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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D036AD it is the complementary color #2FC952. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D036AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D036AD shade: #D536A8, #E648BB, #F75ACE, #FF6CE1 and #FF7EF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D036AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D036AD shade: #D036AD, #BF249A, #AE1287, #9D0074 and #8C0061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D036AD shade: #CF34AC, #CF3482, #CF3458 and #CF3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D036AD shade: #CF34AC, #C834CF, #9F34CF, #7534CF and #4B34CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D036AD shade matches the following richer shades: #CF34AC, #E320B7 and #F70CC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D036AD shade: #CF34AC, #BB48A1, #A75D96, #92718B and #7E8580

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D036AD shade: #9E34CF, #C734CF, #CF34AD, #CF3484 and #CF345B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D036AD shade: #8F2176, #B12992, #CF34AC, #D756B9 and #DF77C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D036AD shade: #D036AD, #CF7534 and #34CFB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D036AD shade: #D036AD, #ADCF34 and #34ADCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D036AD shade: #D036AD, #CF7534, #34CF56 and #348ECF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D036AD shade: #D036AD, #CFA334, #34CF56 and #3460CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 17 / 18

HEX #D036AD

RGB 208 54 173

HSL 313.64, 0.62%, 0.51%

LAB 50.76, 70.18, -29.76

 

Complementary color

CMYK 77 / 0 / 59 / 21

HEX #2FC952

RGB 47 201 82

HSL 133.64, 0.62%, 0.49%

LAB 71.55, -63.17, 47.56

 

CMYK 0 / 75 / 21 / 16

HEX #D536A8

RGB 213 54 168

HSL 316.98, 0.65%, 0.52%

LAB 51.4, 70.69, -25.77

 

CMYK 0 / 69 / 19 / 10

HEX #E648BB

RGB 230 72 187

HSL 316.33, 0.76%, 0.59%

LAB 57.12, 71.38, -27.75

 

CMYK 0 / 64 / 17 / 3

HEX #F75ACE

RGB 247 90 206

HSL 315.67, 0.91%, 0.66%

LAB 62.96, 71.58, -29.34

 

CMYK 0 / 58 / 12 / 0

HEX #FF6CE1

RGB 255 108 225

HSL 312.24, 1%, 0.71%

LAB 67.59, 69.07, -32.73

 

CMYK 0 / 51 / 4 / 0

HEX #FF7EF4

RGB 255 126 244

HSL 305.12, 1%, 0.75%

LAB 71.36, 64.03, -37.36

 

CMYK 0 / 74 / 17 / 18

HEX #D036AD

RGB 208 54 173

HSL 313.64, 0.62%, 0.51%

LAB 50.76, 70.18, -29.76

 

CMYK 0 / 81 / 19 / 25

HEX #BF249A

RGB 191 36 154

HSL 314.32, 0.68%, 0.45%

LAB 45.18, 68.78, -27.39

 

CMYK 0 / 90 / 22 / 32

HEX #AE1287

RGB 174 18 135

HSL 315, 0.81%, 0.38%

LAB 39.88, 66.33, -24.33

 

CMYK 0 / 100 / 26 / 38

HEX #9D0074

RGB 157 0 116

HSL 315.67, 1%, 0.31%

LAB 34.86, 62.8, -20.53

 

CMYK 0 / 100 / 31 / 45

HEX #8C0061

RGB 140 0 97

HSL 318.43, 1%, 0.27%

LAB 30.49, 57.04, -15.38

 

CMYK 0 / 75 / 17 / 19

HEX #CF34AC

RGB 207 52 172

HSL 313.55, 0.62%, 0.51%

LAB 50.33, 70.42, -29.85

 

CMYK 0 / 75 / 37 / 19

HEX #CF3482

RGB 207 52 130

HSL 329.81, 0.62%, 0.51%

LAB 48.68, 65.35, -7.31

 

CMYK 0 / 75 / 57 / 19

HEX #CF3458

RGB 207 52 88

HSL 346.06, 0.62%, 0.51%

LAB 47.53, 61.7, 16.7

 

CMYK 0 / 75 / 75 / 19

HEX #CF3434

RGB 207 52 52

HSL 0, 0.62%, 0.51%

LAB 46.93, 59.75, 37.48

 

CMYK 0 / 75 / 17 / 19

HEX #CF34AC

RGB 207 52 172

HSL 313.55, 0.62%, 0.51%

LAB 50.33, 70.42, -29.85

 

CMYK 3 / 75 / 0 / 19

HEX #C834CF

RGB 200 52 207

HSL 297.29, 0.62%, 0.51%

LAB 50.97, 74.15, -49.26

 

CMYK 23 / 75 / 0 / 19

HEX #9F34CF

RGB 159 52 207

HSL 281.42, 0.62%, 0.51%

LAB 44.71, 66.16, -59.66

 

CMYK 43 / 75 / 0 / 19

HEX #7534CF

RGB 117 52 207

HSL 265.16, 0.62%, 0.51%

LAB 39.14, 58.84, -68.95

 

CMYK 64 / 75 / 0 / 19

HEX #4B34CF

RGB 75 52 207

HSL 248.9, 0.62%, 0.51%

LAB 34.92, 53.07, -76.05

 

CMYK 0 / 75 / 17 / 19

HEX #CF34AC

RGB 207 52 172

HSL 313.55, 0.62%, 0.51%

LAB 50.33, 70.42, -29.85

 

CMYK 0 / 86 / 19 / 11

HEX #E320B7

RGB 227 32 183

HSL 313.54, 0.78%, 0.51%

LAB 52.71, 80.83, -32.32

 

CMYK 0 / 95 / 21 / 3

HEX #F70CC2

RGB 247 12 194

HSL 313.53, 0.94%, 0.51%

LAB 56.02, 88.37, -33.27

 

CMYK 0 / 75 / 17 / 19

HEX #CF34AC

RGB 207 52 172

HSL 313.55, 0.62%, 0.51%

LAB 50.33, 70.42, -29.85

 

CMYK 0 / 61 / 14 / 27

HEX #BB48A1

RGB 187 72 161

HSL 313.57, 0.46%, 0.51%

LAB 49.22, 56.43, -25.34

 

CMYK 0 / 44 / 10 / 35

HEX #A75D96

RGB 167 93 150

HSL 313.78, 0.3%, 0.51%

LAB 49.79, 38.28, -18.19

 

CMYK 0 / 23 / 5 / 43

HEX #92718B

RGB 146 113 139

HSL 312.73, 0.13%, 0.51%

LAB 51.59, 17.58, -9.21

 

CMYK 5 / 0 / 4 / 48

HEX #7E8580

RGB 126 133 128

HSL 137.14, 0.03%, 0.51%

LAB 54.83, -3.59, 1.79

 

CMYK 24 / 75 / 0 / 19

HEX #9E34CF

RGB 158 52 207

HSL 281.03, 0.62%, 0.51%

LAB 44.56, 65.98, -59.9

 

CMYK 4 / 75 / 0 / 19

HEX #C734CF

RGB 199 52 207

HSL 296.9, 0.62%, 0.51%

LAB 50.81, 73.95, -49.53

 

CMYK 0 / 75 / 16 / 19

HEX #CF34AD

RGB 207 52 173

HSL 313.16, 0.62%, 0.51%

LAB 50.38, 70.56, -30.37

 

CMYK 0 / 75 / 36 / 19

HEX #CF3484

RGB 207 52 132

HSL 329.03, 0.62%, 0.51%

LAB 48.74, 65.56, -8.42

 

CMYK 0 / 75 / 56 / 19

HEX #CF345B

RGB 207 52 91

HSL 344.9, 0.62%, 0.51%

LAB 47.59, 61.91, 14.95

 

CMYK 0 / 77 / 17 / 44

HEX #8F2176

RGB 143 33 118

HSL 313.64, 0.63%, 0.35%

LAB 34.47, 53.51, -22.61

 

CMYK 0 / 77 / 18 / 31

HEX #B12992

RGB 177 41 146

HSL 313.68, 0.62%, 0.43%

LAB 42.78, 63.18, -26.5

 

CMYK 0 / 75 / 17 / 19

HEX #CF34AC

RGB 207 52 172

HSL 313.55, 0.62%, 0.51%

LAB 50.33, 70.42, -29.85

 

CMYK 0 / 60 / 14 / 16

HEX #D756B9

RGB 215 86 185

HSL 313.95, 0.62%, 0.59%

LAB 56.69, 61.72, -27.45

 

CMYK 0 / 47 / 11 / 13

HEX #DF77C7

RGB 223 119 199

HSL 313.85, 0.62%, 0.67%

LAB 64.17, 50.79, -23.83

 

CMYK 0 / 74 / 17 / 18

HEX #D036AD

RGB 208 54 173

HSL 313.64, 0.62%, 0.51%

LAB 50.76, 70.18, -29.76

 

CMYK 0 / 43 / 75 / 19

HEX #CF7534

RGB 207 117 52

HSL 25.16, 0.62%, 0.51%

LAB 58.26, 30.31, 49.52

 

CMYK 75 / 0 / 14 / 19

HEX #34CFB3

RGB 52 207 179

HSL 169.16, 0.62%, 0.51%

LAB 75.21, -45.79, 2.6

 

CMYK 0 / 74 / 17 / 18

HEX #D036AD

RGB 208 54 173

HSL 313.64, 0.62%, 0.51%

LAB 50.76, 70.18, -29.76

 

CMYK 16 / 0 / 75 / 19

HEX #ADCF34

RGB 173 207 52

HSL 73.16, 0.62%, 0.51%

LAB 78.32, -31.34, 68.06

 

CMYK 75 / 16 / 0 / 19

HEX #34ADCF

RGB 52 173 207

HSL 193.16, 0.62%, 0.51%

LAB 65.84, -21.58, -26.73

 

CMYK 0 / 74 / 17 / 18

HEX #D036AD

RGB 208 54 173

HSL 313.64, 0.62%, 0.51%

LAB 50.76, 70.18, -29.76

 

CMYK 0 / 43 / 75 / 19

HEX #CF7534

RGB 207 117 52

HSL 25.16, 0.62%, 0.51%

LAB 58.26, 30.31, 49.52

 

CMYK 75 / 0 / 58 / 19

HEX #34CF56

RGB 52 207 86

HSL 133.16, 0.62%, 0.51%

LAB 73.56, -63.95, 48.12

 

CMYK 75 / 31 / 0 / 19

HEX #348ECF

RGB 52 142 207

HSL 205.16, 0.62%, 0.51%

LAB 56.66, -4.59, -41.02

 

CMYK 0 / 74 / 17 / 18

HEX #D036AD

RGB 208 54 173

HSL 313.64, 0.62%, 0.51%

LAB 50.76, 70.18, -29.76

 

CMYK 0 / 21 / 75 / 19

HEX #CFA334

RGB 207 163 52

HSL 42.97, 0.62%, 0.51%

LAB 69.26, 5.46, 60.42

 

CMYK 75 / 0 / 58 / 19

HEX #34CF56

RGB 52 207 86

HSL 133.16, 0.62%, 0.51%

LAB 73.56, -63.95, 48.12

 

CMYK 75 / 54 / 0 / 19

HEX #3460CF

RGB 52 96 207

HSL 222.97, 0.62%, 0.51%

LAB 43.65, 23.81, -61.81

 

Description

Color code: HEX #D036AD | qconv.com Color code: HEX #D036AD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 54 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 54 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 17 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 17% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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