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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3E7CA it is the complementary color #2C1835. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3E7CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3E7CA shade: #D8E7C5, #E9F9D8, #FAFFEB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3E7CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3E7CA shade: #D3E7CA, #C2D5B7, #B1C3A4, #A0B191 and #8F9F7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3E7CA shade: #D3E7CA, #DBE7CA, #E2E7CA, #E7E3CA and #E7DBCA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3E7CA shade: #D3E7CA, #CBE7CA, #CAE7D0, #CAE7D8 and #CAE7E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3E7CA shade matches the following richer shades: #D3E7CA, #D0EDC4, #CEF3BD and #CCF9B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3E7CA shade: #D3E7CA, #D5E1D0, #D7DAD6, #DAD4DC and #DCCEE2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3E7CA shade: #E2E7CA, #DBE7CA, #D3E7CA, #CBE7CA and #CAE7D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3E7CA shade: #A4CD91, #BBDAAD, #D3E7CA and #EAF4E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3E7CA shade: #D3E7CA, #CAE7E3 and #E7CADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3E7CA shade: #D3E7CA, #CAD3E7 and #E7CAD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3E7CA shade: #D3E7CA, #CAE7E3, #DECAE7 and #E7CACD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3E7CA shade: #D3E7CA, #CAE1E7, #DECAE7 and #E7CFCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 13 / 9

HEX #D3E7CA

RGB 211 231 202

HSL 101.38, 0.38%, 0.85%

LAB 89.52, -11.83, 11.88

 

Complementary color

CMYK 17 / 55 / 0 / 79

HEX #2C1835

RGB 44 24 53

HSL 281.38, 0.38%, 0.15%

LAB 12.26, 16.41, -15.12

 

CMYK 6 / 0 / 15 / 9

HEX #D8E7C5

RGB 216 231 197

HSL 86.47, 0.41%, 0.84%

LAB 89.76, -10.93, 14.88

 

CMYK 6 / 0 / 13 / 2

HEX #E9F9D8

RGB 233 249 216

HSL 89.09, 0.73%, 0.91%

LAB 96.01, -10.96, 14.06

 

CMYK 2 / 0 / 8 / 0

HEX #FAFFEB

RGB 250 255 235

HSL 75, 1%, 0.96%

LAB 99.16, -5.06, 8.98

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 9 / 0 / 13 / 9

HEX #D3E7CA

RGB 211 231 202

HSL 101.38, 0.38%, 0.85%

LAB 89.52, -11.83, 11.88

 

CMYK 9 / 0 / 14 / 16

HEX #C2D5B7

RGB 194 213 183

HSL 98, 0.26%, 0.78%

LAB 83.17, -11.82, 12.68

 

CMYK 9 / 0 / 16 / 24

HEX #B1C3A4

RGB 177 195 164

HSL 94.84, 0.21%, 0.7%

LAB 76.71, -11.82, 13.53

 

CMYK 10 / 0 / 18 / 31

HEX #A0B191

RGB 160 177 145

HSL 91.88, 0.17%, 0.63%

LAB 70.15, -11.83, 14.42

 

CMYK 10 / 0 / 21 / 38

HEX #8F9F7E

RGB 143 159 126

HSL 89.09, 0.15%, 0.56%

LAB 63.46, -11.83, 15.36

 

CMYK 9 / 0 / 13 / 9

HEX #D3E7CA

RGB 211 231 202

HSL 101.38, 0.38%, 0.85%

LAB 89.52, -11.83, 11.88

 

CMYK 5 / 0 / 13 / 9

HEX #DBE7CA

RGB 219 231 202

HSL 84.83, 0.38%, 0.85%

LAB 90.08, -9.07, 12.76

 

CMYK 2 / 0 / 13 / 9

HEX #E2E7CA

RGB 226 231 202

HSL 70.34, 0.38%, 0.85%

LAB 90.59, -6.62, 13.55

 

CMYK 0 / 2 / 13 / 9

HEX #E7E3CA

RGB 231 227 202

HSL 51.72, 0.38%, 0.85%

LAB 89.95, -2.82, 12.7

 

CMYK 0 / 5 / 13 / 9

HEX #E7DBCA

RGB 231 219 202

HSL 35.17, 0.38%, 0.85%

LAB 87.93, 1.29, 9.82

 

CMYK 9 / 0 / 13 / 9

HEX #D3E7CA

RGB 211 231 202

HSL 101.38, 0.38%, 0.85%

LAB 89.52, -11.83, 11.88

 

CMYK 12 / 0 / 13 / 9

HEX #CBE7CA

RGB 203 231 202

HSL 117.93, 0.38%, 0.85%

LAB 88.98, -14.54, 11.04

 

CMYK 13 / 0 / 10 / 9

HEX #CAE7D0

RGB 202 231 208

HSL 132.41, 0.38%, 0.85%

LAB 89.05, -13.82, 7.99

 

CMYK 13 / 0 / 6 / 9

HEX #CAE7D8

RGB 202 231 216

HSL 148.97, 0.38%, 0.85%

LAB 89.24, -12.35, 4.08

 

CMYK 13 / 0 / 3 / 9

HEX #CAE7E0

RGB 202 231 224

HSL 165.52, 0.38%, 0.85%

LAB 89.44, -10.83, 0.18

 

CMYK 9 / 0 / 13 / 9

HEX #D3E7CA

RGB 211 231 202

HSL 101.38, 0.38%, 0.85%

LAB 89.52, -11.83, 11.88

 

CMYK 12 / 0 / 17 / 7

HEX #D0EDC4

RGB 208 237 196

HSL 102.44, 0.53%, 0.85%

LAB 90.76, -16.84, 16.73

 

CMYK 15 / 0 / 22 / 5

HEX #CEF3BD

RGB 206 243 189

HSL 101.11, 0.69%, 0.85%

LAB 92.09, -21.59, 22.16

 

CMYK 18 / 0 / 27 / 2

HEX #CCF9B7

RGB 204 249 183

HSL 100.91, 0.85%, 0.85%

LAB 93.45, -26.08, 27.09

 

CMYK 9 / 0 / 13 / 9

HEX #D3E7CA

RGB 211 231 202

HSL 101.38, 0.38%, 0.85%

LAB 89.52, -11.83, 11.88

 

CMYK 5 / 0 / 8 / 12

HEX #D5E1D0

RGB 213 225 208

HSL 102.35, 0.22%, 0.85%

LAB 88.23, -7.07, 6.92

 

CMYK 1 / 0 / 2 / 15

HEX #D7DAD6

RGB 215 218 214

HSL 105, 0.05%, 0.85%

LAB 86.72, -1.73, 1.6

 

CMYK 1 / 4 / 0 / 14

HEX #DAD4DC

RGB 218 212 220

HSL 285, 0.1%, 0.85%

LAB 85.58, 3.5, -3.22

 

CMYK 3 / 9 / 0 / 11

HEX #DCCEE2

RGB 220 206 226

HSL 282, 0.26%, 0.85%

LAB 84.41, 8.44, -8.13

 

CMYK 2 / 0 / 13 / 9

HEX #E2E7CA

RGB 226 231 202

HSL 70.34, 0.38%, 0.85%

LAB 90.59, -6.62, 13.55

 

CMYK 5 / 0 / 13 / 9

HEX #DBE7CA

RGB 219 231 202

HSL 84.83, 0.38%, 0.85%

LAB 90.08, -9.07, 12.76

 

CMYK 9 / 0 / 13 / 9

HEX #D3E7CA

RGB 211 231 202

HSL 101.38, 0.38%, 0.85%

LAB 89.52, -11.83, 11.88

 

CMYK 12 / 0 / 13 / 9

HEX #CBE7CA

RGB 203 231 202

HSL 117.93, 0.38%, 0.85%

LAB 88.98, -14.54, 11.04

 

CMYK 13 / 0 / 10 / 9

HEX #CAE7D0

RGB 202 231 208

HSL 132.41, 0.38%, 0.85%

LAB 89.05, -13.82, 7.99

 

CMYK 20 / 0 / 29 / 20

HEX #A4CD91

RGB 164 205 145

HSL 101, 0.38%, 0.69%

LAB 78.23, -24.56, 25.58

 

CMYK 14 / 0 / 21 / 15

HEX #BBDAAD

RGB 187 218 173

HSL 101.33, 0.38%, 0.77%

LAB 83.82, -18.45, 18.8

 

CMYK 9 / 0 / 13 / 9

HEX #D3E7CA

RGB 211 231 202

HSL 101.38, 0.38%, 0.85%

LAB 89.52, -11.83, 11.88

 

CMYK 4 / 0 / 6 / 4

HEX #EAF4E6

RGB 234 244 230

HSL 102.86, 0.39%, 0.93%

LAB 95.12, -5.78, 5.59

 

CMYK 9 / 0 / 13 / 9

HEX #D3E7CA

RGB 211 231 202

HSL 101.38, 0.38%, 0.85%

LAB 89.52, -11.83, 11.88

 

CMYK 13 / 0 / 2 / 9

HEX #CAE7E3

RGB 202 231 227

HSL 171.72, 0.38%, 0.85%

LAB 89.51, -10.25, -1.28

 

CMYK 0 / 13 / 3 / 9

HEX #E7CADF

RGB 231 202 223

HSL 316.55, 0.38%, 0.85%

LAB 84.26, 13.73, -6.65

 

CMYK 9 / 0 / 13 / 9

HEX #D3E7CA

RGB 211 231 202

HSL 101.38, 0.38%, 0.85%

LAB 89.52, -11.83, 11.88

 

CMYK 13 / 9 / 0 / 9

HEX #CAD3E7

RGB 202 211 231

HSL 221.38, 0.38%, 0.85%

LAB 84.44, 0.88, -10.88

 

CMYK 0 / 13 / 9 / 9

HEX #E7CAD3

RGB 231 202 211

HSL 341.38, 0.38%, 0.85%

LAB 83.93, 11.65, -0.73

 

CMYK 9 / 0 / 13 / 9

HEX #D3E7CA

RGB 211 231 202

HSL 101.38, 0.38%, 0.85%

LAB 89.52, -11.83, 11.88

 

CMYK 13 / 0 / 2 / 9

HEX #CAE7E3

RGB 202 231 227

HSL 171.72, 0.38%, 0.85%

LAB 89.51, -10.25, -1.28

 

CMYK 4 / 13 / 0 / 9

HEX #DECAE7

RGB 222 202 231

HSL 281.38, 0.38%, 0.85%

LAB 83.73, 12.17, -11.78

 

CMYK 0 / 13 / 11 / 9

HEX #E7CACD

RGB 231 202 205

HSL 353.79, 0.38%, 0.85%

LAB 83.78, 10.66, 2.25

 

CMYK 9 / 0 / 13 / 9

HEX #D3E7CA

RGB 211 231 202

HSL 101.38, 0.38%, 0.85%

LAB 89.52, -11.83, 11.88

 

CMYK 13 / 3 / 0 / 9

HEX #CAE1E7

RGB 202 225 231

HSL 192.41, 0.38%, 0.85%

LAB 88.05, -6.4, -5.52

 

CMYK 4 / 13 / 0 / 9

HEX #DECAE7

RGB 222 202 231

HSL 281.38, 0.38%, 0.85%

LAB 83.73, 12.17, -11.78

 

CMYK 0 / 10 / 13 / 9

HEX #E7CFCA

RGB 231 207 202

HSL 10.34, 0.38%, 0.85%

LAB 84.93, 7.54, 5.52

 

Description

Color code: HEX #D3E7CA | qconv.com Color code: HEX #D3E7CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 231 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 231 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 13 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 13% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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