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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D08234 it is the complementary color #2F7DCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D08234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D08234 shade: #D5822F, #E69442, #F7A655, #FFB868 and #FFCA7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D08234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D08234 shade: #D08234, #BF7021, #AE5E0E, #9D4C00 and #8C3A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D08234 shade: #CF8234, #CF5834 and #CF3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D08234 shade: #CF8234, #CFAB34, #C9CF34, #9FCF34 and #75CF34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D08234 shade matches the following richer shades: #CF8234, #E38220 and #F7820C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D08234 shade: #CF8234, #BB8248, #A7825D, #928271 and #7E8285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D08234 shade: #CF3439, #CF5834, #CF8234, #CFAB34 and #CACF34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D08234 shade: #8F5821, #B16D29, #CF8234, #D79656 and #DFAB77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D08234 shade: #D08234, #63CF34 and #4434CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D08234 shade: #D08234, #34CF82 and #8234CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D08234 shade: #D08234, #63CF34, #3482CF and #A134CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D08234 shade: #D08234, #34CF34, #3482CF and #CF34CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 75 / 18

HEX #D08234

RGB 208 130 52

HSL 30, 0.62%, 0.51%

LAB 61.33, 23.75, 52.66

 

Complementary color

CMYK 77 / 38 / 0 / 20

HEX #2F7DCB

RGB 47 125 203

HSL 210, 0.62%, 0.49%

LAB 51.36, 3.45, -47.15

 

CMYK 0 / 39 / 78 / 16

HEX #D5822F

RGB 213 130 47

HSL 30, 0.66%, 0.51%

LAB 61.93, 25.66, 55.61

 

CMYK 0 / 36 / 71 / 10

HEX #E69442

RGB 230 148 66

HSL 30, 0.77%, 0.58%

LAB 68.31, 23.98, 54.43

 

CMYK 0 / 33 / 66 / 3

HEX #F7A655

RGB 247 166 85

HSL 30, 0.91%, 0.65%

LAB 74.64, 22.5, 53.03

 

CMYK 0 / 28 / 59 / 0

HEX #FFB868

RGB 255 184 104

HSL 31.79, 1%, 0.7%

LAB 79.92, 17.55, 50.19

 

CMYK 0 / 21 / 52 / 0

HEX #FFCA7B

RGB 255 202 123

HSL 35.91, 1%, 0.74%

LAB 84.45, 9.65, 46.31

 

CMYK 0 / 38 / 75 / 18

HEX #D08234

RGB 208 130 52

HSL 30, 0.62%, 0.51%

LAB 61.33, 23.75, 52.66

 

CMYK 0 / 41 / 83 / 25

HEX #BF7021

RGB 191 112 33

HSL 30, 0.71%, 0.44%

LAB 54.84, 25.58, 53.6

 

CMYK 0 / 46 / 92 / 32

HEX #AE5E0E

RGB 174 94 14

HSL 30, 0.85%, 0.37%

LAB 48.31, 27.65, 53.51

 

CMYK 0 / 52 / 100 / 38

HEX #9D4C00

RGB 157 76 0

HSL 29.04, 1%, 0.31%

LAB 41.75, 29.95, 51.49

 

CMYK 0 / 59 / 100 / 45

HEX #8C3A00

RGB 140 58 0

HSL 24.86, 1%, 0.27%

LAB 35.21, 32.39, 46.26

 

CMYK 0 / 37 / 75 / 19

HEX #CF8234

RGB 207 130 52

HSL 30.19, 0.62%, 0.51%

LAB 61.2, 23.33, 52.5

 

CMYK 0 / 57 / 75 / 19

HEX #CF5834

RGB 207 88 52

HSL 13.94, 0.62%, 0.51%

LAB 52.39, 45.05, 43.4

 

CMYK 0 / 75 / 75 / 19

HEX #CF3434

RGB 207 52 52

HSL 0, 0.62%, 0.51%

LAB 46.93, 59.75, 37.48

 

CMYK 0 / 37 / 75 / 19

HEX #CF8234

RGB 207 130 52

HSL 30.19, 0.62%, 0.51%

LAB 61.2, 23.33, 52.5

 

CMYK 0 / 17 / 75 / 19

HEX #CFAB34

RGB 207 171 52

HSL 46.06, 0.62%, 0.51%

LAB 71.31, 1.2, 62.38

 

CMYK 3 / 0 / 75 / 19

HEX #C9CF34

RGB 201 207 52

HSL 62.32, 0.62%, 0.51%

LAB 80.34, -19.83, 70.68

 

CMYK 23 / 0 / 75 / 19

HEX #9FCF34

RGB 159 207 52

HSL 78.58, 0.62%, 0.51%

LAB 77.43, -36.86, 66.9

 

CMYK 43 / 0 / 75 / 19

HEX #75CF34

RGB 117 207 52

HSL 94.84, 0.62%, 0.51%

LAB 75.24, -51.81, 64.03

 

CMYK 0 / 37 / 75 / 19

HEX #CF8234

RGB 207 130 52

HSL 30.19, 0.62%, 0.51%

LAB 61.2, 23.33, 52.5

 

CMYK 0 / 43 / 86 / 11

HEX #E38220

RGB 227 130 32

HSL 30.15, 0.78%, 0.51%

LAB 63.67, 31.03, 63.36

 

CMYK 0 / 47 / 95 / 3

HEX #F7820C

RGB 247 130 12

HSL 30.13, 0.94%, 0.51%

LAB 66.34, 38.8, 71.29

 

CMYK 0 / 37 / 75 / 19

HEX #CF8234

RGB 207 130 52

HSL 30.19, 0.62%, 0.51%

LAB 61.2, 23.33, 52.5

 

CMYK 0 / 30 / 61 / 27

HEX #BB8248

RGB 187 130 72

HSL 30.26, 0.46%, 0.51%

LAB 58.97, 15.93, 39.7

 

CMYK 0 / 22 / 44 / 35

HEX #A7825D

RGB 167 130 93

HSL 30, 0.3%, 0.51%

LAB 57.05, 9.28, 25.45

 

CMYK 0 / 11 / 23 / 43

HEX #928271

RGB 146 130 113

HSL 30.91, 0.13%, 0.51%

LAB 55.35, 3.22, 11.43

 

CMYK 5 / 2 / 0 / 48

HEX #7E8285

RGB 126 130 133

HSL 205.71, 0.03%, 0.51%

LAB 54.13, -0.86, -2.14

 

CMYK 0 / 75 / 72 / 19

HEX #CF3439

RGB 207 52 57

HSL 358.06, 0.62%, 0.51%

LAB 47, 59.96, 34.67

 

CMYK 0 / 57 / 75 / 19

HEX #CF5834

RGB 207 88 52

HSL 13.94, 0.62%, 0.51%

LAB 52.39, 45.05, 43.4

 

CMYK 0 / 37 / 75 / 19

HEX #CF8234

RGB 207 130 52

HSL 30.19, 0.62%, 0.51%

LAB 61.2, 23.33, 52.5

 

CMYK 0 / 17 / 75 / 19

HEX #CFAB34

RGB 207 171 52

HSL 46.06, 0.62%, 0.51%

LAB 71.31, 1.2, 62.38

 

CMYK 2 / 0 / 75 / 19

HEX #CACF34

RGB 202 207 52

HSL 61.94, 0.62%, 0.51%

LAB 80.42, -19.41, 70.78

 

CMYK 0 / 38 / 77 / 44

HEX #8F5821

RGB 143 88 33

HSL 30, 0.63%, 0.35%

LAB 42.66, 17.93, 39.81

 

CMYK 0 / 38 / 77 / 31

HEX #B16D29

RGB 177 109 41

HSL 30, 0.62%, 0.43%

LAB 52.34, 21.48, 47.27

 

CMYK 0 / 37 / 75 / 19

HEX #CF8234

RGB 207 130 52

HSL 30.19, 0.62%, 0.51%

LAB 61.2, 23.33, 52.5

 

CMYK 0 / 30 / 60 / 16

HEX #D79656

RGB 215 150 86

HSL 29.77, 0.62%, 0.59%

LAB 67.23, 17.86, 43.05

 

CMYK 0 / 23 / 47 / 13

HEX #DFAB77

RGB 223 171 119

HSL 30, 0.62%, 0.67%

LAB 73.64, 12.69, 34.05

 

CMYK 0 / 38 / 75 / 18

HEX #D08234

RGB 208 130 52

HSL 30, 0.62%, 0.51%

LAB 61.33, 23.75, 52.66

 

CMYK 52 / 0 / 75 / 19

HEX #63CF34

RGB 99 207 52

HSL 101.81, 0.62%, 0.51%

LAB 74.53, -57.19, 63.09

 

CMYK 67 / 75 / 0 / 19

HEX #4434CF

RGB 68 52 207

HSL 246.19, 0.62%, 0.51%

LAB 34.38, 52.31, -76.96

 

CMYK 0 / 38 / 75 / 18

HEX #D08234

RGB 208 130 52

HSL 30, 0.62%, 0.51%

LAB 61.33, 23.75, 52.66

 

CMYK 75 / 0 / 37 / 19

HEX #34CF82

RGB 52 207 130

HSL 150.19, 0.62%, 0.51%

LAB 74.17, -56.93, 27.2

 

CMYK 37 / 75 / 0 / 19

HEX #8234CF

RGB 130 52 207

HSL 270.19, 0.62%, 0.51%

LAB 40.75, 60.98, -66.26

 

CMYK 0 / 38 / 75 / 18

HEX #D08234

RGB 208 130 52

HSL 30, 0.62%, 0.51%

LAB 61.33, 23.75, 52.66

 

CMYK 52 / 0 / 75 / 19

HEX #63CF34

RGB 99 207 52

HSL 101.81, 0.62%, 0.51%

LAB 74.53, -57.19, 63.09

 

CMYK 75 / 37 / 0 / 19

HEX #3482CF

RGB 52 130 207

HSL 209.81, 0.62%, 0.51%

LAB 53.17, 2.5, -46.55

 

CMYK 22 / 75 / 0 / 19

HEX #A134CF

RGB 161 52 207

HSL 282.19, 0.62%, 0.51%

LAB 44.99, 66.54, -59.17

 

CMYK 0 / 38 / 75 / 18

HEX #D08234

RGB 208 130 52

HSL 30, 0.62%, 0.51%

LAB 61.33, 23.75, 52.66

 

CMYK 75 / 0 / 75 / 19

HEX #34CF34

RGB 52 207 52

HSL 120, 0.62%, 0.51%

LAB 73.29, -67.31, 61.46

 

CMYK 75 / 37 / 0 / 19

HEX #3482CF

RGB 52 130 207

HSL 209.81, 0.62%, 0.51%

LAB 53.17, 2.5, -46.55

 

CMYK 0 / 75 / 0 / 19

HEX #CF34CF

RGB 207 52 207

HSL 300, 0.62%, 0.51%

LAB 52.09, 75.56, -47.4

 

Description

Color code: HEX #D08234 | qconv.com Color code: HEX #D08234 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 130 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 130 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 75 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 75% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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