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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0A0D4 it is the complementary color #2F5F2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0A0D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0A0D4 shade: #D5A0CF, #E6B2E2, #F7C4F5, #FFD6FF and #FFE8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0A0D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0A0D4 shade: #D0A0D4, #BF8EC1, #AE7CAE, #9D6A9B and #8C5888

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0A0D4 shade: #D09FD4, #D49FCA, #D49FBC, #D49FAE and #D49F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0A0D4 shade: #D09FD4, #C29FD4, #B49FD4, #A59FD4 and #9F9FD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0A0D4 shade matches the following richer shades: #D09FD4, #D994DF, #E389EA and #EC7EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0A0D4 shade: #D09FD4, #C6ABC9, #BDB6BE, #B4C1B2 and #AACCA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0A0D4 shade: #B49FD4, #C19FD4, #CF9FD4, #D49FCA and #D49FBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0A0D4 shade: #B467BA, #C283C7, #D09FD4, #DEBCE1 and #ECD8ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0A0D4 shade: #D0A0D4, #D4A69F and #9FD4BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0A0D4 shade: #D0A0D4, #D4CF9F and #9FD4CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0A0D4 shade: #D0A0D4, #D4A69F, #A4D49F and #9FCED4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0A0D4 shade: #D0A0D4, #D4B59F, #A4D49F and #9FBED4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 25 / 0 / 17

HEX #D0A0D4

RGB 208 160 212

HSL 295.38, 0.38%, 0.73%

LAB 71.76, 26.6, -19.63

 

Complementary color

CMYK 51 / 0 / 55 / 63

HEX #2F5F2B

RGB 47 95 43

HSL 115.38, 0.38%, 0.27%

LAB 35.91, -28.05, 24.64

 

CMYK 0 / 25 / 3 / 16

HEX #D5A0CF

RGB 213 160 207

HSL 306.79, 0.39%, 0.73%

LAB 72.09, 27.33, -16.33

 

CMYK 0 / 23 / 2 / 10

HEX #E6B2E2

RGB 230 178 226

HSL 304.62, 0.51%, 0.8%

LAB 78.55, 26.73, -16.79

 

CMYK 0 / 21 / 1 / 3

HEX #F7C4F5

RGB 247 196 245

HSL 302.35, 0.76%, 0.87%

LAB 84.92, 26.18, -17.22

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 2 / 25 / 0 / 17

HEX #D0A0D4

RGB 208 160 212

HSL 295.38, 0.38%, 0.73%

LAB 71.76, 26.6, -19.63

 

CMYK 1 / 26 / 0 / 24

HEX #BF8EC1

RGB 191 142 193

HSL 297.65, 0.29%, 0.66%

LAB 65.18, 27.22, -19.24

 

CMYK 0 / 29 / 0 / 32

HEX #AE7CAE

RGB 174 124 174

HSL 300, 0.24%, 0.58%

LAB 58.48, 27.89, -18.83

 

CMYK 0 / 32 / 1 / 38

HEX #9D6A9B

RGB 157 106 155

HSL 302.35, 0.21%, 0.52%

LAB 51.66, 28.62, -18.4

 

CMYK 0 / 37 / 3 / 45

HEX #8C5888

RGB 140 88 136

HSL 304.62, 0.23%, 0.45%

LAB 44.71, 29.4, -17.92

 

CMYK 2 / 25 / 0 / 17

HEX #D09FD4

RGB 208 159 212

HSL 295.47, 0.38%, 0.73%

LAB 71.53, 27.14, -19.98

 

CMYK 0 / 25 / 5 / 17

HEX #D49FCA

RGB 212 159 202

HSL 311.32, 0.38%, 0.73%

LAB 71.59, 26.63, -14.34

 

CMYK 0 / 25 / 11 / 17

HEX #D49FBC

RGB 212 159 188

HSL 327.17, 0.38%, 0.73%

LAB 71.16, 24.2, -7.25

 

CMYK 0 / 25 / 18 / 17

HEX #D49FAE

RGB 212 159 174

HSL 343.02, 0.38%, 0.73%

LAB 70.77, 21.92, -0.07

 

CMYK 0 / 25 / 25 / 17

HEX #D49F9F

RGB 212 159 159

HSL 0, 0.38%, 0.73%

LAB 70.38, 19.67, 7.68

 

CMYK 2 / 25 / 0 / 17

HEX #D09FD4

RGB 208 159 212

HSL 295.47, 0.38%, 0.73%

LAB 71.53, 27.14, -19.98

 

CMYK 8 / 25 / 0 / 17

HEX #C29FD4

RGB 194 159 212

HSL 279.62, 0.38%, 0.73%

LAB 70.19, 22.56, -22.14

 

CMYK 15 / 25 / 0 / 17

HEX #B49FD4

RGB 180 159 212

HSL 263.77, 0.38%, 0.73%

LAB 68.93, 18.05, -24.17

 

CMYK 22 / 25 / 0 / 17

HEX #A59FD4

RGB 165 159 212

HSL 246.79, 0.38%, 0.73%

LAB 67.69, 13.35, -26.19

 

CMYK 25 / 25 / 0 / 17

HEX #9F9FD4

RGB 159 159 212

HSL 240, 0.38%, 0.73%

LAB 67.22, 11.51, -26.95

 

CMYK 2 / 25 / 0 / 17

HEX #D09FD4

RGB 208 159 212

HSL 295.47, 0.38%, 0.73%

LAB 71.53, 27.14, -19.98

 

CMYK 3 / 34 / 0 / 13

HEX #D994DF

RGB 217 148 223

HSL 295.2, 0.54%, 0.73%

LAB 70.36, 38.08, -27.74

 

CMYK 3 / 41 / 0 / 8

HEX #E389EA

RGB 227 137 234

HSL 295.67, 0.7%, 0.73%

LAB 69.59, 48.95, -34.9

 

CMYK 4 / 49 / 0 / 4

HEX #EC7EF5

RGB 236 126 245

HSL 295.46, 0.86%, 0.73%

LAB 69, 59.01, -41.76

 

CMYK 2 / 25 / 0 / 17

HEX #D09FD4

RGB 208 159 212

HSL 295.47, 0.38%, 0.73%

LAB 71.53, 27.14, -19.98

 

CMYK 1 / 15 / 0 / 21

HEX #C6ABC9

RGB 198 171 201

HSL 294, 0.22%, 0.73%

LAB 73.12, 15.12, -11.63

 

CMYK 1 / 4 / 0 / 25

HEX #BDB6BE

RGB 189 182 190

HSL 292.5, 0.06%, 0.73%

LAB 74.82, 3.95, -3.18

 

CMYK 7 / 0 / 8 / 24

HEX #B4C1B2

RGB 180 193 178

HSL 112, 0.11%, 0.73%

LAB 76.71, -7.27, 6.01

 

CMYK 17 / 0 / 18 / 20

HEX #AACCA7

RGB 170 204 167

HSL 115.14, 0.27%, 0.73%

LAB 78.77, -18.35, 14.74

 

CMYK 15 / 25 / 0 / 17

HEX #B49FD4

RGB 180 159 212

HSL 263.77, 0.38%, 0.73%

LAB 68.93, 18.05, -24.17

 

CMYK 9 / 25 / 0 / 17

HEX #C19FD4

RGB 193 159 212

HSL 278.49, 0.38%, 0.73%

LAB 70.1, 22.23, -22.29

 

CMYK 2 / 25 / 0 / 17

HEX #CF9FD4

RGB 207 159 212

HSL 294.34, 0.38%, 0.73%

LAB 71.43, 26.81, -20.14

 

CMYK 0 / 25 / 5 / 17

HEX #D49FCA

RGB 212 159 202

HSL 311.32, 0.38%, 0.73%

LAB 71.59, 26.63, -14.34

 

CMYK 0 / 25 / 11 / 17

HEX #D49FBC

RGB 212 159 188

HSL 327.17, 0.38%, 0.73%

LAB 71.16, 24.2, -7.25

 

CMYK 3 / 45 / 0 / 27

HEX #B467BA

RGB 180 103 186

HSL 295.66, 0.38%, 0.57%

LAB 55.02, 43.65, -30.99

 

CMYK 3 / 34 / 0 / 22

HEX #C283C7

RGB 194 131 199

HSL 295.59, 0.38%, 0.65%

LAB 63.2, 35.41, -25.61

 

CMYK 2 / 25 / 0 / 17

HEX #D09FD4

RGB 208 159 212

HSL 295.47, 0.38%, 0.73%

LAB 71.53, 27.14, -19.98

 

CMYK 1 / 16 / 0 / 12

HEX #DEBCE1

RGB 222 188 225

HSL 295.14, 0.38%, 0.81%

LAB 80.14, 18.52, -13.93

 

CMYK 0 / 9 / 0 / 7

HEX #ECD8ED

RGB 236 216 237

HSL 297.14, 0.37%, 0.89%

LAB 88.48, 10.55, -7.77

 

CMYK 2 / 25 / 0 / 17

HEX #D0A0D4

RGB 208 160 212

HSL 295.38, 0.38%, 0.73%

LAB 71.76, 26.6, -19.63

 

CMYK 0 / 22 / 25 / 17

HEX #D4A69F

RGB 212 166 159

HSL 7.92, 0.38%, 0.73%

LAB 72.08, 15.88, 10.1

 

CMYK 25 / 0 / 12 / 17

HEX #9FD4BB

RGB 159 212 187

HSL 151.7, 0.38%, 0.73%

LAB 80.76, -22.23, 6.83

 

CMYK 2 / 25 / 0 / 17

HEX #D0A0D4

RGB 208 160 212

HSL 295.38, 0.38%, 0.73%

LAB 71.76, 26.6, -19.63

 

CMYK 0 / 2 / 25 / 17

HEX #D4CF9F

RGB 212 207 159

HSL 54.34, 0.38%, 0.73%

LAB 82.45, -5.87, 24.54

 

CMYK 25 / 0 / 2 / 17

HEX #9FD4CF

RGB 159 212 207

HSL 174.34, 0.38%, 0.73%

LAB 81.27, -18.07, -3.1

 

CMYK 2 / 25 / 0 / 17

HEX #D0A0D4

RGB 208 160 212

HSL 295.38, 0.38%, 0.73%

LAB 71.76, 26.6, -19.63

 

CMYK 0 / 22 / 25 / 17

HEX #D4A69F

RGB 212 166 159

HSL 7.92, 0.38%, 0.73%

LAB 72.08, 15.88, 10.1

 

CMYK 23 / 0 / 25 / 17

HEX #A4D49F

RGB 164 212 159

HSL 114.34, 0.38%, 0.73%

LAB 80.45, -25.72, 21.26

 

CMYK 25 / 3 / 0 / 17

HEX #9FCED4

RGB 159 206 212

HSL 186.79, 0.38%, 0.73%

LAB 79.77, -13.91, -8

 

CMYK 2 / 25 / 0 / 17

HEX #D0A0D4

RGB 208 160 212

HSL 295.38, 0.38%, 0.73%

LAB 71.76, 26.6, -19.63

 

CMYK 0 / 15 / 25 / 17

HEX #D4B59F

RGB 212 181 159

HSL 24.91, 0.38%, 0.73%

LAB 75.79, 7.8, 15.34

 

CMYK 23 / 0 / 25 / 17

HEX #A4D49F

RGB 164 212 159

HSL 114.34, 0.38%, 0.73%

LAB 80.45, -25.72, 21.26

 

CMYK 25 / 10 / 0 / 17

HEX #9FBED4

RGB 159 190 212

HSL 204.91, 0.38%, 0.73%

LAB 75.42, -5.53, -14.48

 

Description

Color code: HEX #D0A0D4 | qconv.com Color code: HEX #D0A0D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 160 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 160 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 25 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 25% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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