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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3BFF1 it is the complementary color #2C400E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3BFF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3BFF1 shade: #D8BFEC, #E9D1FF, #FAE3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3BFF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3BFF1 shade: #D3BFF1, #C2ADDE, #B19BCB, #A089B8 and #8F77A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3BFF1 shade: #D3C0F1, #E1C0F1, #EEC0F1, #F1C0E6 and #F1C0D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3BFF1 shade: #D3C0F1, #C6C0F1 and #C0C0F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3BFF1 shade matches the following richer shades: #D3C0F1, #D2BAF7 and #D1B3FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3BFF1 shade: #D3C0F1, #D5C6EB, #D6CCE4, #D7D2DE and #D8D9D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3BFF1 shade: #C0C6F1, #C6C0F1, #D3C0F1, #E0C0F1 and #EDC0F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3BFF1 shade: #A57CE2, #BC9EE9, #D3C0F1 and #EBE2F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3BFF1 shade: #D3BFF1, #F1C0D3 and #C0F1C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3BFF1 shade: #D3BFF1, #F1D3C0 and #C0F1D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3BFF1 shade: #D3BFF1, #F1C0D3, #DDF1C0 and #C0F1DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3BFF1 shade: #D3BFF1, #F1C0C5, #DDF1C0 and #C0F1EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 21 / 0 / 5

HEX #D3BFF1

RGB 211 191 241

HSL 264, 0.64%, 0.85%

LAB 80.44, 16.48, -22.17

 

Complementary color

CMYK 31 / 0 / 78 / 75

HEX #2C400E

RGB 44 64 14

HSL 84, 0.64%, 0.15%

LAB 24.43, -17.11, 26.77

 

CMYK 8 / 19 / 0 / 7

HEX #D8BFEC

RGB 216 191 236

HSL 273.33, 0.54%, 0.84%

LAB 80.69, 17.06, -19.06

 

CMYK 9 / 18 / 0 / 0

HEX #E9D1FF

RGB 233 209 255

HSL 271.3, 1%, 0.91%

LAB 87.07, 16.66, -19.4

 

CMYK 2 / 11 / 0 / 0

HEX #FAE3FF

RGB 250 227 255

HSL 289.29, 1%, 0.95%

LAB 92.79, 12.7, -10.69

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 12 / 21 / 0 / 5

HEX #D3BFF1

RGB 211 191 241

HSL 264, 0.64%, 0.85%

LAB 80.44, 16.48, -22.17

 

CMYK 13 / 22 / 0 / 13

HEX #C2ADDE

RGB 194 173 222

HSL 265.71, 0.43%, 0.77%

LAB 73.95, 16.91, -21.89

 

CMYK 13 / 24 / 0 / 20

HEX #B19BCB

RGB 177 155 203

HSL 267.5, 0.32%, 0.7%

LAB 67.35, 17.38, -21.63

 

CMYK 13 / 26 / 0 / 28

HEX #A089B8

RGB 160 137 184

HSL 269.36, 0.25%, 0.63%

LAB 60.63, 17.89, -21.38

 

CMYK 13 / 28 / 0 / 35

HEX #8F77A5

RGB 143 119 165

HSL 271.3, 0.2%, 0.56%

LAB 53.76, 18.45, -21.14

 

CMYK 12 / 20 / 0 / 5

HEX #D3C0F1

RGB 211 192 241

HSL 263.27, 0.64%, 0.85%

LAB 80.68, 15.94, -21.8

 

CMYK 7 / 20 / 0 / 5

HEX #E1C0F1

RGB 225 192 241

HSL 280.41, 0.64%, 0.85%

LAB 81.87, 20.42, -19.89

 

CMYK 1 / 20 / 0 / 5

HEX #EEC0F1

RGB 238 192 241

HSL 296.33, 0.64%, 0.85%

LAB 83.03, 24.63, -18.01

 

CMYK 0 / 20 / 5 / 5

HEX #F1C0E6

RGB 241 192 230

HSL 313.47, 0.64%, 0.85%

LAB 82.97, 23.65, -12.2

 

CMYK 0 / 20 / 10 / 5

HEX #F1C0D9

RGB 241 192 217

HSL 329.39, 0.64%, 0.85%

LAB 82.6, 21.43, -5.79

 

CMYK 12 / 20 / 0 / 5

HEX #D3C0F1

RGB 211 192 241

HSL 263.27, 0.64%, 0.85%

LAB 80.68, 15.94, -21.8

 

CMYK 18 / 20 / 0 / 5

HEX #C6C0F1

RGB 198 192 241

HSL 247.35, 0.64%, 0.85%

LAB 79.65, 11.87, -23.47

 

CMYK 20 / 20 / 0 / 5

HEX #C0C0F1

RGB 192 192 241

HSL 240, 0.64%, 0.85%

LAB 79.19, 10.03, -24.21

 

CMYK 12 / 20 / 0 / 5

HEX #D3C0F1

RGB 211 192 241

HSL 263.27, 0.64%, 0.85%

LAB 80.68, 15.94, -21.8

 

CMYK 15 / 25 / 0 / 3

HEX #D2BAF7

RGB 210 186 247

HSL 263.61, 0.79%, 0.85%

LAB 79.35, 20.13, -27.05

 

CMYK 17 / 29 / 0 / 1

HEX #D1B3FD

RGB 209 179 253

HSL 264.32, 0.95%, 0.85%

LAB 77.81, 24.91, -32.65

 

CMYK 12 / 20 / 0 / 5

HEX #D3C0F1

RGB 211 192 241

HSL 263.27, 0.64%, 0.85%

LAB 80.68, 15.94, -21.8

 

CMYK 9 / 16 / 0 / 8

HEX #D5C6EB

RGB 213 198 235

HSL 264.32, 0.48%, 0.85%

LAB 82.13, 12.14, -16.39

 

CMYK 6 / 11 / 0 / 11

HEX #D6CCE4

RGB 214 204 228

HSL 265, 0.31%, 0.85%

LAB 83.49, 7.89, -10.61

 

CMYK 3 / 5 / 0 / 13

HEX #D7D2DE

RGB 215 210 222

HSL 265, 0.15%, 0.85%

LAB 84.9, 3.91, -5.31

 

CMYK 0 / 0 / 0 / 15

HEX #D8D9D8

RGB 216 217 216

HSL 120, 0.01%, 0.85%

LAB 86.59, -0.52, 0.36

 

CMYK 20 / 18 / 0 / 5

HEX #C0C6F1

RGB 192 198 241

HSL 232.65, 0.64%, 0.85%

LAB 80.71, 6.79, -21.9

 

CMYK 18 / 20 / 0 / 5

HEX #C6C0F1

RGB 198 192 241

HSL 247.35, 0.64%, 0.85%

LAB 79.65, 11.87, -23.47

 

CMYK 12 / 20 / 0 / 5

HEX #D3C0F1

RGB 211 192 241

HSL 263.27, 0.64%, 0.85%

LAB 80.68, 15.94, -21.8

 

CMYK 7 / 20 / 0 / 5

HEX #E0C0F1

RGB 224 192 241

HSL 279.18, 0.64%, 0.85%

LAB 81.78, 20.09, -20.03

 

CMYK 2 / 20 / 0 / 5

HEX #EDC0F1

RGB 237 192 241

HSL 295.1, 0.64%, 0.85%

LAB 82.94, 24.31, -18.16

 

CMYK 27 / 45 / 0 / 11

HEX #A57CE2

RGB 165 124 226

HSL 264.12, 0.64%, 0.69%

LAB 59.8, 36.53, -46.26

 

CMYK 19 / 32 / 0 / 9

HEX #BC9EE9

RGB 188 158 233

HSL 264, 0.63%, 0.77%

LAB 70.2, 25.74, -33.72

 

CMYK 12 / 20 / 0 / 5

HEX #D3C0F1

RGB 211 192 241

HSL 263.27, 0.64%, 0.85%

LAB 80.68, 15.94, -21.8

 

CMYK 5 / 9 / 0 / 3

HEX #EBE2F8

RGB 235 226 248

HSL 264.55, 0.61%, 0.93%

LAB 91.16, 7.03, -9.58

 

CMYK 12 / 21 / 0 / 5

HEX #D3BFF1

RGB 211 191 241

HSL 264, 0.64%, 0.85%

LAB 80.44, 16.48, -22.17

 

CMYK 0 / 20 / 12 / 5

HEX #F1C0D3

RGB 241 192 211

HSL 336.73, 0.64%, 0.85%

LAB 82.43, 20.44, -2.82

 

CMYK 20 / 0 / 20 / 5

HEX #C0F1C0

RGB 192 241 192

HSL 120, 0.64%, 0.85%

LAB 90.74, -24.83, 18.63

 

CMYK 12 / 21 / 0 / 5

HEX #D3BFF1

RGB 211 191 241

HSL 264, 0.64%, 0.85%

LAB 80.44, 16.48, -22.17

 

CMYK 0 / 12 / 20 / 5

HEX #F1D3C0

RGB 241 211 192

HSL 23.27, 0.64%, 0.85%

LAB 86.55, 7.53, 13.24

 

CMYK 20 / 0 / 12 / 5

HEX #C0F1D3

RGB 192 241 211

HSL 143.27, 0.64%, 0.85%

LAB 91.15, -21.46, 9.37

 

CMYK 12 / 21 / 0 / 5

HEX #D3BFF1

RGB 211 191 241

HSL 264, 0.64%, 0.85%

LAB 80.44, 16.48, -22.17

 

CMYK 0 / 20 / 12 / 5

HEX #F1C0D3

RGB 241 192 211

HSL 336.73, 0.64%, 0.85%

LAB 82.43, 20.44, -2.82

 

CMYK 8 / 0 / 20 / 5

HEX #DDF1C0

RGB 221 241 192

HSL 84.49, 0.64%, 0.85%

LAB 92.61, -14.94, 21.51

 

CMYK 20 / 0 / 8 / 5

HEX #C0F1DD

RGB 192 241 221

HSL 155.51, 0.64%, 0.85%

LAB 91.39, -19.56, 4.51

 

CMYK 12 / 21 / 0 / 5

HEX #D3BFF1

RGB 211 191 241

HSL 264, 0.64%, 0.85%

LAB 80.44, 16.48, -22.17

 

CMYK 0 / 20 / 18 / 5

HEX #F1C0C5

RGB 241 192 197

HSL 353.88, 0.64%, 0.85%

LAB 82.07, 18.25, 4.17

 

CMYK 8 / 0 / 20 / 5

HEX #DDF1C0

RGB 221 241 192

HSL 84.49, 0.64%, 0.85%

LAB 92.61, -14.94, 21.51

 

CMYK 20 / 0 / 2 / 5

HEX #C0F1EC

RGB 192 241 236

HSL 173.88, 0.64%, 0.85%

LAB 91.76, -16.57, -2.75

 

Description

Color code: HEX #D3BFF1 | qconv.com Color code: HEX #D3BFF1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 191 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 191 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 21 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 21% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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