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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFB30D it is the complementary color #304CF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFB30D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFB30D shade: #D4B308, #E5C51B, #F6D72E, #FFE941 and #FFFB54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFB30D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFB30D shade: #CFB30D, #BEA100, #AD8F00, #9C7D00 and #8B6B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFB30D shade: #CEB20D, #CE7E0D, #CE4A0D, #CE160D and #CE0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFB30D shade: #CEB20D, #B5CE0D, #81CE0D, #4DCE0D and #19CE0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFB30D shade matches the following richer shades: #CEB20D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFB30D shade: #CEB20D, #BCA51E, #AA9930, #988C42 and #877F54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFB30D shade: #CE4A0D, #CE7D0D, #CEB10D, #B7CE0D and #84CE0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFB30D shade: #806F08, #A7900A, #CEB20D, #F0D014 and #F2D83B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFB30D shade: #CFB30D, #0DCE16 and #640DCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFB30D shade: #CFB30D, #0DCEB1 and #B10DCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFB30D shade: #CFB30D, #0DCE16, #0D2ACE and #CE0DC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFB30D shade: #CFB30D, #0DCE50, #0D2ACE and #CE0D8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 94 / 19

HEX #CFB30D

RGB 207 179 13

HSL 51.34, 0.88%, 0.43%

LAB 73.24, -4.06, 73.9

 

Complementary color

CMYK 80 / 69 / 0 / 5

HEX #304CF2

RGB 48 76 242

HSL 231.34, 0.88%, 0.57%

LAB 41.54, 48.51, -85.17

 

CMYK 0 / 16 / 96 / 17

HEX #D4B308

RGB 212 179 8

HSL 50.29, 0.93%, 0.43%

LAB 73.71, -1.91, 75.03

 

CMYK 0 / 14 / 88 / 10

HEX #E5C51B

RGB 229 197 27

HSL 50.5, 0.8%, 0.5%

LAB 79.99, -3.58, 77.71

 

CMYK 0 / 13 / 81 / 4

HEX #F6D72E

RGB 246 215 46

HSL 50.7, 0.92%, 0.57%

LAB 86.2, -5.04, 79.07

 

CMYK 0 / 9 / 75 / 0

HEX #FFE941

RGB 255 233 65

HSL 53.05, 1%, 0.63%

LAB 91.65, -9.62, 78.61

 

CMYK 0 / 2 / 67 / 0

HEX #FFFB54

RGB 255 251 84

HSL 58.6, 1%, 0.66%

LAB 96.37, -17.55, 76.63

 

CMYK 0 / 14 / 94 / 19

HEX #CFB30D

RGB 207 179 13

HSL 51.34, 0.88%, 0.43%

LAB 73.24, -4.06, 73.9

 

CMYK 0 / 15 / 100 / 25

HEX #BEA100

RGB 190 161 0

HSL 50.84, 1%, 0.37%

LAB 66.85, -2.26, 70.09

 

CMYK 0 / 17 / 100 / 32

HEX #AD8F00

RGB 173 143 0

HSL 49.6, 1%, 0.34%

LAB 60.36, -0.24, 64.73

 

CMYK 0 / 20 / 100 / 39

HEX #9C7D00

RGB 156 125 0

HSL 48.08, 1%, 0.31%

LAB 53.74, 1.86, 59.27

 

CMYK 0 / 23 / 100 / 45

HEX #8B6B00

RGB 139 107 0

HSL 46.19, 1%, 0.27%

LAB 46.98, 4.06, 53.7

HEX #8B6B00

CMYK 0 / 14 / 94 / 19

HEX #CEB20D

RGB 206 178 13

HSL 51.3, 0.88%, 0.43%

LAB 72.89, -3.97, 73.59

 

CMYK 0 / 39 / 94 / 19

HEX #CE7E0D

RGB 206 126 13

HSL 35.13, 0.88%, 0.43%

LAB 59.95, 23.99, 64.13

 

CMYK 0 / 64 / 94 / 19

HEX #CE4A0D

RGB 206 74 13

HSL 18.96, 0.88%, 0.43%

LAB 49.55, 50.03, 57.03

 

CMYK 0 / 89 / 94 / 19

HEX #CE160D

RGB 206 22 13

HSL 2.8, 0.88%, 0.43%

LAB 43.84, 65.88, 53.48

 

CMYK 0 / 94 / 94 / 19

HEX #CE0D0D

RGB 206 13 13

HSL 0, 0.88%, 0.43%

LAB 43.42, 67.09, 53.23

 

CMYK 0 / 14 / 94 / 19

HEX #CEB20D

RGB 206 178 13

HSL 51.3, 0.88%, 0.43%

LAB 72.89, -3.97, 73.59

 

CMYK 12 / 0 / 94 / 19

HEX #B5CE0D

RGB 181 206 13

HSL 67.77, 0.88%, 0.43%

LAB 78.46, -28.75, 76.94

 

CMYK 37 / 0 / 94 / 19

HEX #81CE0D

RGB 129 206 13

HSL 83.94, 0.88%, 0.43%

LAB 75.35, -48.85, 73.17

 

CMYK 63 / 0 / 94 / 19

HEX #4DCE0D

RGB 77 206 13

HSL 100.1, 0.88%, 0.43%

LAB 73.38, -64.04, 70.75

 

CMYK 88 / 0 / 94 / 19

HEX #19CE0D

RGB 25 206 13

HSL 116.27, 0.88%, 0.43%

LAB 72.48, -71.87, 69.64

 

CMYK 0 / 14 / 94 / 19

HEX #CEB20D

RGB 206 178 13

HSL 51.3, 0.88%, 0.43%

LAB 72.89, -3.97, 73.59

 

CMYK 0 / 14 / 94 / 19

HEX #CEB20D

RGB 206 178 13

HSL 51.3, 0.88%, 0.43%

LAB 72.89, -3.97, 73.59

 

CMYK 0 / 12 / 84 / 26

HEX #BCA51E

RGB 188 165 30

HSL 51.27, 0.72%, 0.43%

LAB 67.8, -4.77, 65.56

 

CMYK 0 / 10 / 72 / 33

HEX #AA9930

RGB 170 153 48

HSL 51.64, 0.56%, 0.43%

LAB 62.96, -5.69, 54.59

 

CMYK 0 / 8 / 57 / 40

HEX #988C42

RGB 152 140 66

HSL 51.63, 0.39%, 0.43%

LAB 57.87, -5.43, 40.53

 

CMYK 0 / 6 / 38 / 47

HEX #877F54

RGB 135 127 84

HSL 50.59, 0.23%, 0.43%

LAB 52.92, -3.77, 24.49

 

CMYK 0 / 64 / 94 / 19

HEX #CE4A0D

RGB 206 74 13

HSL 18.96, 0.88%, 0.43%

LAB 49.55, 50.03, 57.03

 

CMYK 0 / 39 / 94 / 19

HEX #CE7D0D

RGB 206 125 13

HSL 34.82, 0.88%, 0.43%

LAB 59.72, 24.53, 63.97

 

CMYK 0 / 14 / 94 / 19

HEX #CEB10D

RGB 206 177 13

HSL 50.98, 0.88%, 0.43%

LAB 72.62, -3.45, 73.39

 

CMYK 11 / 0 / 94 / 19

HEX #B7CE0D

RGB 183 206 13

HSL 67.15, 0.88%, 0.43%

LAB 78.6, -27.92, 77.12

 

CMYK 36 / 0 / 94 / 19

HEX #84CE0D

RGB 132 206 13

HSL 83.01, 0.88%, 0.43%

LAB 75.5, -47.8, 73.35

 

CMYK 0 / 13 / 94 / 50

HEX #806F08

RGB 128 111 8

HSL 51.5, 0.88%, 0.27%

LAB 46.94, -3.34, 51.36

 

CMYK 0 / 14 / 94 / 35

HEX #A7900A

RGB 167 144 10

HSL 51.21, 0.89%, 0.35%

LAB 60.05, -3.39, 62.71

 

CMYK 0 / 14 / 94 / 19

HEX #CEB20D

RGB 206 178 13

HSL 51.3, 0.88%, 0.43%

LAB 72.89, -3.97, 73.59

 

CMYK 0 / 13 / 92 / 6

HEX #F0D014

RGB 240 208 20

HSL 51.27, 0.88%, 0.51%

LAB 83.8, -4.59, 82.25

 

CMYK 0 / 11 / 76 / 5

HEX #F2D83B

RGB 242 216 59

HSL 51.48, 0.88%, 0.59%

LAB 86.16, -6.79, 75.06

 

CMYK 0 / 14 / 94 / 19

HEX #CFB30D

RGB 207 179 13

HSL 51.34, 0.88%, 0.43%

LAB 73.24, -4.06, 73.9

 

CMYK 94 / 0 / 89 / 19

HEX #0DCE16

RGB 13 206 22

HSL 122.8, 0.88%, 0.43%

LAB 72.42, -72.36, 68.24

 

CMYK 51 / 94 / 0 / 19

HEX #640DCE

RGB 100 13 206

HSL 267.05, 0.88%, 0.43%

LAB 32.82, 68.73, -78.85

 

CMYK 0 / 14 / 94 / 19

HEX #CFB30D

RGB 207 179 13

HSL 51.34, 0.88%, 0.43%

LAB 73.24, -4.06, 73.9

 

CMYK 94 / 0 / 14 / 19

HEX #0DCEB1

RGB 13 206 177

HSL 170.98, 0.88%, 0.43%

LAB 74.45, -48.77, 2.52

 

CMYK 14 / 94 / 0 / 19

HEX #B10DCE

RGB 177 13 206

HSL 290.98, 0.88%, 0.43%

LAB 44.36, 78.02, -59.49

 

CMYK 0 / 14 / 94 / 19

HEX #CFB30D

RGB 207 179 13

HSL 51.34, 0.88%, 0.43%

LAB 73.24, -4.06, 73.9

 

CMYK 94 / 0 / 89 / 19

HEX #0DCE16

RGB 13 206 22

HSL 122.8, 0.88%, 0.43%

LAB 72.42, -72.36, 68.24

 

CMYK 94 / 80 / 0 / 19

HEX #0D2ACE

RGB 13 42 206

HSL 230.98, 0.88%, 0.43%

LAB 29.91, 53.9, -83.86

 

CMYK 0 / 94 / 5 / 19

HEX #CE0DC4

RGB 206 13 196

HSL 303.11, 0.88%, 0.43%

LAB 48.75, 81.18, -46.38

 

CMYK 0 / 14 / 94 / 19

HEX #CFB30D

RGB 207 179 13

HSL 51.34, 0.88%, 0.43%

LAB 73.24, -4.06, 73.9

 

CMYK 94 / 0 / 61 / 19

HEX #0DCE50

RGB 13 206 80

HSL 140.83, 0.88%, 0.43%

LAB 72.76, -67.97, 49.77

 

CMYK 94 / 80 / 0 / 19

HEX #0D2ACE

RGB 13 42 206

HSL 230.98, 0.88%, 0.43%

LAB 29.91, 53.9, -83.86

 

CMYK 0 / 94 / 33 / 19

HEX #CE0D8A

RGB 206 13 138

HSL 321.14, 0.88%, 0.43%

LAB 45.97, 74.03, -16.27

 

Description

Color code: HEX #CFB30D | qconv.com Color code: HEX #CFB30D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 179 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 179 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 94 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 94% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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