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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D06291 it is the complementary color #2F9D6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D06291. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D06291 shade: #D5628C, #E6749F, #F786B2, #FF98C5 and #FFAAD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D06291. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D06291 shade: #D06291, #BF507E, #AE3E6B, #9D2C58 and #8C1A45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D06291 shade: #D06190, #D06173 and #D06161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D06291 shade: #D06190, #D061AE, #D061CC, #B661D0 and #9861D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D06291 shade matches the following richer shades: #D06190, #E0518E and #F1408C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D06291 shade: #D06190, #BF7293, #AF8295, #9E9398 and #8EA39A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D06291 shade: #D061CC, #D061AF, #D06191, #D06174 and #D06C61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D06291 shade: #AC3366, #C6427A, #D06190, #D981A7 and #E3A1BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D06291 shade: #D06291, #D0B661 and #61BDD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D06291 shade: #D06291, #91D061 and #6191D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D06291 shade: #D06291, #D0B661, #61D0A0 and #617BD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D06291 shade: #D06291, #C8D061, #61D0A0 and #6961D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 30 / 18

HEX #D06291

RGB 208 98 145

HSL 334.36, 0.54%, 0.6%

LAB 56.28, 48.51, -4.93

 

Complementary color

CMYK 70 / 0 / 30 / 38

HEX #2F9D6E

RGB 47 157 110

HSL 154.36, 0.54%, 0.4%

LAB 57.89, -42.16, 15.84

 

CMYK 0 / 54 / 34 / 16

HEX #D5628C

RGB 213 98 140

HSL 338.09, 0.58%, 0.61%

LAB 56.86, 49.54, -1.06

 

CMYK 0 / 50 / 31 / 10

HEX #E6749F

RGB 230 116 159

HSL 337.37, 0.7%, 0.68%

LAB 63.19, 48.75, -2.48

 

CMYK 0 / 46 / 28 / 3

HEX #F786B2

RGB 247 134 178

HSL 336.64, 0.88%, 0.75%

LAB 69.5, 47.93, -3.69

 

CMYK 0 / 40 / 23 / 0

HEX #FF98C5

RGB 255 152 197

HSL 333.79, 1%, 0.8%

LAB 74.67, 44.1, -6.5

 

CMYK 0 / 33 / 15 / 0

HEX #FFAAD8

RGB 255 170 216

HSL 327.53, 1%, 0.83%

LAB 79.02, 37.63, -10.4

 

CMYK 0 / 53 / 30 / 18

HEX #D06291

RGB 208 98 145

HSL 334.36, 0.54%, 0.6%

LAB 56.28, 48.51, -4.93

 

CMYK 0 / 58 / 34 / 25

HEX #BF507E

RGB 191 80 126

HSL 335.14, 0.46%, 0.53%

LAB 49.88, 49.19, -3.4

 

CMYK 0 / 64 / 39 / 32

HEX #AE3E6B

RGB 174 62 107

HSL 335.89, 0.47%, 0.46%

LAB 43.52, 49.68, -1.51

 

CMYK 0 / 72 / 44 / 38

HEX #9D2C58

RGB 157 44 88

HSL 336.64, 0.56%, 0.39%

LAB 37.25, 49.77, 0.9

 

CMYK 0 / 81 / 51 / 45

HEX #8C1A45

RGB 140 26 69

HSL 337.37, 0.69%, 0.33%

LAB 31.22, 49.1, 4.11

 

CMYK 0 / 53 / 31 / 18

HEX #D06190

RGB 208 97 144

HSL 334.59, 0.54%, 0.6%

LAB 56.06, 48.87, -4.66

 

CMYK 0 / 53 / 45 / 18

HEX #D06173

RGB 208 97 115

HSL 350.27, 0.54%, 0.6%

LAB 55.27, 45.55, 11.25

 

CMYK 0 / 53 / 53 / 18

HEX #D06161

RGB 208 97 97

HSL 0, 0.54%, 0.6%

LAB 54.89, 43.88, 21.27

 

CMYK 0 / 53 / 31 / 18

HEX #D06190

RGB 208 97 144

HSL 334.59, 0.54%, 0.6%

LAB 56.06, 48.87, -4.66

 

CMYK 0 / 53 / 16 / 18

HEX #D061AE

RGB 208 97 174

HSL 318.38, 0.54%, 0.6%

LAB 57.09, 53.06, -20.57

 

CMYK 0 / 53 / 2 / 18

HEX #D061CC

RGB 208 97 204

HSL 302.16, 0.54%, 0.6%

LAB 58.34, 57.94, -35.83

 

CMYK 13 / 53 / 0 / 18

HEX #B661D0

RGB 182 97 208

HSL 285.95, 0.54%, 0.6%

LAB 55.12, 51.65, -43.4

 

CMYK 27 / 53 / 0 / 18

HEX #9861D0

RGB 152 97 208

HSL 269.73, 0.54%, 0.6%

LAB 51.59, 43.77, -49.23

 

CMYK 0 / 53 / 31 / 18

HEX #D06190

RGB 208 97 144

HSL 334.59, 0.54%, 0.6%

LAB 56.06, 48.87, -4.66

 

CMYK 0 / 64 / 37 / 12

HEX #E0518E

RGB 224 81 142

HSL 334.41, 0.7%, 0.6%

LAB 55.77, 60.8, -3.64

 

CMYK 0 / 73 / 42 / 5

HEX #F1408C

RGB 241 64 140

HSL 334.24, 0.86%, 0.6%

LAB 56.35, 71.52, -1.28

 

CMYK 0 / 53 / 31 / 18

HEX #D06190

RGB 208 97 144

HSL 334.59, 0.54%, 0.6%

LAB 56.06, 48.87, -4.66

 

CMYK 0 / 40 / 23 / 25

HEX #BF7293

RGB 191 114 147

HSL 334.29, 0.38%, 0.6%

LAB 57.29, 34.71, -4.85

 

CMYK 0 / 26 / 15 / 31

HEX #AF8295

RGB 175 130 149

HSL 334.67, 0.22%, 0.6%

LAB 59.2, 20.34, -3.39

 

CMYK 0 / 7 / 4 / 38

HEX #9E9398

RGB 158 147 152

HSL 332.73, 0.05%, 0.6%

LAB 62, 4.98, -1.18

 

CMYK 13 / 0 / 6 / 36

HEX #8EA39A

RGB 142 163 154

HSL 154.29, 0.1%, 0.6%

LAB 65.18, -9.17, 2.18

 

CMYK 0 / 53 / 2 / 18

HEX #D061CC

RGB 208 97 204

HSL 302.16, 0.54%, 0.6%

LAB 58.34, 57.94, -35.83

 

CMYK 0 / 53 / 16 / 18

HEX #D061AF

RGB 208 97 175

HSL 317.84, 0.54%, 0.6%

LAB 57.13, 53.21, -21.09

 

CMYK 0 / 53 / 30 / 18

HEX #D06191

RGB 208 97 145

HSL 334.05, 0.54%, 0.6%

LAB 56.09, 49, -5.2

 

CMYK 0 / 53 / 44 / 18

HEX #D06174

RGB 208 97 116

HSL 349.73, 0.54%, 0.6%

LAB 55.3, 45.65, 10.69

 

CMYK 0 / 48 / 53 / 18

HEX #D06C61

RGB 208 108 97

HSL 5.95, 0.54%, 0.6%

LAB 57.07, 38.33, 24.17

 

CMYK 0 / 70 / 41 / 33

HEX #AC3366

RGB 172 51 102

HSL 334.71, 0.54%, 0.44%

LAB 41.37, 53.03, -1.6

 

CMYK 0 / 67 / 38 / 22

HEX #C6427A

RGB 198 66 122

HSL 334.55, 0.54%, 0.52%

LAB 48.64, 56.99, -2.68

 

CMYK 0 / 53 / 31 / 18

HEX #D06190

RGB 208 97 144

HSL 334.59, 0.54%, 0.6%

LAB 56.06, 48.87, -4.66

 

CMYK 0 / 41 / 23 / 15

HEX #D981A7

RGB 217 129 167

HSL 334.09, 0.54%, 0.68%

LAB 64.36, 38.78, -5.51

 

CMYK 0 / 29 / 17 / 11

HEX #E3A1BD

RGB 227 161 189

HSL 334.55, 0.54%, 0.76%

LAB 73.22, 28.56, -4.59

 

CMYK 0 / 53 / 30 / 18

HEX #D06291

RGB 208 98 145

HSL 334.36, 0.54%, 0.6%

LAB 56.28, 48.51, -4.93

 

CMYK 0 / 13 / 53 / 18

HEX #D0B661

RGB 208 182 97

HSL 45.95, 0.54%, 0.6%

LAB 74.65, -1.34, 46.22

 

CMYK 53 / 9 / 0 / 18

HEX #61BDD0

RGB 97 189 208

HSL 190.27, 0.54%, 0.6%

LAB 71.89, -22.11, -17.95

 

CMYK 0 / 53 / 30 / 18

HEX #D06291

RGB 208 98 145

HSL 334.36, 0.54%, 0.6%

LAB 56.28, 48.51, -4.93

 

CMYK 30 / 0 / 53 / 18

HEX #91D061

RGB 145 208 97

HSL 94.05, 0.54%, 0.6%

LAB 77.28, -38.99, 48.23

 

CMYK 53 / 30 / 0 / 18

HEX #6191D0

RGB 97 145 208

HSL 214.05, 0.54%, 0.6%

LAB 59.29, 1.86, -37.33

 

CMYK 0 / 53 / 30 / 18

HEX #D06291

RGB 208 98 145

HSL 334.36, 0.54%, 0.6%

LAB 56.28, 48.51, -4.93

 

CMYK 0 / 13 / 53 / 18

HEX #D0B661

RGB 208 182 97

HSL 45.95, 0.54%, 0.6%

LAB 74.65, -1.34, 46.22

 

CMYK 53 / 0 / 23 / 18

HEX #61D0A0

RGB 97 208 160

HSL 154.05, 0.54%, 0.6%

LAB 76.19, -43.01, 14.33

 

CMYK 53 / 41 / 0 / 18

HEX #617BD0

RGB 97 123 208

HSL 225.95, 0.54%, 0.6%

LAB 53.23, 14.94, -46.89

 

CMYK 0 / 53 / 30 / 18

HEX #D06291

RGB 208 98 145

HSL 334.36, 0.54%, 0.6%

LAB 56.28, 48.51, -4.93

 

CMYK 4 / 0 / 53 / 18

HEX #C8D061

RGB 200 208 97

HSL 64.32, 0.54%, 0.6%

LAB 80.88, -17.95, 53.35

 

CMYK 53 / 0 / 23 / 18

HEX #61D0A0

RGB 97 208 160

HSL 154.05, 0.54%, 0.6%

LAB 76.19, -43.01, 14.33

 

CMYK 50 / 53 / 0 / 18

HEX #6961D0

RGB 105 97 208

HSL 244.32, 0.54%, 0.6%

LAB 47.11, 32.54, -56.64

 

Description

Color code: HEX #D06291 | qconv.com Color code: HEX #D06291 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 98 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 98 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 30 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 30% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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