5 / 0 / 49 / 6

HEX #E2EF7A

RGB 226 239 122

HSL 66.67, 0.79%, 0.71%

LAB 91.37, -20.63, 54.62

 

CMYK 6 / 0 / 56 / 2

HEX #EBFB6E

RGB 235 251 110

HSL 66.81, 0.95%, 0.71%

LAB 95.07, -23.86, 64.43

 

CMYK 4 / 0 / 32 / 16

HEX #CFD792

RGB 207 215 146

HSL 66.96, 0.46%, 0.71%

LAB 83.94, -13.54, 33.21

 

CMYK 2 / 0 / 22 / 20

HEX #C6CB9E

RGB 198 203 158

HSL 66.67, 0.3%, 0.71%

LAB 80.28, -9.21, 21.93

 

CMYK 1 / 0 / 11 / 25

HEX #BDBFAA

RGB 189 191 170

HSL 65.71, 0.14%, 0.71%

LAB 76.67, -4.4, 10.36

 

CMYK 1 / 2 / 0 / 29

HEX #B4B3B6

RGB 180 179 182

HSL 260, 0.02%, 0.71%

LAB 73.1, 0.92, -1.41

 

CMYK 12 / 14 / 0 / 24

HEX #AAA7C2

RGB 170 167 194

HSL 246.67, 0.18%, 0.71%

LAB 69.53, 6.47, -13.41

 

CMYK 0 / 14 / 32 / 16

HEX #D7B992

RGB 215 185 146

HSL 33.91, 0.46%, 0.71%

LAB 76.81, 5.08, 23.78

 

CMYK 0 / 5 / 32 / 16

HEX #D7CC92

RGB 215 204 146

HSL 50.43, 0.46%, 0.71%

LAB 81.68, -4.87, 30.33

 

CMYK 3 / 0 / 32 / 16

HEX #D0D792

RGB 208 215 146

HSL 66.09, 0.46%, 0.71%

LAB 84.01, -13.16, 33.32

 

CMYK 12 / 0 / 32 / 16

HEX #BED792

RGB 190 215 146

HSL 81.74, 0.46%, 0.71%

LAB 82.71, -19.92, 31.37

 

CMYK 20 / 0 / 32 / 16

HEX #ABD792

RGB 171 215 146

HSL 98.26, 0.46%, 0.71%

LAB 81.47, -26.78, 29.5

 

CMYK 6 / 0 / 56 / 24

HEX #B5C155

RGB 181 193 85

HSL 66.67, 0.47%, 0.55%

LAB 75.21, -19.2, 51.98

 

CMYK 5 / 0 / 44 / 20

HEX #C2CC73

RGB 194 204 115

HSL 66.74, 0.47%, 0.63%

LAB 79.55, -16.66, 43.04

 

CMYK 4 / 0 / 32 / 16

HEX #CFD792

RGB 207 215 146

HSL 66.96, 0.46%, 0.71%

LAB 83.94, -13.54, 33.21

 

CMYK 3 / 0 / 22 / 11

HEX #DCE2B0

RGB 220 226 176

HSL 67.2, 0.46%, 0.79%

LAB 88.32, -10.18, 23.83

 

CMYK 1 / 0 / 13 / 7

HEX #EAEDCE

RGB 234 237 206

HSL 65.81, 0.46%, 0.87%

LAB 92.8, -6.21, 14.69

 

CMYK 4 / 0 / 32 / 15

HEX #D0D893

RGB 208 216 147

HSL 66.96, 0.47%, 0.71%

LAB 84.29, -13.54, 33.18

 

CMYK 32 / 0 / 22 / 16

HEX #92D7A7

RGB 146 215 167

HSL 138.26, 0.46%, 0.71%

LAB 80.46, -31.56, 16.91

 

CMYK 10 / 32 / 0 / 16

HEX #C292D7

RGB 194 146 215

HSL 281.74, 0.46%, 0.71%

LAB 67.23, 30.36, -28.34

 

CMYK 4 / 0 / 32 / 15

HEX #D0D893

RGB 208 216 147

HSL 66.96, 0.47%, 0.71%

LAB 84.29, -13.54, 33.18

 

CMYK 32 / 3 / 0 / 16

HEX #92D0D7

RGB 146 208 215

HSL 186.09, 0.46%, 0.71%

LAB 79.69, -17.97, -9.8

 

CMYK 0 / 32 / 3 / 16

HEX #D792D0

RGB 215 146 208

HSL 306.09, 0.46%, 0.71%

LAB 69.15, 35.74, -21.32

 

CMYK 4 / 0 / 32 / 15

HEX #D0D893

RGB 208 216 147

HSL 66.96, 0.47%, 0.71%

LAB 84.29, -13.54, 33.18

 

CMYK 32 / 0 / 22 / 16

HEX #92D7A7

RGB 146 215 167

HSL 138.26, 0.46%, 0.71%

LAB 80.46, -31.56, 16.91

 

CMYK 29 / 32 / 0 / 16

HEX #9992D7

RGB 153 146 215

HSL 246.09, 0.46%, 0.71%

LAB 63.54, 17.86, -34.35

 

CMYK 0 / 32 / 10 / 16

HEX #D792C2

RGB 215 146 194

HSL 318.26, 0.46%, 0.71%

LAB 68.68, 33.29, -14.26

 

CMYK 4 / 0 / 32 / 15

HEX #D0D893

RGB 208 216 147

HSL 66.96, 0.47%, 0.71%

LAB 84.29, -13.54, 33.18

 

CMYK 32 / 0 / 13 / 16

HEX #92D7BC

RGB 146 215 188

HSL 156.52, 0.46%, 0.71%

LAB 80.93, -27.43, 6.45

 

CMYK 29 / 32 / 0 / 16

HEX #9992D7

RGB 153 146 215

HSL 246.09, 0.46%, 0.71%

LAB 63.54, 17.86, -34.35

 

CMYK 0 / 32 / 19 / 16

HEX #D792AE

RGB 215 146 174

HSL 335.65, 0.46%, 0.71%

LAB 68.07, 30.05, -4

 

Description

Color code: HEX #D0D893 | qconv.com Color code: HEX #D0D893 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 216 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 216 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 32 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 32% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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