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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D02114 it is the complementary color #2FDEEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D02114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D02114 shade: #D5210F, #E63322, #F74535, #FF5748 and #FF695B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D02114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D02114 shade: #D02114, #BF0F01, #AE0000, #9D0000 and #8C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D02114 shade: #D02114 and #D01414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D02114 shade: #D02114, #D05414, #D08714, #D0B914 and #B5D014

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D02114 shade matches the following richer shades: #D02114 and #E31102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D02114 shade: #D02114, #BE3127, #AB4139, #99514C and #86615E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D02114 shade: #D0146C, #D0143A, #D02114, #D05314 and #D08514

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D02114 shade: #85150D, #AB1B10, #D02114, #E93225 and #ED564A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D02114 shade: #D02114, #9ED014 and #1453D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D02114 shade: #D02114, #14D021 and #2114D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D02114 shade: #D02114, #9ED014, #14C4D0 and #4614D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D02114 shade: #D02114, #66D014, #14C4D0 and #7F14D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 90 / 18

HEX #D02114

RGB 208 33 20

HSL 4.15, 0.82%, 0.45%

LAB 45.01, 64.42, 51.86

 

Complementary color

CMYK 80 / 6 / 0 / 8

HEX #2FDEEB

RGB 47 222 235

HSL 184.15, 0.82%, 0.55%

LAB 81.21, -37.28, -18.51

 

CMYK 0 / 85 / 93 / 16

HEX #D5210F

RGB 213 33 15

HSL 5.45, 0.87%, 0.45%

LAB 46, 65.73, 54.84

 

CMYK 0 / 78 / 85 / 10

HEX #E63322

RGB 230 51 34

HSL 5.2, 0.8%, 0.52%

LAB 51.04, 66.32, 52.35

 

CMYK 0 / 72 / 79 / 3

HEX #F74535

RGB 247 69 53

HSL 4.95, 0.92%, 0.59%

LAB 56.37, 66.23, 49.15

 

CMYK 0 / 66 / 72 / 0

HEX #FF5748

RGB 255 87 72

HSL 4.92, 1%, 0.64%

LAB 60.38, 62.83, 43.84

 

CMYK 0 / 59 / 64 / 0

HEX #FF695B

RGB 255 105 91

HSL 5.12, 1%, 0.68%

LAB 63.44, 56.25, 37.1

 

CMYK 0 / 84 / 90 / 18

HEX #D02114

RGB 208 33 20

HSL 4.15, 0.82%, 0.45%

LAB 45.01, 64.42, 51.86

 

CMYK 0 / 92 / 99 / 25

HEX #BF0F01

RGB 191 15 1

HSL 4.42, 0.99%, 0.38%

LAB 40.28, 62.83, 53.91

 

CMYK 0 / 100 / 100 / 32

HEX #AE0000

RGB 174 0 0

HSL 0, 1%, 0.34%

LAB 35.98, 60.15, 50.35

 

CMYK 0 / 100 / 100 / 38

HEX #9D0000

RGB 157 0 0

HSL 0, 1%, 0.31%

LAB 32.19, 55.76, 46.19

 

CMYK 0 / 100 / 100 / 45

HEX #8C0000

RGB 140 0 0

HSL 0, 1%, 0.27%

LAB 28.32, 51.28, 41.58

 

CMYK 0 / 84 / 90 / 18

HEX #D02114

RGB 208 33 20

HSL 4.15, 0.82%, 0.45%

LAB 45.01, 64.42, 51.86

 

CMYK 0 / 90 / 90 / 18

HEX #D01414

RGB 208 20 20

HSL 0, 0.82%, 0.45%

LAB 44.18, 66.8, 51.29

 

CMYK 0 / 84 / 90 / 18

HEX #D02114

RGB 208 33 20

HSL 4.15, 0.82%, 0.45%

LAB 45.01, 64.42, 51.86

 

CMYK 0 / 60 / 90 / 18

HEX #D05414

RGB 208 84 20

HSL 20.43, 0.82%, 0.45%

LAB 51.61, 46.37, 56.58

 

CMYK 0 / 35 / 90 / 18

HEX #D08714

RGB 208 135 20

HSL 36.7, 0.82%, 0.45%

LAB 62.33, 20.08, 64.54

 

CMYK 0 / 11 / 90 / 18

HEX #D0B914

RGB 208 185 20

HSL 52.66, 0.82%, 0.45%

LAB 74.92, -6.63, 74.18

 

CMYK 13 / 0 / 90 / 18

HEX #B5D014

RGB 181 208 20

HSL 68.62, 0.82%, 0.45%

LAB 79.03, -29.58, 76.49

 

CMYK 0 / 84 / 90 / 18

HEX #D02114

RGB 208 33 20

HSL 4.15, 0.82%, 0.45%

LAB 45.01, 64.42, 51.86

 

CMYK 0 / 93 / 99 / 11

HEX #E31102

RGB 227 17 2

HSL 4, 0.98%, 0.45%

LAB 47.93, 71.89, 61.16

 

CMYK 0 / 84 / 90 / 18

HEX #D02114

RGB 208 33 20

HSL 4.15, 0.82%, 0.45%

LAB 45.01, 64.42, 51.86

 

CMYK 0 / 74 / 79 / 25

HEX #BE3127

RGB 190 49 39

HSL 3.97, 0.66%, 0.45%

LAB 43.2, 55.05, 39.78

 

CMYK 0 / 62 / 67 / 33

HEX #AB4139

RGB 171 65 57

HSL 4.21, 0.5%, 0.45%

LAB 42.36, 42.96, 27.57

 

CMYK 0 / 47 / 50 / 40

HEX #99514C

RGB 153 81 76

HSL 3.9, 0.34%, 0.45%

LAB 43.03, 29.37, 16.42

 

CMYK 0 / 28 / 30 / 47

HEX #86615E

RGB 134 97 94

HSL 4.5, 0.18%, 0.45%

LAB 44.84, 14.57, 7.63

 

CMYK 0 / 90 / 48 / 18

HEX #D0146C

RGB 208 20 108

HSL 331.91, 0.82%, 0.45%

LAB 45.62, 70.87, 1.7

 

CMYK 0 / 90 / 72 / 18

HEX #D0143A

RGB 208 20 58

HSL 347.87, 0.82%, 0.45%

LAB 44.54, 67.84, 31.25

 

CMYK 0 / 84 / 90 / 18

HEX #D02114

RGB 208 33 20

HSL 4.15, 0.82%, 0.45%

LAB 45.01, 64.42, 51.86

 

CMYK 0 / 60 / 90 / 18

HEX #D05314

RGB 208 83 20

HSL 20.11, 0.82%, 0.45%

LAB 51.44, 46.83, 56.45

 

CMYK 0 / 36 / 90 / 18

HEX #D08514

RGB 208 133 20

HSL 36.06, 0.82%, 0.45%

LAB 61.86, 21.17, 64.19

 

CMYK 0 / 84 / 90 / 48

HEX #85150D

RGB 133 21 13

HSL 4, 0.82%, 0.29%

LAB 28.25, 45.41, 35.49

 

CMYK 0 / 84 / 91 / 33

HEX #AB1B10

RGB 171 27 16

HSL 4.26, 0.83%, 0.37%

LAB 36.89, 55.27, 44.24

 

CMYK 0 / 84 / 90 / 18

HEX #D02114

RGB 208 33 20

HSL 4.15, 0.82%, 0.45%

LAB 45.01, 64.42, 51.86

 

CMYK 0 / 79 / 84 / 9

HEX #E93225

RGB 233 50 37

HSL 3.98, 0.82%, 0.53%

LAB 51.54, 67.53, 51.6

 

CMYK 0 / 64 / 69 / 7

HEX #ED564A

RGB 237 86 74

HSL 4.42, 0.82%, 0.61%

LAB 57.23, 57.46, 38.32

 

CMYK 0 / 84 / 90 / 18

HEX #D02114

RGB 208 33 20

HSL 4.15, 0.82%, 0.45%

LAB 45.01, 64.42, 51.86

 

CMYK 24 / 0 / 90 / 18

HEX #9ED014

RGB 158 208 20

HSL 75.96, 0.82%, 0.45%

LAB 77.54, -38.81, 74.66

 

CMYK 90 / 60 / 0 / 18

HEX #1453D0

RGB 20 83 208

HSL 219.89, 0.82%, 0.45%

LAB 39.39, 30.03, -69.37

 

CMYK 0 / 84 / 90 / 18

HEX #D02114

RGB 208 33 20

HSL 4.15, 0.82%, 0.45%

LAB 45.01, 64.42, 51.86

 

CMYK 90 / 0 / 84 / 18

HEX #14D021

RGB 20 208 33

HSL 124.15, 0.82%, 0.45%

LAB 73.14, -72.09, 66.63

 

CMYK 84 / 90 / 0 / 18

HEX #2114D0

RGB 33 20 208

HSL 244.15, 0.82%, 0.45%

LAB 27.78, 63.92, -88.54

 

CMYK 0 / 84 / 90 / 18

HEX #D02114

RGB 208 33 20

HSL 4.15, 0.82%, 0.45%

LAB 45.01, 64.42, 51.86

 

CMYK 24 / 0 / 90 / 18

HEX #9ED014

RGB 158 208 20

HSL 75.96, 0.82%, 0.45%

LAB 77.54, -38.81, 74.66

 

CMYK 90 / 6 / 0 / 18

HEX #14C4D0

RGB 20 196 208

HSL 183.83, 0.82%, 0.45%

LAB 72.35, -35.12, -17.4

 

CMYK 66 / 90 / 0 / 18

HEX #4614D0

RGB 70 20 208

HSL 255.96, 0.82%, 0.45%

LAB 30.29, 65.52, -84.29

 

CMYK 0 / 84 / 90 / 18

HEX #D02114

RGB 208 33 20

HSL 4.15, 0.82%, 0.45%

LAB 45.01, 64.42, 51.86

 

CMYK 51 / 0 / 90 / 18

HEX #66D014

RGB 102 208 20

HSL 93.83, 0.82%, 0.45%

LAB 74.82, -58.12, 71.31

 

CMYK 90 / 6 / 0 / 18

HEX #14C4D0

RGB 20 196 208

HSL 183.83, 0.82%, 0.45%

LAB 72.35, -35.12, -17.4

 

CMYK 39 / 90 / 0 / 18

HEX #7F14D0

RGB 127 20 208

HSL 274.15, 0.82%, 0.45%

LAB 37.05, 70.63, -72.9

 

Description

Color code: HEX #D02114 | qconv.com Color code: HEX #D02114 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 33 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 33 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 90 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 90% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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