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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D001A8 it is the complementary color #2FFE57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D001A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D001A8 shade: #D501A3, #E613B6, #F725C9, #FF37DC and #FF49EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D001A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D001A8 shade: #D001A8, #BF0095, #AE0082, #9D006F and #8C005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D001A8 shade: #D001A8, #D00170, #D00138 and #D00101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D001A8 shade: #D001A8, #C001D0, #8801D0, #5001D0 and #1801D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D001A8 shade matches the following richer shades: #D001A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D001A8 shade: #D001A8, #BF119D, #AE2293, #9D3388 and #8C447E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D001A8 shade: #8701D0, #BE01D0, #D001AA, #D00172 and #D0013B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D001A8 shade: #7D0065, #A70086, #D001A8, #F901C9 and #FD25D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D001A8 shade: #D001A8, #D05001 and #01D0A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D001A8 shade: #D001A8, #AAD001 and #01AAD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D001A8 shade: #D001A8, #D05001, #01D026 and #0180D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D001A8 shade: #D001A8, #D08E01, #01D026 and #0142D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 19 / 18

HEX #D001A8

RGB 208 1 168

HSL 311.59, 0.99%, 0.41%

LAB 47.31, 78.85, -32.19

 

Complementary color

CMYK 81 / 0 / 66 / 0

HEX #2FFE57

RGB 47 254 87

HSL 131.59, 0.99%, 0.59%

LAB 88.05, -79.09, 63.98

 

CMYK 0 / 100 / 23 / 16

HEX #D501A3

RGB 213 1 163

HSL 314.15, 0.99%, 0.42%

LAB 48.02, 79.19, -28.04

 

CMYK 0 / 92 / 21 / 10

HEX #E613B6

RGB 230 19 182

HSL 313.65, 0.85%, 0.49%

LAB 52.58, 83.13, -31.9

 

CMYK 0 / 85 / 19 / 3

HEX #F725C9

RGB 247 37 201

HSL 313.14, 0.93%, 0.56%

LAB 57.38, 86.15, -35.17

 

CMYK 0 / 78 / 14 / 0

HEX #FF37DC

RGB 255 55 220

HSL 310.5, 1%, 0.61%

LAB 60.92, 86.41, -40.33

 

CMYK 0 / 71 / 6 / 0

HEX #FF49EF

RGB 255 73 239

HSL 305.27, 1%, 0.64%

LAB 63.55, 84.1, -46.82

 

CMYK 0 / 100 / 19 / 18

HEX #D001A8

RGB 208 1 168

HSL 311.59, 0.99%, 0.41%

LAB 47.31, 78.85, -32.19

 

CMYK 0 / 100 / 22 / 25

HEX #BF0095

RGB 191 0 149

HSL 313.19, 1%, 0.37%

LAB 43.13, 73.44, -27.57

 

CMYK 0 / 100 / 25 / 32

HEX #AE0082

RGB 174 0 130

HSL 315.17, 1%, 0.34%

LAB 38.92, 67.87, -22.74

 

CMYK 0 / 100 / 29 / 38

HEX #9D006F

RGB 157 0 111

HSL 317.58, 1%, 0.31%

LAB 34.63, 62.22, -17.71

 

CMYK 0 / 100 / 34 / 45

HEX #8C005C

RGB 140 0 92

HSL 320.57, 1%, 0.27%

LAB 30.27, 56.47, -12.45

 

CMYK 0 / 100 / 19 / 18

HEX #D001A8

RGB 208 1 168

HSL 311.59, 0.99%, 0.41%

LAB 47.31, 78.85, -32.19

 

CMYK 0 / 100 / 46 / 18

HEX #D00170

RGB 208 1 112

HSL 327.83, 0.99%, 0.41%

LAB 45.08, 73.11, -1.57

 

CMYK 0 / 100 / 73 / 18

HEX #D00138

RGB 208 1 56

HSL 344.06, 0.99%, 0.41%

LAB 43.82, 69.75, 31.62

 

CMYK 0 / 100 / 100 / 18

HEX #D00101

RGB 208 1 1

HSL 0, 0.99%, 0.41%

LAB 43.41, 68.62, 57.31

 

CMYK 0 / 100 / 19 / 18

HEX #D001A8

RGB 208 1 168

HSL 311.59, 0.99%, 0.41%

LAB 47.31, 78.85, -32.19

 

CMYK 8 / 100 / 0 / 18

HEX #C001D0

RGB 192 1 208

HSL 295.36, 0.99%, 0.41%

LAB 46.69, 81.69, -56.77

 

CMYK 35 / 100 / 0 / 18

HEX #8801D0

RGB 136 1 208

HSL 279.13, 0.99%, 0.41%

LAB 37.5, 74.28, -72.12

 

CMYK 62 / 100 / 0 / 18

HEX #5001D0

RGB 80 1 208

HSL 262.9, 0.99%, 0.41%

LAB 30.11, 69.66, -84.57

 

CMYK 88 / 100 / 0 / 18

HEX #1801D0

RGB 24 1 208

HSL 246.67, 0.99%, 0.41%

LAB 26.07, 67.91, -91.41

 

CMYK 0 / 100 / 19 / 18

HEX #D001A8

RGB 208 1 168

HSL 311.59, 0.99%, 0.41%

LAB 47.31, 78.85, -32.19

 

CMYK 0 / 100 / 19 / 18

HEX #D001A8

RGB 208 1 168

HSL 311.59, 0.99%, 0.41%

LAB 47.31, 78.85, -32.19

 

CMYK 0 / 91 / 18 / 25

HEX #BF119D

RGB 191 17 157

HSL 311.72, 0.84%, 0.41%

LAB 44.11, 72.71, -30.87

 

CMYK 0 / 80 / 16 / 32

HEX #AE2293

RGB 174 34 147

HSL 311.57, 0.67%, 0.41%

LAB 41.61, 64.58, -28.97

 

CMYK 0 / 68 / 13 / 38

HEX #9D3388

RGB 157 51 136

HSL 311.89, 0.51%, 0.41%

LAB 40.1, 53.23, -24.83

 

CMYK 0 / 51 / 10 / 45

HEX #8C447E

RGB 140 68 126

HSL 311.67, 0.35%, 0.41%

LAB 39.94, 38.63, -19.15

 

CMYK 35 / 100 / 0 / 18

HEX #8701D0

RGB 135 1 208

HSL 278.84, 0.99%, 0.41%

LAB 37.35, 74.17, -72.38

 

CMYK 9 / 100 / 0 / 18

HEX #BE01D0

RGB 190 1 208

HSL 294.78, 0.99%, 0.41%

LAB 46.34, 81.39, -57.34

 

CMYK 0 / 100 / 18 / 18

HEX #D001AA

RGB 208 1 170

HSL 311.01, 0.99%, 0.41%

LAB 47.41, 79.09, -33.23

 

CMYK 0 / 100 / 45 / 18

HEX #D00172

RGB 208 1 114

HSL 327.25, 0.99%, 0.41%

LAB 45.15, 73.28, -2.72

 

CMYK 0 / 100 / 72 / 18

HEX #D0013B

RGB 208 1 59

HSL 343.19, 0.99%, 0.41%

LAB 43.87, 69.87, 29.84

 

CMYK 0 / 100 / 19 / 51

HEX #7D0065

RGB 125 0 101

HSL 311.52, 1%, 0.25%

LAB 27.57, 54.42, -22.76

 

CMYK 0 / 100 / 20 / 35

HEX #A70086

RGB 167 0 134

HSL 311.86, 1%, 0.33%

LAB 37.73, 66.99, -27.17

 

CMYK 0 / 100 / 19 / 18

HEX #D001A8

RGB 208 1 168

HSL 311.59, 0.99%, 0.41%

LAB 47.31, 78.85, -32.19

 

CMYK 0 / 100 / 19 / 2

HEX #F901C9

RGB 249 1 201

HSL 311.61, 0.99%, 0.49%

LAB 56.46, 90.26, -36.58

 

CMYK 0 / 85 / 16 / 1

HEX #FD25D4

RGB 253 37 212

HSL 311.39, 0.98%, 0.57%

LAB 58.94, 88.68, -38.94

 

CMYK 0 / 100 / 19 / 18

HEX #D001A8

RGB 208 1 168

HSL 311.59, 0.99%, 0.41%

LAB 47.31, 78.85, -32.19

 

CMYK 0 / 62 / 100 / 18

HEX #D05001

RGB 208 80 1

HSL 22.9, 0.99%, 0.41%

LAB 50.86, 47.97, 60.79

 

CMYK 100 / 0 / 22 / 18

HEX #01D0A3

RGB 1 208 163

HSL 166.96, 0.99%, 0.41%

LAB 74.67, -53.54, 10.37

 

CMYK 0 / 100 / 19 / 18

HEX #D001A8

RGB 208 1 168

HSL 311.59, 0.99%, 0.41%

LAB 47.31, 78.85, -32.19

 

CMYK 18 / 0 / 100 / 18

HEX #AAD001

RGB 170 208 1

HSL 71.01, 0.99%, 0.41%

LAB 78.26, -34.32, 77.64

 

CMYK 100 / 18 / 0 / 18

HEX #01AAD0

RGB 1 170 208

HSL 191.01, 0.99%, 0.41%

LAB 64.41, -22.97, -29.54

 

CMYK 0 / 100 / 19 / 18

HEX #D001A8

RGB 208 1 168

HSL 311.59, 0.99%, 0.41%

LAB 47.31, 78.85, -32.19

 

CMYK 0 / 62 / 100 / 18

HEX #D05001

RGB 208 80 1

HSL 22.9, 0.99%, 0.41%

LAB 50.86, 47.97, 60.79

 

CMYK 100 / 0 / 82 / 18

HEX #01D026

RGB 1 208 38

HSL 130.72, 0.99%, 0.41%

LAB 73.06, -72.68, 65.28

 

CMYK 100 / 38 / 0 / 18

HEX #0180D0

RGB 1 128 208

HSL 203.19, 0.99%, 0.41%

LAB 51.84, 0.56, -49.28

 

CMYK 0 / 100 / 19 / 18

HEX #D001A8

RGB 208 1 168

HSL 311.59, 0.99%, 0.41%

LAB 47.31, 78.85, -32.19

 

CMYK 0 / 32 / 100 / 18

HEX #D08E01

RGB 208 142 1

HSL 40.87, 0.99%, 0.41%

LAB 63.96, 16.05, 68.87

 

CMYK 100 / 0 / 82 / 18

HEX #01D026

RGB 1 208 38

HSL 130.72, 0.99%, 0.41%

LAB 73.06, -72.68, 65.28

 

CMYK 100 / 68 / 0 / 18

HEX #0142D0

RGB 1 66 208

HSL 221.16, 0.99%, 0.41%

LAB 34.92, 40.41, -76.73

 

Description

Color code: HEX #D001A8 | qconv.com Color code: HEX #D001A8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 1 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 1 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 19 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 19% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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