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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3BC76 it is the complementary color #2C4389. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3BC76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3BC76 shade: #D8BC71, #E9CE84, #FAE097, #FFF2AA and #FFFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3BC76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3BC76 shade: #D3BC76, #C2AA63, #B19850, #A0863D and #8F742A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3BC76 shade: #D3BC78, #D3A478, #D38B78 and #D37878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3BC76 shade: #D3BC78, #D1D378, #B8D378, #A0D378 and #87D378

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3BC76 shade matches the following richer shades: #D3BC78, #E1C469, #F0CB5B and #FED24C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3BC76 shade: #D3BC78, #C4B586, #B6AE95, #A7A6A3 and #999FB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3BC76 shade: #D38B78, #D3A478, #D3BC78, #D1D378 and #B9D378

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3BC76 shade: #BB9C3D, #C9AD59, #D3BC78, #DDCC97 and #E7DBB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3BC76 shade: #D3BC76, #7CD378 and #9878D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3BC76 shade: #D3BC76, #78D3BC and #BC78D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3BC76 shade: #D3BC76, #7CD378, #788ED3 and #CE78D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3BC76 shade: #D3BC76, #78D38E, #788ED3 and #D378BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 44 / 17

HEX #D3BC76

RGB 211 188 118

HSL 45.16, 0.51%, 0.65%

LAB 76.75, -1.3, 38.32

 

Complementary color

CMYK 68 / 51 / 0 / 46

HEX #2C4389

RGB 44 67 137

HSL 225.16, 0.51%, 0.35%

LAB 30.29, 15.5, -41.82

 

CMYK 0 / 13 / 48 / 15

HEX #D8BC71

RGB 216 188 113

HSL 43.69, 0.57%, 0.65%

LAB 77.14, 0.24, 41.44

 

CMYK 0 / 12 / 43 / 9

HEX #E9CE84

RGB 233 206 132

HSL 43.96, 0.7%, 0.72%

LAB 83.51, -0.39, 40.2

 

CMYK 0 / 10 / 40 / 2

HEX #FAE097

RGB 250 224 151

HSL 44.24, 0.91%, 0.79%

LAB 89.8, -0.94, 39

 

CMYK 0 / 5 / 33 / 0

HEX #FFF2AA

RGB 255 242 170

HSL 50.82, 1%, 0.83%

LAB 95.02, -5.96, 36.37

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 11 / 44 / 17

HEX #D3BC76

RGB 211 188 118

HSL 45.16, 0.51%, 0.65%

LAB 76.75, -1.3, 38.32

 

CMYK 0 / 12 / 49 / 24

HEX #C2AA63

RGB 194 170 99

HSL 44.84, 0.44%, 0.57%

LAB 70.26, -0.66, 39.59

 

CMYK 0 / 14 / 55 / 31

HEX #B19850

RGB 177 152 80

HSL 44.54, 0.38%, 0.5%

LAB 63.66, 0.11, 40.88

 

CMYK 0 / 16 / 62 / 37

HEX #A0863D

RGB 160 134 61

HSL 44.24, 0.45%, 0.43%

LAB 56.94, 1.04, 42.15

 

CMYK 0 / 19 / 71 / 44

HEX #8F742A

RGB 143 116 42

HSL 43.96, 0.55%, 0.36%

LAB 50.09, 2.2, 43.24

 

CMYK 0 / 11 / 43 / 17

HEX #D3BC78

RGB 211 188 120

HSL 44.84, 0.51%, 0.65%

LAB 76.78, -1.1, 37.33

 

CMYK 0 / 22 / 43 / 17

HEX #D3A478

RGB 211 164 120

HSL 29.01, 0.51%, 0.65%

LAB 70.7, 11.69, 29.46

 

CMYK 0 / 34 / 43 / 17

HEX #D38B78

RGB 211 139 120

HSL 12.53, 0.51%, 0.65%

LAB 64.7, 25.24, 21.45

 

CMYK 0 / 43 / 43 / 17

HEX #D37878

RGB 211 120 120

HSL 0, 0.51%, 0.65%

LAB 60.46, 35.41, 15.64

 

CMYK 0 / 11 / 43 / 17

HEX #D3BC78

RGB 211 188 120

HSL 44.84, 0.51%, 0.65%

LAB 76.78, -1.1, 37.33

 

CMYK 1 / 0 / 43 / 17

HEX #D1D378

RGB 209 211 120

HSL 61.32, 0.51%, 0.65%

LAB 82.65, -13.71, 44.67

 

CMYK 13 / 0 / 43 / 17

HEX #B8D378

RGB 184 211 120

HSL 77.8, 0.51%, 0.65%

LAB 80.81, -23.46, 41.98

 

CMYK 24 / 0 / 43 / 17

HEX #A0D378

RGB 160 211 120

HSL 93.63, 0.51%, 0.65%

LAB 79.28, -32.35, 39.73

 

CMYK 36 / 0 / 43 / 17

HEX #87D378

RGB 135 211 120

HSL 110.11, 0.51%, 0.65%

LAB 77.93, -40.86, 37.74

 

CMYK 0 / 11 / 43 / 17

HEX #D3BC78

RGB 211 188 120

HSL 44.84, 0.51%, 0.65%

LAB 76.78, -1.1, 37.33

 

CMYK 0 / 13 / 53 / 12

HEX #E1C469

RGB 225 196 105

HSL 45.5, 0.67%, 0.65%

LAB 79.9, -0.94, 48.96

 

CMYK 0 / 15 / 62 / 6

HEX #F0CB5B

RGB 240 203 91

HSL 45.1, 0.83%, 0.65%

LAB 82.91, 0.62, 59.28

 

CMYK 0 / 17 / 70 / 0

HEX #FED24C

RGB 254 210 76

HSL 45.17, 0.99%, 0.65%

LAB 85.85, 2.02, 69.05

 

CMYK 0 / 11 / 43 / 17

HEX #D3BC78

RGB 211 188 120

HSL 44.84, 0.51%, 0.65%

LAB 76.78, -1.1, 37.33

 

CMYK 0 / 8 / 32 / 23

HEX #C4B586

RGB 196 181 134

HSL 45.48, 0.34%, 0.65%

LAB 73.87, -1.79, 25.93

 

CMYK 0 / 4 / 18 / 29

HEX #B6AE95

RGB 182 174 149

HSL 45.45, 0.18%, 0.65%

LAB 71.14, -1.36, 13.87

 

CMYK 0 / 1 / 2 / 35

HEX #A7A6A3

RGB 167 166 163

HSL 45, 0.02%, 0.65%

LAB 68.12, -0.2, 1.67

 

CMYK 14 / 10 / 0 / 31

HEX #999FB1

RGB 153 159 177

HSL 225, 0.13%, 0.65%

LAB 65.55, 1.58, -10.05

 

CMYK 0 / 34 / 43 / 17

HEX #D38B78

RGB 211 139 120

HSL 12.53, 0.51%, 0.65%

LAB 64.7, 25.24, 21.45

 

CMYK 0 / 22 / 43 / 17

HEX #D3A478

RGB 211 164 120

HSL 29.01, 0.51%, 0.65%

LAB 70.7, 11.69, 29.46

 

CMYK 0 / 11 / 43 / 17

HEX #D3BC78

RGB 211 188 120

HSL 44.84, 0.51%, 0.65%

LAB 76.78, -1.1, 37.33

 

CMYK 1 / 0 / 43 / 17

HEX #D1D378

RGB 209 211 120

HSL 61.32, 0.51%, 0.65%

LAB 82.65, -13.71, 44.67

 

CMYK 12 / 0 / 43 / 17

HEX #B9D378

RGB 185 211 120

HSL 77.14, 0.51%, 0.65%

LAB 80.88, -23.07, 42.08

 

CMYK 0 / 17 / 67 / 27

HEX #BB9C3D

RGB 187 156 61

HSL 45.24, 0.51%, 0.49%

LAB 65.5, 0.93, 52.25

 

CMYK 0 / 14 / 56 / 21

HEX #C9AD59

RGB 201 173 89

HSL 45, 0.51%, 0.57%

LAB 71.57, -0.19, 46.33

 

CMYK 0 / 11 / 43 / 17

HEX #D3BC78

RGB 211 188 120

HSL 44.84, 0.51%, 0.65%

LAB 76.78, -1.1, 37.33

 

CMYK 0 / 8 / 32 / 13

HEX #DDCC97

RGB 221 204 151

HSL 45.43, 0.51%, 0.73%

LAB 82.27, -1.92, 28.6

 

CMYK 0 / 5 / 21 / 9

HEX #E7DBB6

RGB 231 219 182

HSL 45.31, 0.51%, 0.81%

LAB 87.5, -1.73, 19.7

 

CMYK 0 / 11 / 44 / 17

HEX #D3BC76

RGB 211 188 118

HSL 45.16, 0.51%, 0.65%

LAB 76.75, -1.3, 38.32

 

CMYK 41 / 0 / 43 / 17

HEX #7CD378

RGB 124 211 120

HSL 117.36, 0.51%, 0.65%

LAB 77.42, -44.29, 36.98

 

CMYK 28 / 43 / 0 / 17

HEX #9878D3

RGB 152 120 211

HSL 261.1, 0.51%, 0.65%

LAB 56.89, 31.55, -42.52

 

CMYK 0 / 11 / 44 / 17

HEX #D3BC76

RGB 211 188 118

HSL 45.16, 0.51%, 0.65%

LAB 76.75, -1.3, 38.32

 

CMYK 43 / 0 / 11 / 17

HEX #78D3BC

RGB 120 211 188

HSL 164.84, 0.51%, 0.65%

LAB 78.59, -32.64, 2.91

 

CMYK 11 / 43 / 0 / 17

HEX #BC78D3

RGB 188 120 211

HSL 284.84, 0.51%, 0.65%

LAB 60.63, 41.92, -36.39

 

CMYK 0 / 11 / 44 / 17

HEX #D3BC76

RGB 211 188 118

HSL 45.16, 0.51%, 0.65%

LAB 76.75, -1.3, 38.32

 

CMYK 41 / 0 / 43 / 17

HEX #7CD378

RGB 124 211 120

HSL 117.36, 0.51%, 0.65%

LAB 77.42, -44.29, 36.98

 

CMYK 43 / 33 / 0 / 17

HEX #788ED3

RGB 120 142 211

HSL 225.49, 0.51%, 0.65%

LAB 59.93, 10.02, -37.93

 

CMYK 2 / 43 / 0 / 17

HEX #CE78D3

RGB 206 120 211

HSL 296.7, 0.51%, 0.65%

LAB 62.72, 47.25, -32.97

 

CMYK 0 / 11 / 44 / 17

HEX #D3BC76

RGB 211 188 118

HSL 45.16, 0.51%, 0.65%

LAB 76.75, -1.3, 38.32

 

CMYK 43 / 0 / 33 / 17

HEX #78D38E

RGB 120 211 142

HSL 134.51, 0.51%, 0.65%

LAB 77.6, -41.94, 25.91

 

CMYK 43 / 33 / 0 / 17

HEX #788ED3

RGB 120 142 211

HSL 225.49, 0.51%, 0.65%

LAB 59.93, 10.02, -37.93

 

CMYK 0 / 43 / 11 / 17

HEX #D378BC

RGB 211 120 188

HSL 315.16, 0.51%, 0.65%

LAB 62.43, 44.74, -20.39

 

Description

Color code: HEX #D3BC76 | qconv.com Color code: HEX #D3BC76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 188 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 188 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 44 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 44% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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