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Color name
HEX #D3FA93

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3FA93 it is the complementary color #2C056C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3FA93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3FA93 shade: #D8FA8E, #E9FFA1, #FAFFB4, #FFFFC7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3FA93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3FA93 shade: #D3FA93, #C2E880, #B1D66D, #A0C45A and #8FB247

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3FA93 shade: #D3F993, #EEF993, #F9E993, #F9CE93 and #F9B293

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3FA93 shade: #D3F993, #B7F993, #9CF993, #93F9A7 and #93F9C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3FA93 shade matches the following richer shades: #D3F993

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3FA93 shade: #D3F993, #D1F09C, #CEE7A6, #CCDEAF and #CAD5B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3FA93 shade: #F9E893, #EFF993, #D4F993, #B9F993 and #9EF993

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3FA93 shade: #B3F645, #C3F86C, #D3F993, #E3FBBB and #F3FDE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3FA93 shade: #D3FA93, #93F9CD and #F693F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3FA93 shade: #D3FA93, #93D4F9 and #F993D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3FA93 shade: #D3FA93, #93F9CD, #B993F9 and #F993C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3FA93 shade: #D3FA93, #93F9EC, #B993F9 and #F993A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 41 / 2

HEX #D3FA93

RGB 211 250 147

HSL 82.72, 0.91%, 0.78%

LAB 93.59, -28.91, 45.25

 

Complementary color

CMYK 59 / 95 / 0 / 58

HEX #2C056C

RGB 44 5 108

HSL 262.72, 0.91%, 0.22%

LAB 13.98, 41.73, -50.02

 

CMYK 14 / 0 / 43 / 2

HEX #D8FA8E

RGB 216 250 142

HSL 78.89, 0.92%, 0.77%

LAB 93.85, -27.65, 48.05

 

CMYK 9 / 0 / 37 / 0

HEX #E9FFA1

RGB 233 255 161

HSL 74.04, 1%, 0.82%

LAB 96.58, -21.6, 42.56

 

CMYK 2 / 0 / 29 / 0

HEX #FAFFB4

RGB 250 255 180

HSL 64, 1%, 0.85%

LAB 98.09, -13.04, 35.38

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 16 / 0 / 41 / 2

HEX #D3FA93

RGB 211 250 147

HSL 82.72, 0.91%, 0.78%

LAB 93.59, -28.91, 45.25

 

CMYK 16 / 0 / 45 / 9

HEX #C2E880

RGB 194 232 128

HSL 81.92, 0.69%, 0.71%

LAB 87.36, -28.85, 46.38

 

CMYK 17 / 0 / 49 / 16

HEX #B1D66D

RGB 177 214 109

HSL 81.14, 0.56%, 0.63%

LAB 81.04, -28.76, 47.51

 

CMYK 18 / 0 / 54 / 23

HEX #A0C45A

RGB 160 196 90

HSL 80.38, 0.47%, 0.56%

LAB 74.63, -28.61, 48.61

 

CMYK 20 / 0 / 60 / 30

HEX #8FB247

RGB 143 178 71

HSL 79.63, 0.43%, 0.49%

LAB 68.12, -28.38, 49.61

 

CMYK 15 / 0 / 41 / 2

HEX #D3F993

RGB 211 249 147

HSL 82.35, 0.89%, 0.78%

LAB 93.32, -28.44, 44.91

 

CMYK 4 / 0 / 41 / 2

HEX #EEF993

RGB 238 249 147

HSL 66.47, 0.89%, 0.78%

LAB 95.18, -18.4, 47.64

 

CMYK 0 / 6 / 41 / 2

HEX #F9E993

RGB 249 233 147

HSL 50.59, 0.89%, 0.78%

LAB 91.92, -6.29, 43.7

 

CMYK 0 / 17 / 41 / 2

HEX #F9CE93

RGB 249 206 147

HSL 34.71, 0.89%, 0.78%

LAB 85.19, 7.48, 35.01

 

CMYK 0 / 29 / 41 / 2

HEX #F9B293

RGB 249 178 147

HSL 18.24, 0.89%, 0.78%

LAB 78.51, 22.14, 26.12

 

CMYK 15 / 0 / 41 / 2

HEX #D3F993

RGB 211 249 147

HSL 82.35, 0.89%, 0.78%

LAB 93.32, -28.44, 44.91

 

CMYK 27 / 0 / 41 / 2

HEX #B7F993

RGB 183 249 147

HSL 98.82, 0.89%, 0.78%

LAB 91.65, -38.29, 42.44

 

CMYK 37 / 0 / 41 / 2

HEX #9CF993

RGB 156 249 147

HSL 114.71, 0.89%, 0.78%

LAB 90.29, -46.97, 40.41

 

CMYK 41 / 0 / 33 / 2

HEX #93F9A7

RGB 147 249 167

HSL 131.76, 0.89%, 0.78%

LAB 90.2, -46.53, 30.28

 

CMYK 41 / 0 / 22 / 2

HEX #93F9C2

RGB 147 249 194

HSL 147.65, 0.89%, 0.78%

LAB 90.71, -41.68, 17.21

 

CMYK 15 / 0 / 41 / 2

HEX #D3F993

RGB 211 249 147

HSL 82.35, 0.89%, 0.78%

LAB 93.32, -28.44, 44.91

 

CMYK 15 / 0 / 41 / 2

HEX #D3F993

RGB 211 249 147

HSL 82.35, 0.89%, 0.78%

LAB 93.32, -28.44, 44.91

 

CMYK 13 / 0 / 35 / 6

HEX #D1F09C

RGB 209 240 156

HSL 82.14, 0.74%, 0.78%

LAB 90.91, -23.8, 37.34

 

CMYK 11 / 0 / 28 / 9

HEX #CEE7A6

RGB 206 231 166

HSL 83.08, 0.58%, 0.78%

LAB 88.46, -19.18, 29

 

CMYK 8 / 0 / 21 / 13

HEX #CCDEAF

RGB 204 222 175

HSL 82.98, 0.42%, 0.78%

LAB 86.09, -14.11, 21.09

 

CMYK 5 / 0 / 14 / 16

HEX #CAD5B8

RGB 202 213 184

HSL 82.76, 0.26%, 0.78%

LAB 83.76, -8.84, 13.08

 

CMYK 0 / 7 / 41 / 2

HEX #F9E893

RGB 249 232 147

HSL 50, 0.89%, 0.78%

LAB 91.67, -5.79, 43.38

 

CMYK 4 / 0 / 41 / 2

HEX #EFF993

RGB 239 249 147

HSL 65.88, 0.89%, 0.78%

LAB 95.25, -18.02, 47.75

 

CMYK 15 / 0 / 41 / 2

HEX #D4F993

RGB 212 249 147

HSL 81.76, 0.89%, 0.78%

LAB 93.39, -28.08, 45.01

 

CMYK 26 / 0 / 41 / 2

HEX #B9F993

RGB 185 249 147

HSL 97.65, 0.89%, 0.78%

LAB 91.76, -37.61, 42.6

 

CMYK 37 / 0 / 41 / 2

HEX #9EF993

RGB 158 249 147

HSL 113.53, 0.89%, 0.78%

LAB 90.38, -46.36, 40.55

 

CMYK 27 / 0 / 72 / 4

HEX #B3F645

RGB 179 246 69

HSL 82.71, 0.91%, 0.62%

LAB 89.82, -45.58, 73.69

 

CMYK 21 / 0 / 56 / 3

HEX #C3F86C

RGB 195 248 108

HSL 82.71, 0.91%, 0.7%

LAB 91.6, -37.82, 60.66

 

CMYK 15 / 0 / 41 / 2

HEX #D3F993

RGB 211 249 147

HSL 82.35, 0.89%, 0.78%

LAB 93.32, -28.44, 44.91

 

CMYK 10 / 0 / 25 / 2

HEX #E3FBBB

RGB 227 251 187

HSL 82.5, 0.89%, 0.86%

LAB 95.54, -18.46, 28.15

 

CMYK 4 / 0 / 11 / 1

HEX #F3FDE2

RGB 243 253 226

HSL 82.22, 0.87%, 0.94%

LAB 97.95, -7.92, 11.79

 

CMYK 16 / 0 / 41 / 2

HEX #D3FA93

RGB 211 250 147

HSL 82.72, 0.91%, 0.78%

LAB 93.59, -28.91, 45.25

 

CMYK 41 / 0 / 18 / 2

HEX #93F9CD

RGB 147 249 205

HSL 154.12, 0.89%, 0.78%

LAB 90.94, -39.5, 11.87

 

CMYK 1 / 41 / 0 / 2

HEX #F693F9

RGB 246 147 249

HSL 298.24, 0.89%, 0.78%

LAB 74.38, 52.16, -35.48

 

CMYK 16 / 0 / 41 / 2

HEX #D3FA93

RGB 211 250 147

HSL 82.72, 0.91%, 0.78%

LAB 93.59, -28.91, 45.25

 

CMYK 41 / 15 / 0 / 2

HEX #93D4F9

RGB 147 212 249

HSL 201.76, 0.89%, 0.78%

LAB 81.91, -11.32, -24.59

 

CMYK 0 / 41 / 15 / 2

HEX #F993D4

RGB 249 147 212

HSL 321.76, 0.89%, 0.78%

LAB 73.39, 46.89, -16.74

 

CMYK 16 / 0 / 41 / 2

HEX #D3FA93

RGB 211 250 147

HSL 82.72, 0.91%, 0.78%

LAB 93.59, -28.91, 45.25

 

CMYK 41 / 0 / 18 / 2

HEX #93F9CD

RGB 147 249 205

HSL 154.12, 0.89%, 0.78%

LAB 90.94, -39.5, 11.87

 

CMYK 26 / 41 / 0 / 2

HEX #B993F9

RGB 185 147 249

HSL 262.35, 0.89%, 0.78%

LAB 68.04, 34.67, -45.85

 

CMYK 0 / 41 / 23 / 2

HEX #F993C0

RGB 249 147 192

HSL 333.53, 0.89%, 0.78%

LAB 72.77, 43.93, -6.63

 

CMYK 16 / 0 / 41 / 2

HEX #D3FA93

RGB 211 250 147

HSL 82.72, 0.91%, 0.78%

LAB 93.59, -28.91, 45.25

 

CMYK 41 / 0 / 5 / 2

HEX #93F9EC

RGB 147 249 236

HSL 172.35, 0.89%, 0.78%

LAB 91.69, -32.78, -3.12

 

CMYK 26 / 41 / 0 / 2

HEX #B993F9

RGB 185 147 249

HSL 262.35, 0.89%, 0.78%

LAB 68.04, 34.67, -45.85

 

CMYK 0 / 41 / 35 / 2

HEX #F993A1

RGB 249 147 161

HSL 351.76, 0.89%, 0.78%

LAB 71.95, 39.92, 9.38

 

Description

Color code: HEX #D3FA93 | qconv.com Color code: HEX #D3FA93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 250 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 250 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 41 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 41% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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