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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D004D7 it is the complementary color #2FFB28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D004D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D004D7 shade: #D504D2, #E616E5, #F728F8, #FF3AFF and #FF4CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D004D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D004D7 shade: #D004D7, #BF00C4, #AE00B1, #9D009E and #8C008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D004D7 shade: #CF04D6, #D604A5, #D6046C, #D60433 and #D60404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D004D7 shade: #CF04D6, #9704D6, #5E04D6, #2504D6 and #0404D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D004D7 shade matches the following richer shades: #CF04D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D004D7 shade: #CF04D6, #BF16C5, #AE27B3, #9E39A1 and #8D4B8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D004D7 shade: #5F04D6, #9704D6, #CF04D6, #D604A5 and #D6046D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D004D7 shade: #810286, #A803AE, #CF04D6, #F20AFA and #F432FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D004D7 shade: #D004D7, #D62704 and #04D67B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D004D7 shade: #D004D7, #D6CF04 and #04D6CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D004D7 shade: #D004D7, #D62704, #0BD604 and #04B3D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D004D7 shade: #D004D7, #D66604, #0BD604 and #0474D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 98 / 0 / 16

HEX #D004D7

RGB 208 4 215

HSL 298.01, 0.96%, 0.43%

LAB 49.98, 84.98, -55.35

 

Complementary color

CMYK 81 / 0 / 84 / 2

HEX #2FFB28

RGB 47 251 40

HSL 118.01, 0.96%, 0.57%

LAB 86.88, -81.49, 77.47

 

CMYK 0 / 98 / 1 / 16

HEX #D504D2

RGB 213 4 210

HSL 300.86, 0.96%, 0.43%

LAB 50.55, 85.05, -51.52

 

CMYK 0 / 90 / 0 / 10

HEX #E616E5

RGB 230 22 229

HSL 300.29, 0.83%, 0.49%

LAB 55.13, 88.98, -54.85

 

CMYK 0 / 84 / 0 / 3

HEX #F728F8

RGB 247 40 248

HSL 299.71, 0.94%, 0.56%

LAB 59.95, 91.94, -57.63

 

CMYK 0 / 77 / 0 / 0

HEX #FF3AFF

RGB 255 58 255

HSL 300, 1%, 0.61%

LAB 62.93, 90.6, -56.67

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 3 / 98 / 0 / 16

HEX #D004D7

RGB 208 4 215

HSL 298.01, 0.96%, 0.43%

LAB 49.98, 84.98, -55.35

 

CMYK 3 / 100 / 0 / 23

HEX #BF00C4

RGB 191 0 196

HSL 298.47, 1%, 0.38%

LAB 45.72, 79.8, -51.38

 

CMYK 2 / 100 / 0 / 31

HEX #AE00B1

RGB 174 0 177

HSL 298.98, 1%, 0.35%

LAB 41.49, 74.22, -47.17

 

CMYK 1 / 100 / 0 / 38

HEX #9D009E

RGB 157 0 158

HSL 299.62, 1%, 0.31%

LAB 37.18, 68.54, -42.85

 

CMYK 0 / 100 / 1 / 45

HEX #8C008B

RGB 140 0 139

HSL 300.43, 1%, 0.27%

LAB 32.79, 62.74, -38.43

 

CMYK 3 / 98 / 0 / 16

HEX #CF04D6

RGB 207 4 214

HSL 298, 0.96%, 0.43%

LAB 49.75, 84.67, -55.16

 

CMYK 0 / 98 / 23 / 16

HEX #D604A5

RGB 214 4 165

HSL 314, 0.96%, 0.43%

LAB 48.39, 79.37, -28.65

 

CMYK 0 / 98 / 50 / 16

HEX #D6046C

RGB 214 4 108

HSL 330.29, 0.96%, 0.43%

LAB 46.27, 73.86, 2.78

 

CMYK 0 / 98 / 76 / 16

HEX #D60433

RGB 214 4 51

HSL 346.57, 0.96%, 0.43%

LAB 45.11, 70.75, 36.43

 

CMYK 0 / 98 / 98 / 16

HEX #D60404

RGB 214 4 4

HSL 0, 0.96%, 0.43%

LAB 44.79, 69.86, 57.65

 

CMYK 3 / 98 / 0 / 16

HEX #CF04D6

RGB 207 4 214

HSL 298, 0.96%, 0.43%

LAB 49.75, 84.67, -55.16

 

CMYK 29 / 98 / 0 / 16

HEX #9704D6

RGB 151 4 214

HSL 282, 0.96%, 0.43%

LAB 40.44, 76.82, -70.67

 

CMYK 56 / 98 / 0 / 16

HEX #5E04D6

RGB 94 4 214

HSL 265.71, 0.96%, 0.43%

LAB 32.53, 71.42, -83.99

 

CMYK 83 / 98 / 0 / 16

HEX #2504D6

RGB 37 4 214

HSL 249.43, 0.96%, 0.43%

LAB 27.67, 69.02, -92.21

 

CMYK 98 / 98 / 0 / 16

HEX #0404D6

RGB 4 4 214

HSL 240, 0.96%, 0.43%

LAB 26.64, 68.63, -93.95

 

CMYK 3 / 98 / 0 / 16

HEX #CF04D6

RGB 207 4 214

HSL 298, 0.96%, 0.43%

LAB 49.75, 84.67, -55.16

 

CMYK 3 / 98 / 0 / 16

HEX #CF04D6

RGB 207 4 214

HSL 298, 0.96%, 0.43%

LAB 49.75, 84.67, -55.16

 

CMYK 3 / 89 / 0 / 23

HEX #BF16C5

RGB 191 22 197

HSL 297.94, 0.8%, 0.43%

LAB 46.55, 77.67, -50.63

 

CMYK 3 / 78 / 0 / 30

HEX #AE27B3

RGB 174 39 179

HSL 297.86, 0.64%, 0.43%

LAB 43.81, 68.11, -44.64

 

CMYK 2 / 65 / 0 / 37

HEX #9E39A1

RGB 158 57 161

HSL 298.27, 0.48%, 0.43%

LAB 42.41, 55.2, -36.32

 

CMYK 1 / 48 / 0 / 44

HEX #8D4B8F

RGB 141 75 143

HSL 298.24, 0.31%, 0.43%

LAB 42.27, 38.37, -25.89

 

CMYK 56 / 98 / 0 / 16

HEX #5F04D6

RGB 95 4 214

HSL 266, 0.96%, 0.43%

LAB 32.65, 71.48, -83.79

 

CMYK 29 / 98 / 0 / 16

HEX #9704D6

RGB 151 4 214

HSL 282, 0.96%, 0.43%

LAB 40.44, 76.82, -70.67

 

CMYK 3 / 98 / 0 / 16

HEX #CF04D6

RGB 207 4 214

HSL 298, 0.96%, 0.43%

LAB 49.75, 84.67, -55.16

 

CMYK 0 / 98 / 23 / 16

HEX #D604A5

RGB 214 4 165

HSL 314, 0.96%, 0.43%

LAB 48.39, 79.37, -28.65

 

CMYK 0 / 98 / 49 / 16

HEX #D6046D

RGB 214 4 109

HSL 330, 0.96%, 0.43%

LAB 46.29, 73.94, 2.2

 

CMYK 4 / 99 / 0 / 47

HEX #810286

RGB 129 2 134

HSL 297.73, 0.97%, 0.27%

LAB 30.48, 59.76, -39.14

 

CMYK 3 / 98 / 0 / 32

HEX #A803AE

RGB 168 3 174

HSL 297.89, 0.97%, 0.35%

LAB 40.32, 72.48, -47.32

 

CMYK 3 / 98 / 0 / 16

HEX #CF04D6

RGB 207 4 214

HSL 298, 0.96%, 0.43%

LAB 49.75, 84.67, -55.16

 

CMYK 3 / 96 / 0 / 2

HEX #F20AFA

RGB 242 10 250

HSL 298, 0.96%, 0.51%

LAB 58.03, 94.96, -61.85

 

CMYK 2 / 80 / 0 / 2

HEX #F432FA

RGB 244 50 250

HSL 298.2, 0.95%, 0.59%

LAB 60.26, 89.71, -58.27

 

CMYK 3 / 98 / 0 / 16

HEX #D004D7

RGB 208 4 215

HSL 298.01, 0.96%, 0.43%

LAB 49.98, 84.98, -55.35

 

CMYK 0 / 82 / 98 / 16

HEX #D62704

RGB 214 39 4

HSL 10, 0.96%, 0.43%

LAB 46.65, 64.52, 58.48

 

CMYK 98 / 0 / 43 / 16

HEX #04D67B

RGB 4 214 123

HSL 154, 0.96%, 0.43%

LAB 75.79, -64.27, 32.85

 

CMYK 3 / 98 / 0 / 16

HEX #D004D7

RGB 208 4 215

HSL 298.01, 0.96%, 0.43%

LAB 49.98, 84.98, -55.35

 

CMYK 0 / 3 / 98 / 16

HEX #D6CF04

RGB 214 207 4

HSL 58, 0.96%, 0.43%

LAB 81.25, -15.39, 81.04

 

CMYK 98 / 0 / 3 / 16

HEX #04D6CF

RGB 4 214 207

HSL 178, 0.96%, 0.43%

LAB 77.65, -44.07, -8.92

 

CMYK 3 / 98 / 0 / 16

HEX #D004D7

RGB 208 4 215

HSL 298.01, 0.96%, 0.43%

LAB 49.98, 84.98, -55.35

 

CMYK 0 / 82 / 98 / 16

HEX #D62704

RGB 214 39 4

HSL 10, 0.96%, 0.43%

LAB 46.65, 64.52, 58.48

 

CMYK 95 / 0 / 98 / 16

HEX #0BD604

RGB 11 214 4

HSL 118, 0.96%, 0.43%

LAB 74.93, -75.02, 72.54

 

CMYK 98 / 16 / 0 / 16

HEX #04B3D6

RGB 4 179 214

HSL 190, 0.96%, 0.43%

LAB 67.37, -25.44, -28.29

 

CMYK 3 / 98 / 0 / 16

HEX #D004D7

RGB 208 4 215

HSL 298.01, 0.96%, 0.43%

LAB 49.98, 84.98, -55.35

 

CMYK 0 / 52 / 98 / 16

HEX #D66604

RGB 214 102 4

HSL 28, 0.96%, 0.43%

LAB 55.89, 39.76, 63.57

 

CMYK 95 / 0 / 98 / 16

HEX #0BD604

RGB 11 214 4

HSL 118, 0.96%, 0.43%

LAB 74.93, -75.02, 72.54

 

CMYK 98 / 46 / 0 / 16

HEX #0474D6

RGB 4 116 214

HSL 208, 0.96%, 0.43%

LAB 48.72, 10.43, -57.67

 

Description

Color code: HEX #D004D7 | qconv.com Color code: HEX #D004D7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 4 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 4 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 98 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 98% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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