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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFB1A1 it is the complementary color #304E5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFB1A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFB1A1 shade: #D4B19C, #E5C3AF, #F6D5C2, #FFE7D5 and #FFF9E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFB1A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFB1A1 shade: #CFB1A1, #BE9F8E, #AD8D7B, #9C7B68 and #8B6955

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFB1A1 shade: #CEB0A0, #CEA4A0 and #CEA0A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFB1A1 shade: #CEB0A0, #CEBCA0, #CEC9A0, #C7CEA0 and #BACEA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFB1A1 shade matches the following richer shades: #CEB0A0, #DAAD95, #E5A989, #F1A67E and #FCA272

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFB1A1 shade: #CEB0A0, #C2B4AC, #B7B7B7, #ABBBC3 and #A0BECE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFB1A1 shade: #CEA0A9, #CEA3A0, #CEAFA0, #CEBCA0 and #CEC8A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFB1A1 shade: #B2836A, #C09A85, #CEB0A0, #DCC7BB and #EADDD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFB1A1 shade: #CFB1A1, #B6CEA0 and #A0A3CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFB1A1 shade: #CFB1A1, #A0CEAF and #AFA0CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFB1A1 shade: #CFB1A1, #B6CEA0, #A0BFCE and #B9A0CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFB1A1 shade: #CFB1A1, #A8CEA0, #A0BFCE and #C6A0CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 22 / 19

HEX #CFB1A1

RGB 207 177 161

HSL 20.87, 0.32%, 0.72%

LAB 74.37, 8.33, 12.19

 

Complementary color

CMYK 49 / 17 / 0 / 63

HEX #304E5E

RGB 48 78 94

HSL 200.87, 0.32%, 0.28%

LAB 31.54, -6.25, -12.85

 

CMYK 0 / 17 / 26 / 17

HEX #D4B19C

RGB 212 177 156

HSL 22.5, 0.39%, 0.72%

LAB 74.72, 9.52, 15.47

 

CMYK 0 / 15 / 24 / 10

HEX #E5C3AF

RGB 229 195 175

HSL 22.22, 0.51%, 0.79%

LAB 81.17, 9.04, 14.52

 

CMYK 0 / 13 / 21 / 4

HEX #F6D5C2

RGB 246 213 194

HSL 21.92, 0.74%, 0.86%

LAB 87.52, 8.6, 13.62

 

CMYK 0 / 9 / 16 / 0

HEX #FFE7D5

RGB 255 231 213

HSL 25.71, 1%, 0.92%

LAB 93.11, 5.35, 11.72

 

CMYK 0 / 2 / 9 / 0

HEX #FFF9E8

RGB 255 249 232

HSL 44.35, 1%, 0.95%

LAB 97.97, -0.84, 8.85

 

CMYK 0 / 14 / 22 / 19

HEX #CFB1A1

RGB 207 177 161

HSL 20.87, 0.32%, 0.72%

LAB 74.37, 8.33, 12.19

 

CMYK 0 / 16 / 25 / 25

HEX #BE9F8E

RGB 190 159 142

HSL 21.25, 0.27%, 0.65%

LAB 67.8, 8.81, 13.13

 

CMYK 0 / 18 / 29 / 32

HEX #AD8D7B

RGB 173 141 123

HSL 21.6, 0.23%, 0.58%

LAB 61.1, 9.36, 14.15

 

CMYK 0 / 21 / 33 / 39

HEX #9C7B68

RGB 156 123 104

HSL 21.92, 0.21%, 0.51%

LAB 54.27, 9.99, 15.27

 

CMYK 0 / 24 / 39 / 45

HEX #8B6955

RGB 139 105 85

HSL 22.22, 0.24%, 0.44%

LAB 47.3, 10.73, 16.51

 

CMYK 0 / 15 / 22 / 19

HEX #CEB0A0

RGB 206 176 160

HSL 20.87, 0.32%, 0.72%

LAB 74, 8.35, 12.2

 

CMYK 0 / 20 / 22 / 19

HEX #CEA4A0

RGB 206 164 160

HSL 5.22, 0.32%, 0.72%

LAB 71.02, 14.84, 7.96

 

CMYK 0 / 22 / 22 / 19

HEX #CEA0A0

RGB 206 160 160

HSL 0, 0.32%, 0.72%

LAB 70.04, 17.02, 6.55

 

CMYK 0 / 15 / 22 / 19

HEX #CEB0A0

RGB 206 176 160

HSL 20.87, 0.32%, 0.72%

LAB 74, 8.35, 12.2

 

CMYK 0 / 9 / 22 / 19

HEX #CEBCA0

RGB 206 188 160

HSL 36.52, 0.32%, 0.72%

LAB 77.06, 1.93, 16.49

 

CMYK 0 / 2 / 22 / 19

HEX #CEC9A0

RGB 206 201 160

HSL 53.48, 0.32%, 0.72%

LAB 80.42, -4.89, 21.16

 

CMYK 3 / 0 / 22 / 19

HEX #C7CEA0

RGB 199 206 160

HSL 69.13, 0.32%, 0.72%

LAB 81.19, -10.08, 22.14

 

CMYK 10 / 0 / 22 / 19

HEX #BACEA0

RGB 186 206 160

HSL 86.09, 0.32%, 0.72%

LAB 80.25, -14.85, 20.68

 

CMYK 0 / 15 / 22 / 19

HEX #CEB0A0

RGB 206 176 160

HSL 20.87, 0.32%, 0.72%

LAB 74, 8.35, 12.2

 

CMYK 0 / 21 / 32 / 15

HEX #DAAD95

RGB 218 173 149

HSL 20.87, 0.48%, 0.72%

LAB 74.17, 13.04, 18.58

 

CMYK 0 / 26 / 40 / 10

HEX #E5A989

RGB 229 169 137

HSL 20.87, 0.64%, 0.72%

LAB 74.09, 18.04, 25.15

 

CMYK 0 / 31 / 48 / 5

HEX #F1A67E

RGB 241 166 126

HSL 20.87, 0.8%, 0.72%

LAB 74.5, 23.22, 31.83

 

CMYK 0 / 36 / 55 / 1

HEX #FCA272

RGB 252 162 114

HSL 20.87, 0.96%, 0.72%

LAB 74.67, 28.61, 38.65

 

CMYK 0 / 15 / 22 / 19

HEX #CEB0A0

RGB 206 176 160

HSL 20.87, 0.32%, 0.72%

LAB 74, 8.35, 12.2

 

CMYK 0 / 7 / 11 / 24

HEX #C2B4AC

RGB 194 180 172

HSL 21.82, 0.15%, 0.72%

LAB 74.25, 3.61, 5.86

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 12 / 4 / 0 / 24

HEX #ABBBC3

RGB 171 187 195

HSL 200, 0.17%, 0.72%

LAB 74.91, -3.86, -5.92

 

CMYK 22 / 8 / 0 / 19

HEX #A0BECE

RGB 160 190 206

HSL 200.87, 0.32%, 0.72%

LAB 75.3, -6.59, -11.4

 

CMYK 0 / 22 / 18 / 19

HEX #CEA0A9

RGB 206 160 169

HSL 348.26, 0.32%, 0.72%

LAB 70.27, 18.4, 1.89

 

CMYK 0 / 21 / 22 / 19

HEX #CEA3A0

RGB 206 163 160

HSL 3.91, 0.32%, 0.72%

LAB 70.77, 15.39, 7.6

 

CMYK 0 / 15 / 22 / 19

HEX #CEAFA0

RGB 206 175 160

HSL 19.57, 0.32%, 0.72%

LAB 73.75, 8.88, 11.85

 

CMYK 0 / 9 / 22 / 19

HEX #CEBCA0

RGB 206 188 160

HSL 36.52, 0.32%, 0.72%

LAB 77.06, 1.93, 16.49

 

CMYK 0 / 3 / 22 / 19

HEX #CEC8A0

RGB 206 200 160

HSL 52.17, 0.32%, 0.72%

LAB 80.16, -4.37, 20.8

 

CMYK 0 / 26 / 40 / 30

HEX #B2836A

RGB 178 131 106

HSL 20.83, 0.32%, 0.56%

LAB 58.73, 14.79, 20.6

 

CMYK 0 / 20 / 31 / 25

HEX #C09A85

RGB 192 154 133

HSL 21.36, 0.32%, 0.64%

LAB 66.53, 11.08, 16.39

 

CMYK 0 / 15 / 22 / 19

HEX #CEB0A0

RGB 206 176 160

HSL 20.87, 0.32%, 0.72%

LAB 74, 8.35, 12.2

 

CMYK 0 / 10 / 15 / 14

HEX #DCC7BB

RGB 220 199 187

HSL 21.82, 0.32%, 0.8%

LAB 81.65, 5.41, 8.67

 

CMYK 0 / 6 / 8 / 8

HEX #EADDD7

RGB 234 221 215

HSL 18.95, 0.31%, 0.88%

LAB 88.98, 3.43, 4.52

 

CMYK 0 / 14 / 22 / 19

HEX #CFB1A1

RGB 207 177 161

HSL 20.87, 0.32%, 0.72%

LAB 74.37, 8.33, 12.19

 

CMYK 12 / 0 / 22 / 19

HEX #B6CEA0

RGB 182 206 160

HSL 91.3, 0.32%, 0.72%

LAB 79.97, -16.3, 20.25

 

CMYK 22 / 21 / 0 / 19

HEX #A0A3CE

RGB 160 163 206

HSL 236.09, 0.32%, 0.72%

LAB 68.11, 8.15, -22.26

 

CMYK 0 / 14 / 22 / 19

HEX #CFB1A1

RGB 207 177 161

HSL 20.87, 0.32%, 0.72%

LAB 74.37, 8.33, 12.19

 

CMYK 22 / 0 / 15 / 19

HEX #A0CEAF

RGB 160 206 175

HSL 139.57, 0.32%, 0.72%

LAB 78.87, -21.26, 10.54

 

CMYK 15 / 22 / 0 / 19

HEX #AFA0CE

RGB 175 160 206

HSL 259.57, 0.32%, 0.72%

LAB 68.54, 14.58, -21.5

 

CMYK 0 / 14 / 22 / 19

HEX #CFB1A1

RGB 207 177 161

HSL 20.87, 0.32%, 0.72%

LAB 74.37, 8.33, 12.19

 

CMYK 12 / 0 / 22 / 19

HEX #B6CEA0

RGB 182 206 160

HSL 91.3, 0.32%, 0.72%

LAB 79.97, -16.3, 20.25

 

CMYK 22 / 7 / 0 / 19

HEX #A0BFCE

RGB 160 191 206

HSL 199.57, 0.32%, 0.72%

LAB 75.57, -7.12, -11

 

CMYK 10 / 22 / 0 / 19

HEX #B9A0CE

RGB 185 160 206

HSL 272.61, 0.32%, 0.72%

LAB 69.41, 17.83, -20.1

 

CMYK 0 / 14 / 22 / 19

HEX #CFB1A1

RGB 207 177 161

HSL 20.87, 0.32%, 0.72%

LAB 74.37, 8.33, 12.19

 

CMYK 18 / 0 / 22 / 19

HEX #A8CEA0

RGB 168 206 160

HSL 109.57, 0.32%, 0.72%

LAB 79.04, -21.24, 18.83

 

CMYK 22 / 7 / 0 / 19

HEX #A0BFCE

RGB 160 191 206

HSL 199.57, 0.32%, 0.72%

LAB 75.57, -7.12, -11

 

CMYK 4 / 22 / 0 / 19

HEX #C6A0CE

RGB 198 160 206

HSL 289.57, 0.32%, 0.72%

LAB 70.6, 22.13, -18.18

 

Description

Color code: HEX #CFB1A1 | qconv.com Color code: HEX #CFB1A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 177 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 177 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 22 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 22% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - Engagement Rings, We...
Link: http://www.kay.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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