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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3C5CC it is the complementary color #2C3A33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3C5CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3C5CC shade: #D8C5C7, #E9D7DA, #FAE9ED and #FFFBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3C5CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3C5CC shade: #D3C5CC, #C2B3B9, #B1A1A6, #A08F93 and #8F7D80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3C5CC shade: #D3C4CC, #D3C4C8 and #D3C4C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3C5CC shade: #D3C4CC, #D3C4CF, #D2C4D3, #CEC4D3 and #CAC4D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3C5CC shade matches the following richer shades: #D3C4CC, #DBBCCC, #E3B4CC, #EBACCC and #F4A3CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3C5CC shade: #D3C4CC, #CACDCC, #C2D5CC, #BADDCC and #B2E5CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3C5CC shade: #D2C4D3, #D3C4CF, #D3C4CC, #D3C4C8 and #D3C5C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3C5CC shade: #AF95A2, #C1ADB7, #D3C4CC, #E4DCE0 and #F6F3F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3C5CC shade: #D3C5CC, #D3CEC4 and #C4D1D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3C5CC shade: #D3C5CC, #CCD3C4 and #C4CCD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3C5CC shade: #D3C5CC, #D3CEC4, #C4D3CC and #C4C9D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3C5CC shade: #D3C5CC, #D3D3C4, #C4D3CC and #C4C4D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 3 / 17

HEX #D3C5CC

RGB 211 197 204

HSL 330, 0.14%, 0.8%

LAB 80.82, 6.12, -1.74

 

Complementary color

CMYK 24 / 0 / 12 / 77

HEX #2C3A33

RGB 44 58 51

HSL 150, 0.14%, 0.2%

LAB 23, -7.51, 2.47

 

CMYK 0 / 9 / 8 / 15

HEX #D8C5C7

RGB 216 197 199

HSL 353.68, 0.2%, 0.81%

LAB 81.1, 7, 1.41

 

CMYK 0 / 8 / 6 / 9

HEX #E9D7DA

RGB 233 215 218

HSL 350, 0.29%, 0.88%

LAB 87.48, 6.71, 0.76

 

CMYK 0 / 7 / 5 / 2

HEX #FAE9ED

RGB 250 233 237

HSL 345.88, 0.63%, 0.95%

LAB 93.76, 6.43, 0.13

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFF

RGB 255 251 255

HSL 300, 1%, 0.99%

LAB 99.02, 2.03, -1.45

 

CMYK 0 / 7 / 3 / 17

HEX #D3C5CC

RGB 211 197 204

HSL 330, 0.14%, 0.8%

LAB 80.82, 6.12, -1.74

 

CMYK 0 / 8 / 5 / 24

HEX #C2B3B9

RGB 194 179 185

HSL 336, 0.11%, 0.73%

LAB 74.33, 6.4, -1.12

 

CMYK 0 / 9 / 6 / 31

HEX #B1A1A6

RGB 177 161 166

HSL 341.25, 0.09%, 0.66%

LAB 67.72, 6.71, -0.48

 

CMYK 0 / 11 / 8 / 37

HEX #A08F93

RGB 160 143 147

HSL 345.88, 0.08%, 0.59%

LAB 60.98, 7.05, 0.19

 

CMYK 0 / 13 / 10 / 44

HEX #8F7D80

RGB 143 125 128

HSL 350, 0.07%, 0.53%

LAB 54.1, 7.43, 0.9

 

CMYK 0 / 7 / 3 / 17

HEX #D3C4CC

RGB 211 196 204

HSL 328, 0.15%, 0.8%

LAB 80.57, 6.65, -2.11

 

CMYK 0 / 7 / 5 / 17

HEX #D3C4C8

RGB 211 196 200

HSL 344, 0.15%, 0.8%

LAB 80.46, 5.95, -0.11

 

CMYK 0 / 7 / 7 / 17

HEX #D3C4C4

RGB 211 196 196

HSL 0, 0.15%, 0.8%

LAB 80.36, 5.25, 1.88

 

CMYK 0 / 7 / 3 / 17

HEX #D3C4CC

RGB 211 196 204

HSL 328, 0.15%, 0.8%

LAB 80.57, 6.65, -2.11

 

CMYK 0 / 7 / 2 / 17

HEX #D3C4CF

RGB 211 196 207

HSL 316, 0.15%, 0.8%

LAB 80.65, 7.19, -3.6

 

CMYK 0 / 7 / 0 / 17

HEX #D2C4D3

RGB 210 196 211

HSL 296, 0.15%, 0.8%

LAB 80.67, 7.58, -5.72

 

CMYK 2 / 7 / 0 / 17

HEX #CEC4D3

RGB 206 196 211

HSL 280, 0.15%, 0.8%

LAB 80.35, 6.22, -6.23

 

CMYK 4 / 7 / 0 / 17

HEX #CAC4D3

RGB 202 196 211

HSL 264, 0.15%, 0.8%

LAB 80.03, 4.87, -6.74

 

CMYK 0 / 7 / 3 / 17

HEX #D3C4CC

RGB 211 196 204

HSL 328, 0.15%, 0.8%

LAB 80.57, 6.65, -2.11

 

CMYK 0 / 14 / 7 / 14

HEX #DBBCCC

RGB 219 188 204

HSL 329.03, 0.3%, 0.8%

LAB 79.26, 13.71, -3.94

 

CMYK 0 / 21 / 10 / 11

HEX #E3B4CC

RGB 227 180 204

HSL 329.36, 0.46%, 0.8%

LAB 78.07, 20.8, -5.62

 

CMYK 0 / 27 / 13 / 8

HEX #EBACCC

RGB 235 172 204

HSL 329.52, 0.61%, 0.8%

LAB 77, 27.86, -7.12

 

CMYK 0 / 33 / 16 / 4

HEX #F4A3CC

RGB 244 163 204

HSL 329.63, 0.79%, 0.8%

LAB 75.94, 35.72, -8.59

 

CMYK 0 / 7 / 3 / 17

HEX #D3C4CC

RGB 211 196 204

HSL 328, 0.15%, 0.8%

LAB 80.57, 6.65, -2.11

 

CMYK 1 / 0 / 0 / 20

HEX #CACDCC

RGB 202 205 204

HSL 160, 0.03%, 0.8%

LAB 82.15, -1.21, 0.13

 

CMYK 9 / 0 / 4 / 16

HEX #C2D5CC

RGB 194 213 204

HSL 151.58, 0.18%, 0.8%

LAB 83.66, -8.07, 2.26

 

CMYK 16 / 0 / 8 / 13

HEX #BADDCC

RGB 186 221 204

HSL 150.86, 0.34%, 0.8%

LAB 85.26, -14.79, 4.5

 

CMYK 22 / 0 / 11 / 10

HEX #B2E5CC

RGB 178 229 204

HSL 150.59, 0.5%, 0.8%

LAB 86.93, -21.33, 6.85

 

CMYK 0 / 7 / 0 / 17

HEX #D2C4D3

RGB 210 196 211

HSL 296, 0.15%, 0.8%

LAB 80.67, 7.58, -5.72

 

CMYK 0 / 7 / 2 / 17

HEX #D3C4CF

RGB 211 196 207

HSL 316, 0.15%, 0.8%

LAB 80.65, 7.19, -3.6

 

CMYK 0 / 7 / 3 / 17

HEX #D3C4CC

RGB 211 196 204

HSL 328, 0.15%, 0.8%

LAB 80.57, 6.65, -2.11

 

CMYK 0 / 7 / 5 / 17

HEX #D3C4C8

RGB 211 196 200

HSL 344, 0.15%, 0.8%

LAB 80.46, 5.95, -0.11

 

CMYK 0 / 7 / 7 / 17

HEX #D3C5C4

RGB 211 197 196

HSL 4, 0.15%, 0.8%

LAB 80.61, 4.72, 2.25

 

CMYK 0 / 15 / 7 / 31

HEX #AF95A2

RGB 175 149 162

HSL 330, 0.14%, 0.64%

LAB 64.34, 11.93, -3.22

 

CMYK 0 / 10 / 5 / 24

HEX #C1ADB7

RGB 193 173 183

HSL 330, 0.14%, 0.72%

LAB 72.66, 8.95, -2.49

 

CMYK 0 / 7 / 3 / 17

HEX #D3C4CC

RGB 211 196 204

HSL 328, 0.15%, 0.8%

LAB 80.57, 6.65, -2.11

 

CMYK 0 / 4 / 2 / 11

HEX #E4DCE0

RGB 228 220 224

HSL 330, 0.13%, 0.88%

LAB 88.48, 3.43, -1

 

CMYK 0 / 1 / 0 / 4

HEX #F6F3F5

RGB 246 243 245

HSL 320, 0.14%, 0.96%

LAB 96.12, 1.35, -0.62

 

CMYK 0 / 7 / 3 / 17

HEX #D3C5CC

RGB 211 197 204

HSL 330, 0.14%, 0.8%

LAB 80.82, 6.12, -1.74

 

CMYK 0 / 2 / 7 / 17

HEX #D3CEC4

RGB 211 206 196

HSL 40, 0.15%, 0.8%

LAB 82.9, -0.02, 5.57

HEX #D3CEC4

CMYK 7 / 1 / 0 / 17

HEX #C4D1D3

RGB 196 209 211

HSL 188, 0.15%, 0.8%

LAB 82.93, -4, -2.51

HEX #C4D1D3

CMYK 0 / 7 / 3 / 17

HEX #D3C5CC

RGB 211 197 204

HSL 330, 0.14%, 0.8%

LAB 80.82, 6.12, -1.74

 

CMYK 3 / 0 / 7 / 17

HEX #CCD3C4

RGB 204 211 196

HSL 88, 0.15%, 0.8%

LAB 83.66, -5.07, 6.59

 

CMYK 7 / 3 / 0 / 17

HEX #C4CCD3

RGB 196 204 211

HSL 208, 0.15%, 0.8%

LAB 81.63, -1.38, -4.43

 

CMYK 0 / 7 / 3 / 17

HEX #D3C5CC

RGB 211 197 204

HSL 330, 0.14%, 0.8%

LAB 80.82, 6.12, -1.74

 

CMYK 0 / 2 / 7 / 17

HEX #D3CEC4

RGB 211 206 196

HSL 40, 0.15%, 0.8%

LAB 82.9, -0.02, 5.57

HEX #D3CEC4

CMYK 7 / 0 / 3 / 17

HEX #C4D3CC

RGB 196 211 204

HSL 152, 0.15%, 0.8%

LAB 83.28, -6.37, 1.71

HEX #C4D3CC

CMYK 7 / 5 / 0 / 17

HEX #C4C9D3

RGB 196 201 211

HSL 220, 0.15%, 0.8%

LAB 80.86, 0.2, -5.57

HEX #C4C9D3

CMYK 0 / 7 / 3 / 17

HEX #D3C5CC

RGB 211 197 204

HSL 330, 0.14%, 0.8%

LAB 80.82, 6.12, -1.74

 

CMYK 0 / 0 / 7 / 17

HEX #D3D3C4

RGB 211 211 196

HSL 60, 0.15%, 0.8%

LAB 84.19, -2.63, 7.42

 

CMYK 7 / 0 / 3 / 17

HEX #C4D3CC

RGB 196 211 204

HSL 152, 0.15%, 0.8%

LAB 83.28, -6.37, 1.71

 

CMYK 7 / 7 / 0 / 17

HEX #C4C4D3

RGB 196 196 211

HSL 240, 0.15%, 0.8%

LAB 79.57, 2.86, -7.48

 

Description

Color code: HEX #D3C5CC | qconv.com Color code: HEX #D3C5CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 197 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 197 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 3 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 3% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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