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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D07CF4 it is the complementary color #2F830B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D07CF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D07CF4 shade: #D57CEF, #E68EFF, #F7A0FF, #FFB2FF and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D07CF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D07CF4 shade: #D07CF4, #BF6AE1, #AE58CE, #9D46BB and #8C34A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D07CF4 shade: #CF7AF4, #F07AF4, #F47AD7, #F47AB6 and #F47A95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D07CF4 shade: #CF7AF4, #AF7AF4, #8E7AF4 and #7A7AF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D07CF4 shade matches the following richer shades: #CF7AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D07CF4 shade: #CF7AF4, #CB86E8, #C692DD, #C29DD1 and #BDA9C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D07CF4 shade: #8F7AF4, #AF7AF4, #CF7AF4, #F07AF4 and #F47AD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D07CF4 shade: #B42EEE, #C254F1, #CF7AF4, #DDA1F7 and #EBC7FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D07CF4 shade: #D07CF4, #F47A87 and #7AF49F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D07CF4 shade: #D07CF4, #F4CF7A and #7AF4CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D07CF4 shade: #D07CF4, #F47A87, #9FF47A and #7AF4E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D07CF4 shade: #D07CF4, #F4937A, #9FF47A and #7ADCF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 49 / 0 / 4

HEX #D07CF4

RGB 208 124 244

HSL 282, 0.85%, 0.72%

LAB 65.24, 52.22, -47.35

 

Complementary color

CMYK 64 / 0 / 92 / 49

HEX #2F830B

RGB 47 131 11

HSL 102, 0.85%, 0.28%

LAB 48.08, -45.42, 49.56

 

CMYK 11 / 48 / 0 / 6

HEX #D57CEF

RGB 213 124 239

HSL 286.43, 0.78%, 0.71%

LAB 65.59, 52.57, -44.01

 

CMYK 10 / 44 / 0 / 0

HEX #E68EFF

RGB 230 142 255

HSL 286.73, 1%, 0.78%

LAB 71.82, 51.24, -42.87

 

CMYK 3 / 37 / 0 / 0

HEX #F7A0FF

RGB 247 160 255

HSL 294.95, 1%, 0.81%

LAB 77.36, 46.9, -34.11

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 15 / 49 / 0 / 4

HEX #D07CF4

RGB 208 124 244

HSL 282, 0.85%, 0.72%

LAB 65.24, 52.22, -47.35

 

CMYK 15 / 53 / 0 / 12

HEX #BF6AE1

RGB 191 106 225

HSL 282.86, 0.66%, 0.65%

LAB 58.81, 52.96, -47.09

 

CMYK 16 / 57 / 0 / 19

HEX #AE58CE

RGB 174 88 206

HSL 283.73, 0.55%, 0.58%

LAB 52.32, 53.64, -46.75

 

CMYK 16 / 63 / 0 / 27

HEX #9D46BB

RGB 157 70 187

HSL 284.62, 0.46%, 0.5%

LAB 45.82, 54.17, -46.27

 

CMYK 17 / 69 / 0 / 34

HEX #8C34A8

RGB 140 52 168

HSL 285.52, 0.53%, 0.43%

LAB 39.34, 54.38, -45.56

 

CMYK 15 / 50 / 0 / 4

HEX #CF7AF4

RGB 207 122 244

HSL 281.8, 0.85%, 0.72%

LAB 64.74, 52.97, -48.16

 

CMYK 2 / 50 / 0 / 4

HEX #F07AF4

RGB 240 122 244

HSL 298.03, 0.85%, 0.72%

LAB 68.73, 61.83, -41.6

 

CMYK 0 / 50 / 12 / 4

HEX #F47AD7

RGB 244 122 215

HSL 314.26, 0.85%, 0.72%

LAB 68.06, 58.15, -26.57

 

CMYK 0 / 50 / 25 / 4

HEX #F47AB6

RGB 244 122 182

HSL 330.49, 0.85%, 0.72%

LAB 66.92, 53.37, -9.8

 

CMYK 0 / 50 / 39 / 4

HEX #F47A95

RGB 244 122 149

HSL 346.72, 0.85%, 0.72%

LAB 66, 49.36, 7.53

 

CMYK 15 / 50 / 0 / 4

HEX #CF7AF4

RGB 207 122 244

HSL 281.8, 0.85%, 0.72%

LAB 64.74, 52.97, -48.16

 

CMYK 28 / 50 / 0 / 4

HEX #AF7AF4

RGB 175 122 244

HSL 266.07, 0.85%, 0.72%

LAB 61.28, 44.6, -53.86

 

CMYK 42 / 50 / 0 / 4

HEX #8E7AF4

RGB 142 122 244

HSL 249.84, 0.85%, 0.72%

LAB 58.23, 36.53, -58.9

 

CMYK 50 / 50 / 0 / 4

HEX #7A7AF4

RGB 122 122 244

HSL 240, 0.85%, 0.72%

LAB 56.67, 32.09, -61.48

 

CMYK 15 / 50 / 0 / 4

HEX #CF7AF4

RGB 207 122 244

HSL 281.8, 0.85%, 0.72%

LAB 64.74, 52.97, -48.16

 

CMYK 15 / 50 / 0 / 4

HEX #CF7AF4

RGB 207 122 244

HSL 281.8, 0.85%, 0.72%

LAB 64.74, 52.97, -48.16

 

CMYK 13 / 42 / 0 / 9

HEX #CB86E8

RGB 203 134 232

HSL 282.24, 0.68%, 0.72%

LAB 66.19, 43.12, -39.28

 

CMYK 10 / 34 / 0 / 13

HEX #C692DD

RGB 198 146 221

HSL 281.6, 0.52%, 0.72%

LAB 67.86, 32.85, -30.65

 

CMYK 7 / 25 / 0 / 18

HEX #C29DD1

RGB 194 157 209

HSL 282.69, 0.36%, 0.72%

LAB 69.6, 23.06, -21.38

 

CMYK 5 / 15 / 0 / 22

HEX #BDA9C6

RGB 189 169 198

HSL 281.38, 0.2%, 0.72%

LAB 71.74, 12.57, -12.13

 

CMYK 41 / 50 / 0 / 4

HEX #8F7AF4

RGB 143 122 244

HSL 250.33, 0.85%, 0.72%

LAB 58.31, 36.76, -58.76

 

CMYK 28 / 50 / 0 / 4

HEX #AF7AF4

RGB 175 122 244

HSL 266.07, 0.85%, 0.72%

LAB 61.28, 44.6, -53.86

 

CMYK 15 / 50 / 0 / 4

HEX #CF7AF4

RGB 207 122 244

HSL 281.8, 0.85%, 0.72%

LAB 64.74, 52.97, -48.16

 

CMYK 2 / 50 / 0 / 4

HEX #F07AF4

RGB 240 122 244

HSL 298.03, 0.85%, 0.72%

LAB 68.73, 61.83, -41.6

 

CMYK 0 / 50 / 12 / 4

HEX #F47AD7

RGB 244 122 215

HSL 314.26, 0.85%, 0.72%

LAB 68.06, 58.15, -26.57

 

CMYK 24 / 81 / 0 / 7

HEX #B42EEE

RGB 180 46 238

HSL 281.88, 0.85%, 0.56%

LAB 49.29, 77.75, -69.74

 

CMYK 20 / 65 / 0 / 5

HEX #C254F1

RGB 194 84 241

HSL 282.04, 0.85%, 0.64%

LAB 56.25, 67.28, -60.1

 

CMYK 15 / 50 / 0 / 4

HEX #CF7AF4

RGB 207 122 244

HSL 281.8, 0.85%, 0.72%

LAB 64.74, 52.97, -48.16

 

CMYK 11 / 35 / 0 / 3

HEX #DDA1F7

RGB 221 161 247

HSL 281.86, 0.84%, 0.8%

LAB 74.56, 37.03, -34.34

 

CMYK 6 / 20 / 0 / 2

HEX #EBC7FA

RGB 235 199 250

HSL 282.35, 0.84%, 0.88%

LAB 84.7, 21.64, -20.32

 

CMYK 15 / 49 / 0 / 4

HEX #D07CF4

RGB 208 124 244

HSL 282, 0.85%, 0.72%

LAB 65.24, 52.22, -47.35

 

CMYK 0 / 50 / 45 / 4

HEX #F47A87

RGB 244 122 135

HSL 353.61, 0.85%, 0.72%

LAB 65.67, 47.9, 15.02

 

CMYK 50 / 0 / 35 / 4

HEX #7AF49F

RGB 122 244 159

HSL 138.2, 0.85%, 0.72%

LAB 87.65, -52.41, 30.72

 

CMYK 15 / 49 / 0 / 4

HEX #D07CF4

RGB 208 124 244

HSL 282, 0.85%, 0.72%

LAB 65.24, 52.22, -47.35

 

CMYK 0 / 15 / 50 / 4

HEX #F4CF7A

RGB 244 207 122

HSL 41.8, 0.85%, 0.72%

LAB 84.62, 2.55, 46.78

 

CMYK 50 / 0 / 15 / 4

HEX #7AF4CF

RGB 122 244 207

HSL 161.8, 0.85%, 0.72%

LAB 88.61, -42.92, 7.37

 

CMYK 15 / 49 / 0 / 4

HEX #D07CF4

RGB 208 124 244

HSL 282, 0.85%, 0.72%

LAB 65.24, 52.22, -47.35

 

CMYK 0 / 50 / 45 / 4

HEX #F47A87

RGB 244 122 135

HSL 353.61, 0.85%, 0.72%

LAB 65.67, 47.9, 15.02

 

CMYK 35 / 0 / 50 / 4

HEX #9FF47A

RGB 159 244 122

HSL 101.8, 0.85%, 0.72%

LAB 88.67, -47.12, 50.4

 

CMYK 50 / 0 / 5 / 4

HEX #7AF4E8

RGB 122 244 232

HSL 174.1, 0.85%, 0.72%

LAB 89.24, -37.09, -4.76

 

CMYK 15 / 49 / 0 / 4

HEX #D07CF4

RGB 208 124 244

HSL 282, 0.85%, 0.72%

LAB 65.24, 52.22, -47.35

 

CMYK 0 / 40 / 50 / 4

HEX #F4937A

RGB 244 147 122

HSL 12.3, 0.85%, 0.72%

LAB 70.53, 34.01, 28.84

 

CMYK 35 / 0 / 50 / 4

HEX #9FF47A

RGB 159 244 122

HSL 101.8, 0.85%, 0.72%

LAB 88.67, -47.12, 50.4

 

CMYK 50 / 10 / 0 / 4

HEX #7ADCF4

RGB 122 220 244

HSL 191.8, 0.85%, 0.72%

LAB 82.84, -22.53, -20.63

 

Description

Color code: HEX #D07CF4 | qconv.com Color code: HEX #D07CF4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 124 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 124 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 49 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 49% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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